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Two generations of Alabamians will welcome the reappearance of this classic: those who loved it when it was published to national acclaim in 1948 and who have missed it during the many years it has been out of print, and those who have enjoyed Viola Goode Liddell’s follow-up success, A Place of Springs, and eagerly seek more from her pen.

When Kent Meyers was sixteen years old, his father died of a stroke. There was corn to plant, cattle to feed, and a farm to maintain. Here, in a fresh and vibrant voice, Meyers recounts the wake of his father’s death and reflects on families, farms, and rural life in the Midwest.

Meyers tells the story of growing up on the farm, from the joys of playing in the hayloft as a boy to the steady pattern of chores. He describes the power of winter prairie winds, the excitement of building a fort in the woods, and the self-respect that comes from canning 120 quarts of tomatoes grown on your own land.

Meyers’s father is the central figure around whom these memories revolve. After his father’s death, Meyers fills his shoes out of necessity and respect. In doing so, he discovers that his father was a great teacher and that he himself is no longer a boy but a man. Perhaps the most moving passages of The Witness of Combines acknowledge the simultaneous sadness and pride of growing up in response to death. Meyers recalls planting and harvesting the last crop, selling the family farm, and other emotional moments in a testament to his father, the family bond, and the value of hard work.