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In an adult-dominated society, teenagers are often shut out of participation in politics. We Fight to Win offers a compelling account of young people's attempts to get involved in community politics, and documents the battles waged to form youth movements and create social change in schools and neighborhoods.

Hava Rachel Gordon compares the struggles and successes of two very different youth movements: a mostly white, middle-class youth activist network in Portland, Oregon, and a working-class network of minority youth in Oakland, California. She examines how these young activists navigate schools, families, community organizations, and the mainstream media, and employ a variety of strategies to make their voices heard on some of today's most pressing issuesùwar, school funding, the environmental crisis, the prison industrial complex, standardized testing, corporate accountability, and educational reform. We Fight to Win is one of the first books to focus on adolescence and political action and deftly explore the ways that the politics of youth activism are structured by age inequality as well as race, class, and gender.

It is often said that the federal government cannot or should not attempt to address America's problems of poverty and inequality—because its bureaucracy is wasteful or its programs ineffective. But is this true? In this book, Benjamin I. Page and James R. Simmons examine a number of federal and local programs, detailing what government action already does for its citizens and assessing how efficient it is at solving the problems it seeks to address. Their conclusion, surprisingly, is the polar opposite of the prevailing rhetoric—What Government Can Do is an insightful and compelling argument that it both can and should do more.

Analyzing and challenging the film industry’s infamous treatment of women

The #MeToo revelations put a twenty-first-century stamp on the age-old story of women’s mistreatment in Hollywood. Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women’s stories, past and present, that have come to light.

The collection begins with essays on the interplay between reality and imagination in narratives and representations of women’s experiences of unequal treatment. In Part 2, contributors discuss how the gendered attitudes of the media’s stories enable inequality in Hollywood and look at the forces that arise whenever women resist these media assaults. The next section addresses the structures that built the inequalities and mistreatment while Part 4 revisits established narratives to challenge, renew, and expand upon our understanding of film history through women’s stories. Essays in the final section address the combination of inequality and resistance that defines women’s experiences in Hollywood.

Piercing and astute, Women in Hollywood’s Dream Factory confronts our perception of Hollywood as a mythological land of dreams.

Contributors: Alicia Byrnes, Anna M. Dempsey, Harriet Fletcher, Amanda Konkle, Tamar Jeffers McDonald, Kerry McElroy, Adrienne L. McLean, Karen McNally, Donna Peberdy, Melanie Piper, Victoria K. Pistivsek, Sarah Polley, Ina C. Seethaler, Gabrielle Stecher, and Jennifer Voss