748 books match the query 'Influence' and 28 start with w

cover of WORLDS OF MEDIEVAL WOMEN: "CREATIVITY, INFLUENCE, AND IMAGINATION"

WORLDS OF MEDIEVAL WOMEN

"CREATIVITY, INFLUENCE, AND IMAGINATION"

CONSTANCE H. BERMAN

West Virginia University Press, 1985

[more]
cover of WPAing in a Pandemic and Beyond: Revision, Innovation, and Advocacy

WPAing in a Pandemic and Beyond

Revision, Innovation, and Advocacy

Todd Ruecker

Utah State University Press, 2025

Writing program administrators have a long history of advocating for their students, fellow faculty, and programs. This advocacy includes defending their work against other entities that seek to dictate the work, challenging institutional policies that define student success in a narrow way or create untenable conditions for writing faculty workloads, and making antiracism a central part of writing programs. The COVID-19 pandemic undoubtedly created a variety of additional challenges for those working in education at all levels. WPAs suddenly had to navigate new public health mandates alongside student and instructor fears as well as pressures by administrations and publics to teach in person.

The chapters in this collection include a variety of voices who have been involved in writing program administration in recent years to reflect on the work done in this moment of crisis. Through both short vignettes and longer chapters, this book explores the complicated interactions between WPA work and navigating times of crisis to provide insights for moving forward. Authors explore a variety of topics including professional development, curricular change, advocating in the face of intransigent administrations and others, caring for students, and taking time for self-care. Pointing to specific actions for continued advocacy, WPAing in a Pandemic and Beyond will be of great interest to WPAs and writing studies scholars.
[more]
cover of Waikiki Dreams: How California Appropriated Hawaiian Beach Culture

Waikiki Dreams

How California Appropriated Hawaiian Beach Culture

Patrick Moser

University of Illinois Press, 2024

Despite a genuine admiration for Native Hawaiian culture, white Californians of the 1930s ignored authentic relationships with Native Hawaiians. Surfing became a central part of what emerged instead: a beach culture of dressing, dancing, and acting like an Indigenous people whites idealized.

Patrick Moser uses surfing to open a door on the cultural appropriation practiced by Depression-era Californians against a backdrop of settler colonialism and white nationalism. Recreating the imagined leisure and romance of life in Waikīkī attracted people buffeted by economic crisis and dislocation. California-manufactured objects like surfboards became a physical manifestation of a dream that, for all its charms, emerged from a white impulse to both remove and replace Indigenous peoples. Moser traces the rise of beach culture through the lives of trendsetters Tom Blake, John “Doc” Ball, Preston “Pete” Peterson, Mary Ann Hawkins, and Lorrin “Whitey” Harrison while also delving into California’s control over images of Native Hawaiians via movies, tourism, and the surfboard industry.

Compelling and innovative, Waikīkī Dreams opens up the origins of a defining California subculture.

[more]
cover of Walker Percy, Fyodor Dostoevsky, and the Search for Influence

Walker Percy, Fyodor Dostoevsky, and the Search for Influence

Jessica Hooten Wilson

The Ohio State University Press, 2017

Although Walker Percy named many influences on his work and critics have zeroed in on Kierkegaard in particular, no one has considered his intentional influence: the nineteenth-century Russian novelist Fyodor Dostoevsky. In a study that revives and complicates notions of adaptation and influence, Jessica Hooten Wilson details the long career of Walker Percy. Walker Percy, Fyodor Dostoevsky, and the Search for Influence demonstrates—through close reading of both writers’ works, examination of archival materials, and biographical criticism—not only how pervasive and inescapable Dostoevsky’s influence was but also how necessary it was to the distinctive strengths of Percy’s fiction.
 
 
From Dostoevsky, Percy learned how to captivate his non-Christian readership with fiction saturated by a Christian vision of reality. Not only was his method of imitation in line with this Christian faith but also the aesthetic mode and very content of his narratives centered on his knowledge of Christ. The influence of Dostoevsky on Percy, then, becomes significant as a modern case study for showing the illusion of artistic autonomy and long-held, Romantic assumptions about artistic originality. Ultimately, Wilson suggests, only by studying the good that came before can one translate it in a new voice for the here and now.
 
[more]
cover of Walt Whitman and the Making of Jewish American Poetry

Walt Whitman and the Making of Jewish American Poetry

Dara Barnat

University of Iowa Press, 2023

Walt Whitman has served as a crucial figure within the tradition of Jewish American poetry. But how did Whitman, a non-Jewish, American-born poet, become so instrumental in this area of poetry, especially for poets whose parents, and often they themselves, were not “born here?”

Dara Barnat presents a genealogy of Jewish American poets in dialogue with Whitman, and with each other, and reveals how the lineage of Jewish American poets responding to Whitman extends far beyond the likes of Allen Ginsberg. From Emma Lazarus and Adah Isaacs Menken, through twentieth-century poets such as Charles Reznikoff, Karl Shapiro, Kenneth Koch, Muriel Rukeyser, Adrienne Rich, Marge Piercy, Alicia Suskin Ostriker, and Gerald Stern, this book demonstrates that Whitman has been adopted by Jewish American poets as a liberal symbol against exclusionary and anti-Semitic elements in high modernist literary culture. The turn to Whitman serves as a mode of exploring Jewish and American identity.
 
[more]
cover of War, Peace, and Prosperity in the Name of God: The Ottoman Role in Europe's Socioeconomic Evolution

War, Peace, and Prosperity in the Name of God

The Ottoman Role in Europe's Socioeconomic Evolution

Murat Iyigun

University of Chicago Press, 2015

Differences among religious communities have motivated—and continue to motivate—many of the deadliest conflicts in human history. But how did political power and organized religion become so thoroughly intertwined? And how have religion and religiously motivated conflicts affected the evolution of societies throughout history, from demographic and sociopolitical change to economic growth?

War, Peace, and Prosperity in the Name of God turns the focus on the “big three monotheisms”—Judaism, Islam, and Christianity—to consider these questions. Chronicling the relatively rapid spread of the Abrahamic religions among the Old World, Murat Iyigun shows that societies that adhered to a monotheistic belief in that era lasted longer, suggesting that monotheism brought some sociopolitical advantages. While the inherent belief in one true god meant that these religious communities had sooner or later to contend with one another, Iyigun shows that differences among them were typically strong enough to trump disagreements within. The book concludes by documenting the long-term repercussions of these dynamics for the organization of societies and their politics in Europe and the Middle East.
[more]
cover of Warring Souls: Youth, Media, and Martyrdom in Post-Revolution Iran

Warring Souls

Youth, Media, and Martyrdom in Post-Revolution Iran

Roxanne Varzi

Duke University Press, 2006

With the first Fulbright grant for research in Iran to be awarded since the Iranian revolution in 1979, Roxanne Varzi returned to the country her family left before the Iran-Iraq war. Drawing on ethnographic research she conducted in Tehran between 1991 and 2000, she provides an eloquent account of the beliefs and experiences of young, middle-class, urban Iranians. As the first generation to have come of age entirely in the period since the founding of the Islamic Republic of Iran, twenty-something Iranians comprise a vital index of the success of the nation’s Islamic Revolution. Varzi describes how, since 1979, the Iranian state has attempted to produce and enforce an Islamic public sphere by governing behavior and by manipulating images—particularly images related to religious martyrdom and the bloody war with Iraq during the 1980s—through films, murals, and television shows. Yet many of the young Iranians Varzi studied quietly resist the government’s conflation of religious faith and political identity.

Highlighting trends that belie the government’s claim that Islamic values have taken hold—including rising rates of suicide, drug use, and sex outside of marriage—Varzi argues that by concentrating on images and the performance of proper behavior, the government’s campaign to produce model Islamic citizens has affected only the appearance of religious orthodoxy, and that the strictly religious public sphere is partly a mirage masking a profound crisis of faith among many Iranians. Warring Souls is a powerful account of contemporary Iran made more vivid by Varzi’s inclusion of excerpts from the diaries she maintained during her research and from journal entries written by Iranian university students with whom she formed a study group.

[more]
cover of Warriors Without War: Seminole Leadership in the Late Twentieth Century

Warriors Without War

Seminole Leadership in the Late Twentieth Century

Patricia Riles Wickman

University of Alabama Press, 2012


Warriors Without War takes readers beneath the placid waters of the Seminole’s public image and into the fascinating depths of Seminole society and politics.
 
For the entire last quarter of the twentieth century, the Seminole Tribe of Florida, a federally recognized American Indian Tribe, struggled as it transitioned from a tiny group of warriors into one of the best-known tribes on the world’s economic stage through their gaming enterprises. 
 
Caught between a desperate desire for continued cultural survival and the mounting pressures of the non-Indian world—especially, the increasing requirements of the United States government— the Seminoles took a warriorlike approach to financial risk management.  Their leader was the sometimes charming, sometimes crass and explosive, always warriorlike James Billie, who twice led the tribe in fights with the State of Florida that led all the way to the US Supreme Court.
 
Patricia Riles Wickman, who lived and worked for fifteen years with the Seminole people, chronicles the near-meteoric rise of the tribe and its leader to the pinnacle of international fame, and Billie’s ultimate fall after twenty-four years in power.  Based partly on her own personal experiences working with the Seminole Tribe of Florida, Wickman has produced an in-depth study of the rise of one of the largest Indian gaming operations in the United States that reads almost like a Capote nonfiction novel.
[more]
cover of Watching Vesuvius: A History of Science and Culture in Early Modern Italy

Watching Vesuvius

A History of Science and Culture in Early Modern Italy

Sean Cocco

University of Chicago Press, 2012

Mount Vesuvius has been famous ever since its eruption in 79 CE, when it destroyed and buried the Roman cities of Pompeii and Herculaneum. But less well-known is the role it played in the science and culture of early modern Italy, as Sean Cocco reveals in this ambitious and wide-ranging study. Humanists began to make pilgrimages to Vesuvius during the early Renaissance to experience its beauty and study its history, but a new tradition of observation emerged in 1631 with the first great eruption of the modern period. Seeking to understand the volcano’s place in the larger system of nature, Neapolitans flocked to Vesuvius to examine volcanic phenomena and to collect floral and mineral specimens from the mountainside.
 
In Watching Vesuvius, Cocco argues that this investigation and engagement with Vesuvius was paramount to the development of modern volcanology. He then situates the native experience of Vesuvius in a larger intellectual, cultural, and political context and explains how later eighteenth-century representations of Naples—of its climate and character—grew out of this tradition of natural history. Painting a rich and detailed portrait of Vesuvius and those living in its shadow, Cocco returns the historic volcano to its place in a broader European culture of science, travel, and appreciation of the natural world.
[more]
cover of Watsuji on Nature: Japanese Philosophy in the Wake of Heidegger

Watsuji on Nature

Japanese Philosophy in the Wake of Heidegger

David W. Johnson

Northwestern University Press, 2019

In the first study of its kind, David W. Johnson’s Watsuji on Nature reconstructs the astonishing philosophy of nature of Watsuji Tetsuro (1889–1960). Johnson situates Watsuji’s philosophy in relation to his reception of the thought of Heidegger and to his renewal of core ontological positions in classical Confucian and Buddhist philosophy. He shows that for Watsuji we have our being in the lived experience of nature, one in which nature and culture compose a tightly interwoven texture called fūdo(<風土). By fully unfolding Watsuji’s novel and radical claim that this is a setting that is neither fully external to human subjectivity nor merely a product of it, this book also sets out what still remains unthought in this concept, as well as in the relational structure that underwrites it. Johnson argues that what remains unarticulated is nothing less than the recovery of a reenchanted conception of nature and an elucidation of the wide-ranging implications of a relational conception of the self for questions about the disclosive character of experience, the distinction between fact and value, and the possibility of a place-based ecological ethics.
 
In an engagingly lucid and deft analysis, Watsuji on Nature radically expands our appreciation of twentieth-century Japanese philosophy and shows what it has to offer to a global philosophical conversation.
 
[more]
cover of We Called Him Rabbi Abraham: Lincoln and American Jewry, a Documentary History

We Called Him Rabbi Abraham

Lincoln and American Jewry, a Documentary History

Gary Phillip Zola

Southern Illinois University Press, 2014

Over the course of American history, Jews have held many American leaders in high esteem, but they maintain a unique emotional bond with Abraham Lincoln. From the time of his presidency to the present day, American Jews have persistently viewed Lincoln as one of their own, casting him as a Jewish sojourner and, in certain respects, a Jewish role model. This pioneering compendium— The first volume of annotated documents to focus on the history of Lincoln’s image, influence, and reputation among American Jews— considers how Lincoln acquired his exceptional status and how, over the past century and a half, this fascinating relationship has evolved.

Organized into twelve chronological and thematic chapters, these little-known primary source documents—many never before published and some translated into English for the first time—consist of newspaper clippings, journal articles, letters, poems, and sermons, and provide insight into a wide variety of issues relating to Lincoln’s Jewish connection. Topics include Lincoln’s early encounters with Central European Jewish immigrants living in the Old Northwest; Lincoln’s Jewish political allies; his encounters with Jews and the Jewish community as President; Lincoln’s response to the Jewish chaplain controversy; General U. S. Grant’s General Orders No. 11 expelling “Jews, as a class” from the Military Department of Tennessee; the question of amending the U.S. Constitution to legislate the country’s so-called Christian national character; and Jewish eulogies after Lincoln’s assassination. Other chapters consider the crisis of conscience that arose when President Andrew Johnson proclaimed a national day of mourning for Lincoln on the festival of Shavuot (the Feast of Weeks), a day when Jewish law enjoins Jews to rejoice and not to mourn; Lincoln’s Jewish detractors contrasted to his boosters; how American Jews have intentionally “Judaized” Lincoln ever since his death; the leading role that American Jews have played in in crafting Lincoln’s image and in preserving his memory for the American nation; American Jewish reflections on the question “What Would Lincoln Do?”; and how Lincoln, for America’s Jewish citizenry, became the avatar of America’s highest moral aspirations.

With thoughtful chapter introductions that provide readers with a context for the annotated documents that follow, this volume provides a fascinating chronicle of American Jewry’s unfolding historical encounter with the life and symbolic image of Abraham Lincoln, shedding light on how the cultural interchange between American ideals and Jewish traditions influences the dynamics of the American Jewish experience.

Finalist, 2014 National Jewish Book Award
Finalist, 2015 Ohioana Book Award


[more]
cover of When America Turned: Reckoning with 1968

When America Turned

Reckoning with 1968

David Wyatt

University of Massachusetts Press, 2013

Much has been written about the seismic shifts in American culture and politics during the 1960s. Yet for all the analysis of that turbulent era, its legacy remains unclear. In this elegantly written book, David Wyatt offers a fresh perspective on the decade by focusing on the pivotal year of 1968. He takes as his point of departure the testimony delivered by returning veteran John Kerry before the Senate Armed Services Committee in 1971, as he imagined a time in the future when the word "Vietnam" would mean "the place where America finally turned." But turning from what, to what—and for better or for worse?

Wyatt explores these questions as he retraces the decisive moments of 1968—the Tet Offensive, the McCarthy campaign, the assassinations of Martin Luther King Jr. and Robert Kennedy, the student revolt at Columbia, the "police riot" at the Democratic Convention in Chicago, Lyndon Johnson's capitulation, and Richard Nixon's ascendency to power. Seeking to recover the emotions surrounding these events as well as analyze their significance, Wyatt draws on the insights of what Michael Herr has called "straight" and "secret" histories. The first category consists of work by professional historians, traditional journalists, public figures, and political operatives, while the second includes the writings of novelists, poets, New Journalists, and memoirists.

The aim of this parallel approach is to uncover two kinds of truth: a "scholarly truth" grounded in the documented past and an "imaginative truth" that occupies the more ambiguous realm of meaning. Only by reckoning with both, Wyatt believes, can Americans come to understand the true legacy of the 1960s.
[more]
cover of When Spinoza Met Marx: Experiments in Nonhumanist Activity

When Spinoza Met Marx

Experiments in Nonhumanist Activity

Tracie Matysik

University of Chicago Press, 2022

Explores concepts that bring together the thinking of Spinoza and Marx.

Karl Marx was a fiery revolutionary theorist who heralded the imminent demise of capitalism, while Spinoza was a contemplative philosopher who preached rational understanding and voiced skepticism about open rebellion. Spinoza criticized all teleological ideas as anthropomorphic fantasies, while Marxism came to be associated expressly with teleological historical development. Why, then, were socialists of the German nineteenth century consistently drawn to Spinoza as their philosophical guide? Tracie Matysik shows how the metaphorical meeting of Spinoza and Marx arose out of an intellectual conundrum around the meaning of activity. How is it, exactly, that humans can be fully determined creatures but also able to change their world? To address this paradox, many revolutionary theorists came to think of activity in the sense of Spinoza—as relating. Matysik follows these Spinozist-socialist intellectual experiments as they unfolded across the nineteenth century, drawing lessons from them that will be meaningful for the contemporary world.
[more]
cover of Whitman Noir: Black America and the Good Gray Poet

Whitman Noir

Black America and the Good Gray Poet

Ivy Wilson

University of Iowa Press, 2014

Walt Whitman’s now-famous maxim about “containing the multitudes” has often been understood as a metaphor for the democratizing impulses of the young American nation. But did these impulses extend across the color line? Early in his career, especially in the manuscripts leading up to the first edition of Leaves of Grass, the poet espoused a rather progressive outlook on race relations within the United States. However, as time passed, he steered away from issues of race and blackness altogether. These changing depictions and representations of African Americans in the poetic space of Leaves of Grass and Whitman’s other writings complicate his attempts to fully contain all of America’s subject-citizens within the national imaginary. As alluring as “containing the multitudes” might prove to be, African American poets and writers have been equally vexed by and attracted to Whitman’s acknowledgment of the promise and contradictions of the United States and their place within it.

Whitman Noir: Black America and the Good Gray Poet explores the meaning of blacks and blackness in Whitman’s imagination and, equally significant, also illuminates the aura of Whitman in African American letters from Langston Hughes to June Jordan, Margaret Walker to Yusef Komunyakaa. The essays, which feature academic scholars and poets alike, address questions of literary history, the textual interplay between author and narrator, and race and poetic influence. The volume as a whole reveals the mutual engagement with a matrix of shared ideas, contradictions, and languages to expose how Whitman influenced African American literary production as well as how African American Studies brings to bear new questions and concerns for evaluating Whitman.
[more]
cover of Why Bushwick Bill Matters

Why Bushwick Bill Matters

By Charles L. Hughes

University of Texas Press, 2021

In 1989 the Geto Boys released a blistering track, “Size Ain’t Shit,” that paid tribute to the group’s member Bushwick Bill. Born with dwarfism, Bill was one of the few visibly disabled musicians to achieve widespread fame and one of the even fewer to address disability in a direct, sustained manner. Initially hired as a dancer, Bill became central to the Geto Boys as the Houston crew became one of hip-hop’s most important groups.

Why Bushwick Bill Matters chronicles this crucial artist and explores what he reveals about the relationships among race, sex, and disability in pop music. Charles L. Hughes examines Bill's recordings and videos (both with the Geto Boys and solo), from the horror-comic persona of “Chuckie” to vulnerable verses in songs such as “Mind Playing Tricks On Me,” to discuss his portrayals of dwarfism, addiction, and mental illness. Hughes also explores Bill’s importance to his era and to the longer history of disability in music. A complex figure, Bill exposed the truths of a racist and ableist society even as his violent and provocative lyrics put him in the middle of debates over censorship and misogyny. Confrontational and controversial, Bushwick Bill left a massive legacy as he rhymed and swaggered through an often-inaccessible world.

[more]
cover of Why Patti Smith Matters

Why Patti Smith Matters

Caryn Rose

University of Texas Press, 2022

Patti Smith arrived in New York City at the end of the Age of Aquarius in search of work and purpose. What she found—what she fostered—was a cultural revolution. Through her poetry, her songs, her unapologetic vocal power, and her very presence as a woman fronting a rock band, she kicked open a door that countless others walked through. No other musician has better embodied the “nothing-to-hide” rawness of punk, nor has any other done more to nurture a place in society for misfits of every stripe.

Why Patti Smith Matters is the first book about the iconic artist written by a woman. The veteran music journalist Caryn Rose contextualizes Smith’s creative work, her influence, and her wide-ranging and still-evolving impact on rock and roll, visual art, and the written word. Rose goes deep into Smith’s oeuvre, from her first album, Horses, to acclaimed memoirs operating at a surprising remove from her music. The portrait of a ceaseless inventor, Why Patti Smith Matters rescues punk’s poet laureate from “strong woman” clichés. Of course Smith is strong. She is also a nuanced thinker. A maker of beautiful and challenging things. A transformative artist who has not simply entertained but also empowered millions.

[more]
cover of Why Sinéad O'Connor Matters

Why Sinéad O'Connor Matters

Allyson McCabe

University of Texas Press, 2023

A stirring defense of Sinéad O’Connor’s music and activism, and an indictment of the culture that cancelled her.

In 1990, Sinéad O’Connor’s video for “Nothing Compares 2 U” turned her into a superstar. Two years later, an appearance on Saturday Night Live turned her into a scandal. For many people—including, for years, the author—what they knew of O’Connor stopped there. Allyson McCabe believes it’s time to reassess our old judgments about Sinéad O’Connor and to expose the machinery that built her up and knocked her down.

Addressing triumph and struggle, sound and story, Why Sinéad O’Connor Matters argues that its subject has been repeatedly manipulated and misunderstood by a culture that is often hostile to women who speak their minds (in O’Connor’s case, by shaving her head, championing rappers, and tearing up a picture of the pope on live television). McCabe details O’Connor’s childhood abuse, her initial success, and the backlash against her radical politics without shying away from the difficult issues her career raises. She compares O’Connor to Madonna, another superstar who challenged the Catholic Church, and Prince, who wrote her biggest hit and allegedly assaulted her. A journalist herself, McCabe exposes how the media distorts not only how we see O’Connor but how we see ourselves, and she weighs the risks of telling a story that hits close to home.

In an era when popular understanding of mental health has improved and the public eagerly celebrates feminist struggles of the past, it can be easy to forget how O’Connor suffered for being herself. This is the book her admirers and defenders have been waiting for.

[more]
cover of Why Sinéad O'Connor Matters

Why Sinéad O'Connor Matters

Allyson McCabe

University of Texas Press, 2023

A stirring defense of Sinéad O’Connor’s music and activism, and an indictment of the culture that cancelled her.

In 1990, Sinéad O’Connor’s video for “Nothing Compares 2 U” turned her into a superstar. Two years later, an appearance on Saturday Night Live turned her into a scandal. For many people—including, for years, the author—what they knew of O’Connor stopped there. Allyson McCabe believes it’s time to reassess our old judgments about Sinéad O’Connor and to expose the machinery that built her up and knocked her down.

Addressing triumph and struggle, sound and story, Why Sinéad O’Connor Matters argues that its subject has been repeatedly manipulated and misunderstood by a culture that is often hostile to women who speak their minds (in O’Connor’s case, by shaving her head, championing rappers, and tearing up a picture of the pope on live television). McCabe details O’Connor’s childhood abuse, her initial success, and the backlash against her radical politics without shying away from the difficult issues her career raises. She compares O’Connor to Madonna, another superstar who challenged the Catholic Church, and Prince, who wrote her biggest hit and allegedly assaulted her. A journalist herself, McCabe exposes how the media distorts not only how we see O’Connor but how we see ourselves, and she weighs the risks of telling a story that hits close to home.

In an era when popular understanding of mental health has improved and the public eagerly celebrates feminist struggles of the past, it can be easy to forget how O’Connor suffered for being herself. This is the book her admirers and defenders have been waiting for.

[more]
cover of Why We Can't Have Nice Things: Social Media’s Influence on Fashion, Ethics, and Property

Why We Can't Have Nice Things

Social Media’s Influence on Fashion, Ethics, and Property

Minh-Ha T. Pham

Duke University Press, 2022

In 2016, social media users in Thailand called out the Paris-based luxury fashion house Balenciaga for copying the popular Thai “rainbow bag,” using Balenciaga’s hashtags to circulate memes revealing the source of the bags’ design. In Why We Can’t Have Nice Things Minh-Ha T. Pham examines the way social media users monitor the fashion market for the appearance of knockoff fashion, design theft, and plagiarism. Tracing the history of fashion antipiracy efforts back to the 1930s, she foregrounds the work of policing that has been tacitly outsourced to social media. Despite the social media concern for ethical fashion and consumption and the good intentions behind design policing, Pham shows that it has ironically deepened forms of social and market inequality, as it relies on and reinforces racist and colonial norms and ideas about what constitutes copying and what counts as creativity. These struggles over ethical fashion and intellectual property, Pham demonstrates, constitute deeper struggles over the colonial legacies of cultural property in digital and global economies.
[more]
cover of Why Willie Mae Thornton Matters

Why Willie Mae Thornton Matters

Lynnée Denise

University of Texas Press, 2023

Finalist, 2024 Lesbian Memoir/Biography, Lambda Literary Award for Arts and Culture
Winner — Walter & Lillian Lowenfels Criticism Award, 45th Annual American Book Awards, Before Columbus Foundation


A queer, Black “biography in essays” about the performer who gave us “Hound Dog,” “Ball and Chain,” and other songs that changed the course of American music.

Born in Alabama in 1926, raised in the church, appropriated by white performers, buried in an indigent’s grave—Willie Mae “Big Mama” Thornton's life events epitomize the blues—but Lynnée Denise pushes past the stereotypes to read Thornton’s life through a Black, queer, feminist lens and reveal an artist who was an innovator across her four-decade-long career.

Why Willie Mae Thornton Matters “samples” elements of Thornton’s art—and, occasionally, the author’s own story—to create “a biography in essays” that explores the life of its subject as a DJ might dig through a crate of records. Denise connects Thornton’s vaudevillesque performances in Sammy Green’s Hot Harlem Revue to the vocal improvisations that made “Hound Dog” a hit for Peacock Records (and later for Elvis Presley), injecting music criticism into what’s often framed as a cautionary tale of record-industry racism. She interprets Thornton’s performing in men’s suits as both a sly, Little Richard–like queering of the Chitlin Circuit and a simple preference for pants over dresses that didn’t have a pocket for her harmonica. Most radical of all, she refers to her subject by her given name rather than "Big Mama," a nickname bestowed upon her by a white man. It's a deliberate and crucial act of reclamation, because in the name of Willie Mae Thornton is the sound of Black musical resilience.

[more]
cover of William Gibson and the Future of Contemporary Culture

William Gibson and the Future of Contemporary Culture

Mitch R. Murray and Mathias Nilges

University of Iowa Press, 2021

William Gibson is frequently described as one of the most influential writers of the past few decades, yet his body of work has only been studied partially and without full recognition of its implications for literature and culture beyond science fiction. It is high time for a book that explores the significance and wide-ranging impact of Gibson’s fiction.

In the 1970s and 80s, Gibson, the “Godfather of Cyberpunk,” rejuvenated science fiction. In groundbreaking works such as Neuromancer, which changed science fiction as we knew it, Gibson provided us with a language and imaginary through which it became possible to make sense of the newly emerging world of globalization and the digital and media age. Ever since, Gibson’s reformulation of science fiction has provided us not just with radically innovative visions of the future but indeed with trenchant analyses of our historical present and of the emergence and exhaustion of possible futures.
 
Contributors: Maria Alberto, Andrew M. Butler, Amy J. Elias, Christian Haines, Kylie Korsnack, Mathias Nilges, Malka Older, Aron Pease, Lisa Swanstrom, Takayuki Tatsumi, Sherryl Vint, Phillip E. Wegner, Roger Whitson, Charles Yu
[more]
cover of Wired Together: The Montreal Neurological Institute and the Origins of Neuroscience

Wired Together

The Montreal Neurological Institute and the Origins of Neuroscience

Yvan Prkachin

University of Chicago Press, 2026

Examines the role of an influential neurological institute in shaping a new, interdisciplinary science—neuroscience—and advancing it worldwide.
 
Wired Together explains the rise of neuroscience by tracing the history of the Montreal Neurological Institute (MNI) and the men and women who transformed it into neuroscience’s most innovative and productive research site. Opened by neurosurgeon Wilder Penfield in 1934, the MNI pioneered the surgical treatment of epilepsy and transformed the operating theater into a new kind of scientific laboratory for investigating the functions of the brain. But more than that, the MNI became a crucial site for forming new interdisciplinary practices. These involved, as Yvan Prkachin puts it, wiring together new assemblies of physicians, surgeons, and scientists into a growing network that made possible the emergence of an interdisciplinary science of the brain.
 
Wired Together also traces how the MNI and its network of scientists spread this new interdisciplinary neuroscience to the rest of the world. Prkachin uncovers the surprising history of some of the most important neuroscientific organizations, discoveries, theories, and instruments from their beginnings in Montreal through the complex international networks of the post-war sciences. In doing so, he tells the stories of the most crucial and least understood characters from early neuroscience—such as Brenda Milner, Donald Hebb, Herbert Jasper, Molly Harrower, and David Hubel—as well as the surprising origins of scientific practices and ideas like sensory deprivation, multiple forms of memory, and artificial neural networks.
[more]
cover of Within Reason: A Liberal Public Health for an Illiberal Time

Within Reason

A Liberal Public Health for an Illiberal Time

Sandro Galea

University of Chicago Press, 2023

A provocative chronicle of how US public health has strayed from its liberal roots.

The Covid-19 response was a crucible of politics and public health—a volatile combination that produced predictably bad results. As scientific expertise became entangled with political motivations, the public-health establishment found itself mired in political encampment.

It was, as Sandro Galea argues, a crisis of liberalism: a retreat from the principles of free speech, open debate, and the pursuit of knowledge through reasoned inquiry that should inform the work of public health.

Across fifty essays, Within Reason chronicles how public health became enmeshed in the insidious social trends that accelerated under Covid-19. Galea challenges this intellectual drift towards intolerance and absolutism while showing how similar regressions from reason undermined social progress during earlier eras. Within Reason builds an incisive case for a return to critical, open inquiry as a guiding principle for the future public health we want—and a future we must work to protect.

[more]
cover of Women in Missouri History: In Search of Power and Influence

Women in Missouri History

In Search of Power and Influence

Edited by LeeAnn Whites, Mary C. Neth, & Gary R. Kremer

University of Missouri Press, 2004

Women in Missouri History is an exceptional collection of essays surveying the history of women in the state of Missouri from the period of colonial settlement through the mid-twentieth century. The women featured in these essays come from various ethnic, economic, and racial groups, from both urban and rural areas, and from all over the state. The authors effectively tell these women’s stories through biographies and through techniques of social history, allowing the reader to learn not only about the women’s lives individually, but also about how groups of “ordinary” women shaped the history of the state.

The essays in this collection address questions that are at the center of current developments in the field of women’s history but are written in a manner that makes them accessible to general readers. Providing an excellent general overview of the history of women in Missouri, this collection makes a valuable contribution to a better understanding of the state’s past.

[more]
cover of Word Toys: Poetry and Technics

Word Toys

Poetry and Technics

Brian Kim Stefans

University of Alabama Press, 2017

An engaging and thought provoking volume that speculates on a range of textual works—poetic, novelistic, and programmed—as technical objects

With the ascent of digital culture, new forms of literature and literary production are thriving that include multimedia, networked, conceptual, and other as-yet-unnamed genres while traditional genres and media—the lyric, the novel, the book—have been transformed. Word Toys: Poetry and Technics is an engaging and thought-provoking volume that speculates on a range of poetic, novelistic, and programmed works that lie beyond the language of the literary and which views them instead as technical objects.
 
Brian Kim Stefans considers the problems that arise when discussing these progressive texts in relation to more traditional print-based poetic texts. He questions the influence of game theory and digital humanities rhetoric on poetic production, and how non-digital works, such as contemporary works of lyric poetry, are influenced by the recent ubiquity of social media, the power of search engines, and the public perceptions of language in a time of nearly universal surveillance.
 
Word Toys offers new readings of canonical avant-garde writers such as Ezra Pound and Charles Olson, major successors such as Charles Bernstein, Alice Notley, and Wanda Coleman, mixed-genre artists including Caroline Bergvall, Tan Lin, and William Poundstone, and lyric poets such as Harryette Mullen and Ben Lerner. Writers that trouble the poetry/science divide such as Christian Bök, and novelists who have embraced digital technology such as Mark Z. Danielewski and the elusive Toadex Hobogrammathon, anchor reflections on the nature of creativity in a world where authors collaborate, even if unwittingly, with machines and networks. In addition, Stefans names provocative new genres—among them the nearly formless “undigest” and the transpacific “miscegenated script”—arguing by example that interdisciplinary discourse is crucial to the development of scholarship about experimental work.
[more]
cover of Work, Fight, or Play Ball: How Bethlehem Steel Helped Baseball's Stars Avoid World War I

Work, Fight, or Play Ball

How Bethlehem Steel Helped Baseball's Stars Avoid World War I

Ecenbarger, William

Temple University Press, 2024

In 1918, Bethlehem Steel started the world’s greatest industrial baseball league. Appealing to Major League Baseball players looking to avoid service in the Great War, teams employed “ringers” like Babe Ruth, Rogers Hornsby, and Shoeless Joe Jackson in what became scornfully known as “safe shelter” leagues. In Work, Fight, or Play Ball, William Ecenbarger fondly recounts this little-known story of how dozens of athletes faced professional conflicts and a difficult choice in light of public perceptions and war propaganda.

Some players used the steel mill and shipyard leagues to avoid wartime military duty, irking Major League owners, who saw their rosters dwindling. Bethlehem Steel President Charles Schwab (no relation to the financier) saw the league as a means to stave off employee and union organizing. Most fans loudly criticized the ballplayers, but nevertheless showed up to watch the action on the diamond.

Ecenbarger traces the 1918 Steel League’s season and compares the fates of the players who defected to industry or continued to play stateside with the travails of the Major Leaguers, such as Christy Mathewson, Ty Cobb, and Grover Cleveland Alexander, who served during the war.

Work, Fight, or Play Ball reveals the home field advantage brought on by the war, which allowed companies to profit from Major League players.
[more]
cover of Writing With Elbow

Writing With Elbow

edited by Pat Belanoff, Marcia Dickson, Sheryl I. Fontaine, & Charles Moran

Utah State University Press, 2002

 Writing with Elbow is a volume written by leading scholars now working in the field of composition who trace their own scholarship to foundational work done by Peter Elbow over the last thirty years. The book is in that sense a celebration. But it is more than that, too. Elbow and process writing are not without their critics, and the essays collected in Writing with Elbow also test him, extend his work, explore his intellectual forebears, address his critics and contexts, and complicate his legacy across a wide range of issues in current composition research and practice. A thoughtful, comprehensive retrospective on Peter Elbow's legacy, 
Writing with Elbow is a must-read collection for composition scholars, teachers, English educationists, and graduate students.
[more]
cover of Writing in Dante's Cult of Truth: From Borges to Bocaccio

Writing in Dante's Cult of Truth

From Borges to Bocaccio

María Rosa Menocal

Duke University Press, 1991

Using the works of Dante as its critical focus, María Rosa Menocal’s original and imaginative study examines questions of truth, ideology, and reality in poetry as they occur in a series of texts and in the relationship between those texts across time. In each case, Menocal raises theoretical issues of critical importance to contemporary debates regarding the structure of literary relations.
Beginning with a reading of La vita nuova and the Commedia, this literary history of poetic literary histories explores the Dantean poetic experience as it has been limited and rewritten by later poets, particularly Petrarch, Boccaccio, Borges, Pound, Eliot, and the all but forgotten Silvio Pellico, author of Le mie prigioni. By blending discussions of Dante’s own marriage of literature and literary history with those investigations into the imitative qualities of later works, Writing in Dante’s Cult of Truth presents an intertextual literary history, one which seeks to maintain the uncanniness of literature, while imagining history to be neither linear nor clearly distinguishable from literature itself.
[more]