178 books match the query 'Media' and 5 start with w

cover of Warring Souls: Youth, Media, and Martyrdom in Post-Revolution Iran

Warring Souls

Youth, Media, and Martyrdom in Post-Revolution Iran

Roxanne Varzi

Duke University Press, 2006

With the first Fulbright grant for research in Iran to be awarded since the Iranian revolution in 1979, Roxanne Varzi returned to the country her family left before the Iran-Iraq war. Drawing on ethnographic research she conducted in Tehran between 1991 and 2000, she provides an eloquent account of the beliefs and experiences of young, middle-class, urban Iranians. As the first generation to have come of age entirely in the period since the founding of the Islamic Republic of Iran, twenty-something Iranians comprise a vital index of the success of the nation’s Islamic Revolution. Varzi describes how, since 1979, the Iranian state has attempted to produce and enforce an Islamic public sphere by governing behavior and by manipulating images—particularly images related to religious martyrdom and the bloody war with Iraq during the 1980s—through films, murals, and television shows. Yet many of the young Iranians Varzi studied quietly resist the government’s conflation of religious faith and political identity.

Highlighting trends that belie the government’s claim that Islamic values have taken hold—including rising rates of suicide, drug use, and sex outside of marriage—Varzi argues that by concentrating on images and the performance of proper behavior, the government’s campaign to produce model Islamic citizens has affected only the appearance of religious orthodoxy, and that the strictly religious public sphere is partly a mirage masking a profound crisis of faith among many Iranians. Warring Souls is a powerful account of contemporary Iran made more vivid by Varzi’s inclusion of excerpts from the diaries she maintained during her research and from journal entries written by Iranian university students with whom she formed a study group.

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cover of We Europeans?: Media, Representations, Identities

We Europeans?

Media, Representations, Identities

William Uricchio

Intellect Books, 2009

We Europeans? explores the relationship between media and identity along the fault lines and fissures of the shifting ethnicities, religions, tastes, generations, and languages that make up contemporary Europe. Addressing topics such as film, television, public monuments, and the press, an international group of contributors reveal how European identity is shaped as the continent administratively consolidates. In essays that explore cultural homogenization, longed-for identities, and the fears surrounding transnational media, this volume uncovers the intricate interactions of history and memory as they inform the European present.
 
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cover of Why Americans Hate Welfare: Race, Media, and the Politics of Antipoverty Policy

Why Americans Hate Welfare

Race, Media, and the Politics of Antipoverty Policy

Martin Gilens

University of Chicago Press, 1999

Tackling one of the most volatile issues in contemporary politics, Martin Gilens's work punctures myths and misconceptions about welfare policy, public opinion, and the role of the media in both. Why Americans Hate Welfare shows that the public's views on welfare are a complex mixture of cynicism and compassion; misinformed and racially charged, they nevertheless reflect both a distrust of welfare recipients and a desire to do more to help the "deserving" poor.

"With one out of five children currently living in poverty and more than 100,000 families with children now homeless, Gilens's book is must reading if you want to understand how the mainstream media have helped justify, and even produce, this state of affairs." —Susan Douglas, The Progressive
"Gilens's well-written and logically developed argument deserves to be taken seriously." —Choice

"A provocative analysis of American attitudes towards 'welfare.'. . . [Gilens] shows how racial stereotypes, not white self-interest or anti-statism, lie at the root of opposition to welfare programs." -Library Journal

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cover of Women and the Media in Capitalism and Socialism: An Ecofeminist Inquiry

Women and the Media in Capitalism and Socialism

An Ecofeminist Inquiry

Edited by Martina Topic

Intellect Books, 2023

A close look at who shapes the news—and how that affects women.
 
Women and the Media in Capitalism and Socialism examines the news media in capitalist, socialist, and mixed governments to understand the position of women—both their work as journalists and their perception by readers and viewers. Drawing on case studies from around the world, the contributors ask: Who creates the news about women? Who is empowered to act as a news source? And what is the impact? The contributors then apply these questions to an array of examples, including sports journalists in the United Kingdom, reports about violence against women in Spain, news creation in Nigeria, and media representation of female politicians in Croatia.
 
Grounded in ecofeminism, the volume argues that women hold unequal positions in both capitalist and socialist societies and that these imbalances can only be erased through structural changes. This exciting international collaboration contributes to research on women in the media and grows our understanding of how gender inequities are experienced in different political economies.
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cover of Writings on Media: History of the Present

Writings on Media

History of the Present

Stuart Hall

Duke University Press, 2021

Writings on Media gathers more than twenty of Stuart Hall's media analyses, from scholarly essays such as “Encoding and Decoding in the Television Discourse” (1973) to other writings addressed to wider publics. Hall explores the practices of news photography, the development of media and cultural studies, the changing role of television, and how the nation imagines itself through popular media. He attends to Britain's imperial history and the politics of race and cultural identity as well as the media's relationship to the political project of the state. Testifying to the range and agility of Hall's critical and pedagogic engagement with contemporary media culture—and also to his collaborative mode of working—this volume reaffirms his stature as an innovative media theorist while demonstrating the continuing relevance of his methods of analysis.
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