51 books match the query 'Songs' and 2 start with w
Joanna Brooks
University of Minnesota Press, 2024
A grounded, tender, and mournful reckoning with the catastrophes that launched poor, white Anglos into their role as itinerant foot soldiers for modern imperialism—now in paperback with a new preface
Joanna Brooks’s ancestors were among the early waves of emigrants to leave England for North America. For generations, they lived hardscrabble lives, eking out subsistence in one place after another as they continually moved west in search of a better life. Why, Brooks wondered, did her people and countless other poor English subjects abandon their homeland for such unremitting hardship? The question leads her on a journey through an obscure dimension of American history.
Why We Left reveals the violence and dislocation that propelled seventeenth- and eighteenth-century working-class English emigration, presenting a powerful restorying of how we arrived at our present moment of precarity and rootlessness. Following American folk ballads back across the Atlantic to find histories of economic displacement, environmental destruction, and social betrayal at the heart of the early Anglo-American migrant experience, Brooks offers a scholarly and personal account of the intergenerational traumas that shape the history of white Anglos on Turtle Island.
She shares folk ballads such as “Edward,” which reveals the influence of deforestation on the dislocation of early Anglo-American peasant immigrants, and “The House Carpenter’s Wife,” which emphasizes the impact of economic instability and the colonial enterprise on women. From these ballads, tragic and heartrending, Brooks uncovers an archaeology of the worldviews of America’s earliest immigrants. This tenth-anniversary edition includes a new preface and develops a haunting historical perspective on the ancestors we thought we knew.
By Kathleen Hudson
University of Texas Press, 2007
Across the state and across a wide variety of musical genres, women are making their mark on Texas music. Some have become international superstars, while others are just starting to make their voices heard. But every woman who goes out and plays her music proves that "baring one's heart and soul takes courage, and Texas women artists have a lot of courage," as Lloyd Maines observes in the opening interview of this book. To pay tribute to these dedicated musicians and to capture their unique perspectives on what it means to be a woman in the music business, Kathleen Hudson has spent many years interviewing Texas women musicians for the Texas Heritage Music Foundation.
In Women in Texas Music, Hudson lets us listen in on conversations with thirty-nine musical artists, including Emily Robison, Terri Hendrix, Lee Ann Womack, Rosie Flores, Betty Buckley, Marcia Ball, Lavelle White, and Bobbie Nelson. Hudson encourages and allows the women to tell their own stories as she delves into their life journeys, creative processes, and the importance of writing and performing music, be it blues, rock, country, folk, jazz, or pop. The interviews are warm and open, like good friends sharing the lessons that a life of playing music has taught them.
What emerges from this collection is a solid sense of the strength and integrity that women bring to and gain from Texas music. Everyone who cares about music and culture in Texas will want to join the conversation.