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Winner of FC2’s Catherine Doctorow Prize in Innovative Fiction

Some disappearances are chosen. Others are survived.

The stories in Victoria Lancelotta’s Ways to Disappear excavate the unexamined places between dread and desire, promise and threat, where the body is both prison and salvation. Populated by the grieving and the exultant and those who see no difference between the two, by men and women who are only a little bit broken and boys and girls who can’t wait to be, by souls untethered, rootless, yet bound by blood and flesh, Lancelotta’s characters are driven by the irresistible need to be a bigger part of the worlds they each inhabit, by turns strange and commonplace. In language lush and jagged, never sentimental, these stories scrutinize the exhaustion and enchantment of the everyday: houses seething with resentment and devotion, cars dream-full and hurtling the children in them into a world they think they know but can’t imagine; front porches, back yards, luxury hotels, and truck stops. Lancelotta understands that sometimes people check their wounds not to see if they’ve healed, but to be sure they’re still there.

A man is visited by his now famous ex-boyfriend, and he ponders a life that might have been. A new roommate destabilizes the close friendship between two twenty-somethings. A homesick immigrant plans an eightieth birthday party for the neighborhood grouch. A grisly crime sweeps up an unassuming history teacher, throwing him into the role of outcast.

El Paso serves as a backdrop for many of stories in this deeply human debut collection by Jonathan Ayala. Offering a portrait of contemporary gay Chicano lives, Ayala’s characters contend with the complexities found in navigating belonging, homecoming, falling in love, falling out of love, friendship, and what it means to be Mexican American in the United States today.

These thirteen emotionally rich, character-driven stories are filled with humor, tenderness, and insight into love, friendship, and community.

A beloved, smart, and bold story collection surges back to life in a new print edition

Hailed as “revolutionary fiction,” When the Messenger Is Hot gleefully upends the short-story form, rendering the absurdities and possibilities of modern urban life with disarming humor and keen perception as Crane weaves through grief and womanhood. The women in Elizabeth Crane’s world are fierce and kind, damaged and optimistic. They are jilted lovers, absent daughters, twelve-steppers, and smart-asses, recovering from loss, addiction, or betrayal. From a woman who decides to live on the rooftop of her friend’s apartment (why not?), to a writer whose identity is compromised by the actress who portrays her, to a daughter who believes her deceased mother is still alive and living at the bus depot, these characters experience love and loss in a way that is both profoundly universal and uniquely theirs.
 

The stories of those without access to broadband services—and an urgent call for their connection.

The average American will spend years of their lives online. For many, the Internet is life, facilitating employment, education, commerce, and connection. But imagine students who only have online access in the early hours of the morning, when the sun is down, and the Internet traffic is low. Imagine living through a pandemic without Internet access because you can’t afford the monthly subscription. Imagine a first responder unable to find a strong enough signal to seek life-saving services. In this eye-opening book, communications scholar Christopher Ali shares such stories—and calls for policymakers, broadband companies, and governments to connect these communities with meaningful, affordable broadband.

It may seem unthinkable that tens of millions of people across the country are unable to access the Internet because of a lack of infrastructure; a computer; affordable broadband subscription options; or training, support, and skills. These people, some who are still using dial-up connections, are part of what is often called “the digital divide.” Where the Wires End brings them into the broadband policy conversation, incorporating interviews, surveys, focus groups, and field visits with individuals, communities, and organizations across the country, from inner-city Pittsburgh to the Hoopa Valley Indian Reservation in California. Ali focuses on the stories of those without access to broadband and those who work to get them attention and connection. He then links these stories to ongoing policy issues, demonstrating how we all benefit from a more empathetic approach to broadband policy that is digitally equitable, inclusive, and ultimately, more successful.

The astonishing talent of Argentine women writers belies the struggles they have faced—not merely as overlooked authors, but as women of conviction facing oppression. The patriarchal pressures of the Perón years, the terror of the Dirty War, and, more recently, the economic collapse that gripped the nation in 2001 created such repressive conditions that some writers, such as Luisa Valenzuela, left the country for long periods. Not surprisingly, power has become an inescapable theme in Argentine women's fiction, and this collection shows how the dynamics of power capture not only the political world but also the personal one. Whether their characters are politicians and peasants, torturers and victims, parents and children, or lovers male and female, each writer explores the effects of power as it is exercised by or against women.

The fifteen writers chosen for Women and Power in Argentine Literature include famous names such as Valenzuela, as well as authors anthologized for the first time, most notably María Kodama, widow of Jorge Luis Borges. Each chapter begins with a "verbal portrait," editor Gwendolyn Díaz's personal impression of the author at ease, formed through hours of conversation and interviews. A biographical essay and critical commentary follow, with emphasis on the work included in this anthology. Díaz's interviews, translated from Spanish, and finally the stories themselves—only three of which have been previously published in English—complete the chapters. The extraordinary depth of these chapters reflects the nuanced, often controversial portrayals of power observed by Argentine women writers. Inspiring as well as insightful, Women and Power in Argentine Literature is ultimately about women who, in Díaz's words, "choose to speak their truth regardless of the consequences."

Across the state and across a wide variety of musical genres, women are making their mark on Texas music. Some have become international superstars, while others are just starting to make their voices heard. But every woman who goes out and plays her music proves that "baring one's heart and soul takes courage, and Texas women artists have a lot of courage," as Lloyd Maines observes in the opening interview of this book. To pay tribute to these dedicated musicians and to capture their unique perspectives on what it means to be a woman in the music business, Kathleen Hudson has spent many years interviewing Texas women musicians for the Texas Heritage Music Foundation.

In Women in Texas Music, Hudson lets us listen in on conversations with thirty-nine musical artists, including Emily Robison, Terri Hendrix, Lee Ann Womack, Rosie Flores, Betty Buckley, Marcia Ball, Lavelle White, and Bobbie Nelson. Hudson encourages and allows the women to tell their own stories as she delves into their life journeys, creative processes, and the importance of writing and performing music, be it blues, rock, country, folk, jazz, or pop. The interviews are warm and open, like good friends sharing the lessons that a life of playing music has taught them.

What emerges from this collection is a solid sense of the strength and integrity that women bring to and gain from Texas music. Everyone who cares about music and culture in Texas will want to join the conversation.