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94 books match the query 'Techniques' and 5 start with w

cover of Wall To Wall America: Post Office Murals in the Great Depression

Wall To Wall America

Post Office Murals in the Great Depression

Karal Ann Marling

University of Minnesota Press, 2000

A revealing cultural history of this American art form.

In her intriguing and heavily illustrated look at post office murals of the 1930s, Karal Ann Marling examines these unique government-sponsored works of art not only as paintings but as part of American cultural history. Depicting scenes from the farm, the frontier, and the factories, these murals were commissioned by the Treasury Department during the administration of Franklin D. Roosevelt. Placed in the building where everyone in town had reason to stop, the thousand-odd paintings discussed here were truly intended to hold appeal for everyone. This spirited and often irreverent discussion offers a close look at the murals and what they represented to small-town America during the Great Depression.

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cover of Weathering Winter: A Gardener's Daybook

Weathering Winter

A Gardener's Daybook

Carl H. Klaus

University of Iowa Press, 2003

In winter, when the only things growing seem to be icicles and irritability, what pleasures exist for a gardener or for anyone who lives in a northern climate? In his distinctive daybook, Weathering Winter, Carl Klaus reminds readers that the season of brown twigs and icy gales is just as much a part of the year as when tulips open, tomatoes thrive, and pumpkins color the brown earth. From the first cold snap of late December 1994 to the first outdoor planting of onion sets and radish seeds in mid-March 1995, Klaus kept track of snow falling, birds flocking, soups simmering, gardening catalogs arriving, buds swelling, and seed trays coming to life.
Gardeners, lovers of the out-of-doors, and weather watchers will recognize themselves in the ways in which Klaus has come to terms with the harsh climate and chilly truths that winter embodies. His constant, careful checks on the temperature and on the geraniums overwintering in the attic, his contentment in the basil- and garlic-flavored tomato sauce he cooked up from last season's crops, and his walks with his wife in the bitter chill of starry January nights reflect the pull between indoors and out, the contrast between the beauty and the cruelty of the season.
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cover of Where Is Ana Mendieta?: Identity, Performativity, and Exile

Where Is Ana Mendieta?

Identity, Performativity, and Exile

Jane Blocker

Duke University Press, 1999

Ana Mendieta, a Cuban-born artist who lived in exile in the United States, was one of the most provocative and complex personalities of the 1970s’ artworld. In Where Is Ana Mendieta? art historian Jane Blocker provides an in-depth critical analysis of Mendieta’s diverse body of work. Although her untimely death in 1985 remains shrouded in controversy, her life and artistic legacy provide a unique vantage point from which to consider the history of performance art, installation, and earth works, as well as feminism, multiculturalism, and postmodernism.
Taken from banners carried in a 1992 protest outside the Guggenheim Museum in New York, the title phrase “Where is Ana Mendieta?” evokes not only the suspicious and tragic circumstances surrounding her death but also the conspicuous absence of women artists from high-profile exhibitions. Drawing on the work of such theorists as Judith Butler, Joseph Roach, Edward Said, and Homi Bhabha, Blocker discusses the power of Mendieta’s earth-and-body art to alter, unsettle, and broaden the terms of identity itself. She shows how Mendieta used exile as a discursive position from which to disrupt dominant categories, analyzing as well Mendieta’s use of mythology and anthropology, the ephemeral nature of her media, and the debates over her ethnic, gender, and national identities.
As the first major critical examination of this enigmatic artist’s work, Where Is Ana Mendieta? will interest a broad audience, particularly those involved with the production, criticism, theory, and history of contemporary art.
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cover of Wide Branches, Deep Roots: How Appalachian Wisdom Can Help in the Fight for a Sustainable Future

Wide Branches, Deep Roots

How Appalachian Wisdom Can Help in the Fight for a Sustainable Future

Jessica M Jones

West Virginia University Press, 2026

To be Appalachian is to define oneself in terms of a place. Where we’re from plays a tremendous role in who we are, through storytelling about our homeplaces and the people who have loved them. However, what goes largely unaddressed is how this love of place can contribute to sustainability within the region, which has notoriously faced on-going environmental threats from extraction industries. The reality is that our relationship with the environment is thorny and intertwined with our identities, histories, and economic realities. The authors in the collection get down among the thorns to explore what sustainability means in Appalachia and how we can utilize the power of traditional folkways to achieve it. 

This collection of over thirty pieces explores the connections between Appalachia’s stories, traditions, and modern events and the pathway to regional sustainability. The contributors — writers and scholars — examine how our definitions of sustainability have been formed, the power of education to encourage or inhibit it, and what moves are being made toward efficacy in the future. They also offer specific actions readers can take to better understand and build sustainability where they live.

Contributors: Greg Bealer, Luc Biscan-White, David Blackmore, Aysha Bodenhamer, Ivy Brashear, Matthew Calloway, Nicole Drewitz-Crockett, Christina Fisanick, Deborah Fleming, Amanda V. Garner, Karie Gunter-Seymour, Richard Hague, Amanda E. Hayes, Lockie Hunter, Jessica M. Jones, Kristen LeFevers, Sarah Long, Meghan Moore-Hubbard, Barbara Marie Minney, Jessica Radicic, Elizabeth Emmerth Rexroad, Barbara Sabol, Larry Smith, Patrice Stank, Taylor Nasim Stone, Paul Thomas, Elizabeth Tussey, and Betsy Weems.

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cover of Wood Engraving: The Art of Wood Engraving and Relief Engraving

Wood Engraving

The Art of Wood Engraving and Relief Engraving

Barry Moser

Brandeis University Press, 2021

Written and illustrated by master wood engraver Barry Moser, this primer on the art of wood engraving is filled with valuable knowledge including how to prepare a printing block; how to think in the medium’s properties of line, shape, and ink; and how to transfer a drawing onto a block. It also offers practical advice on which tools to use for a project and which ink works best. A highly illustrated guide to this art form, Wood Engraving will be useful to experienced and beginner engravers alike. This book features stunning examples of Moser’s art and skill to admire and inspire.

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