28167 books match the query 'History' and 1118 start with w
Jing M. Wang
University of Wisconsin Press, 2008
Edited by Robert Forrant and Mary Anne Trasciatti
University of Illinois Press, 2022
A wide-ranging blueprint for change, Where Are the Workers? shows how working-class perspectives can expand our historical memory and inform and inspire contemporary activism.
Contributors: Jim Beauchesne, Rebekah Bryer, Rebecca Bush, Conor Casey, Rachel Donaldson, Kathleen Flynn, Elijah Gaddis, Susan Grabski, Amanda Kay Gustin, Karen Lane, Rob Linné, Erik Loomis, Tom MacMillan, Lou Martin, Scott McLaughlin, Kristin O’Brassill-Kulfan, Karen Sieber, and Katrina Windon
Nina Newington
University of Wisconsin Press, 2007
Tanya Zaharchenko
Central European University Press, 2016
Where Currents Meet, Tanya Zaharchenko’s path-breaking study of literature and cultural memory, moves decisively beyond the simplistic view of a post-Soviet Ukraine divided between east and west. It positions the Ukrainian and Russian components of cultural experience in the country’s east as elements of a complex continuum. Combining insights from memory studies and border studies, Zaharchenko analyzes a generation of younger riters in the city of Kharkiv—a “doubletake generation” that came of age at the time of the Soviet Union’s collapse and now revisits this experience through fiction. In the works of Serhiy Zhadan, Andreĭ Krasniashchikh, Yuri Tsaplin, Oleh Kotsarev, and others the author reveals how borderlands and frontiers, both geographical and conceptual, acquire zonal qualities of their own as these writers navigate the historical legacy they have inherited.
by Brent E. Metz
University Press of Colorado, 2022
Copublished with the Institute for Mesoamerican Studies, University of Albany
In Where Did the Eastern Mayas Go? Brent E. Metz explores the complicated issue of who is Indigenous by focusing on the sociohistorical transformations over the past two millennia of the population currently known as the Ch’orti’ Maya. Epigraphers agree that the language of elite writers in Classic Maya civilization was Proto-Ch’olan, the precursor of the Maya languages Ch’orti’, Ch’olti’, Ch’ol, and Chontal. When the Spanish invaded in the early 1500s, the eastern half of this area was dominated by people speaking various dialects of Ch’olti’ and closely related Apay (Ch’orti’), but by the end of the colonial period (1524–1821) only a few pockets of Ch’orti’ speakers remained.
From 2003 to 2018 Metz partnered with Indigenous leaders to conduct a historical and ethnographic survey of Ch’orti’ Maya identity in what was once the eastern side of the Classic period lowland Maya region and colonial period Ch’orti’-speaking region of eastern Guatemala, western Honduras, and northwestern El Salvador. Today only 15,000 Ch’orti’ speakers remain, concentrated in two municipalities in eastern Guatemala, but since the 1990s nearly 100,000 impoverished farmers have identified as Ch’orti’ in thirteen Guatemalan and Honduran municipalities, with signs of Indigenous revitalization in several Salvadoran municipalities as well. Indigenous movements have raised the ethnic consciousness of many non-Ch’orti’-speaking semi-subsistence farmers, or campesinos. The region’s inhabitants employ diverse measures to assess identity, referencing language, history, traditions, rurality, “blood,” lineage, discrimination, and more.
Where Did the Eastern Mayas Go? approaches Indigenous identity as being grounded in historical processes, contemporary politics, and distinctive senses of place. The book is an engaged, activist ethnography not on but, rather, in collaboration with a marginalized population that will be of interest to scholars of the eastern lowland Maya region, indigeneity generally, and ethnographic experimentation.
Jeff Taylor
University of Missouri Press, 2006
Priya Jaikumar
Duke University Press, 2019
Denise Lynn
University of Massachusetts Press, 2021
By Diana Adesola Mafe
University of Texas Press, 2018
When Lieutenant Uhura took her place on the bridge of the Starship Enterprise on Star Trek, the actress Nichelle Nichols went where no African American woman had ever gone before. Yet several decades passed before many other black women began playing significant roles in speculative (i.e., science fiction, fantasy, and horror) film and television—a troubling omission, given that these genres offer significant opportunities for reinventing social constructs such as race, gender, and class. Challenging cinema’s history of stereotyping or erasing black women on-screen, Where No Black Woman Has Gone Before showcases twenty-first-century examples that portray them as central figures of action and agency.
Writing for fans as well as scholars, Diana Adesola Mafe looks at representations of black womanhood and girlhood in American and British speculative film and television, including 28 Days Later, AVP: Alien vs. Predator, Children of Men, Beasts of the Southern Wild, Firefly, and Doctor Who: Series 3. Each of these has a subversive black female character in its main cast, and Mafe draws on critical race, postcolonial, and gender theories to explore each film and show, placing the black female characters at the center of the analysis and demonstrating their agency. The first full study of black female characters in speculative film and television, Where No Black Woman Has Gone Before shows why heroines such as Lex in AVP and Zoë in Firefly are inspiring a generation of fans, just as Uhura did.
Mark Royden Winchell
University of Missouri Press, 2000
Donald Davidson (1893-1968) may well be the most unjustifiably neglected figure in twentieth-century southern literature. One of the most important poets of the Fugitive movement, he also produced a substantial body of literary criticism, the libretto for an American folk opera, a widely used composition textbook, and the recently discovered novel The Big Ballad Jamboree. As a social and political activist, Davidson had significant impact on conservative thought in this century, imfluencing important scholars from Cleanth Brooks to M. E. Bradford.
Despite these accomplishments, Donald Davidson has received little critical attention from either the literary or the southern scholarly community. Where No Flag Flies is Mark Royden Winchell's redress of this critical disservice. A comprehensive intellectual biography of Davidson, this seminal work offers a complete narrative of Davidson's life with all of its triumphs and losses, frustrations and fulfillments.
Winchell provides the reader with more than a simple study of a man and his achievements; he paints a complete portrait of the times in which Davidson published, from the 1930s to the early 1960s. Davidson was more directly involved in political and social activities than most writers of his generation, and Winchell provides the context, both literary and historical, in which Davidson's opinions and works developed. At the same time, Winchell offers detailed evaluations of Davidson's poetry, fiction, historical writings, and essays.
Drawing upon a wealth of previously unpublished archival material, including Davidson's letters and diary, Where No Flag Flies provides unique access to one of the most original minds of the twentieth-century South. Donald Davidson may not have achieved the recognition he deserved, but this remarkable biography finally makes it possible for a considerable literary audience to discover his true achievement.
Frederick H. Swanson
University of Utah Press, 2015
The Rocky Mountains of Idaho and Montana are home to some of the most important remaining American wilderness areas, preserved because of citizens who stood against massive development schemes that would have diminished important wildlife habitat and the abiding sense of remoteness found in such places. Where Roads Will Never Reach tells the stories of hunters, anglers, outfitters, scientists, and other concerned citizens who devoted themselves to protecting remnant wild lands and ecosystems in the Northern Rockies. Environmental historian Frederick Swanson argues that their heartfelt, dedicated work helped boost the American wilderness movement to its current prominence.
Based on newly available archival sources and interviews with many of the participants, this groundbreaking study explores for the first time the grassroots campaigns that yielded some of the largest designated wilderness areas in America.
Susan E. Schreiner
University of Chicago Press, 1994
By Alan Lessoff
University of Texas Press, 2019
A favorite destination of visitors to the Texas coast, Corpus Christi is a midsize city that manages to be both cosmopolitan and provincial, networked and local. It is an indispensable provider of urban services to South Texas, as well as a port of international significance. Its industries and military bases and, increasingly, its coastal research institutes give it a range of connections throughout North America. Despite these advantages, however, Corpus Christi has never made it into the first rank of Texas cities, and a keen self-consciousness about the city’s subordinate position has driven debates over Corpus’s identity and prospects for decades.
In this masterful urban history—a study that will reshape the way that Texans look at all their cities—Alan Lessoff analyzes Corpus Christi’s place within Texas, the American Southwest, the western Gulf of Mexico, and the U.S.-Mexican borderlands from the city’s founding in 1839 to the present. He portrays Corpus as a place where westward Anglo expansion overwhelmed the Hispanic settlement process from the south, leaving a legacy of conflicting historical narratives that colors the city’s character even now. Lessoff also explores how competing visions of the city’s identity and possibilities have played out in arenas ranging from artwork in public places to schemes to embellish, redevelop, or preserve the downtown waterfront and North Padre Island. With a deep understanding of the geographic, historical, economic, and political factors that have formed the city, Lessoff demonstrates that Corpus Christi exemplifies the tensions between regional and cosmopolitan influences that have shaped cities across the Southwest.
Donald C. Pfanz
Southern Illinois University Press, 2018

Linda Fuller
University of Illinois Press, 1999
Daisy Ocampo
University of Arizona Press, 2023
Thomas E. Sheridan
University of Arizona Press, 1988
Michael C. Lens
Russell Sage Foundation, 2024
Edited by Tom D. Dillehay
University of Texas Press, 2017
Huaca Prieta—one the world’s best-known, yet least understood, early maritime mound sites—and other Preceramic sites on the north coast of Peru bear witness to the beginnings of civilization in the Americas. Across more than fourteen millennia of human occupation, the coalescence of maritime, agricultural, and pastoral economies in the north coast settlements set in motion long-term biological and cultural transformations that led to increased social complexity and food production, and later the emergence of preindustrial states and urbanism. These developments make Huaca Prieta a site of global importance in world archaeology.
This landmark volume presents the findings of a major archaeological investigation carried out at Huaca Prieta, the nearby mound Paredones, and several Preceramic domestic sites in the lower Chicama Valley between 2006 and 2013 by an interdisciplinary team of more than fifty international specialists. The book’s contributors report on and analyze the extensive material records from the sites, including data on the architecture and spatial patterns; floral, faunal, and lithic remains; textiles; basketry; and more. Using this rich data, they build new models of the social, economic, and ontological practices of these early peoples, who appear to have favored cooperation and living in harmony with the environment over the accumulation of power and the development of ruling elites. This discovery adds a crucial new dimension to our understanding of emergent social complexity, cosmology, and religion in the Neolithic period.
James W. Graham
The Ohio State University Press, 2026
Jennifer Bess
University Press of Colorado, 2021
Shaylih Muehlmann
Duke University Press, 2013
Don Lago
University of Nevada Press, 2017
May Jordan
University of Alabama Press, 2006
This rare find--a journal of a young backwoods woman--provides a unique picture of rural life in southwestern Alabama early in the 20th century.
"I am a little Alabama girl living on the frontier where the wild animals is plentiful," wrote May Jordan in 1912. During the hunting season her father traveled Washington County buying furs, and May--already 23--accompanied him on two of these trips, cooking meals, helping out with the business, and recording their experiences.
May's diary of these trips from December 1912 to March 1914 describes the routine of the fur trade and provides a vivid portrait of wilderness travel and social customs. Through May's eyes, readers can experience the sights and sounds of pine forests and swamps, the difficulty of wading through waist-deep mud, and the neighborliness of the people living in this isolated area. May also shares both the solace of religious faith and her love of laughter as reflected in the jokes she records.
Elisa Moore Baldwin provides an introduction that traces Jordan family history and describes economic, social, and political conditions during the period. Baldwin also includes annotations based on court records, census rolls, and other primary sources and photographs of many of the characters in May's narrative to provide a vivid picture of the times. Because few first-person accounts exist of the life of poor whites, this diary will be invaluable to students of southern and women's history; no comparable work exists for this part of Alabama during this era. May's journal takes us to another world and teaches us about the lively human spirit in the face of hardship and loneliness.
Kim Savelson
The Ohio State University Press, 2009
Anna Maria van Schurman
University of Chicago Press, 1998
John W. Hevener. Foreword by Robert Gipe
University of Illinois Press, 1978
Depression-era Harlan County, Kentucky, was the site of one of the most bitter and protracted labor disputes in American history. The decade-long conflict between miners and the coal operators who adamantly resisted unionization has been immortalized in folksong by Florence Reece and Aunt Molly Jackson, contemplated in prose by Theodore Dreiser and Sherwood Anderson, and long been obscured by popular myths and legends.
John W. Hevener separates the fact from the legend in his Weatherford Award-winning investigation of Harlan's civil strife, now available for the first time in paperback. In Which Side Are You On? Hevener attributes the violence–-including the deaths of thirteen union miners–-to more than just labor conflict, viewing Harlan's troubles as sectional economic conflict stemming from the county's rapid industrialization and social disorganization in the preceding decade.
Detailing the dimensions of unionization and the balance of power spawned by New Deal labor policy after government intervention, Which Side Are You On? is the definitive analysis of Harlan's bloody decade and a seminal contribution to American labor history.
Maud Bracke
Central European University Press, 2007
Virginia M. Closs
University of Michigan Press, 2020
John Henry Schlegel
University of Michigan Press, 2022
What might a sensible community choose to do if its economy has fallen apart and becoming a ghost town is not an acceptable option? Unfortunately, answers to this question have long been measured against an implicit standard: the postwar economy of the 1950s. After showing why that economy provides an implausible standard—made possible by the lack of economic competition from the European and Asian countries, winners or losers, touched by the war—John Henry Schlegel attempts to answer the question of what to do.
While Waiting for Rain first examines the economic history of the United States as well as that of Buffalo, New York: an appropriate stand-in for any city that may have seen its economy start to fall apart in the 1960s, 70s, and 80s. It makes clear that neither Buffalo nor the United States as a whole has had an economy in the sense of “a persistent market structure that is the fusion of an understanding of economic life with the patterns of behavior within the economic, political, and social institutions that enact that understanding” since both economies collapsed. Next, this book builds a plausible theory of how economic growth might take place by examining the work of the famous urbanist, Jane Jacobs, especially her book Cities and the Wealth of Nations. Her work, like that of many others, emphasizes the importance of innovation for economic growth, but is singular in its insistence that such innovation has to come from local resources. It can neither be bought nor given, even by well-intentioned political actors. As a result Americans generally, as well as locally, are like farmers in the midst of a drought, left to review their resources and wait. Finally, it returns to both the local Buffalo and the national economies to consider what these political units might plausibly do while waiting for an economy to emerge.
Richard C. Lindberg
University of Minnesota Press, 2011
Chicago in the 1920s: Clark Street was the city’s last Swedetown, a narrow corridor of weather-beaten storefronts, coal yards, and taverns running along the north side of the city and the locus of Swedish community life in Chicago during the first half of the twentieth century. It represented a way station for a generation of working-class immigrants escaping the hardships of the old country for the promise of a brighter new day in a halfway house of sorts, perched between the old and new lands. For Richard C. Lindberg, whose Swedish immigrant parents and grandparents settled there, it was also the staging ground for an intensely personal, multigenerational, coming-of-age drama based on the struggles of two disparate families—their dreams and their depravities, their victories and their failures.
Whiskey Breakfast is Lindberg’s captivating tale of life as a first-generation baby-boomer Swedish American, caught between the customs of a land he had never been to and the desire to conform and fit into a troubled existence, tragically scarred by alcoholism, divorce, and peer abuse. But it is also a powerful and intimate portrait of his immigrant ancestors, and especially of his father, Oscar—a contractor and master builder who helped develop Chicago’s post–World War II suburbs. A paradoxical man, known to some as a socialist, an anarchist, and a serious drinker, Oscar would carry with him to the grave a sixty-two-year-old family secret, a secret that for Lindberg lies at the very heart of the great Swedish unrest that drove his father and countless other men and women out of Sweden and onward to America.
Masterfully blending autobiography with immigrant history, Whiskey Breakfast surrounds Lindberg’s family story with Swedish cultural history and politics, as well as remarkable Chicago history and how Clark Street and Swedetown became, and in many ways remain, a center of Swedish immigrants’ social and cultural life. Far from a eulogy for an idealized past, Lindberg has crafted a moving and sobering memoir of a young man’s struggle to come to terms with his father and himself, his immigrant heritage, and his native home.
Bob Alexander
University of North Texas Press, 2016
Ashley Gilbertson
University of Chicago Press, 2007
Benny Golson
Temple University Press, 2016
“One of the greatest artists our country has is Benny Golson. He is not only a great musician, but an original and fabulous composer. He is inventive and creative and his work is loved the world over. Benny is a rare, creative genius. All I would like to say is THREE CHEERS for Benny Golson!”—Tony Bennett
“Composer supreme, tenor man supreme, jazz man supreme, good guy supreme: that’s BENNY GOLSON!"—Sonny Rollins
Born during the de facto inaugural era of jazz, saxophonist Benny Golson learned his instrument and the vocabulary of jazz alongside John Coltrane while Golson was still in high school in Philadelphia. Quickly establishing himself as an iconic fixture on the jazz landscape, Golson performed with dozens of jazz greats, from Sonny Rollins, Coleman Hawkins, and Jimmy Heath to Dizzy Gillespie, Freddie Hubbard, and many others. An acclaimed composer, Golson also wrote music for Hollywood films and television and composed such memorable jazz standards as “Stablemates,” “Killer Joe,” and “Whisper Not.”
An eloquent account of Golson’s exceptional life—presented episodically rather than chronologically—Whisper Not includes a dazzling collection of anecdotes, memories, experiences, and photographs that recount the successes, the inevitable failures, and the rewards of a life eternally dedicated to jazz.
Susan Thomson
University of Wisconsin Press, 2013
Jerry Apps
Wisconsin Historical Society Press, 2015
Edited by Mary Maillard
University of Wisconsin Press, 2020
Philip White
University Press of New England, 2015
Mark D. Naison
Temple University Press, 2002
Naa Oyo A. Kwate
University of Minnesota Press, 2023
The long and pernicious relationship between fast food restaurants and the African American community
Today, fast food is disproportionately located in Black neighborhoods and marketed to Black Americans through trgeted advertising. But throughout much of the twentieth century, fast food was developed specifically for White urban and suburban customers, purposefully avoiding Black spaces. In White Burgers, Black Cash, Naa Oyo A. Kwate traces the evolution in fast food from the early 1900s to the present, from its long history of racist exclusion to its current damaging embrace of urban Black communities.
Fast food has historically been tied to the country’s self-image as the land of opportunity and is marketed as one of life’s simple pleasures, but a more insidious history lies at the industry’s core. White Burgers, Black Cash investigates the complex trajectory of restaurant locations from a decided commitment to Whiteness to the disproportionate densities that characterize Black communities today. Kwate expansively charts fast food’s racial and spatial transformation and centers the cities of Chicago, New York City, and Washington, D.C., in a national examination of the biggest brands of today, including White Castle, KFC, Burger King, McDonald’s, and more.
Deeply researched, compellingly told, and brimming with surprising details, White Burgers, Black Cash reveals the inequalities embedded in America’s popular national food tradition.
Ignacio M. García
University of Arizona Press, 2008
Cotten Seiler
University of Chicago Press, 2026

Sharon Rotbard
Pluto Press, 2015
Allen F. Chew
Michigan State University Press, 1971
The 105-day war between Finland and the Soviet Union in the winter of 1939-1940 has been overshadowed by the larger conflicts of the Second World War, which followed closely after it. The courageous resistence of the only neighbor of Stalin's Russia, which fought the Red Army and survived as a free and independent nation merits this closer look. Although the diplomatic background of the Winter War has been covered before, this is the first substantial English-language study of its dramatic military encounters.
Piro Rexhepi
Duke University Press, 2022
Daiva Markelis
University of Chicago Press, 2010
Her parents never really explained what a D.P. was. Years later Daiva Markelis learned that “displaced person” was the designation bestowed upon European refugees like her mom and dad who fled communist Lithuania after the war. Growing up in the Chicago suburb of Cicero, though, Markelis had only heard the name T.P., since her folks pronounced the D as a T: “In first grade we had learned about the Plains Indians, who had lived in tent-like dwellings made of wood and buffalo skin called teepees. In my childish confusion, I thought that perhaps my parents weren’t Lithuanian at all, but Cherokee. I went around telling people that I was the child of teepees.” So begins this touching and affectionate memoir about growing up as a daughter of Lithuanian immigrants.
Markelis was raised during the 1960s and 1970s in a household where Lithuanian was the first language. White Field, Black Sheep derives much of its charm from this collision of old world and new: a tough but cultured generation that can’t quite understand the ways of America and a younger one weaned on Barbie dolls and The Brady Bunch, Hostess cupcakes and comic books, The Monkees and Captain Kangaroo. Throughout, Markelis recalls the amusing contortions of language and identity that animated her childhood. She also humorously recollects the touchstones of her youth, from her First Communion to her first game of Twister. Ultimately, she revisits the troubles that surfaced in the wake of her assimilation into American culture: the constricting expectations of her family and community, her problems with alcoholism and depression, and her sometimes contentious but always loving relationship with her mother.
Deftly recreating the emotional world of adolescence, but overlaying it with the hard-won understanding of adulthood, White Field, Black Sheep is a poignant and moving memoir—a lively tale of this Lithuanian-American life.
Eva Woods Peiró
University of Minnesota Press, 2012
Little has been written about the Spanish film musical, a genre usually associated with the early Franco dictatorship and dismissed by critics as reactionary, escapist fare. A timely and valuable corrective, White Gypsies shows how the Spanish folkloric musical films of the 1940s and ’50s are inextricably tied to anxious concerns about race—especially, but not only, Gypsiness.
Focusing on the processes of identity formation in twentieth-century Spain—with multifaceted readings of the cinematic construction of class, gender, and sexuality—Eva Woods Peiró explores how these popular films allowed audiences to negotiate and imaginatively, at times problematically, resolve complex social contradictions. The intricate interweaving of race and modernity is particularly evident in her scrutiny of a striking popular phenomenon: how the musicals progressively whitened their stars, even as their story lines became increasingly Andalusianized and Gypsified.
White Gypsies reveals how these imaginary individuals constituted a veritable cultural barometer of how racial thinking was projected and understood across a broad swath of popular Spanish cinema.
Gloria Wekker
Duke University Press, 2016
Vicente L. Rafael
Duke University Press, 2000
Kimberly Harper
University of Arkansas Press, 2010