28167 books match the query 'History' and 1118 start with w

cover of When “I” Was Born: Women’s Autobiography in Modern China

When “I” Was Born

Women’s Autobiography in Modern China

Jing M. Wang

University of Wisconsin Press, 2008

In the period between the 1920s and 1940s, a genre emerged in Chinese literature that would reveal crucial contradictions in Chinese culture that still exist today. At a time of intense political conflict, Chinese women began to write autobiography, a genre that focused on personal identity and self-exploration rather than the national, collective identity that the country was championing.

When “I” Was Born: Women’s Autobiography in Modern China
reclaims the voices of these particular writers, voices that have been misinterpreted and overlooked for decades. Tracing women writers as they move from autobiographical fiction, often self-revelatory and personal, to explicit autobiographies that focused on women’s roles in public life, Jing M. Wang reveals the factors that propelled this literary movement, the roles that liberal translators and their renditions of Western life stories played, and the way in which these women writers redefined writing and gender in the stories they told. But Wang reveals another story as well: the evolving history and identity of women in modern Chinese society. When “I” Was Born adds to a growing body of important work in Chinese history and culture, women’s studies, and autobiography in a global context.

Writers discussed include Xie Bingying, Zhang Ailing, Yu Yinzi, Fei Pu, Lu Meiyen, Feng Heyi, Ye Qian, Bai Wei, Shi Wen, Fan Xiulin, Su Xuelin, and Lu Yin.
 
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cover of Where Are the Workers?: Labor's Stories at Museums and Historic Sites

Where Are the Workers?

Labor's Stories at Museums and Historic Sites

Edited by Robert Forrant and Mary Anne Trasciatti

University of Illinois Press, 2022

The labor movement in the United States is a bulwark of democracy and a driving force for social and economic equality. Yet its stories remain largely unknown to Americans. Robert Forrant and Mary Anne Trasciatti edit a collection of essays focused on nationwide efforts to propel the history of labor and working people into mainstream narratives of US history. In Part One, the contributors concentrate on ways to collect and interpret worker-oriented history for public consumption. Part Two moves from National Park sites to murals to examine the writing and visual representation of labor history. Together, the essayists explore how place-based labor history initiatives promote understanding of past struggles, create awareness of present challenges, and support efforts to build power, expand democracy, and achieve justice for working people.

A wide-ranging blueprint for change, Where Are the Workers? shows how working-class perspectives can expand our historical memory and inform and inspire contemporary activism.

Contributors: Jim Beauchesne, Rebekah Bryer, Rebecca Bush, Conor Casey, Rachel Donaldson, Kathleen Flynn, Elijah Gaddis, Susan Grabski, Amanda Kay Gustin, Karen Lane, Rob Linné, Erik Loomis, Tom MacMillan, Lou Martin, Scott McLaughlin, Kristin O’Brassill-Kulfan, Karen Sieber, and Katrina Windon

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cover of Where Bones Dance: An English Girlhood, An African War

Where Bones Dance

An English Girlhood, An African War

Nina Newington

University of Wisconsin Press, 2007

     In this stunning debut novel, a child dissects the darkness at the heart of her British diplomatic family. Living in Nigeria on the brink of civil war, Anna—also known as Jake—becomes blood brothers with Dave, the Korean American daughter of a C.I.A. operative. They do push-ups, collect pornography, and plot lives of unmarried freedom while around them a country disintegrates. Luscious, terrifying, and raw, Nigeria itself becomes a lesson in endurance, suffering, love. 
     Stories are layered upon stories: Anna's grandmother tells stories about life as a white woman on the Gold Coast; the clairvoyant and closeted "Aunt" Elsie gives Anna a story of transformation to hold onto in the coming tumult of adolescence. Yet Where Bones Dance also spirals down to the stories that are not told—sexual abuse, the myth of benign colonialism, the chaos of postcolonial Africa. Sensual and fantastical by turns, this moving, funny, immensely readable book delivers an understanding of the interplay of sexuality, gender, race, and war that is sophisticated beyond the years of its intrepid narrator.
 
Winner, Georges Bugnet Award for Novel, Alberta Literary Awards, Writers Guild of Alberta

Best Books for General Audiences, selected by the American Association of School Librarians and the Public Library Association
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cover of Where Currents Meet: Frontiers of Memory in Post-Soviet Fiction of Kharkiv, Ukraine

Where Currents Meet

Frontiers of Memory in Post-Soviet Fiction of Kharkiv, Ukraine

Tanya Zaharchenko

Central European University Press, 2016

Where Currents Meet, Tanya Zaharchenko’s path-breaking study of literature and cultural memory, moves decisively beyond the simplistic view of a post-Soviet Ukraine divided between east and west. It positions the Ukrainian and Russian components of cultural experience in the country’s east as elements of a complex continuum. Combining insights from memory studies and border studies, Zaharchenko analyzes a generation of younger riters in the city of Kharkiv—a “doubletake generation” that came of age at the time of the Soviet Union’s collapse and now revisits this experience through fiction. In the works of Serhiy Zhadan, Andreĭ Krasniashchikh, Yuri Tsaplin, Oleh Kotsarev, and others the author reveals how borderlands and frontiers, both geographical and conceptual, acquire zonal qualities of their own as these writers navigate the historical legacy they have inherited.

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cover of Where Did the Eastern Mayas Go?: The Historical, Relational, and Contingent Interplay of Ch’orti’ Indigeneity

Where Did the Eastern Mayas Go?

The Historical, Relational, and Contingent Interplay of Ch’orti’ Indigeneity

by Brent E. Metz

University Press of Colorado, 2022

Copublished with the Institute for Mesoamerican Studies, University of Albany

In Where Did the Eastern Mayas Go? Brent E. Metz explores the complicated issue of who is Indigenous by focusing on the sociohistorical transformations over the past two millennia of the population currently known as the Ch’orti’ Maya. Epigraphers agree that the language of elite writers in Classic Maya civilization was Proto-Ch’olan, the precursor of the Maya languages Ch’orti’, Ch’olti’, Ch’ol, and Chontal. When the Spanish invaded in the early 1500s, the eastern half of this area was dominated by people speaking various dialects of Ch’olti’ and closely related Apay (Ch’orti’), but by the end of the colonial period (1524–1821) only a few pockets of Ch’orti’ speakers remained.
 
From 2003 to 2018 Metz partnered with Indigenous leaders to conduct a historical and ethnographic survey of Ch’orti’ Maya identity in what was once the eastern side of the Classic period lowland Maya region and colonial period Ch’orti’-speaking region of eastern Guatemala, western Honduras, and northwestern El Salvador. Today only 15,000 Ch’orti’ speakers remain, concentrated in two municipalities in eastern Guatemala, but since the 1990s nearly 100,000 impoverished farmers have identified as Ch’orti’ in thirteen Guatemalan and Honduran municipalities, with signs of Indigenous revitalization in several Salvadoran municipalities as well. Indigenous movements have raised the ethnic consciousness of many non-Ch’orti’-speaking semi-subsistence farmers, or campesinos. The region’s inhabitants employ diverse measures to assess identity, referencing language, history, traditions, rurality, “blood,” lineage, discrimination, and more.
 
Where Did the Eastern Mayas Go? approaches Indigenous identity as being grounded in historical processes, contemporary politics, and distinctive senses of place. The book is an engaged, activist ethnography not on but, rather, in collaboration with a marginalized population that will be of interest to scholars of the eastern lowland Maya region, indigeneity generally, and ethnographic experimentation.

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cover of Where Did the Party Go?: William Jennings Bryan, Hubert Humphrey, and the Jeffersonian Legacy

Where Did the Party Go?

William Jennings Bryan, Hubert Humphrey, and the Jeffersonian Legacy

Jeff Taylor

University of Missouri Press, 2006

It doesn’t take a pundit to recognize that the Democratic Party has changed. With frustrating losses in the national elections of 2000 and 2004 and the erosion of its traditional base, the party of Jefferson and Jackson has become something neither would recognize.
In this intriguing book, Jeff Taylor looks beyond the shortcomings of individual candidates to focus on the party’s real problem: its philosophical underpinnings have changed in ways that turn off many Americans. Rank-and-file party members may still hold to traditional views, but Taylor argues that those who finance, manage, and represent the party at the national level have become nothing less than Hamiltonian elitists—a stance that flies in the face of the party’s bedrock Jeffersonian principles.
Where Did the Party Go? is a prodigious work of scholarship that converts extensive research into an accessible book. Taylor offers up a unique twelve-point model of Jefferson’s thought—as relevant to our time as to his—and uses it to appraise competing views of liberalism in the party during two key eras. Bypassing the well-worn assessments of high-profile Democratic presidents, he shows instead how liberalism from 1885 to 1925 was distinctly Jeffersonian as exemplified by the populism of William Jennings Bryan, while from 1938 to 1978 it became largely elitist under national leaders such as Hubert Humphrey who embraced a centralized state and economy, as well as imperial intervention abroad.
In the first book to look closely at the ideologies of these two midwestern liberals, Taylor chronicles Bryan’s battles with the conservative wing of the party—putting today’s conflicts in sharp historical perspective—and then tells how Humphrey followed those who rejected Jeffersonian principles. By demonstrating how Jefferson’s legacy has gradually weakened, Taylor clearly shows why the party has lost its place in Middle America and how its transformation has led to widespread confusion. His provocative look at the post-Humphrey era considers why so many of today’s voters on both the Left and the Right agree on issues such as economic policy, foreign relations, and political reform—united against elitists of the Center while rarely recognizing their common kinship in Jeffersonian ideals.
If party leaders have wondered where their traditional supporters have gone, they might well consider that those very voters have asked what became of the party they once knew. Taylor’s book forces many to question where the party of Jefferson has gone . . . and whether it can ever come back.
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cover of Where Histories Reside: India as Filmed Space

Where Histories Reside

India as Filmed Space

Priya Jaikumar

Duke University Press, 2019

In Where Histories Reside Priya Jaikumar examines eight decades of films shot on location in India to show how attending to filmed space reveals alternative timelines and histories of cinema. In this bold “spatial” film historiography, Jaikumar outlines factors that shape India's filmed space, from state bureaucracies and commercial infrastructures to aesthetic styles and neoliberal policies. Whether discussing how educational shorts from Britain and India transform natural landscapes into instructional lessons or how Jean Renoir’s The River (1951) presents a universal human condition through the particularities of place, Jaikumar demonstrates that the history of filming a location has always been a history of competing assumptions, experiences, practices, and representational regimes. In so doing, she reveals that addressing the persistent question of “what is cinema?” must account for an aesthetics and politics of space.
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cover of Where Is Juliet Stuart Poyntz?: Gender, Spycraft, and Anti-Stalinism in the Early Cold War

Where Is Juliet Stuart Poyntz?

Gender, Spycraft, and Anti-Stalinism in the Early Cold War

Denise Lynn

University of Massachusetts Press, 2021

On a sweltering June evening in 1937, American Juliet Stuart Poyntz left her boardinghouse in Manhattan and walked toward Central Park, three short blocks away. She was never seen or heard from again. Seven months passed before a formal missing person's report was made, since Poyntz worked for the Soviet Secret Police and her friends (many of whom were anti-Stalinist radicals in the United States) were scared to alert authorities. Her disappearance coincided with Josef Stalin's purges of his political enemies in the Soviet Union and it was feared that Poyntz was a casualty of Soviet brutality.

In Where Is Juliet Stuart Poyntz?, Denise M. Lynn argues that Poyntz's sudden disappearance was the final straw for many on the American political left, who then abandoned Marxism and began to embrace anti-communism. In the years to follow, the left crafted narratives of her disappearance that became central to the Cold War. While scholars have thoroughly analyzed the influence of the political right in the anti-communism of this era, this captivating and compelling study is unique in exploring the influence of the political left.
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cover of Where No Black Woman Has Gone Before: Subversive Portrayals in Speculative Film and TV

Where No Black Woman Has Gone Before

Subversive Portrayals in Speculative Film and TV

By Diana Adesola Mafe

University of Texas Press, 2018

When Lieutenant Uhura took her place on the bridge of the Starship Enterprise on Star Trek, the actress Nichelle Nichols went where no African American woman had ever gone before. Yet several decades passed before many other black women began playing significant roles in speculative (i.e., science fiction, fantasy, and horror) film and television—a troubling omission, given that these genres offer significant opportunities for reinventing social constructs such as race, gender, and class. Challenging cinema’s history of stereotyping or erasing black women on-screen, Where No Black Woman Has Gone Before showcases twenty-first-century examples that portray them as central figures of action and agency.

Writing for fans as well as scholars, Diana Adesola Mafe looks at representations of black womanhood and girlhood in American and British speculative film and television, including 28 Days Later, AVP: Alien vs. Predator, Children of Men, Beasts of the Southern Wild, Firefly, and Doctor Who: Series 3. Each of these has a subversive black female character in its main cast, and Mafe draws on critical race, postcolonial, and gender theories to explore each film and show, placing the black female characters at the center of the analysis and demonstrating their agency. The first full study of black female characters in speculative film and television, Where No Black Woman Has Gone Before shows why heroines such as Lex in AVP and Zoë in Firefly are inspiring a generation of fans, just as Uhura did.

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cover of Where No Flag Flies: Donald Davidson and the Southern Resistance

Where No Flag Flies

Donald Davidson and the Southern Resistance

Mark Royden Winchell

University of Missouri Press, 2000

Donald Davidson (1893-1968) may well be the most unjustifiably neglected figure in twentieth-century southern literature. One of the most important poets of the Fugitive movement, he also produced a substantial body of literary criticism, the libretto for an American folk opera, a widely used composition textbook, and the recently discovered novel The Big Ballad Jamboree. As a social and political activist, Davidson had significant impact on conservative thought in this century, imfluencing important scholars from Cleanth Brooks to M. E. Bradford.

Despite these accomplishments, Donald Davidson has received little critical attention from either the literary or the southern scholarly community. Where No Flag Flies is Mark Royden Winchell's redress of this critical disservice. A comprehensive intellectual biography of Davidson, this seminal work offers a complete narrative of Davidson's life with all of its triumphs and losses, frustrations and fulfillments.

Winchell provides the reader with more than a simple study of a man and his achievements; he paints a complete portrait of the times in which Davidson published, from the 1930s to the early 1960s. Davidson was more directly involved in political and social activities than most writers of his generation, and Winchell provides the context, both literary and historical, in which Davidson's opinions and works developed. At the same time, Winchell offers detailed evaluations of Davidson's poetry, fiction, historical writings, and essays.

Drawing upon a wealth of previously unpublished archival material, including Davidson's letters and diary, Where No Flag Flies provides unique access to one of the most original minds of the twentieth-century South. Donald Davidson may not have achieved the recognition he deserved, but this remarkable biography finally makes it possible for a considerable literary audience to discover his true achievement.

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cover of Where Roads Will Never Reach: Wilderness and Its Visionaries in the Northern Rockies

Where Roads Will Never Reach

Wilderness and Its Visionaries in the Northern Rockies

Frederick H. Swanson

University of Utah Press, 2015

The Rocky Mountains of Idaho and Montana are home to some of the most important remaining American wilderness areas, preserved because of citizens who stood against massive development schemes that would have diminished important wildlife habitat and the abiding sense of remoteness found in such places. Where Roads Will Never Reach tells the stories of hunters, anglers, outfitters, scientists, and other concerned citizens who devoted themselves to protecting remnant wild lands and ecosystems in the Northern Rockies. Environmental historian Frederick Swanson argues that their heartfelt, dedicated work helped boost the American wilderness movement to its current prominence.

Based on newly available archival sources and interviews with many of the participants, this groundbreaking study explores for the first time the grassroots campaigns that yielded some of the largest designated wilderness areas in America. 


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cover of Where Shall Wisdom be Found?: Calvin's Exegesis of Job from Medieval and Modern Perspectives

Where Shall Wisdom be Found?

Calvin's Exegesis of Job from Medieval and Modern Perspectives

Susan E. Schreiner

University of Chicago Press, 1994

Through countless retellings, from the Talmud to Archibald MacLeish and since, the story of Job has become a fixture in the cultural imagination of the West. In this study, Susan E. Schreiner analyzes interpretations of the Book of Job by Gregory the Great, Maimonides, Thomas Aquinas, and particularly John Calvin. Reading Calvin's interpretation of Job against the background of his most important medieval predecessors, Schreiner shows how central Job is to Calvin's struggles with issues of creation, the problem of evil, the meaning of history, and the doctrine of providence.

For Calvin and his predecessors, Schreiner argues, the concept of intellectual perception is the key to an understanding of Job. The texts she examines constantly raise questions about the human capacity for knowledge: What can the sufferer who stands within history perceive about the self, God, and reality? Can humans truly perceive the workings of providence in their personal lives or in the tumult of history? Are evil and injustice a reality that we must confront before finding wisdom?

In her final chapter, Schreiner turns to the wide array of twentieth-century interpretations of Job, including modern biblical commentaries, the work of Carl Jung, and literary transfigurations by Wells, MacLeish, Wiesel, and Kafka. The result is a compelling demonstration of how the history of exegesis can yield vital insights for contemporary culture.
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cover of Where Texas Meets the Sea: Corpus Christi and Its History

Where Texas Meets the Sea

Corpus Christi and Its History

By Alan Lessoff

University of Texas Press, 2019

A favorite destination of visitors to the Texas coast, Corpus Christi is a midsize city that manages to be both cosmopolitan and provincial, networked and local. It is an indispensable provider of urban services to South Texas, as well as a port of international significance. Its industries and military bases and, increasingly, its coastal research institutes give it a range of connections throughout North America. Despite these advantages, however, Corpus Christi has never made it into the first rank of Texas cities, and a keen self-consciousness about the city’s subordinate position has driven debates over Corpus’s identity and prospects for decades.

In this masterful urban history—a study that will reshape the way that Texans look at all their cities—Alan Lessoff analyzes Corpus Christi’s place within Texas, the American Southwest, the western Gulf of Mexico, and the U.S.-Mexican borderlands from the city’s founding in 1839 to the present. He portrays Corpus as a place where westward Anglo expansion overwhelmed the Hispanic settlement process from the south, leaving a legacy of conflicting historical narratives that colors the city’s character even now. Lessoff also explores how competing visions of the city’s identity and possibilities have played out in arenas ranging from artwork in public places to schemes to embellish, redevelop, or preserve the downtown waterfront and North Padre Island. With a deep understanding of the geographic, historical, economic, and political factors that have formed the city, Lessoff demonstrates that Corpus Christi exemplifies the tensions between regional and cosmopolitan influences that have shaped cities across the Southwest.

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cover of Where Valor Proudly Sleeps: A History of Fredericksburg National Cemetery, 1866–1933

Where Valor Proudly Sleeps

A History of Fredericksburg National Cemetery, 1866–1933

Donald C. Pfanz

Southern Illinois University Press, 2018

Many books discuss in great detail what happened during Civil War battles. This is one of the few that investigate what happened to the remains of those who made the ultimate sacrifice. Where Valor Proudly Sleeps explores a battle’s immediate and long-term aftermath by focusing on Fredericksburg National Cemetery, one of the largest cemeteries created by the U.S. government after the Civil War. Pfanz shows how legislation created the National Cemetery System and describes how the Burial Corps identified, collected, and interred soldier remains as well as how veterans, their wives, and their children also came to rest in national cemeteries. By sharing the stories of the Fredericksburg National Cemetery, its workers, and those buried there, Pfanz explains how the cemetery evolved into its current form, a place of beauty and reflection. 
 
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cover of Where Was the Working Class?: REVOLUTION IN EASTERN GERMANY

Where Was the Working Class?

REVOLUTION IN EASTERN GERMANY

Linda Fuller

University of Illinois Press, 1999

In six months bridging 1989 and 1990, the German Democratic Republic underwent a transformation that took the world almost completely by surprise.  Yet unlike the revolution in Poland a decade earlier, only a small percentage of workers played apolitically active role in the fall of socialism in Germany.
 
In this unprecedented study, Linda Fuller sets out to explain why the working class was largely missing from the 1989-90 revolution.   Drawing on pre- and post-revolutionary visits to East German work sites and dozens of interviews, Fuller documents workers' day-to-day experience of the labor process, workplace union politics, and class. She shows how all three factors led most workers to withdraw from politics, even while prompting a handful to become actively involved in the struggle.
 
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cover of Where We Belong: Chemehuevi and Caxcan Preservation of Sacred Mountains

Where We Belong

Chemehuevi and Caxcan Preservation of Sacred Mountains

Daisy Ocampo

University of Arizona Press, 2023

This comparative work dispels the harmful myth that Native people are unfit stewards of their sacred places. This work establishes Indigenous preservation practices as sustaining approaches to the caretaking of the land that embody ecological sustainability, spiritual landscapes, and community well-being.

The author brings together the history and experiences of the Chemehuevi people and their ties with Mamapukaib, or the Old Woman Mountains in the East Mojave Desert, and the Caxcan people and their relationship with Tlachialoyantepec, or Cerro de las Ventanas, in Zacatecas, Mexico. Through a trans-Indigenous approach, Daisy Ocampo weaves historical methodologies (oral histories, archival research, ethnography) with Native studies and historic preservation to reveal why Native communities are the most knowledgeable and transformational caretakers of their sacred places.

This work transcends national borders to reveal how settler structures are sustained through time and space in the Americas. Challenging these structures, traditions such as the Chemehuevi Salt Songs and Caxcan Xuchitl Dance provide both an old and a fresh look at how Indigenous people are reimagining worlds that promote Indigenous-to-Indigenous futures through preservation.

Ultimately, the stories of these two peoples and places in North America illuminate Indigenous sovereignty within the field of public history, which is closely tied to governmental policies, museums, archives, and agencies involved in historic preservation.
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cover of Where the Dove Calls: The Political Ecology of a Peasant Corporate Community in Northwestern Mexico

Where the Dove Calls

The Political Ecology of a Peasant Corporate Community in Northwestern Mexico

Thomas E. Sheridan

University of Arizona Press, 1988

Thomas Sheridan's study of the municipio of Cucurpe, Sonora, offers new insight into the ability of peasants to respond to ecological and political change. In order to survive as small rancher-farmers, the Cucurpeños battle aridity and one another in a society characterized by sharp economic inequality and long-standing conflict over the distribution of land and water.

Sheridan has written an ethnography of resource control, one that weds the approaches of political economy and cultural ecology in order to focus upon both the external linkages and internal adaptations that shape three peasant corporate communities. He examines the ecological and economic constraints which scarce and necessary resources place upon households in Cucurpe, and then investigates why many such households have formed corporate communities to insure their access to resources beyond their control. Finally, he identifies the class differences that exist within the corporate communities as well as between members of those organizations and the private ranchers who surround them.

Where the Dove Calls (the meaning of "Cucurpe" in the language of the Opata Indians), an important contribution to peasant studies, reveals the household as the basic unit of Cucurpe society. By viewing Cucurpe's corporate communities as organizations of fiercely independent domestic units rather than as expressions of communal solidarity, Sheridan shows that peasants are among the exploiters as well as the exploited. Cucurpe¤os struggle to maintain the autonomy of their households even as they join together to protect corporate grazing lands and irrigation water. Any attempt to weaken or destroy that independence is met with opposition that ranges from passive resistance to violence.
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cover of Where the Hood At?: Fifty Years of Change in Black Neighborhoods

Where the Hood At?

Fifty Years of Change in Black Neighborhoods

Michael C. Lens

Russell Sage Foundation, 2024

Substantial gaps exist between Black Americans and other racial and ethnic groups in the U.S., most glaringly Whites, across virtually all quality-of-life indicators. Despite strong evidence that neighborhood residence affects life outcomes, we lack a comprehensive picture of Black neighborhood conditions and how they have changed over time. In Where the Hood At? urban planning and public policy scholar Michael C. Lens examines the characteristics and trajectories of Black neighborhoods across the U.S. over the fifty years since the Fair Housing Act.
 
Hip hop music was born out of Black neighborhoods in the 1970s and has evolved alongside them. In Where the Hood At? Lens uses rap’s growth and influence across the country to frame discussions about the development and conditions of Black neighborhoods. Lens finds that social and economic improvement in Black neighborhoods since the 1970s has been slow. However, how well Black neighborhoods are doing varies substantially by region. Overall, Black neighborhoods in the South are doing well and growing quickly. Washington D.C. and Atlanta, in particular, stand out as centers of Black affluence. Black neighborhoods in the Midwest and the Rust Belt, on the other hand, are particularly disadvantaged. The welfare of Black neighborhoods is related not only to factors within neighborhoods, such as the unemployment rate, but also to characteristics of the larger metropolitan area, such as overall income inequality. Lens finds that while gentrification is increasingly prevalent, it is growing slowly, and is not as pressing an issue as public discourse would make it seem. Instead, concentrated disadvantage is by far the most common and pressing problem in Black neighborhoods.
 
Lens argues that Black neighborhoods represent urban America’s greatest policy failures, and that recent housing policies have only had mild success. He provides several suggestions for policies with the goal of uplifting Black neighborhoods. One radical proposal is enacting policies and programs, such as tax breaks for entrepreneurs or other small business owners, that would encourage Black Americans to move back to the South. Black Americans migrating South would have a better chance at moving to an advantaged Black neighborhood as improving neighborhood location is higher when moving across regions. It would also help Black Americans expand their political and economic power. He also suggests a regional focus for economic development policies, particularly in the Midwest where Black neighborhoods are struggling the most. One way to boost economic development would be to move federal agencies to the area. He also calls for building more affordable housing in Black suburbs. Black poverty is lower in suburbs than in central cities, so increasing housing in Black suburbs would allow Black households to relocate to more advantaged neighborhoods, which research has shown leads to improved life outcomes.
 
Where the Hood At? is a remarkable and comprehensive account of Black neighborhoods that helps us to better understand the places and conditions that allow them flourish or impedes their advancement.
 
 
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cover of Where the Land Meets the Sea: Fourteen Millennia of Human History at Huaca Prieta, Peru

Where the Land Meets the Sea

Fourteen Millennia of Human History at Huaca Prieta, Peru

Edited by Tom D. Dillehay

University of Texas Press, 2017

Huaca Prieta—one the world’s best-known, yet least understood, early maritime mound sites—and other Preceramic sites on the north coast of Peru bear witness to the beginnings of civilization in the Americas. Across more than fourteen millennia of human occupation, the coalescence of maritime, agricultural, and pastoral economies in the north coast settlements set in motion long-term biological and cultural transformations that led to increased social complexity and food production, and later the emergence of preindustrial states and urbanism. These developments make Huaca Prieta a site of global importance in world archaeology.

This landmark volume presents the findings of a major archaeological investigation carried out at Huaca Prieta, the nearby mound Paredones, and several Preceramic domestic sites in the lower Chicama Valley between 2006 and 2013 by an interdisciplinary team of more than fifty international specialists. The book’s contributors report on and analyze the extensive material records from the sites, including data on the architecture and spatial patterns; floral, faunal, and lithic remains; textiles; basketry; and more. Using this rich data, they build new models of the social, economic, and ontological practices of these early peoples, who appear to have favored cooperation and living in harmony with the environment over the accumulation of power and the development of ruling elites. This discovery adds a crucial new dimension to our understanding of emergent social complexity, cosmology, and religion in the Neolithic period.

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cover of Where the Moon Stands Still: Revealing the Cosmic Genius of Ohio’s Indigenous Earthworks

Where the Moon Stands Still

Revealing the Cosmic Genius of Ohio’s Indigenous Earthworks

James W. Graham

The Ohio State University Press, 2026

The inspiring story of how two intrepid college professors revealed the lunar alignments and ancient engineering genius behind the Hopewell Ceremonial Earthworks.

How did people two millennia ago achieve the stunning architectural and scientific accomplishment that in 2023 became Ohio’s only UNESCO World Heritage Site? In Where the Moon Stands Still, James W. Graham recounts the inspiring true story of two small-town college professors who, without funds or training in archaeology, helped unlock secrets behind an ancient monumental work of land art—the Hopewell Ceremonial Earthworks—all but hidden in plain sight on a local golf course. Ever since the arrival of Europeans, thousands of Native earthworks east of the Mississippi were neglected, vandalized, bulldozed, and plundered. Their origins and purposes baffled scholars. How did ancient people build monuments of such grand scale and geometric sophistication? Why? Crucial answers emerged in the 1980s when philosopher Bob Horn and astronomer Ray Hively, driven by curiosity and a tireless devotion to truth-seeking, made a decades-long effort to conquer the skepticism of experts and unmask the ??astronomical genius behind the Indigenous earthworks. As he recounts Hively and Horn’s investigation, Graham refutes exploitative mythical interpretations and explains the history around these earthworks and of US treatment of its Indigenous people, including the long quest for tribes to regain authority over stories, ancestors, and places. Where the Moon Stands Still signals a global reawakening to the greatness of Indigenous achievement in America’s heartland.
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cover of Where the Red-Winged Blackbirds Sing: The Akimel O'odham and Cycles of Agricultural Transformation in the Phoenix Basin

Where the Red-Winged Blackbirds Sing

The Akimel O'odham and Cycles of Agricultural Transformation in the Phoenix Basin

Jennifer Bess

University Press of Colorado, 2021

Where the Red-Winged Blackbirds Sing examines the ways in which the Akimel O’odham (“River People”) and their ancestors, the Huhugam, adapted to economic, political, and environmental constraints imposed by federal Indian policy, the Indian Bureau, and an encroaching settler population in Arizona’s Gila River Valley. Fundamental to O’odham resilience was their connection to their sense of peoplehood and their himdag (“lifeway”), which culminated in the restoration of their water rights and a revitalization of their Indigenous culture.
 
Author Jennifer Bess examines the Akimel O’odham’s worldview, which links their origins with a responsibility to farm the Gila River Valley and to honor their history of adaptation and obligations as “world-builders”—co-creators of an evermore life-sustaining environment and participants in flexible networks of economic exchange. Bess considers this worldview in context of the Huhugam–Akimel O’odham agricultural economy over more than a thousand years. Drawing directly on Akimel O’odham traditional ecological knowledge, innovations, and interpretive strategies in archives and interviews, Bess shows how the Akimel O’odham engaged in agricultural economy for the sake of their lifeways, collective identity, enduring future, and actualization of the values modeled in their sacred stories.
 
Where the Red-Winged Blackbirds Sing highlights the values of adaptation, innovation, and co-creation fundamental to Akimel O’odham lifeways and chronicles the contributions the Akimel O’odham have made to American history and to the history of agriculture. The book will be of interest to scholars of Indigenous, American Southwestern, and agricultural history.
 
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cover of Where the River Ends: Contested Indigeneity in the Mexican Colorado Delta

Where the River Ends

Contested Indigeneity in the Mexican Colorado Delta

Shaylih Muehlmann

Duke University Press, 2013

Living in the northwest of Mexico, the Cucapá people have relied on fishing as a means of subsistence for generations, but in the last several decades, that practice has been curtailed by water scarcity and government restrictions. The Colorado River once met the Gulf of California near the village where Shaylih Muehlmann conducted ethnographic research, but now, as a result of a treaty, 90 percent of the water from the Colorado is diverted before it reaches Mexico. The remaining water is increasingly directed to the manufacturing industry in Tijuana and Mexicali. Since 1993, the Mexican government has denied the Cucapá people fishing rights on environmental grounds. While the Cucapá have continued to fish in the Gulf of California, federal inspectors and the Mexican military are pressuring them to stop. The government maintains that the Cucapá are not sufficiently "indigenous" to warrant preferred fishing rights. Like many indigenous people in Mexico, most Cucapá people no longer speak their indigenous language; they are highly integrated into nonindigenous social networks. Where the River Ends is a moving look at how the Cucapá people have experienced and responded to the diversion of the Colorado River and the Mexican state's attempts to regulate the environmental crisis that followed.
[more]
cover of Where the Sky Touched the Earth: The Cosmological Landscapes of the Southwest

Where the Sky Touched the Earth

The Cosmological Landscapes of the Southwest

Don Lago

University of Nevada Press, 2017

The landscapes of the American Southwest—the Grand Canyon, Monument Valley, the Sedona red rocks—have long filled humans with wonder about nature. This is the home of Lowell Observatory, where astronomers first discovered evidence that the universe is expanding; Meteor Crater, where Apollo astronauts trained for the moon; and Native American tribes with their own ancient, rich ways of relating to the cosmos. With the personal, poetic style of the very best literary nature writing, Don Lago explores how these landscapes have offered humans a deeper sense of connection with the universe. While most nature writing never leaves the ground, Lago is one of the few writers who has applied it to the universe, seeking ties between humans and the astronomical forces that gave us birth.

Nowhere else in the world is the link between earth and sky so powerful. Lago witnesses a solar eclipse over the Grand Canyon, climbs primeval volcanos, and sees the universe in tree rings. Through ageless Native American ceremonies, modern telescopes, and even dreams of flying saucers, Lago, who is not only a poet but a true philosopher of science, strives to find order and meaning in the world and brings out the Southwest’s beauty and mystery.
 
 
[more]
cover of Where the Wild Animals Is Plentiful: Diary of an Alabama Fur Trader's Daughter, 1912-1914

Where the Wild Animals Is Plentiful

Diary of an Alabama Fur Trader's Daughter, 1912-1914

May Jordan

University of Alabama Press, 2006

This rare find--a journal of a young backwoods woman--provides a unique picture of rural life in southwestern Alabama early in the 20th century.

"I am a little Alabama girl living on the frontier where the wild animals is plentiful," wrote May Jordan in 1912. During the hunting season her father traveled Washington County buying furs, and May--already 23--accompanied him on two of these trips, cooking meals, helping out with the business, and recording their experiences.

May's diary of these trips from December 1912 to March 1914 describes the routine of the fur trade and provides a vivid portrait of wilderness travel and social customs. Through May's eyes, readers can experience the sights and sounds of pine forests and swamps, the difficulty of wading through waist-deep mud, and the neighborliness of the people living in this isolated area. May also shares both the solace of religious faith and her love of laughter as reflected in the jokes she records.

Elisa Moore Baldwin provides an introduction that traces Jordan family history and describes economic, social, and political conditions during the period. Baldwin also includes annotations based on court records, census rolls, and other primary sources and photographs of many of the characters in May's narrative to provide a vivid picture of the times. Because few first-person accounts exist of the life of poor whites, this diary will be invaluable to students of southern and women's history; no comparable work exists for this part of Alabama during this era. May's journal takes us to another world and teaches us about the lively human spirit in the face of hardship and loneliness.
 

[more]
cover of Where the World Is Not: Cultural Authority and Democratic Desire in Modern American Literature

Where the World Is Not

Cultural Authority and Democratic Desire in Modern American Literature

Kim Savelson

The Ohio State University Press, 2009

How do novels that literally discuss invention and inventors engage through such discussions an array of critically important conversations and issues beyond invention? And to where and how can we trace and follow such discourses? In Where the World Is Not: Cultural Authority and Democratic Desire in Modern American Literature, Kim Savelson examines the ways in which resoundingly popular U.S. novels by Frank Norris, Willa Cather, F. Scott Fitzgerald, and Ralph Ellison host the tug-of-war between thought and action, between the democratic agenda of the pragmatist movement and the aristocratic idea of aesthetics. Savelson argues for and reads these novels as a way of thinking through the implications for the meaning and making of “culture” brought about by the ongoing social revolution of democratic modernity. She thus expands the scope of the current work being done on pragmatism, as well as the work being done on literature and democracy, carving out an intersection of these two fields.
 
Savelson demonstrates that the questions under her consideration appeared at different key moments over the course of the first half of the twentieth century, embodying and deepening the struggle between the abstract and the practical, the cultural and the commercial—a struggle that turned into a dilemma and a period of growth for modern democratic desire. In so doing, she offers a historical recontextualization of selected literary texts, analyzing them as a way of thinking about intellectual history with subtlety and particularity.
 
 
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cover of Whether a Christian Woman Should Be Educated and Other Writings from Her Intellectual Circle

Whether a Christian Woman Should Be Educated and Other Writings from Her Intellectual Circle

Anna Maria van Schurman

University of Chicago Press, 1998

Advocate and exemplar of women's education, female of aristocratic birth and modest demeanor, Anna Maria van Schurman (1607-1678) was one of Reformation Europe's most renowned writers defending women's intelligence. From her early teens, Schurman garnered recognition and admiration for her accomplishments in languages, philosophy, poetry, and painting. As an adult she actively engaged in written correspondence and debate with Europe's leading intellectuals. Nevertheless, Schurman refused to regard herself as an anomaly among women. A supporter of the female sex, she argues that the same rigorous education that shaped her should be made available to all Christian daughters of the aristocracy.

Gathered here in meticulous translation are Anna Maria van Schurman's defense of women's education, her letters to other learned women, and her own account of her early life, as well as responses to her work from male contemporaries, and rare writings by Schurman's mentor, Voetius. This volume will interest the general reader as well as students of women's, religious, and social history.


[more]
cover of Which Side Are You On?: The Harlan County Coal Miners, 1931-39

Which Side Are You On?

The Harlan County Coal Miners, 1931-39

John W. Hevener. Foreword by Robert Gipe

University of Illinois Press, 1978

Depression-era Harlan County, Kentucky, was the site of one of the most bitter and protracted labor disputes in American history. The decade-long conflict between miners and the coal operators who adamantly resisted unionization has been immortalized in folksong by Florence Reece and Aunt Molly Jackson, contemplated in prose by Theodore Dreiser and Sherwood Anderson, and long been obscured by popular myths and legends.

 

John W. Hevener separates the fact from the legend in his Weatherford Award-winning investigation of Harlan's civil strife, now available for the first time in paperback. In Which Side Are You On? Hevener attributes the violence–-including the deaths of thirteen union miners–-to more than just labor conflict, viewing Harlan's troubles as sectional economic conflict stemming from the county's rapid industrialization and social disorganization in the preceding decade.

 

Detailing the dimensions of unionization and the balance of power spawned by New Deal labor policy after government intervention, Which Side Are You On? is the definitive analysis of Harlan's bloody decade and a seminal contribution to American labor history.

[more]
cover of Which Socialism, Whose Detente?: West European Communism and the Czechoslovak Crisis of 1968

Which Socialism, Whose Detente?

West European Communism and the Czechoslovak Crisis of 1968

Maud Bracke

Central European University Press, 2007

This study analyzes the impact of the Czechoslovak crisis of 1968–1969 on the two major communist parties in the West: the Italian and French ones. Discusses the central strategic and ideological tensions which these parties needed to deal with: domestic belonging versus allegiance to the world communist movement, doctrinal orthodoxy in a context of rapid societal changes, and the question of revolution and reform. These key problems were situated in different contexts: the crisis in the "world communist movement" after 1956 and the Sino-Soviet rift, socio-economic modernization and political radicalization in Western Europe, and the shift from Cold War to early détente on the European continent. The research for this work is based on the study of a large collection of recently released primary sources, particularly, the internal records of various communist parties in Europe.
[more]
cover of While Rome Burned: Fire, Leadership, and Urban Disaster in the Roman Cultural Imagination

While Rome Burned

Fire, Leadership, and Urban Disaster in the Roman Cultural Imagination

Virginia M. Closs

University of Michigan Press, 2020

While Rome Burned attends to the intersection of fire, city, and emperor in ancient Rome, tracing the critical role that urban conflagration played as both reality and metaphor in the politics and literature of the early imperial period. Urban fires presented a consistent problem for emperors from Augustus to Hadrian, especially given the expectation that the princeps be both a protector and provider for Rome’s population. The problem manifested itself differently for each leader, and each sought to address it in distinctive ways. This history can be traced most precisely in Roman literature, as authors addressed successive moments of political crisis through dialectical engagement with prior incendiary catastrophes in Rome’s historical past and cultural repertoire.

Working in the increasingly repressive environment of the early principate, Roman authors frequently employed “figured” speech and mythopoetic narratives to address politically risky topics. In response to shifting political and social realities, the literature of the early imperial period reimagines and reanimates not just historical fires, but also archetypal and mythic representations of conflagration. Throughout, the author engages critically with the growing subfield of disaster studies, as well as with theoretical approaches to language, allusion, and cultural memory.
[more]
cover of While Waiting for Rain: Community, Economy, and Law in a Time of Change

While Waiting for Rain

Community, Economy, and Law in a Time of Change

John Henry Schlegel

University of Michigan Press, 2022

What might a sensible community choose to do if its economy has fallen apart and becoming a ghost town is not an acceptable option? Unfortunately, answers to this question have long been measured against an implicit standard: the postwar economy of the 1950s. After showing why that economy provides an implausible standard—made possible by the lack of economic competition from the European and Asian countries, winners or losers, touched by the war—John Henry Schlegel attempts to answer the question of what to do.

While Waiting for Rain first examines the economic history of the United States as well as that of Buffalo, New York: an appropriate stand-in for any city that may have seen its economy start to fall apart in the 1960s, 70s, and 80s. It makes clear that neither Buffalo nor the United States as a whole has had an economy in the sense of “a persistent market structure that is the fusion of an understanding of economic life with the patterns of behavior within the economic, political, and social institutions that enact that understanding” since both economies collapsed. Next, this book builds a plausible theory of how economic growth might take place by examining the work of the famous urbanist, Jane Jacobs, especially her book Cities and the Wealth of Nations. Her work, like that of many others, emphasizes the importance of innovation for economic growth, but is singular in its insistence that such innovation has to come from local resources. It can neither be bought nor given, even by well-intentioned political actors. As a result Americans generally, as well as locally, are like farmers in the midst of a drought, left to review their resources and wait. Finally, it returns to both the local Buffalo and the national economies to consider what these political units might plausibly do while waiting for an economy to emerge.

[more]
cover of Whiskey Breakfast: My Swedish Family, My American Life

Whiskey Breakfast

My Swedish Family, My American Life

Richard C. Lindberg

University of Minnesota Press, 2011

Chicago in the 1920s: Clark Street was the city’s last Swedetown, a narrow corridor of weather-beaten storefronts, coal yards, and taverns running along the north side of the city and the locus of Swedish community life in Chicago during the first half of the twentieth century. It represented a way station for a generation of working-class immigrants escaping the hardships of the old country for the promise of a brighter new day in a halfway house of sorts, perched between the old and new lands. For Richard C. Lindberg, whose Swedish immigrant parents and grandparents settled there, it was also the staging ground for an intensely personal, multigenerational, coming-of-age drama based on the struggles of two disparate families—their dreams and their depravities, their victories and their failures.

Whiskey Breakfast is Lindberg’s captivating tale of life as a first-generation baby-boomer Swedish American, caught between the customs of a land he had never been to and the desire to conform and fit into a troubled existence, tragically scarred by alcoholism, divorce, and peer abuse. But it is also a powerful and intimate portrait of his immigrant ancestors, and especially of his father, Oscar—a contractor and master builder who helped develop Chicago’s post–World War II suburbs. A paradoxical man, known to some as a socialist, an anarchist, and a serious drinker, Oscar would carry with him to the grave a sixty-two-year-old family secret, a secret that for Lindberg lies at the very heart of the great Swedish unrest that drove his father and countless other men and women out of Sweden and onward to America.

Masterfully blending autobiography with immigrant history, Whiskey Breakfast surrounds Lindberg’s family story with Swedish cultural history and politics, as well as remarkable Chicago history and how Clark Street and Swedetown became, and in many ways remain, a center of Swedish immigrants’ social and cultural life. Far from a eulogy for an idealized past, Lindberg has crafted a moving and sobering memoir of a young man’s struggle to come to terms with his father and himself, his immigrant heritage, and his native home.

[more]
cover of Whiskey River Ranger: The Old West Life of Baz Outlaw

Whiskey River Ranger

The Old West Life of Baz Outlaw

Bob Alexander

University of North Texas Press, 2016

[more]
cover of Whiskey Tango Foxtrot: A Photographer's Chronicle of the Iraq War

Whiskey Tango Foxtrot

A Photographer's Chronicle of the Iraq War

Ashley Gilbertson

University of Chicago Press, 2007

Arriving in Iraq on the eve of the U.S. invasion, unaffiliated with any newspaper and hoping to pick up assignments along the way, Ashley Gilbertson was one of the first photojournalists to cover the disintegration of America’s military triumph as looting and score settling convulsed Iraqi cities. Just twenty-five years old at the time, Gilbertson soon landed a contract with the New York Times, and his extraordinary images of life in occupied Iraq and of American troops in action began appearing in the paper regularly. Throughout his work, Gilbertson took great risks to document the risks taken by others, whether dodging sniper fire with American infantry, photographing an Iraqi bomb squad as they diffused IEDs, or following marines into the cauldron of urban combat.

Whiskey Tango Foxtrot gathers the best of Gilbertson’s photographs, chronicling America’s early battles in Iraq, the initial occupation of Baghdad, the insurgency that erupted shortly afterward, the dramatic battle to overtake Falluja, and ultimately, the country’s first national elections. No Western photojournalist has done as much sustained work in occupied Iraq as Gilbertson, and this wide-ranging treatment of the war from the viewpoint of a photographer is the first of its kind. Accompanying each section of the book is a personal account of Gilbertson’s experiences covering the conflict. Throughout, he conveys the exhilaration and terror of photographing war, as well as the challenges of photojournalism in our age of embedded reporting. But ultimately, and just as importantly, Whiskey Tango Foxtrot tells the story of Gilbertson’s own journey from hard-drinking bravado to the grave realism of a scarred survivor. Here he struggles with guilt over the death of a marine escort, tells candidly of his own experience with post-traumatic stress, and grapples with the reality that Iraq—despite the sacrifice in Iraqi and American lives—has descended into a civil war with no end in sight.

A searing account of the American experience in Iraq, Whiskey Tango Foxtrot is sure to become one of the classic war photography books of our time.
[more]
cover of Whisper Not: The Autobiography of Benny Golson

Whisper Not

The Autobiography of Benny Golson

Benny Golson

Temple University Press, 2016

“One of the greatest artists our country has is Benny Golson. He is not only a great musician, but an original and fabulous composer. He is inventive and creative and his work is loved the world over. Benny is a rare, creative genius. All I would like to say is THREE CHEERS for Benny Golson!”—Tony Bennett

“Composer supreme, tenor man supreme, jazz man supreme, good guy supreme: that’s BENNY GOLSON!"—Sonny Rollins

Born during the de facto inaugural era of jazz, saxophonist Benny Golson learned his instrument and the vocabulary of jazz alongside John Coltrane while Golson was still in high school in Philadelphia. Quickly establishing himself as an iconic fixture on the jazz landscape, Golson performed with dozens of jazz greats, from Sonny Rollins, Coleman Hawkins, and Jimmy Heath to Dizzy Gillespie, Freddie Hubbard, and many others. An acclaimed composer, Golson also wrote music for Hollywood films and television and composed such memorable jazz standards as “Stablemates,” “Killer Joe,” and “Whisper Not.”

An eloquent account of Golson’s exceptional life—presented episodically rather than chronologically—Whisper Not includes a dazzling collection of anecdotes, memories, experiences, and photographs that recount the successes, the inevitable failures, and the rewards of a life eternally dedicated to jazz.

[more]
cover of Whispering Truth to Power: Everyday Resistance to Reconciliation in Postgenocide Rwanda

Whispering Truth to Power

Everyday Resistance to Reconciliation in Postgenocide Rwanda

Susan Thomson

University of Wisconsin Press, 2013

For 100 days in 1994, genocide engulfed Rwanda. Since then, many in the international community have praised the country's postgenocide government for its efforts to foster national unity and reconciliation by downplaying ethnic differences and promoting "one Rwanda for all Rwandans." Examining how ordinary rural Rwandans experience and view these policies, Whispering Truth to Power challenges the conventional wisdom on postgenocide Rwanda.
            Susan Thomson finds that many of Rwanda's poorest citizens distrust the local officials charged with implementing the state program and believe that it ignores the deepest problems of the countryside: lack of land, jobs, and a voice in policies that affect lives and livelihoods. Based on interviews with dozens of Rwandan peasants and government officials, this book reveals how the nation's disenfranchised poor have been engaging in everyday resistance, cautiously and carefully—"whispering" their truth to the powers that be. This quiet opposition, Thomson argues, suggests that some of the nation's most celebrated postgenocide policies have failed to garner the grassroots support needed to sustain peace.

“Reveals the lengths [to which] the current government has gone to restructure all spaces of Rwandan society, and how Rwandans continue to resist this state interference in their everyday lives.”—Ethnic and Racial Studies

“Thomson’s elegant research is praiseworthy and her arguments are forthright. . . . This important publication will be of great value to scholars of Rwanda and genocide as well as students of reconciliation politics and transitional justice.”—Human Rights Quarterly

“Sobering and disturbing. . . . The peasant peoples’ resistance to official policies of national unity and reconciliation emerged because these national schemes do not reflect the peasants’ own lived realities and experiences of state power, genocide, and day-to-day living within their communities. Instead, these official policies disrupt everyday life and endanger existing networks of mutual support and dependence.”—Canadian Journal of Development Studies

Outstanding Academic Title, Choice Magazine
[more]
cover of Whispers and Shadows: A Naturalist’s Memoir

Whispers and Shadows

A Naturalist’s Memoir

Jerry Apps

Wisconsin Historical Society Press, 2015

In these times of technological innovation and fast-paced electronic communication, we often take nature for granted—or even consider it a hindrance to our human endeavors. In Whispers and Shadows: A Naturalist’s Memoir, Jerry Apps explores such topics as the human need for wilderness, rediscovering a sense of wonder, and his father’s advice to “listen for the whispers” and “look in the shadows” to learn nature’s deepest lessons.
 
Combining his signature lively storytelling and careful observations of nature, Apps draws on a lifetime of experiences, from his earliest years growing up on a central Wisconsin farm to his current ventures as gardener, tree farmer, and steward of wetlands, prairies, and endangered Karner blue butterflies. He also takes inspiration from the writings of Aldo Leopold, Annie Dillard, Henry David Thoreau, Sigurd Olson, Ralph Waldo Emerson, John Muir, Barbara Kingsolver, Wendell Berry, Richard Louv, and Rachel Carson. With these eloquent essays, Jerry Apps reminds us to slow down, turn off technology, and allow our senses to reconnect us to the natural world. For it is there, he writes, that “I am able to return to a feeling I had when I was a child, a feeling of having room to stretch my arms without interfering with another person, a feeling of being a small part of something much larger than I was, and I marvel at the idea.”
[more]
cover of Whispers of Cruel Wrongs: The Correspondence of Louisa Jacobs and Her Circle, 1879-1911

Whispers of Cruel Wrongs

The Correspondence of Louisa Jacobs and Her Circle, 1879-1911

Edited by Mary Maillard

University of Wisconsin Press, 2020

Louisa Jacobs was the daughter of Harriet Jacobs, author of the famous autobiography Incidents in the Life of a Slave Girl. That work included a heartbreaking account of Harriet parting with six-year-old Louisa, taken away to the North by her white father. Now, rediscovered letters reveal the lives of Louisa and her circle and shed light on Harriet's old age.

New voices call out from the lost world of nineteenth-century African American women in this annotated correspondence. Unidentified for nearly one hundred years, over seventy rare letters from Louisa Jacobs, Annie Purvis, and Charlotte Forten to their friend Eugenie Webb disclose the lives of these educated, resourceful women. Jacobs taught at Howard University, ran her own small business, advocated for civil rights, cared for her ailing mother, and worked for two federal agencies. Purvis, Forten, and Webb were descendants of some of Philadelphia's earliest free black abolitionist families. Sustained by friendship and faith, these women created warm and sympathetic relationships, despite difficult family obligations and the racist strife that marked the post-Reconstruction era in Washington, Philadelphia, and New Jersey.
[more]
cover of Whistle Stop: How 31,000 Miles of Train Travel, 352 Speeches, and a Little Midwest Gumption Saved the Presidency of Harry Truman

Whistle Stop

How 31,000 Miles of Train Travel, 352 Speeches, and a Little Midwest Gumption Saved the Presidency of Harry Truman

Philip White

University Press of New England, 2015

President Harry Truman was a disappointment to the Democrats, and a godsend to the Republicans. Every attempt to paint Truman with the grace, charm, and grandeur of Franklin Delano Roosevelt had been a dismal failure: Truman’s virtues were simpler, plainer, more direct. The challenges he faced—stirrings of civil rights and southern resentment at home, and communist aggression and brinkmanship abroad—could not have been more critical. By the summer of 1948 the prospects of a second term for Truman looked bleak. Newspapers and popular opinion nationwide had all but anointed as president Thomas Dewey, the Republican New York Governor. Truman could not even be certain of his own party’s nomination: the Democrats, still in mourning for FDR, were deeply riven, with Henry Wallace and Strom Thurmond leading breakaway Progressive and Dixiecrat factions. Finally, with ingenuity born of desperation, Truman’s aides hit upon a plan: get the president in front of as many regular voters as possible, preferably in intimate settings, all across the country. To the surprise of everyone but Harry Truman, it worked. Whistle Stop is the first book of its kind: a micro-history of the summer and fall of 1948 when Truman took to the rails, crisscrossing the country from June right up to Election Day in November. The tour and the campaign culminated with the iconic image of a grinning, victorious Truman holding aloft the famous Chicago Tribune headline: “Dewey Defeats Truman.”
[more]
cover of White Boy: A Memoir

White Boy

A Memoir

Mark D. Naison

Temple University Press, 2002

How does a Jewish boy who spent the bulk of his childhood on the basketball courts of Brooklyn wind up teaching in one of the city's pioneering black studies departments? Naison's odyssey begins as Brooklyn public schools respond to a new wave of Black migrants and Caribbean immigrants, and established residents flee to virtually all-white parts of the city or suburbs. Already alienated by his parents' stance on race issues and their ambitions for him, he has started on a separate ideological path by the time he enters Columbia College. Once he embarks on a long-term interracial relationship, becomes a member of SDS, focuses his historical work on black activists, and organizes community groups in the Bronx, his immersion in the radical politics of the 1960s has emerged as the center of his life. Determined to keep his ties to the Black community, even when the New Left splits along racial lines, Naison joined the fledgling African American studies program at Fordham, remarkable then as now for its commitment to interracial education.This memoir offers more than a participant's account of the New Left's racial dynamics; it eloquently speaks to the ways in which political commitments emerge from and are infused with the personal choices we all make.
[more]
cover of White Burgers, Black Cash: Fast Food from Black Exclusion to Exploitation

White Burgers, Black Cash

Fast Food from Black Exclusion to Exploitation

Naa Oyo A. Kwate

University of Minnesota Press, 2023

The long and pernicious relationship between fast food restaurants and the African American community

  • James Beard Foundation: James Beard Media Award for Reference, History, and Scholarship — Winner
  • Urban Affairs Association Best Book in Urban Affairs — Winner
  • Association for Humanist Sociology Betty and McClung Lee Book Award — Winner
  • Black Caucus of the American Library Association — Honor, Nonfiction category
  • Museum of African American History Stone Book Award — Shortlist
  • Business History Conference: Hagley Prize — Finalist
  • Association for the Study of Food and Society: ASFS Book Award — Winner
  • Society for the Study of Social Problems: Eduardo Bonilla-Silva Outstanding Book Award — Winner
  • Foreword: INDIES — Silver winner, History category

Today, fast food is disproportionately located in Black neighborhoods and marketed to Black Americans through trgeted advertising. But throughout much of the twentieth century, fast food was developed specifically for White urban and suburban customers, purposefully avoiding Black spaces. In White Burgers, Black Cash, Naa Oyo A. Kwate traces the evolution in fast food from the early 1900s to the present, from its long history of racist exclusion to its current damaging embrace of urban Black communities.

Fast food has historically been tied to the country’s self-image as the land of opportunity and is marketed as one of life’s simple pleasures, but a more insidious history lies at the industry’s core. White Burgers, Black Cash investigates the complex trajectory of restaurant locations from a decided commitment to Whiteness to the disproportionate densities that characterize Black communities today. Kwate expansively charts fast food’s racial and spatial transformation and centers the cities of Chicago, New York City, and Washington, D.C., in a national examination of the biggest brands of today, including White Castle, KFC, Burger King, McDonald’s, and more.

Deeply researched, compellingly told, and brimming with surprising details, White Burgers, Black Cash reveals the inequalities embedded in America’s popular national food tradition.

[more]
cover of White But Not Equal: Mexican Americans, Jury Discrimination, and the Supreme Court

White But Not Equal

Mexican Americans, Jury Discrimination, and the Supreme Court

Ignacio M. García

University of Arizona Press, 2008

Check out "A Class Apart" - the new PBS American Experience documentary that explores this historic case!In 1952 in Edna, Texas, Pete Hernández, a twenty-one-year-old cotton picker, got into a fight with several men and was dragged from a tavern, robbed, and beaten. Upon reaching his home he collected his .22-caliber rifle, walked two miles back to the tavern, and shot one of the assailants. With forty eyewitnesses and a confession, the case appeared to be open and shut. Yet Hernández v. Texas turned into one of the nation’s most groundbreaking Supreme Court cases.

Ignacio García’s White But Not Equal explores this historic but mostly forgotten case, which became the first to recognize discrimination against Mexican Americans. Led by three dedicated Mexican American lawyers, the case argued for recognition of Mexican Americans under the 14th Amendment as a “class apart.” Despite a distinct history and culture, Mexican Americans were considered white by law during this period, yet in reality they were subjected to prejudice and discrimination. This was reflected in Hernández’s trial, in which none of the selected jurors were Mexican American. The concept of Latino identity began to shift as the demand for inclusion in the political and judicial system began.

García places the Hernández v. Texas case within a historical perspective and examines the changing Anglo-Mexican relationship. More than just a legal discussion, this book looks at the whole case from start to finish and examines all the major participants, placing the story within the larger issue of the fight for Mexican American civil rights.
[more]
cover of White Care: The Impact of Race on American Infrastructure

White Care

The Impact of Race on American Infrastructure

Cotten Seiler

University of Chicago Press, 2026

Framing infrastructure as the expression of a state’s care for its population, White Care explores the crucial role of race in the building, maintenance, scope, and quality of US infrastructure.
 
Infrastructure delivers to its users a range of benefits, from health, safety, and sanitation to mobility, energy, and education. It is, as Cotten Seiler argues, how modern states show care for their populations. White Care recounts the rise and fall of public infrastructure in the United States, unearthing its origins as an investment in those Americans deemed most highly evolved, showing the political stakes of its desegregation, and accounting for its current state of dilapidation.
 
From the late nineteenth century through much of the twentieth, government investments in physical (“hard”) and social (“soft”) infrastructure constituted a regime of care that Seiler calls “custodial liberalism.” This regime achieved legitimacy with the New Deal, which conferred upon white citizens a bounty of life-enhancing public works. But custodial liberalism began to unravel in the postwar decades, as Americans of color gained access to public schools, housing, swimming pools, parks, and other sites from which they had long been excluded. As the infrastructural commons were desegregated, white Americans withdrew from the social compact that had empowered them and turned toward neoliberalism, with its program of austerity and privatization. This racialized renunciation has deprived everyone—including themselves—of a cleaner, greener, healthier, safer, more affordable, and more functional environment.
 
[more]
cover of White City, Black City: Architecture and War in Tel Aviv and Jaffa

White City, Black City

Architecture and War in Tel Aviv and Jaffa

Sharon Rotbard

Pluto Press, 2015

[more]
cover of White Death: The Epic of the Soviet-Finnish Winter War

White Death

The Epic of the Soviet-Finnish Winter War

Allen F. Chew

Michigan State University Press, 1971

The 105-day war between Finland and the Soviet Union in the winter of 1939-1940 has been overshadowed by the larger conflicts of the Second World War, which followed closely after it. The courageous resistence of the only neighbor of Stalin's Russia, which fought the Red Army and survived as a free and independent nation merits this closer look. Although the diplomatic background of the Winter War has been covered before, this is the first substantial English-language study of its dramatic military encounters.

[more]
cover of White Enclosures: Racial Capitalism and Coloniality along the Balkan Route

White Enclosures

Racial Capitalism and Coloniality along the Balkan Route

Piro Rexhepi

Duke University Press, 2022

For all its history of intersecting empires, the Balkans has been rarely framed as a global site of race and coloniality. This, as Piro Rexhepi argues in White Enclosures is not surprising, given the perception of the Balkans as colorblind and raceless, a project that spans post-Ottoman racial formations, transverses Socialist modernity and is negotiated anew in the process of postsocialist Euro-Atlantic integration. Connecting severed colonial histories from the vantage point of body politic, Rexhepi turns to the borderland zones of the Balkans to trace past and present geopolitical attempts of walling whiteness. From efforts to straighten the sexualities of post-Ottoman Muslim subjects, to Yugoslav nonaligned solidarities between Muslims of the second and third world, to Roma displacement and contemporary emergence of refugee carceral technologies along the Balkan Route, Rexhepi points not only to the epistemic erasures that maintain the fantasy of whiteness but also to the disruption emanating from the solidarities between queer- and transpeople that fold the Balkans back into global efforts to resist the politics of racial capitalism. 
 
[more]
cover of White Field, Black Sheep: A Lithuanian-American Life

White Field, Black Sheep

A Lithuanian-American Life

Daiva Markelis

University of Chicago Press, 2010

Her parents never really explained what a D.P. was. Years later Daiva Markelis learned that “displaced person” was the designation bestowed upon European refugees like her mom and dad who fled communist Lithuania after the war. Growing up in the Chicago suburb of Cicero, though, Markelis had only heard the name T.P., since her folks pronounced the D as a T: “In first grade we had learned about the Plains Indians, who had lived in tent-like dwellings made of wood and buffalo skin called teepees. In my childish confusion, I thought that perhaps my parents weren’t Lithuanian at all, but Cherokee. I went around telling people that I was the child of teepees.” So begins this touching and affectionate memoir about growing up as a daughter of Lithuanian immigrants. 

Markelis was raised during the 1960s and 1970s in a household where Lithuanian was the first language. White Field, Black Sheep derives much of its charm from this collision of old world and new: a tough but cultured generation that can’t quite understand the ways of America and a younger one weaned on Barbie dolls and The Brady Bunch, Hostess cupcakes and comic books, The Monkees and Captain Kangaroo. Throughout, Markelis recalls the amusing contortions of language and identity that animated her childhood. She also humorously recollects the touchstones of her youth, from her First Communion to her first game of Twister. Ultimately, she revisits the troubles that surfaced in the wake of her assimilation into American culture: the constricting expectations of her family and community, her problems with alcoholism and depression, and her sometimes contentious but always loving relationship with her mother.

Deftly recreating the emotional world of adolescence, but overlaying it with the hard-won understanding of adulthood, White Field, Black Sheep is a poignant and moving memoir—a lively tale of this Lithuanian-American life.

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cover of White Gypsies: Race and Stardom in Spanish Musicals

White Gypsies

Race and Stardom in Spanish Musicals

Eva Woods Peiró

University of Minnesota Press, 2012

Little has been written about the Spanish film musical, a genre usually associated with the early Franco dictatorship and dismissed by critics as reactionary, escapist fare. A timely and valuable corrective, White Gypsies shows how the Spanish folkloric musical films of the 1940s and ’50s are inextricably tied to anxious concerns about race—especially, but not only, Gypsiness.

Focusing on the processes of identity formation in twentieth-century Spain—with multifaceted readings of the cinematic construction of class, gender, and sexuality—Eva Woods Peiró explores how these popular films allowed audiences to negotiate and imaginatively, at times problematically, resolve complex social contradictions. The intricate interweaving of race and modernity is particularly evident in her scrutiny of a striking popular phenomenon: how the musicals progressively whitened their stars, even as their story lines became increasingly Andalusianized and Gypsified.

White Gypsies reveals how these imaginary individuals constituted a veritable cultural barometer of how racial thinking was projected and understood across a broad swath of popular Spanish cinema.

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cover of White Innocence: Paradoxes of Colonialism and Race

White Innocence

Paradoxes of Colonialism and Race

Gloria Wekker

Duke University Press, 2016

In White Innocence Gloria Wekker explores a central paradox of Dutch culture: the passionate denial of racial discrimination and colonial violence coexisting alongside aggressive racism and xenophobia. Accessing a cultural archive built over 400 years of Dutch colonial rule, Wekker fundamentally challenges Dutch racial exceptionalism by undermining the dominant narrative of the Netherlands as a "gentle" and "ethical" nation. Wekker analyzes the Dutch media's portrayal of black women and men, the failure to grasp race in the Dutch academy, contemporary conservative politics (including gay politicians espousing anti-immigrant rhetoric), and the controversy surrounding the folkloric character Black Pete, showing how the denial of racism and the expression of innocence safeguards white privilege. Wekker uncovers the postcolonial legacy of race and its role in shaping the white Dutch self, presenting the contested, persistent legacy of racism in the country.
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cover of White Love and Other Events in Filipino History

White Love and Other Events in Filipino History

Vicente L. Rafael

Duke University Press, 2000

In this wide-ranging cultural and political history of Filipinos and the Philippines, Vicente L. Rafael examines the period from the onset of U.S. colonialism in 1898 to the emergence of a Filipino diaspora in the 1990s. Self-consciously adopting the essay form as a method with which to disrupt epic conceptions of Filipino history, Rafael treats in a condensed and concise manner clusters of historical detail and reflections that do not easily fit into a larger whole. White Love and Other Events in Filipino History is thus a view of nationalism as an unstable production, as Rafael reveals how, under what circumstances, and with what effects the concept of the nation has been produced and deployed in the Philippines.
With a focus on the contradictions and ironies that suffuse Filipino history, Rafael delineates the multiple ways that colonialism has both inhabited and enabled the nationalist discourse of the present. His topics range from the colonial census of 1903-1905, in which a racialized imperial order imposed by the United States came into contact with an emergent revolutionary nationalism, to the pleasures and anxieties of nationalist identification as evinced in the rise of the Marcos regime. Other essays examine aspects of colonial domesticity through the writings of white women during the first decade of U.S. rule; the uses of photography in ethnology, war, and portraiture; the circulation of rumor during the Japanese occupation of Manila; the reproduction of a hierarchy of languages in popular culture; and the spectral presence of diasporic Filipino communities within the nation-state. A critique of both U.S. imperialism and Filipino nationalism, White Love and Other Events in Filipino History creates a sense of epistemological vertigo in the face of former attempts to comprehend and master Filipino identity.
This volume should become a valuable work for those interested in Southeast Asian studies, Asian-American studies, postcolonial studies, and cultural studies.
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cover of White Man's Heaven: The Lynching and Expulsion of Blacks in the Southern Ozarks, 1894-1909

White Man's Heaven

The Lynching and Expulsion of Blacks in the Southern Ozarks, 1894-1909

Kimberly Harper

University of Arkansas Press, 2010

Drawing on court records, newspaper accounts, penitentiary records, letters, and diaries, White Man’s Heaven is a thorough investigation into the lynching and expulsion of African Americans in the Missouri and Arkansas Ozarks in the late nineteenth and early twentieth centuries. Kimberly Harper explores events in the towns of Monett, Pierce City, Joplin, and Springfield, Missouri, and Harrison, Arkansas, to show how post–Civil War vigilantism, an established tradition of extralegal violence, and the rapid political, economic, and social change of the New South era happened independently but were also part of a larger, interconnected regional experience. Even though some whites, especially in Joplin and Springfield, tried to stop the violence and bring the lynchers to justice, many African Americans fled the Ozarks, leaving only a resilient few behind and forever changing the racial composition of the region.
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