22279 books match the query 'Social Science' and 963 start with w
Helena Znaniecka Lopata, ed.
Duke University Press, 1987
Helena Znaniecka Lopata, ed.
Duke University Press, 1987

Helena Znaniecka Lopata, ed.
Duke University Press, 0
Sue Sheridan Walker, Editor
University of Michigan Press, 1993
Melody Jue
Duke University Press, 2020
Naomi Morgenstern
University of Minnesota Press, 2018
Exploring how the figure of the “wild child” in contemporary fiction grapples with contemporary cultural anxieties about reproductive ethics and the future of humanity
In the eighteenth century, Western philosophy positioned the figure of “the child” at the border between untamed nature and rational adulthood. Contemporary cultural anxieties about the ethics and politics of reproductive choice and the crisis of parental responsibility have freighted this liminal figure with new meaning in twenty-first-century narratives.
In Wild Child, Naomi Morgenstern explores depictions of children and their adult caregivers in extreme situations—ranging from the violence of slavery and sexual captivity to accidental death, mass murder, torture, and global apocalypse—in such works as Toni Morrison’s A Mercy, Cormac McCarthy’s The Road, Lionel Shriver’s We Need to Talk about Kevin, Emma Donoghue’s Room, and Denis Villeneuve’s film Prisoners. Morgenstern shows how, in such narratives, “wild” children function as symptoms of new ethical crises and existential fears raised by transformations in the technology and politics of reproduction and by increased ethical questions about the very decision to reproduce. In the face of an uncertain future that no longer confirms the confidence of patriarchal humanism, such narratives displace or project present-day apprehensions about maternal sacrifice and paternal protection onto the wildness of children in a series of hyperbolically violent scenes.
Urgent and engaging, Wild Child offers the only extended consideration of how twenty-first-century fiction has begun to imagine the decision to reproduce and the ethical challenges of posthumanist parenting.
Edited by Lisa Colletta and Maureen O'Connor
University of Wisconsin Press, 2006
Adrian C. Louis
University of Nevada Press, 1997
Tobias Schneebaum
University of Wisconsin Press, 2003
Part autobiographical journal, part social-historical novel, Wild Man tracks Tobias Schneebaum's fascinating and almost epic life story, from his earliest contemplation of homoerotic desire through his life in Peru, Borneo, and beyond. A young man from New York, Schneebaum "disappeared" in 1955 on the eastern slopes of the Andes. He was, in actuality, living for more than a year among the remote Harakhambut people, discovering a way of being that was strange, primitive, and powerfully attractive to him. This longing to find the "wild man" in other cultures—and in himself—eventually led him on an odyssey through South America, India, Tibet, Africa, Borneo, New Guinea, and Southeast Asia. He lived among isolated forest peoples, including headhunters and cannibals, in regions where few, if any, white men had ever been.

Di Brandt
University of Manitoba Press, 1993
Roberta Moore
University of Nevada Press, 2005
Harrison Meadows
Vanderbilt University Press, 2025
Jack Halberstam
Duke University Press, 2020
Claude Lévi-Strauss
University of Chicago Press, 2021
Patrick Brodie
Duke University Press, 2026
Jonathan Leal
Duke University Press, 2026
By Rita E. Urquijo-Ruiz
University of Texas Press, 2012
Tracing the configuration of the slapstick, destitute Peladita/Peladito and the Pachuca/Pachuco (depicted in flashy zoot suits) from 1928 to 2004, Wild Tongues is an ambitious, extensive examination of social order in Mexican and Chicana/o cultural productions in literature, theater, film, music, and performance art.
From the use of the Peladita and the Peladito as stock characters who criticized various aspects of the Mexican government in the 1920s and 1930s to contemporary performance art by María Elena Gaitán and Dan Guerrero, which yields a feminist and queer-studies interpretation, Rita Urquijo-Ruiz emphasizes the transnational capitalism at play in these comic voices. Her study encompasses both sides of the border, including the use of the Pachuca and the Pachuco as anti-establishment, marginal figures in the United States. The result is a historically grounded, interdisciplinary approach that reimagines the limitations of nation-centered thinking and reading.
Beginning with Daniel Venegas’s 1928 novel, Las aventuras de don Chipote o Cuando los pericos mamen, Rita Urquijo-Ruiz’s Wild Tongues demonstrates early uses of the Peladito to call attention to the brutal physical demands placed on the undocumented Mexican laborer. It explores Teatro de Carpa (tent theater) in-depth as well, bringing to light the experience of Mexican Peladita Amelia Wilhelmy, whose “La Willy” was famous for portraying a cross-dressing male soldier who criticizes the failed Revolution. In numerous other explorations such as these, the political, economic, and social power of creativity continually takes center stage.
Vanessa Manceron
HAU, 2025
Carla Williams
University of Alaska Press, 2018
William D.Moreto
Temple University Press, 2018
The editors and contributors to Wildlife Crime examine topical issues from extinction to trafficking in order to understand the ecological, economic, political, and social costs and consequences of these crimes. Drawing from diverse theoretical perspectives, empirical and methodological developments, and on-the-ground experiences of practitioners, this comprehensive volume looks at how conservationists and law enforcement grapple with and combat environmental crimes and the profitable market for illegal trade.
Chapters cover criminological perspectives on species poaching, unregulated fishing, the trading of ivory and rhino horns, the adoption of conservation technologies, and ranger workplaces and conditions. The book includes firsthand experiences and research from China, Indonesia, Kenya, Madagascar, Morocco, Peru, Russia, South Africa, Tanzania, and the United States. The result is a significant book about the causes of and response to wildlife crime.
Contributors include: Johan Bergenas, Avi Brisman, Craig Forsyth, Meredith Gore, Georg Jaster, Alex Killion, Kasey Kinnard, Antony C. Leberatto, Barney Long, Nerea Marteache, Gohar Petrossian, Jonah Ratsimbazafy, Gary Roloff, Viviane Seyranian, Louise Shelley, Rohit Singh, Nicole Sintov, Nigel South, Milind Tambe, Daan van Uhm, Greg Warchol, Rodger Watson, Rob White, Madelon Willemsen, and the editor.
Karen Bradshaw
University of Chicago Press, 2020
Jamie Lorimer
University of Minnesota Press, 2015
Elephants rarely breed in captivity and are not considered domesticated, yet they interact with people regularly and adapt to various environments. Too social and sagacious to be objects, too strange to be human, too captive to truly be wild, but too wild to be domesticated—where do elephants fall in our understanding of nature?
In Wildlife in the Anthropocene, Jamie Lorimer argues that the idea of nature as a pure and timeless place characterized by the absence of humans has come to an end. But life goes on. Wildlife inhabits everywhere and is on the move; Lorimer proposes the concept of wildlife as a replacement for nature. Offering a thorough appraisal of the Anthropocene—an era in which human actions affect and influence all life and all systems on our planet— Lorimer unpacks its implications for changing definitions of nature and the politics of wildlife conservation. Wildlife in the Anthropocene examines rewilding, the impacts of wildlife films, human relationships with charismatic species, and urban wildlife. Analyzing scientific papers, policy documents, and popular media, as well as a decade of fieldwork, Lorimer explores the new interconnections between science, politics, and neoliberal capitalism that the Anthropocene demands of wildlife conservation.
Imagining conservation in a world where humans are geological actors entangled within and responsible for powerful, unstable, and unpredictable planetary forces, this work nurtures a future environmentalism that is more hopeful and democratic.
Brian DeVore
University of Wisconsin Press, 2020

Jack Halberstam and Tavia Nyong'o, special issue editors
Duke University Press, 2018
Earl Hunt
Russell Sage Foundation, 1995
Edited by Janis P. Stout
University of Alabama Press, 2004
Willa Cather and Material Culture is a collection of 11 new essays that tap into a recent and resurgent interest among Cather scholars in addressing her work and her career through the lens of cultural studies. One of the volume's primary purposes is to demonstrate the extent to which Cather did participate in her culture and to correct the commonplace view of her as a literary connoisseur set apart from her times.
The contributors explore both the objects among which Cather lived and the objects that appear in her writings, as well as the commercial constraints of the publishing industry in which her art was made and marketed. Essays address her relationship to quilts both personally and as symbols in her work; her contributions to domestic magazines such as Home Monthly and Woman's Home Companion; the problematic nature of Hollywood productions of her work; and her efforts and successes as a businesswoman. By establishing the centrality of material matters to her writing, these essays contribute to the reclaiming of Cather as a modernist and highlight the significance of material culture, in general, to the study of American literature.

Willard W. Waller
University of Chicago Press, 1970
Catherine S. Fowler
University of Utah Press, 1989
Sara Ahmed
Duke University Press, 2014
Catherine Parsons Smith
University of Illinois Press, 2008
Catherine Parsons Smith’s biography tracks the composer's interrelated careers in popular and concert music. Still’s artistic journey took him from conservatory study with George W. Chadwick to collaborating with Langston Hughes, working as a commercial arranger and composer on Broadway and radio, arranging for artists like Sophie Tucker and Artie Shaw, and serving as the recording director for the first Black-owned record label. But despite his prolific production and multidimensional talents, Still endured financial struggles and declining attention to his work.
Gastón Espinosa
Duke University Press, 2014
Paul Stob
Michigan State University Press, 2013
Dustin Griffin
University of Massachusetts Press, 2018
Lori R. Freedman
Vanderbilt University Press, 2010

Dominic Boyer and Cymene Howe
Duke University Press, 2019
David Serlin
University of Chicago Press, 2025
Gary T. Marx
University of Chicago Press, 2016
Scott G. Ortman
University of Utah Press, 2012
Winner of the Don D. and Catherine S. Fowler Prize
The “abandonment” of Mesa Verde and the formation of the Rio Grande Pueblos represent two classic events in North American prehistory. Yet, despite a century of research, no consensus has been reached on precisely how, or even if, these two events were related. In this landmark study, Scott Ortman proposes a novel and compelling solution to this problem through an investigation of the genetic, linguistic, and cultural heritage of the Tewa Pueblo people of New Mexico.
Integrating data and methods from human biology, linguistics, archaeology, and cultural anthropology, Ortman shows that a striking social transformation took place as Mesa Verde people moved to the Rio Grande, such that the resulting ancestral Tewa culture was a unique hybrid of ideas and practices from various sources. While addressing several long-standing questions in American archaeology, Winds from the North also serves as a methodological guidebook, including new approaches to integrating archaeology and language based on cognitive science research. As such, it will be of interest to researchers throughout the social and human sciences.
Victor W. Geraci
University of Nevada Press, 2020
Donna Krolik Hollenberg
University of Michigan Press, 2022

Danny L. Miller
University of Wisconsin Press, 1996
Amadeo M. Rea
University of Arizona Press, 2008

Irving Louis Horowitz
Duke University Press, 1984
Marc Solomon
University Press of New England, 2014
Marc Solomon
University Press of New England, 2015
Heidi J. Osselaer
University of Arizona Press, 2009
David Lucander
University of Illinois Press, 2014
Winning the War for Democracy: The March on Washington Movement, 1941-1946 recalls that triumph, but also looks beyond Randolph and the MOWM's national leadership to focus on the organization's evolution and actions at the local level. Using the personal papers of previously unheralded MOWM members such as T.D. McNeal, internal government documents from the Roosevelt administration, and other primary sources, David Lucander highlights how local affiliates fighting for a double victory against fascism and racism helped the national MOWM accrue the political capital it needed to effect change.
Lucander details the efforts of grassroots organizers to implement MOWM's program of empowering African Americans via meetings and marches at defense plants and government buildings and, in particular, focuses on the contributions of women activists like Layle Lane, E. Pauline Myers, and Anna Arnold Hedgeman. Throughout he shows how local activities often diverged from policies laid out at MOWM's national office, and how grassroots participants on both sides ignored the rivalry between Randolph and the leadership of the NAACP to align with one another on the ground.
Suzanne Matson
Duke University Press, 2026
Lisa Gabbert
Utah State University Press, 2011
Held annually, the McCall, Idaho, winter carnival has become a modern tradition. A festival and celebration, it is also a source of community income and opportunity for shared community effort; a chance to display the town attractively to outsiders and to define and assert McCall's identity; and consequently, a source of disagreement among citizens over what their community is, how it should be presented, and what the carnival means.
Though rooted in the broad traditions of community festival, annual civic events, often sponsored by chambers of commerce, such as that in McCall, are as much expressions of popular culture and local commerce as of older traditions. Yet they become dynamic, newer community traditions, with artistic, informal, and social meanings and practices that make them forms of folklore as well as commoditized culture. Winter Carnival is the first volume in a new Utah State University Press series titled Ritual, Festival, and Celebration and edited by folklorist Jack Santino.
Edited by Russell Field
University of Illinois Press, 2025
The essays collectively explore the shifting dynamics and power relations between the civic coalitions that pursue the Winter Olympics and the social movements that oppose their efforts. The contributors look at specific Games impacted by dissent and probe the issues that swirled around failed and withdrawn bids. In addition, contributions on the contemporary Olympics describe current or future bids while delving into the campaigns demanding host nations pay attention to economic, social, humanitarian, and environmental concerns.
A first-of-its-kind collection, Winters of Discontent profiles the wide range of activists and social movements that have organized against the Winter Olympics.