28167 books match the query 'History' and 1118 start with w

cover of Women, Power, and Dissent in the Hills of Carolina

Women, Power, and Dissent in the Hills of Carolina

Mary K. Anglin

University of Illinois Press, 2002

Women, Power, and Dissent in the Hills of Carolina is a unique and impassioned exploration of gender, labor, and resistance in western North Carolina. Based on eight months of field research in a mica manufacturing plant and the surrounding rural community, as well as oral histories of women who worked in mica houses in the early twentieth century, this landmark study canvasses the history of the mica industry and the ways it came to be organized around women's labor.

Mary K. Anglin's investigation of working women's lives in the plant she calls "Moth Hill Mica Company" reveals the ways women have contributed to household and regional economies for more than a century. Without union support or recognition as skilled laborers, these women developed alternate strategies for challenging the poor working conditions, paltry wages, and corporate rhetoric of Moth Hill. Utilizing the power of memory and strong family and community ties, as well as their own interpretations of gender and culture, the women have found ways to "boss themselves."

[more]
cover of Women, Production, and Patriarchy in Late Medieval Cities

Women, Production, and Patriarchy in Late Medieval Cities

Martha C. Howell

University of Chicago Press, 1986

In this bold reinterpretation of Women's changing labor status during the late medieval and early modern period, Martha C. Howell argues that women's work was the product of the intersection of two systems, one cultural and one economic. Howell shows forcefully that patriarchal family structure, not capitalist development per se, was a decisive factor in determining women's work. Women could enjoy high labor status if they worked within a family production unit or if their labor did not interfere with their domestic responsibilities or threaten male control of a craft or trade.
[more]
cover of Women, Violence and Trauma in Wartime and Postwar Northeastern Adriatic

Women, Violence and Trauma in Wartime and Postwar Northeastern Adriatic

Marta Verginella

Central European University Press, 2026

Women, Violence and Trauma in Wartime and Post-War North Adriatic Region>/cite> offers a powerful rethinking of Europe’s twentieth century through women’s experiences of conflict and its long aftermath. Focusing on the North-Adriatic region while moving beyond national frames, this interdisciplinary volume uncovers how violence did not end with ceasefires but continued to shape women’s lives through displacement, sexual violence, loss, psychiatric suffering, and social exclusion.
Drawing on a rich range of sources—psychiatric records, diaries, autobiographies, oral histories, literature, film, and archival documents—the contributors foreground voices long marginalized in official histories. Together, the chapters reveal both vulnerability and resilience, tracing how trauma was lived, narrated, silenced, and politically instrumentalized across different post-war contexts, from the early Cold War to post-socialist societies. This collection reshapes debates in gender history, memory studies, and trauma research, offering new insights into how women endured, interpreted, and transformed the violent legacies of the twentieth century.
[more]
cover of Women, Violence and War: Wartime Victimization of Refugees in the Balkans

Women, Violence and War

Wartime Victimization of Refugees in the Balkans

Vesna Nikolic-Ristanovic

Central European University Press, 2000

Based on interviews with seventy women refugees, Women, Violence and War is a book about war as it is seen, lived and interpreted by women who were citizens of the former Yugoslavia.

Many of the accounts portray the horrific experiences the victims had to face and the book addresses issues of sexual, physical and psychological violence, as well as problems of confinement, upheaval and family separation. In a completely new insight the book dispels the myth that many of the women were peasants, and shows that in fact they were educated, middle-class women with independent careers. The study also depicts how some of the victims attempt to come to terms with the aftermath of wartime abuse.

This probing, accurate and unique investigation of victimization is an unparalleled volume that presents a completely new perspective maintaining that violence against women in war is not independent of peace-time victimization and the imbalance of power between sexes.

[more]
cover of Women, War, and the Making of Bangladesh: Remembering 1971

Women, War, and the Making of Bangladesh

Remembering 1971

Yasmin Saikia

Duke University Press, 2011

Fought between India and what was then East and West Pakistan, the war of 1971 led to the creation of Bangladesh, where it is remembered as the War of Liberation. For India, the war represents a triumphant settling of scores with Pakistan. If the war is acknowledged in Pakistan, it is cast as an act of betrayal by the Bengalis. None of these nationalist histories convey the human cost of the war. Pakistani and Indian soldiers and Bengali militiamen raped and tortured women on a mass scale. In Women, War, and the Making of Bangladesh, survivors tell their stories, revealing the power of speaking that deemed unspeakable. They talk of victimization—of rape, loss of status and citizenship, and the “war babies” born after 1971. The women also speak as agents of change, as social workers, caregivers, and wartime fighters. In the conclusion, men who terrorized women during the war recollect their wartime brutality and their postwar efforts to achieve a sense of humanity. Women, War, and the Making of Bangladesh sheds new light on the relationship among nation, history, and gender in postcolonial South Asia.
[more]
cover of Women, Work, and Activism: Chapters of an Inclusive History of Labor in the Long Twentieth Century

Women, Work, and Activism

Chapters of an Inclusive History of Labor in the Long Twentieth Century

Eloisa Betti

Central European University Press, 2022

The thirteen critical and well-documented chapters of Women, Work and Activism examine women’s labor struggle from late nineteenth-century Portuguese mutual societies to Yugoslav peasant women’s work in the 1930s, and from the Catalan labor movement under the Franco dictatorship to workplace democracy in the United States. The authors portray women's labor activism in a wide variety of contexts. This includes spontaneous resistance to masculinist trade unionism, the feminist engagement of women workers, the activism of communist wives of workers, and female long-distance migration, among others. The chapters address the gendered involvement of working people in multiple and often precarious and unstable labor relations and in unpaid labor, as well as the role of the state and other institutions in shaping the history of women’s labor.


The book is an innovative contribution to both the new labor history and feminist history. It fully integrates the conceptual advances made by gender historians in the study of labor activism, driving home critiques of Eurocentric historiographies of labor to Europe while simultaneously contributing to an inclusive history of women’s labor-related activism wherever to be found. Examining women’s activism in male-dominated movements and institutions, and in women’s networks and organizations, the authors make a case for a new direction in gender history.

[more]
cover of Women, Work, and Representation: Needlewomen in Victorian Art and Literature

Women, Work, and Representation

Needlewomen in Victorian Art and Literature

Lynn M. Alexander

Ohio University Press, 2003

In Victorian England, virtually all women were taught to sew; needlework was allied with images of domestic economy and with traditional female roles of wife and mother- with home rather than factory. The professional seamstress, however, labored long hours for very small wages creating gowns for the upper and middle classes. In her isolation and helplessness, she provided social reformers with a powerful image of working-class suffering that appealed to the sensibilities of the upper classes and helped galvanize public opinion around the need for reform.

Women, Work, and Representation addresses the use of that image in the reform movement, underscoring the shock to the Victorian public when reports revealed that the profession of needlework was extremely hazardous, even deadly.

Author Lynn M. Alexander traces the development of the symbol of the seamstress through a variety of presentations, drawing from the writings of Charles Dickens, Elizabeth Gaskell, Charlotte Elizabeth Tonna, and George W. M. Reynolds, and on visual representations by Richard Redgrave, Thomas Benjamin Kennington, John Everett Millais, John Leech, John Tenniel, and Hubert von Herkomer.

Written to appeal to Victorian scholars, women's studies scholars, and those interested in semiotics and aestheticism, Women, Work, and Representation includes twenty illustrations, most from periodicals of the day, providing new insights into the lives of working women throughout the Victorian era.

[more]
cover of Women, Work, and Worship in Lincoln's Country: The Dumville Family Letters

Women, Work, and Worship in Lincoln's Country

The Dumville Family Letters

Edited by Anne M. Heinz and John P. Heinz

University of Illinois Press, 2016

The Dumville family settled in central Illinois during an era of division and dramatic change. Arguments over slavery raged. Railroads and circuit-riding preachers brought the wider world to the prairie. Irish and German immigrants flooded towns and churches. Anne M. Heinz and John P. Heinz draw from an extraordinary archive at the Abraham Lincoln Presidential Library and Museum to reveal how Ann Dumville and her daughters Jemima, Hephzibah, and Elizabeth lived these times. The letters tell the story of Ann, expelled from her Methodist church for her unshakable abolitionist beliefs; the serious and religious Jemima, a schoolteacher who started each school day with prayer; Elizabeth, enduring hard work as a farmer's wife, far away from the others; and Hephzibah, observing human folly and her own marriage prospects with the same wicked wit. Though separated by circumstances, the Dumvilles deeply engaged one another with their differing views on Methodism, politics, education, technological innovation, and relationships with employers. At the same time, the letters offer a rarely seen look at antebellum working women confronting privation, scarce opportunities, and the horrors of civil war with unwavering courage and faith.
[more]
cover of Women, the Family, and Peasant Revolution in China

Women, the Family, and Peasant Revolution in China

Kay Ann Johnson

University of Chicago Press, 1983

Kay Ann Johnson provides much-needed information about women and gender equality under Communist leadership. She contends that, although the Chinese Communist Party has always ostensibly favored women's rights and family reform, it has rarely pushed for such reforms. In reality, its policies often have reinforced the traditional role of women to further the Party's predominant economic and military aims.

Johnson's primary focus is on reforms of marriage and family because traditional marriage, family, and kinship practices have had the greatest influence in defining and shaping women's place in Chinese society. Conversant with current theory in political science, anthropology, and Marxist and feminist analysis, Johnson writes with clarity and discernment free of dogma. Her discussions of family reform ultimately provide insights into the Chinese government's concern with decreasing the national birth rate, which has become a top priority. Johnson's predictions of a coming crisis in population control are borne out by the recent increase in female infanticide and the government abortion campaign.
[more]
cover of Women, the New York School, and Other True Abstractions

Women, the New York School, and Other True Abstractions

Maggie Nelson

University of Iowa Press, 2007

Maggie Nelson provides the first extended consideration of the roles played by women in and around the New York School of poets, from the 1950s to the present, and offers unprecedented analyses of the work of Barbara Guest, Bernadette Mayer, Alice Notley, Eileen Myles, and abstract painter Joan Mitchell as well as a reconsideration of the work of many male New York School writers and artists from a feminist perspective.
[more]
cover of Women, the State, and Welfare

Women, the State, and Welfare

Edited by Linda Gordon

University of Wisconsin Press, 1990

Women, the State, and Welfare is the first collection of essays specifically about women and welfare in the United States.  As an introduction to the effects of welfare programs, it is intended for general readers as well as specialists in sociology, history, political science, social work, and women’s studies.  The book begins with a review essay by Linda Gordon that outlines current scholarship about women and welfare.  The chapters that follow explore discrimination against women inherent in many welfare programs; the ways in which welfare programs reinforce basic gender programs in society; the contribution of organized, activist women to the development of welfare programs; and differences of race and class in the welfare system.  By giving readers access to a number of perspectives about women and welfare, this book helps position gender at the center of welfare scholarship and policy making and places welfare issues at the forefront of feminist thinking and action.
[more]
cover of Womenfolks: Growing Up Down South

Womenfolks

Growing Up Down South

Shirley Abbott

University of Arkansas Press, 2017

A classic that has been in print since its first publication in 1983, Womenfolks is both a personal memoir and a meditation on the often pernicious mythologies of southern cultural history. Shirley Abbott gives us the gritty, independent women of the backwoods, the South’s true heroines, whose hardscrabble world is one of red dirt and hard work—a far cry from the hoopskirts and magnolias of southern lore. As honest, vibrant, and remarkable as the women whose stories illuminate these pages, Womenfolks draws a vivid portrait of a rural culture beset by poverty and sustained by deeply rooted traditions. In her new preface to this edition, Abbott assesses what has changed—and what may never change—about the burdens of southern history and expresses her hope that the better angels of our nature may prevail in our still-new century.
[more]
cover of Women’s Bookscapes in Early Modern Britain: Reading, Ownership, Circulation

Women’s Bookscapes in Early Modern Britain

Reading, Ownership, Circulation

Leah Knight, Micheline White, and Elizabeth Sauer, Editors

University of Michigan Press, 2018

Women in 16th- and 17th-century Britain read, annotated, circulated, inventoried, cherished, criticized, prescribed, and proscribed books in various historically distinctive ways. Yet, unlike that of their male counterparts, the study of women’s reading practices and book ownership has been an elusive and largely overlooked field.

In thirteen probing essays, Women’s Bookscapesin Early Modern Britain brings together the work of internationally renowned scholars investigating key questions about early modern British women’s figurative, material, and cultural relationships with books. What constitutes evidence of women’s readerly engagement? How did women use books to achieve personal, political, religious, literary, economic, social, familial, or communal goals? How does new evidence of women’s libraries and book usage challenge received ideas about gender in relation to knowledge, education, confessional affiliations, family ties, and sociability? How do digital tools offer new possibilities for the recovery of information on early modern women readers?

The volume’s three-part structure highlights case studies of individual readers and their libraries; analyses of readers and readership in the context of their interpretive communities; and new types of scholarly evidence—lists of confiscated books and convent rules, for example—as well as new methodologies and technologies for ongoing research. These essays dismantle binaries of private and public; reading and writing; female and male literary engagement and production; and ownership and authorship.

Interdisciplinary, timely, cohesive, and concise, this collection’s fresh, revisionary approaches represent substantial contributions to scholarship in early modern material culture; book history and print culture; women’s literary and cultural history; library studies; and reading and collecting practices more generally.

[more]
cover of Women’s Labour Activism in Eastern Europe and Beyond: A New Transnational history

Women’s Labour Activism in Eastern Europe and Beyond

A New Transnational history

Selin Çagatay, et al.

University College London, 2025

An inclusive history of women’s activism to improve working conditions in Eastern Europe, Turkey, and beyond. 

So often, theories of activism and social change neglect acts of resistance in informal, community, and domestic contexts. This collaborative investigation from a transnational team of scholars addresses two related shortcomings: the lack of class analysis in gender history and the neglect of gender dynamics in labor history. Women’s Labour Activism in Eastern Europe and Beyond highlights understudied topics in both of these fields, such as radical, grassroots, and interclass women’s labor activism on behalf of lower-income and working-class women and communities; women’s participation in trade unions on both sides of the Iron Curtain; and the heretofore neglected presence of Eastern European women in international organizations, including the cooperative movement. 
[more]
cover of Women’s Work: How Culinary Cultures Shaped Modern Spain

Women’s Work

How Culinary Cultures Shaped Modern Spain

Rebecca Ingram

Vanderbilt University Press, 2022

Winner, Gourmand World Cookbook Awards, 2023—Best Women of the World Book, Spain

We are living in a moment in which famous chefs, Michelin stars, culinary techniques, and gastronomical accolades attract moneyed tourists to Spain from all over the world. This has prompted the Spanish government to declare its cuisine as part of Spanish patrimony. Even with this widespread global attention, we know little about how Spanish cooking became a litmus test for demonstrating Spain's modernity and, relatedly, the roles ascribed to the modern Spanish women responsible for daily cooking.

Efforts to articulate a new, modern Spain infiltrated writing in multiple genres and media. Women's Work offers a sharp reading of diverse sources, placed in their historical context, that yields a better understanding of the roles of food within an inherently uneven modernization process. Further, author Rebecca Ingram's perceptive critique reveals the paradoxical messages women have navigated, even in texts about a daily practice that shaped their domestic and work lives. Women's Work posits that this is significant because of the degree to which domestic activities, including cooking, occupied women's daily lives, even while issues like their fitness as citizens and participation in the public sphere were hotly debated. At the same time, progressive intellectuals from diverse backgrounds began to invoke Spanish cooking and eating as one measure of Spanish modernity.

Women's Work shows how culinary writing engaged these debates and reached women at the site of much of their daily labor—the kitchen—and, in this way, shaped their thinking about their roles in modernizing Spain.
[more]
cover of Women’s Work: Making Dance in Europe before 1800

Women’s Work

Making Dance in Europe before 1800

Edited by Lynn Matluck Brooks

University of Wisconsin Press, 2007

Like the history of women, dance has been difficult to capture as a historical subject. Yet in bringing together these two areas of study, the nine internationally renowned scholars in this volume shed new and surprising light on women’s roles as performers of dance, choreographers, shapers of aesthetic trends, and patrons of dance in Italy, France, England, and Germany before 1800.
    Through dance, women asserted power in spheres largely dominated by men: the court, the theater, and the church. As women’s dance worlds intersected with men’s, their lives and visions were supported or opposed, creating a complex politics of creative, spiritual, and political expression. From a women’s religious order in the thirteenth-century Low Countries that used dance as a spiritual rite of passage to the salon culture of eighteenth-century France where dance became an integral part of women’s cultural influence, the writers in this volume explore the meaning of these women’s stories, performances, and dancing bodies, demonstrating that dance is truly a field across which women have moved with finesse and power for many centuries past.
[more]
cover of Wonder Shows: Performing Science, Magic, and Religion in America

Wonder Shows

Performing Science, Magic, and Religion in America

Nadis, Fred

Rutgers University Press, 2005

Imagine a stage full of black cats emitting electrical sparks, a man catching bullets with his teeth, or an evangelist jumping on a transformer to shoot bolts of lightning through his fingertips. These and other wild schemes were part of the repertoire of showmen who traveled from city to city, making presentations that blended science with myth and magic.

In Wonder Shows, Fred Nadis offers a colorful history of these traveling magicians, inventors, popular science lecturers, and other presenters of “miracle science” who revealed science and technology to the public in awe-inspiring fashion. The book provides an innovative synthesis of the history of performance with a wider study of culture, science, and religion from the antebellum period to the present.

It features a lively cast of characters, including electrical “wizards” Nikola Tesla and Thomas Alva Edison, vaudeville performers such as Harry Houdini, mind readers, UFO cultists, and practitioners of New Age science. All of these performers developed strategies for invoking cultural authority to back their visions of science and progress. The pseudo-science in their wonder shows helped promote a romantic worldview that called into question the absolute authority of scientific materialism while reaffirming the importance of human spirituality. Nadis argues that the sensation that these entertainers provided became an antidote to the alienation and dehumanization that accompanied the rise of modern America.

Although most recent defenders of science are prone to reject wonder, considering it an ally of ignorance and superstition, Wonder Shows demonstrates that the public’s passion for magic and meaning is still very much alive. Today, sales continue to be made and allegiances won based on illusions that products are unique, singular, and at best, miraculous. Nadis establishes that contemporary showmen, corporate publicists, advertisers, and popular science lecturers are not that unlike the magicians and mesmerists of years ago.

 

[more]
cover of Wonderful Things from 400 Years of Collecting: The Bodleian Library 1602-2002

Wonderful Things from 400 Years of Collecting

The Bodleian Library 1602-2002

Edited by the Bodleian Library

Bodleian Library Publishing, 2002

A timeless selection of Wonderful Things, this book highlights the tremendous range of the Bodleian Library's collections. From the sixth-century Laudian Acts—a manuscript probably used by Bede himself—to modern treasures such as one of Tolkein's own illustrations for TheHobbit, the objects chosen show the extent, variety, and quality of the Library's holdings and how they came to the Bodleian. Each work is sumptuously displayed in full-page color with facing-page descriptions. Collectively, they offer a fascinating glimpse into the principles, history, and future of collecting by a world-class institution.
[more]
cover of Wonderlands of the Avant-Garde: Technology and the Arts in Russia of the 1920s

Wonderlands of the Avant-Garde

Technology and the Arts in Russia of the 1920s

Julia Vaingurt

Northwestern University Press, 2013

Longlist finalist, 2015 Historia Nova Prize for Best Book on Russian Intellectual and Cultural History 

In postrevolutionary Russia, as the Soviet government pursued rapid industrialization, avant-garde artists declared their intent to serve the nascent state and to transform life in accordance with their aesthetic designs. Despite their utilitarian intentions, however, most avant-gardists rarely created works regarded as practical instruments of societal transformation. Exploring this paradox, Vaingurt claims that the artists’ fusion of technology and aesthetics prevented their creations from being fully conscripted into the arsenal of political hegemony. The purposes of avant-garde technologies, she contends, are contemplative rather than constructive. Looking at Meyerhold’s theater, Tatlin’s and Khlebnikov’s architectural designs, Mayakovsky’s writings, and other works from the period, Vaingurt offers an innovative reading of an exceptionally complex moment in the formation of Soviet culture. 
[more]
cover of Wonders of Sand and Stone: A History of Utah's National Parks and Monuments

Wonders of Sand and Stone

A History of Utah's National Parks and Monuments

Frederick H. Swanson

University of Utah Press, 2020

From Delicate Arch to the Zion Narrows, Utah’s five national parks and eight national monuments are home to some of America’s most amazing scenic treasures, created over long expanses of geologic time. In Wonders of Sand and Stone, Frederick H. Swanson traces the recent human story behind the creation of these places as part of a protected mini-empire of public lands.

Drawing on extensive historical research, Swanson presents little-known accounts of people who saw 
in these sculptured landscapes something worth protecting. Readers are introduced to the region’s early explorers, scientists, artists, and travelers as well as the local residents and tourism promoters who worked with the National Park Service to build the system of parks and monuments we know today, when Utah’s national parks and monuments face multiple challenges from increased human use and from development outside their borders. As scientists continue to uncover the astonishing diversity of life in these desert and mountain landscapes, and archaeologists and Native Americans document their rich cultural resources, the management of these federal lands remains critically important. Swanson provides us with a detailed and timely background to advance and inform discussions about what form that management should take.
[more]
cover of Wondrous Curiosities: Ancient Egypt at the British Museum

Wondrous Curiosities

Ancient Egypt at the British Museum

Stephanie Moser

University of Chicago Press, 2006

When the British Museum opened its doors more than two centuries ago, scores of visitors waited eagerly outside for a first glimpse of ancient relics from Egypt, Greece, and Rome. Even today, in this age of satellite television and high-speed Internet access, museums maintain their unique allure, continuing to play a vital role in connecting us with little-known terrains and the deep mysteries of our historical past. That’s because, as Stephanie Moser argues in Wondrous Curiosities, museum displays don’t just transmit knowledge—they actually create it. 

Based on her exploration of the British Museum’s world-famous collection of Egyptian antiquities, this pioneering study reveals the powerful role of museums in shaping our understanding of science, culture, and history. Drawing on guidebooks and archival documents, Moser demonstrates that this British exhibition of ancient Egyptian artifacts was central to the way we came to define the remarkable society that produced them. And she also reveals the specific strategies—such as using pattern and symmetry, juxtaposing different types of objects, and singling out particular items—that the British Museum and others used, and still use, in representing the past. With a wealth of illustrations and a detailed account of how the museum acquired and displayed its Egyptian collections, Wondrous Curiosities will fascinate curators and scholars of British history, Egyptology, art history, archaeology, and the history of science.

[more]
cover of Wood Quay: The Clash over Dublin's Viking Past

Wood Quay

The Clash over Dublin's Viking Past

By Thomas F. Heffernan

University of Texas Press, 1988

An urban archaeologist working anywhere in the world can imagine this scenario: armed with a small digging tool and a soft brush, the archaeologist stands at a freshly cut trench facing off a construction crew driving bulldozers. At stake is the past—the discovery and preservation of our history. Across the gap is the future—progress and new buildings for a modern world. A battle ensues. It happened in Dublin in the early 1960s.

While investigating and salvage-excavating the site for a new municipal office complex, archaeologists made one of the most important and exciting discoveries in Ireland’s history. Buried beneath the present-day city of Dublin was the original Viking settlement from the ninth or tenth century, in an extraordinary state of preservation: houses, undecayed wood, domestic furniture, jewelry, toys, tools, works of art, coins, plots, paths, a veritable map of the medieval town. Because of its impressive size and state of preservation, the site known as Wood Quay was not an “ordinary” kind of archaeological discovery, nor was the battle that followed typical.

What made Wood Quay unique was that its defender was not the archaeological authority—the National Museum of Ireland—as is usually the case, but rather a spontaneously formed movement of thousands of Dubliners. While the museum was ready to turn the site over to the city’s developers after routine salvage work had been done, a group of prominent literary and political figures seized Wood Quay, holding it for almost a month and preventing bulldozers from moving in. Realizing the significance of the find, the people of Dublin took charge and kept the builders at bay for eight years. At the same time, they were able to press the museum to return to its archaeological work there. Archaeologists ultimately were able to complete good maps of a large portion of the site and recover between one and two million artifacts.

Today, the completed Dublin civic office complex stands on the Wood Quay site, fully landscaped and without a trace of the archaeological gold mine that once lay buried below. What does remain, however, is the memory of the powerful impact the citizens of Dublin had in demanding and establishing the connection through Wood Quay to their medieval roots.

Of interest to archaeologists, historic preservationists, and city planners alike, this fascinating and beautifully written account will also engage the general reader.

[more]
cover of Wood Works

Wood Works

Edwin Bingham

Oregon State University Press, 1997

[more]
cover of Woodcuts as Reading Guides: How Images Shaped Knowledge Transmission in Medical-Astrological Books in Dutch (1500-1550)

Woodcuts as Reading Guides

How Images Shaped Knowledge Transmission in Medical-Astrological Books in Dutch (1500-1550)

Andrea van Leerdam

Amsterdam University Press, 2024

In the first half of the sixteenth century, the Low Countries saw the rise of a lively market for practical and instructive books that targeted non-specialist readers. This study shows how woodcuts in vernacular books on medicine and astrology fulfilled important rhetorical functions in knowledge communication. These images guided readers’ perceptions of the organisation, visualisation, and reliability of knowledge. Andrea van Leerdam uncovers the assumptions and intentions of book producers to which images testify, and shows how actual readers engaged with these illustrated books. Drawing on insights from the field of information design studies, she scrutinises the books’ material characteristics, including their lay-outs and traces of use, to shed light on the habits and interests of early modern readers. She situates these works in a culture where medicine and astrology were closely interwoven in daily life and where both book producers and readers were exploring the potential of images.

For this book Andrea van Leerdam received the Victorine van Schaick publicatieprijs 2024 and the Menno Hertzberger aanmoedigingsprijs 2026.
[more]
cover of Wooden Ritual Artifacts from Chaco Canyon, New Mexico: The Chetro Ketl Collection

Wooden Ritual Artifacts from Chaco Canyon, New Mexico

The Chetro Ketl Collection

R. Gwinn Vivian, Dulce N. Dodgen, and Gayle H. Hartmann

University of Arizona Press, 1978

The Anthropological Papers of the University of Arizona is a peer-reviewed monograph series sponsored by the School of Anthropology. Established in 1959, the series publishes archaeological and ethnographic papers that use contemporary method and theory to investigate problems of anthropological importance in the southwestern United States, Mexico, and related areas.
[more]
cover of Woodland Potters and Archaeological Ceramics of the North Carolina Coast

Woodland Potters and Archaeological Ceramics of the North Carolina Coast

Joseph M. Herbert

University of Alabama Press, 2009

The first comprehensive study of the meaning of pottery as a social activity in coastal North Carolina.

Pottery types, composed of specific sets of attributes, have long been defined for various periods and areas of the Atlantic coast, but their relationships and meanings have not been explicitly examined. In exploring these relationships for the North Carolina coast, this work examines the manner in which pottery traits cross-cut taxonomic types, tests the proposition that communities of practice existed at several scales, and questions the fundamental notion of ceramic types as ethnic markers. 

Ethnoarchaeological case studies provide a means of assessing the mechanics of how social structure and gender roles may have affected the transmission of pottery-making techniques and how socio-cultural boundaries are reflected in the distribution of ceramic traditions. Another very valuable source of information about past practices is replication experimentation, which provides a means of understanding the practical techniques that lie behind the observable traits, thereby improving our understanding of how certain techniques may have influenced the transmission of traits from one potter to another. Both methods are employed in this study to interpret the meaning of pottery as an indicator of social activity on the North Carolina coast. 


 

[more]
cover of Woodrow Wilson: USA

Woodrow Wilson

USA

Brian Morton

Haus Publishing, 2008

Woodrow Wilson (1856-1924). It is September 1919 - a meeting hall in a small mid-Western city. A thin man is speaking to a sceptical audience about peace. He has already met the city fathers and has been warned that 'out here' what happens in Europe means very little. Even the late war scarcely impinged on the place, though it had been recognised that it hadn't been altogether good for trade and one or two local boys had died on the fields of France in the very last days of the conflict. The speaker was obviously impassioned, with a preacher's cadence to his voice, and particularly so when he promoted the idea of an international League of Nations to guarantee future peace and ensure that the war into which America had been lured in 1917 really was 'a war to end all wars'. It is noticed that the man is sweating and pale and that he pauses frequently to dab his lips. The price of his campaign for peace - and peace conducted with principle - seems to be a terrible struggle between strong belief on the one hand and failing reserves on the other. Woodrow Wilson will live for another five years, but his battle to convince America to join the League is lost and much of the vigour that marked his time as President of his country, as president of Princeton University, even as an enthusiastic college football coach, was left behind in the Hall of Mirrors at Versailles. This book will look at the life of Wilson, from his early years during the American Civil War, through his academic and political career and America's involvement in the First World War, to Wilson's role at Versailles, including the construction of his Fourteen Points, his principles for the reformation of Europe, and the consequences of Versailles for America and on later conflicts.
[more]
cover of Woody Guthrie, American Radical

Woody Guthrie, American Radical

Will Kaufman

University of Illinois Press, 2011

Woody Guthrie, American Radical reclaims the politically radical profile of America's greatest balladeer. Although he achieved a host of national honors and adorns U.S. postage stamps, and although his song "This Land Is Your Land" is often considered the nation's second national anthem, Woody Guthrie committed his life to the radical struggle. Will Kaufman traces Guthrie's political awakening and activism throughout the Great Depression, World War II, the Cold War, the Korean War, the Civil Rights struggle, and the poison of McCarthyism. He examines Guthrie's role in the development of a workers' culture in the context of radical activism spearheaded by the Communist Party of the USA, the Popular Front, and the Congress of Industrial Organizations. Kaufman also establishes Guthrie's significance in the perpetuation of cultural front objectives into the era of the "New Left" and beyond, particularly through his influence on the American and international protest song movement. Utilizing a wealth of previously unseen archival materials such as letters, song lyrics, essays, personal reflections, photos, and other manuscripts, Woody Guthrie, American Radical introduces a heretofore unknown Woody Guthrie: the canny political strategist, fitful thinker, and cultural front activist practically buried in the general public's romantic celebration of the "Dust Bowl Troubadour." A portion of the royalties from the sales of this book will be donated to the Woody Guthrie Foundation.
[more]
cover of Word Crimes: Blasphemy, Culture, and Literature in Nineteenth-Century England

Word Crimes

Blasphemy, Culture, and Literature in Nineteenth-Century England

Joss Marsh

University of Chicago Press, 1998

In 1883 the editor of a penny newspaper stood trial three times for the "obsolete" crime of blasphemy. The editor was G. W. Foote, the paper was the Freethinker, and the trial was the defining event of the decade. Foote's "martyrdom" completed blasphemy's nineteenth-century transformation from a religious offense to a class and cultural crime.

From extensive archival and literary research, Joss Marsh reconstructs a unified and particular account of blasphemy in Victorian England. Rewriting English history from the bottom up, she tells the forgotten stories of more than two hundred working-class "blasphemers," like Foote, whose stubborn refusal to silence their "hooligan" voices helped secure our rights to speak and write freely today. The new standards of criminality used to judge their "word crimes" rewrote the terms of literary judgment, demoting the Bible to literary masterpiece and raising Literature as the primary standard of Victorian cultural value.
[more]
cover of Word Of God & The Languages Of Man: Interpreting Nature In Early Modern Science And Medicine Volume I, Ficino To Descartes

Word Of God & The Languages Of Man

Interpreting Nature In Early Modern Science And Medicine Volume I, Ficino To Descartes

James J. Bono

University of Wisconsin Press, 1995

This remarkably ambitious work relates changes in scientific and medical thought during the Scientific Revolution (circa 1500–1700) to the emergence of new principles and practices for interpreting language, texts, and nature. An invaluable history of ideas about the nature of language during this period, The Word of God and the Languages of Man also explores the wider cultural origins and impact of these ideas. Its broad and deeply complex picture of a profound sociocultural and intellectual transformation will alter our definition of the scientific revolution.
    James J. Bono shows how the new interpretive principles and scientific practices of the sixteenth and seventeenth centuries evolved in response to new views of the relationship between the “Word of God” and the “Languages of Man” fostered by Renaissance Humanism, Neoplatonism, magic, and both the reformed and radical branches of Protestantism. He traces the cultural consequences of these ideas in the thought and work of major and minor actors in the scientific revolution—from Ficino and Paracelsus to Francis Bacon and Descartes. By considering these natural philosophers in light of their own intellectual, religious, philosophical, cultural, linguistic, and especially narrative frameworks, Bono suggests a new way of viewing the sociocultural dynamics of scientific change in the pre–modern period—and ultimately, a new way of understanding the nature and history of scientific thought. The narrative configuration he proposes provides a powerful alternative to the longstanding “revolutionary” metaphor of the history of the scientific revolution.
[more]
cover of Word Rides Again: Rereading The Frontier In American Fiction

Word Rides Again

Rereading The Frontier In American Fiction

J. David Stevens

Ohio University Press, 2001

With much recent scholarship polarizing frontier novels into “popular” and “literary” camps, The Word Rides Again challenges the critical orthodoxy that such works have little in common, arguing instead that formulaic Western fictions can subtly (and even subversively) share cultural concerns with more highbrow brethren. Each chapter focuses on a writer who has traditionally been classified as either popular or artistic, reading a representative fictional work against prevailing scholarly trends. In this manner, Bret Harte’s sentimental stories become gender-bending experiments in which women assume male roles and even enjoy lesbian relationships. Owen Wister’s The Virginian is transmuted from a misogynistic diatribe into a complex meditation on the peculiarly American relation of violence to male identity. And even Willa Cather’s Death Comes for the Archbishop, rather than the apotheosis of a religious leader, becomes a somewhat standard version of the popular frontier story.

The Word Rides Again represents a significant departure from more traditional studies of frontier literature. It reaffirms the continuum between popular and literary texts and explores the ways that frontier novels have echoed, endorsed, and extended each other from the inception of the genre.

[more]
cover of Words Marked by a Place: Local Histories in Central Oregon

Words Marked by a Place

Local Histories in Central Oregon

Jarold Ramsey

Oregon State University Press, 2018

Words Marked by a Place is a book of interconnected writings reflecting on the human and natural history of central Oregon. This chronological collection presents the reader with key episodes of central Oregon history, from nineteenth-century exploration to the railroading and homesteading era to the era of community-building and development that followed.

While telling these local stories, Jarold Ramsey explores alternative ways of engaging history in the act of writing, breaking new ground by discovering and exploring primary sources that bear on the region’s colorful but little-known past. Throughout the collection, he interrogates “local history” as a subject. What is local history? How is it related to mainstream academic history? What are legitimate ways of doing it? How do the details of what we call local history inform “history-at-large,” and vice-versa?

From the opening narrative concerning Lieutenant Henry Larcom Abbot’s “Railroad Survey” of the region in 1855 to the concluding account of Lieutenant Robert Cranston’s last months and dramatic death, when his “Airacobra” fighter plane crashed near Madras in 1944, Words Marked by a Place sheds new light on the ongoing story of central Oregon by illuminating forgotten corners of its past. Through both theory and example, it represents an important contribution to the history of the region and the endeavors of local historians, wherever they happen to work.
[more]
cover of Words That Make New Jersey History: A Primary Source Reader, revised and expanded edition

Words That Make New Jersey History

A Primary Source Reader, revised and expanded edition

Edited by Howard L. Green

Rutgers University Press, 2006

Words That Make New Jersey History is a book-length collection of documents that spans the history of New Jersey, from the arrival of Dutch traders in the 1600s to the present. The materials touch on a range of subjects such as factories and farms, cities and suburbs, slavery and abolitionism, the temperance and woman suffrage campaigns, race and ethnic relations, the labor movement, and economic and environmental issues. The documents include letters, journals, pamphlets, petitions, artwork, and songs created not only by those who exercised power, but also by men and women of more humble station--immigrants, workers, slaves, foreign travelers, and civil servants. Their lively accounts range from descriptions of Native Americans in the seventeenth century to Bruce Springsteen's recent lament about a declining factory town.
   
New to this expanded edition is the text of James McGreevey's "I am a Gay American" speech, as well as entries about the Abbott v. Burke court ruling mandating that New Jersey equalize funding of urban and suburban schools districts, sprawl and its effects on water supply, and the state's economic boom in the 1990s.

A balanced survey of New Jersey's history presented in the context of a changing nation, this volume is well suited to general readers who want to explore the primary sources of the state's past, and to U.S. history students at the high school and college levels.
[more]
cover of Words Were Bullets and Seeds: Literature, Intellectuals, and Revolution in Angola and Mozambique, 1961–1986

Words Were Bullets and Seeds

Literature, Intellectuals, and Revolution in Angola and Mozambique, 1961–1986

Tom Stennett

University of Michigan Press, 2027

Words Were Bullets and Seeds examines the literary and political writings of Mozambican and Angolan Marxist intellectuals that performed crucial roles in the organizations that have come to dominate postcolonial Mozambique and Angola: Frelimo and the MPLA. Tom Stennett draws on archival materials from Portugal, Angola, Mozambique, Cape Verde, Tanzania, and the United Kingdom to reframe our understanding of Angolan and Mozambican liberation struggles through an analysis of the political poetry in Portuguese written by leading intellectuals of the movements. Stennett argues that traditional political forms—speeches, party literature, manifestos—demand a close textual analysis that is sensitive to aesthetics and the specific ways in which Angolan and Mozambican revolutionaries engaged with political idioms and theories such as Négritude, African socialism, Pan-Africanism, and Marxism. Words Were Bullets and Seeds leverages literary texts as historical sources with insights into political ideological struggles to provide a nuanced understanding of Mozambican and Angolan postcolonial debates.

[more]
cover of Words and Worlds Turned Around: Indigenous Christianities in Colonial Latin America

Words and Worlds Turned Around

Indigenous Christianities in Colonial Latin America

David Tavárez

University Press of Colorado, 2017

A sophisticated, state-of-the-art study of the remaking of Christianity by indigenous societies, Words and Worlds Turned Around reveals the manifold transformations of Christian discourses in the colonial Americas. The book surveys how Christian messages were rendered in indigenous languages; explores what was added, transformed, or glossed over; and ends with an epilogue about contemporary Nahuatl Christianities.

In eleven case studies drawn from eight Amerindian languages—Nahuatl, Northern and Valley Zapotec, Quechua, Yucatec Maya, K'iche' Maya, Q'eqchi' Maya, and Tupi—the authors address Christian texts and traditions that were repeatedly changed through translation—a process of “turning around” as conveyed in Classical Nahuatl. Through an examination of how Christian terms and practices were made, remade, and negotiated by both missionaries and native authors and audiences, the volume shows the conversion of indigenous peoples as an ongoing process influenced by what native societies sought, understood, or accepted.

The volume features a rapprochement of methodologies and assumptions employed in history, anthropology, and religion and combines the acuity of of methodologies drawn from philology and historical linguistics with the contextualizing force of the ethnohistory and social history of Spanish and Portuguese America.

Contributors: Claudia Brosseder, Louise M. Burkhart, Mark Christensen, John F. Chuchiak IV, Abelardo de la Cruz, Gregory Haimovich, Kittiya Lee, Ben Leeming, Julia Madajczak, Justyna Olko, Frauke Sachse, Garry Sparks

[more]
cover of Words for the Taking: The Hunt for a Plagiarist

Words for the Taking

The Hunt for a Plagiarist

Neal Bowers

Southern Illinois University Press, 2007

In January 1992, poet Neal Bowers received a phone call that changed his life. He learned his poems had been stolen and published under another name. Bowers hired a copyright lawyer and a private detective, and they began the agonizing hunt to track down the person who stole his creative work.

Bowers was dealing with more than the theft of words. He uncovered the plagiarist’s unsavory past when he found convicted child molester David Jones, who published the poems using the name David Sumner.

Determined to hold the plagiarist accountable, Bowers is drawn into a bizarre game of catch-me-if-you-can. His odyssey introduces him to the legal system and a sympathetic female detective, reveals the reactions of fellow poets, and provokes a flood of nationwide publicity and a deluge of letters from strangers interested in the case. Letters from Bowers’s attorney to Jones and phone conversations between the two produce unsatisfactory results. In the end, the plagiarist is not punished, and Bowers deals with the loss of friends, derision from his colleagues, and trouble in his marriage.

Words for the Taking: The Hunt for a Plagiarist, first published in 1997, is as much a commentary on our cultural view of plagiarism as it is a real-life detective story. Bowers’s wry and disturbing account of being the victim of a serial plagiarist offers unexpected twists and startling revelations. This updated edition presents a final consideration of the bizarre case and remains the only book to offer a personal account of the effects of plagiarism.

Ten years after the original publication, Neal Bowers finds his life as a writer altered in ways he could never have foreseen. His responses to the series of events show his vulnerability as an artist and his adjustment to being a victim. In a new chapter, Bowers describes his renewed quest in 2006 for a resolution and explains why he chose to give up writing poetry.

This beautifully written case study about the discovery and attempted resolution of an intellectual crime will appeal to academicians and general readers alike who care about language, the state of poetry, and intellectual property in contemporary America.

[more]
cover of Words in Motion: Toward a Global Lexicon

Words in Motion

Toward a Global Lexicon

Carol Gluck and Anna Lowenhaupt Tsing, eds.

Duke University Press, 2009

On the premise that words have the power to make worlds, each essay in this book follows a word as it travels around the globe and across time. Scholars from five disciplines address thirteen societies to highlight the social and political life of words in Asia, Europe, and the Middle East, from the mid-nineteenth century to the present. The approach is consciously experimental, in that rigorously tracking specific words in specific settings frequently leads in unexpected directions and alters conventional depictions of global modernity.

Such words as security in Brazil, responsibility in Japan, community in Thailand, and hijāb in France changed the societies in which they moved even as the words were changed by them. Some words threatened to launch wars, as injury did in imperial Britain’s relations with China in the nineteenth century. Others, such as secularism, worked in silence to agitate for political change in twentieth-century Morocco. Words imposed or imported from abroad could be transformed by those who wielded them to oppose the very powers that first introduced them, as happened in Turkey, Indonesia, and the Philippines. Taken together, this selection of fourteen essays reveals commonality as well as distinctiveness across modern societies, making the world look different from the interdisciplinary and transnational perspective of “words in motion.”

Contributors. Mona Abaza, Itty Abraham, Partha Chatterjee, Carol Gluck, Huri Islamoglu, Claudia Koonz, Lydia H. Liu, Driss Maghraoui, Vicente L. Rafael, Craig J. Reynolds, Seteney Shami, Alan Tansman, Kasian Tejapira, Anna Lowenhaupt Tsing

[more]
cover of Words in Space and Time: A Historical Atlas of Language Politics in Modern Central Europe

Words in Space and Time

A Historical Atlas of Language Politics in Modern Central Europe

Tomasz Kamusella

Central European University Press, 2022

With forty-two extensively annotated maps, this atlas offers novel insights into the history and mechanics of how Central Europe’s languages have been made, unmade, and deployed for political action. The innovative combination of linguistics, history, and cartography makes a wealth of hard-to-reach knowledge readily available to both specialist and general readers. It combines information on languages, dialects, alphabets, religions, mass violence, or migrations over an extended period of time.

The story first focuses on Central Europe’s dialect continua, the emergence of states, and the spread of writing technology from the tenth century onward. Most maps concentrate on the last two centuries. The main storyline opens with the emergence of the Western European concept of the nation, in accord with which the ethnolinguistic nation-states of Italy and Germany were founded. In the Central European view, a “proper” nation is none other than the speech community of a single language. The Atlas aspires to help users make the intellectual leap of perceiving languages as products of human history and part of culture. Like states, nations, universities, towns, associations, art, beauty, religions, injustice, or atheism—languages are artefacts invented and shaped by individuals and their groups.

[more]
cover of Words of Protest, Words of Freedom: Poetry of the American Civil Rights Movement and Era

Words of Protest, Words of Freedom

Poetry of the American Civil Rights Movement and Era

Jeffrey Lamar Coleman, ed.

Duke University Press, 2012

Poetry is an ideal artistic medium for expressing the fear, sorrow, and triumph of revolutionary times. Words of Protest, Words of Freedom is the first comprehensive collection of poems written during and in response to the American civil rights struggle of 1955–75. Featuring some of the most celebrated writers of the twentieth century—including Maya Angelou, Amiri Baraka, Gwendolyn Brooks, Allen Ginsberg, Robert Lowell, and Derek Walcott—alongside lesser-known poets, activists, and ordinary citizens, this anthology presents a varied and vibrant set of voices, highlighting the tremendous symbolic reach of the civil rights movement within and beyond the United States.

Some of the poems address crucial movement-related events—such as the integration of the Little Rock schools, the murders of Emmett Till and Medgar Evers, the emergence of the Black Panther party, and the race riots of the late 1960s—and key figures, including Martin Luther King Jr., Malcolm X, and John and Robert Kennedy. Other poems speak more broadly to the social and political climate of the times. Along with Jeffrey Lamar Coleman's headnotes, the poems recall the heartbreaking and jubilant moments of a tumultuous era. Altogether, more than 150 poems by approximately 100 poets showcase the breadth of the genre of civil rights poetry.

Selected contributors. Maya Angelou, W. H. Auden, Amiri Baraka, Gwendolyn Brooks, Lucille Clifton Lawrence Ferlinghetti, Allen Ginsberg, Langston Hughes, June Jordan, Philip Levine, Audre Lorde, Robert Lowell, Pauli Murray, Huey P. Newton, Adrienne Rich, Sonia Sanchez, Léopold Sédar Senghor, Derek Walcott, Alice Walker, Yevgeny Yevtushenko

[more]
cover of Words that Make New Jersey History: A Primary Source Reader

Words that Make New Jersey History

A Primary Source Reader

Green, Howard L

Rutgers University Press, 1994

Here isa unique collection of documents that spans the history of New Jersey, from the arrival of Dutch traders in the 1600s to the present. The materials touch on a range of subjects such as slavery and abolitionism, the labor movement, race and ethnic relations, and economic and environmental issues. The documents include letters, journals, pamphlets, petitions, artwork, and songs created not only by those who exercised power, but also by men and women of more humble station. Their lively accounts range from descriptions of Native Americans in the seventeenth century to Bruce Springsteen’s lament about a declining factory town.

            New to this expanded edition is the text of former governor James McGreevey’s “I am a Gay American” speech, as well as entries about the Abbott v. Burke court ruling mandating that New Jersey equalize funding of urban and suburban schools districts, sprawl and its effects on water supply, and the state’s economic boom in the 1990s.

            A balanced survey of New Jersey’s history in the context of a changing nation, this book is ideal for general readers who want to explore the primary sources of the state’s past, and to U.S. history students at the high school and college levels.

[more]
cover of Words, Works, and Ways of Knowing: The Breakdown of Moral Philosophy in New England before the Civil War

Words, Works, and Ways of Knowing

The Breakdown of Moral Philosophy in New England before the Civil War

Sara Paretsky

University of Chicago Press, 2016

Crime writer Sara Paretsky is known the world over for her acclaimed series of mysteries starring Chicago private investigator V. I. Warshawski, now in its seventeenth installment. Paretsky’s work has long been inflected with history—for her characters the past looms large in the present—and in her decades-long career, she has been recognized for transforming the role of women in contemporary crime fiction.
What’s less well-known is that before Paretsky began her writing career, she earned a PhD in history from the University of Chicago with a dissertation on moral philosophy and religion in New England in the early and mid-nineteenth century. Now, for the first time, fans of Paretsky can read that earliest work, Words, Works, and Ways of Knowing.

Paretsky here analyzes attempts by theologians at Andover Seminary, near Boston, to square and secure Calvinist religious beliefs with emerging knowledge from history and the sciences. She carefully shows how the open-minded scholasticism of these theologians paradoxically led to the weakening of their intellectual credibility as conventional religious belief structures became discredited, and how this failure then incited reactionary forces within Calvinism. That conflict between science and religion in the American past is of interest on its face, but it also sheds light on contemporary intellectual battles.

Rounding out the book, leading religious scholar Amanda Porterfield provides an afterword discussing where Paretsky’s work fits into the contemporary study of religion. And in a sobering—sometimes shocking—preface, Paretsky paints a picture of what it was like to be a female graduate student at the University of Chicago in the 1970s. A treat for Paretsky’s many fans, this book offers a glimpse of the development of the mind behind the mysteries.
[more]
cover of Wordsworth's Fun

Wordsworth's Fun

Matthew Bevis

University of Chicago Press, 2019

“The next day Wordsworth arrived from Bristol at Coleridge’s cottage,” William Hazlitt recalled, “He answered in some degree to his friend’s description of him, but was more quaint and Don Quixote- like . . . there was a convulsive inclination to laughter about the mouth.” Hazlitt presents a Wordsworth who differs from the one we know—and, as Matthew Bevis argues in his radical new reading of the poet, this Wordsworth owed his quixotic creativity to a profound feeling for comedy.

Wordsworth’s Fun explores the writer’s debts to the ludic and the ludicrous in classical tradition; his reworkings of Ariosto, Erasmus, and Cervantes; his engagement with forms of English poetic humor; and his love of comic prose. Combining close reading with cultural analysis, Bevis travels many untrodden ways, studying Wordsworth’s interest in laughing gas, pantomime, the figure of the fool, and the value of play. Intrepid, immersive, and entertaining, Wordsworth’s Fun sheds fresh light on how one poet’s strange humor helped to shape modern literary experiment.
 
 
[more]
cover of Wordsworth's Second Nature: A Study of the Poetry and Politics

Wordsworth's Second Nature

A Study of the Poetry and Politics

James Chandler

University of Chicago Press, 1984

Wordsworth is England's greatest poet of the French Revolution: he witnessed some of its events first hand, participated in its intellectual and social ambitions, and eventually developed his celebrated poetic campaign in response to its enthusiasms. But how should that response be understood? Combining careful interpretive analysis with wide-ranging historical scholarship, Chandler presents a challenging new account of the political views implicit in Wordsworth's major works–in The Prelude, above all, but also in the central lyrics and shorter narrative poems.

Central to the discussion, which restores Wordsworth to both the French and English contexts in which he matured, is a consideration of his relation to Rousseau and Burke. Chandler maintains that by the time Wordsworth set forth his "program for poetry" in 1798, he had turned away from the Rousseauist idea of nature that had informed his early republican writings. He had already become a poet of what Burke called "second nature"–human nature cultivated by custom, habit, and tradition–and an opponent of the quest for first principles that his friend Coleridge could not forsake. In his analysis of the poetry, Chandler suggests that even Wordsworth's most apparently private moments, the lyrical "spots of time," ideologically embodied the uncalculated habits of an oral narrative discipline and a native English mind.
[more]
cover of Work Better, Live Better: Motivation, Labor, and Management Ideology

Work Better, Live Better

Motivation, Labor, and Management Ideology

David A. Gray

University of Massachusetts Press, 2020

In the United States, a strong work ethic has long been upheld as a necessity, and tributes to motivation abound—from the motivational posters that line the walls of the workplace to the self-help gurus who draw in millions of viewers online. Americans are repeatedly told they can achieve financial success and personal well-being by adopting a motivated attitude toward work. But where did this obsession come from? And whose interests does it serve?

Work Better, Live Better traces the rise of motivational rhetoric in the workplace across the expanse of two world wars, the Great Depression, and the Cold War. Beginning in the early twentieth century, managers recognized that force and coercion—the traditional tools of workplace discipline—inflamed industrial tensions, so they sought more subtle means of enlisting workers' cooperation. David Gray demonstrates how this “motivational project” became a highly orchestrated affair as managers and their allies deployed films, posters, and other media, and drew on the ideas of industrial psychologists and advertising specialists to advance their quests for power at the expense of worker and union interests.

[more]
cover of Work Requirements: Race, Disability, and the Print Culture of Social Welfare

Work Requirements

Race, Disability, and the Print Culture of Social Welfare

Todd Carmody

Duke University Press, 2022

Throughout the history of the United States, work-based social welfare practices have served to affirm the moral value of work. In the late nineteenth century this representational project came to be mediated by the printed word with the emergence of industrial print technologies, the expansion of literacy, and the rise of professionalization. In Work Requirements Todd Carmody asks how work, even the most debasing or unproductive labor, came to be seen as inherently meaningful during this era. He explores how the print culture of social welfare—produced by public administrators, by economic planners, by social scientists, and in literature and the arts—tasked people on the social and economic margins, specifically racial minorities, incarcerated people, and people with disabilities, with shoring up the fundamental dignity of work as such. He also outlines how disability itself became a tool of social discipline, defined by bureaucratized institutions as the inability to work. By interrogating the representational effort necessary to make work seem inherently meaningful, Carmody ultimately reveals a forgotten history of competing efforts to think social belonging beyond or even without work.
[more]
cover of Work Sights: The Visual Culture of Industry in Nineteenth-Century America

Work Sights

The Visual Culture of Industry in Nineteenth-Century America

Vanessa Meikle Schulman

University of Massachusetts Press, 2015

In this extensively illustrated work, Vanessa Meikle Schulman reveals how visual representations of labor, technology, and industry were crucial in shaping the way nineteenth-century Americans understood their nation and its place in the world. Her focus is the period between 1857 and 1887, an era marked by the rapid expansion of rail and telegraph networks, the rise of powerful, centralized corporations, and the creation of specialized facilities for the mechanized production and distribution of products. Through the examination of popular as well as fine art—news illustrations and paintings of American machines, workers, factories, and technical innovations—she illuminates an evolving tension between the perception of technology and industry as rational, logical, and systemic on the one hand and as essentially unknowable, strange, or irrational on the other.

Ranging across the fields of art history, visual studies, the history of technology, and American studies, Work Sights captures both the richness of nineteenth-century American visual culture and the extent to which Americans had begun to perceive their country as a modern nation connected by a web of interlocking technological systems.
[more]
cover of Work Without End: Abandoning Shorter Hours for the Right to Work

Work Without End

Abandoning Shorter Hours for the Right to Work

Benjamin Kline Hunnicutt

Temple University Press, 1990

"An extraordinarily informative scholarly history of the debate over working hours from 1920 to 1940." --New York Times Book Review For more than a century preceding the Great Depression, work hours were steadily reduced. Intellectuals, labor leaders, politicians, and workers saw this reduction in work as authentic progress and the resulting increase in leisure time as a cultural advance. Benjamin Hunnicutt examines the period from 1920 to 1940 during which the shorter hour movement ended and the drive for economic expansion through increased work took over. He traces the political, intellectual, and social dialogues that changed the American concept of progress from dreams of more leisure in which to pursue the higher things in life to an obsession with the importance of work and wage-earning. During the 1920s with the development of advertising, the "gospel of consumption" began to replace the goal of leisure time with a list of things to buy. Business, which increasingly viewed shorter hours as a threat to economic growth, persuaded the worker that more work brought more tangible rewards. The Great Depression shook the newly proclaimed gospel as well as everyone's faith in progress. Although work-sharing became a temporary solution to the shortage of jobs and massive unemployment, when faced with legislation that would limit the work week to thirty hours, Roosevelt and his New Deal advisors adopted the gospel of consumption's tests for progress and created more work by government action. The New Deal campaigned for the right to work a full time job--and won. "Work Without End presents a compelling history of the rise and fall of the 40-hour work week, explains bow Americans became trapped in a prison of work that allows little room for family, bobbies or civic participation and suggests bow they can free themselves from relentless overwork. [This book] is a sober reconsideration of a topic that is critical to America's future. It suggests that progress doesn't mean much if there is not time for love as well as work, and liberation is an empty achievement if the work it frees one to do is truly without end." --The Washington Post "Hunnicutt, with this excellent book, becomes the first United States historian to examine fully why this momentous change occurred." --The Journal of American History "Hunnicutt's achievement is to ask the questions, and to provide the first extended answer which takes in the full array of economic, social, and political forces behind the ‘end of shorter hours' in the crucial first half of the twentieth century." --Journal of Economic History "This thoroughly documented history [is] a valuable book well worth reading." --Libertarian Labor Review "This is an important book in the emerging debate about alternatives to full employment. Hunnicutt is a skilled historian who is on to an important issue, writes well, and can bring many different kinds of historical sources to bear on the problem." --Fred Block, University of Pennsylvania "Work Without End is a disturbing but impressive indictment of both big business and the New Deal program of Franklin D. Roosevelt.... Hunnicutt presents an unusual but persuasive description of a successful conspiracy to deprive American workers of their vision of a shorter-hours work week and the individual and societal liberation which would flow from it." --Labor Studies Journal
[more]
cover of Work and Community in the Jungle: Chicago's Packinghouse Workers, 1894-1922

Work and Community in the Jungle

Chicago's Packinghouse Workers, 1894-1922

James R. Barrett

University of Illinois Press, 1987

Mythologized by Upton Sinclair as hopeless, Chicago's packinghouse workers were in fact active agents in the early twentieth century transformation that swept urban industrial America. James R. Barrett's award-winning study explores how the lives and neighborhoods of packinghouse workers convey the experience of mass production work, the quality of working class life, the process of class formation and fragmentation, the effects of unionization, and the changing character of class relations. Merging history and analysis with contemporary social surveys and a computer-assisted analysis of census data, Barrett delves into a wide range of social, economic, and cultural factors that resulted in class cohesion and fragmentation.
[more]
cover of Work and the Carceral State

Work and the Carceral State

Jon Burnett

Pluto Press, 2022

 
'Revolutionises our understanding of the carceral state' - Fidelis Chebe, Director of Migrant Action

During 2019-20 in England and Wales, over 17 million hours of labor were carried out by more than 12,500 people incarcerated in prisons, while many people in immigration detention centers were also put to work. These people constitute a sub-waged, captive workforce who are frequently discarded by the state when done with.

Work and the Carceral State examines these forms of work as part of a broader exploration of the relationship between criminalization, criminal justice, immigration policy and labor, tracing their lineage through the histories of transportation and banishment, of houses of correction and prisons, to the contemporary production of work.

Criminalization has been used to enforce work and to discipline labor throughout the history of England and Wales. This book demands that we recognise the carceral state as operating at the frontier of labor control in the 21st century.
[more]
cover of Work!: A Queer History of Modeling

Work!

A Queer History of Modeling

Elspeth H. Brown

Duke University Press, 2019

From the haute couture runways of Paris and New York and editorial photo shoots for glossy fashion magazines to reality television, models have been a ubiquitous staple of twentieth- and twenty-first-century American consumer culture. In Work! Elspeth H. Brown traces the history of modeling from the advent of photographic modeling in the early twentieth century to the rise of the supermodel in the 1980s. Brown outlines how the modeling industry sanitized and commercialized models' sex appeal in order to elicit and channel desire into buying goods. She shows how this new form of sexuality—whether exhibited in the Ziegfeld Follies girls' performance of Anglo-Saxon femininity or in African American models' portrayal of black glamour in the 1960s—became a central element in consumer capitalism and a practice that has always been shaped by queer sensibilities. By outlining the paradox that queerness lies at the center of capitalist heteronormativity and telling the largely unknown story of queer models and photographers, Brown offers an out of the ordinary history of twentieth-century American culture and capitalism.
[more]