8642 books match the query '20th century' and 390 start with w

cover of Warship 1: Cruiser HNLMS Tromp

Warship 1

Cruiser HNLMS Tromp

Jantinus Mulder

Amsterdam University Press, 2012

Trapped in the Far East by the over-run of the Netherlands and by the occupancy of the Netherlands East Indies, Tromp's destiny lay in the Indian Ocean and Pacific onslaughts. The ship became one of the highest decorated Dutch warships of World War II. Often referred to as 'The Ghost Ship', the crew preferred to call her 'The Lucky Ship', since she was no less than five times claimed to be sunk.
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cover of Warship 3: Frigate HNLMS Jacob van Heemskerck

Warship 3

Frigate HNLMS Jacob van Heemskerck

Rindert van Zinderen Bakker

Amsterdam University Press, 2017

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cover of Warship 4: Frigate USS Clark

Warship 4

Frigate USS Clark

Rindert van Zinderen Bakker

Amsterdam University Press, 0

The ships of the Oliver Hazard Perry-class were designed in the United States in the mid-1970’s as general-purpose escort vessels. They were inexpensive enough to be bought in large quantities and replace older ships. Meant to protect amphibious landing forces, supply and replenishment groups, and merchant convoys from submarines, they also became part of battleship-centric groups and aircraft battle/strike groups.
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cover of Warship 5: Protected Cruiser Gelderland

Warship 5

Protected Cruiser Gelderland

Jantinus Mulder

Amsterdam University Press, 0

Protected cruiser (Pantserdekschip) HNLMS Gelderland was a Holland-class cruiser of the Royal Netherlands Navy. This class, of six ships, was considered a modest, but well thought-out design. At a speed of 10 knots the radius of action would have been 8000 miles, while the two triple expansion engines could generate a maximum speed of 19,5 knots.
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cover of Warship 6: Destroyer HMCS Haida

Warship 6

Destroyer HMCS Haida

Rindert van Zinderen Bakker

Amsterdam University Press, 0

HMCS Haida was a destroyer of the Tribal-class serving in the Royal Canadian Navy (RCN) from 1943-1963. During World War II, Haida sank more enemy surface tonnage than any other Canadian warship. In the Korean War the ship did two tours of duty.

Nowadays she is the only surviving Tribal-class destroyer out of 27 units that were constructed between 1937-1945 for the Royal Navy, Royal Australian Navy, and the Royal Canadian Navy.
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cover of Wartime Diary

Wartime Diary

Simone de Beauvoir; Translation and Notes by Anne Deing Cordero; Edited by Margaret A. Simons and Sylvie Le Bon de Beauvoir; Foreword by Sylvie Le Bon de Beauvoir

University of Illinois Press, 2021

Provocative insights into Beauvoir's philosophical and personal development during wartime

Written from September 1939 to January 1941, Simone de Beauvoir’s Wartime Diary gives English readers unabridged access to a scandalous text that threatened to overturn traditional views of Beauvoir’s life and work.

Beauvoir's clandestine affair with Jacques Bost and sexual relationships with various young women challenge the conventional picture of Beauvoir as the devoted companion of Jean-Paul Sartre. At the same time, her account of completing her novel She Came to Stay at a time when Sartre had just begun Being and Nothingness questions the traditional view of Beauvoir’s novel as merely illustrating Sartre’s philosophy.

Wartime Diary also traces Beauvoir's philosophical transformation as she broke from the prewar solipsism of She Came to Stay in favor of the postwar political engagement of The Second Sex. Beauvoir's emerging existentialist ethics reflect the dramatic collective experiences of refugees fleeing German invasion and life under Nazi occupation. The evolution of her thought also reveals the courageous reaffirmation of her individuality in constructing a humanist ethics of freedom and solidarity.

This edition also features previously unpublished material, including her musings about consciousness and order, recommended reading lists, and notes on labor unions. In providing new insights into Beauvoir’s philosophical development, the Wartime Diary promises to rewrite a crucial chapter of Western philosophy and intellectual history.  

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cover of Wartime Shipyard: A STUDY IN SOCIAL DISUNITY

Wartime Shipyard

A STUDY IN SOCIAL DISUNITY

Katherine Archibald

University of Illinois Press, 2006

An eye-opening first-hand account of life in a WWII shipyard from a woman's perspective 

In 1942, Katherine Archibald, a graduate student at Berkeley, left the halls of academe to spend two years working in a nearby Oakland shipyard. She arrived with a host of preconceptions about the American working class, race relations and the prospect for their improvement, and wartime unity. Her experience working in a shipyard where women were seen as intruders, where "Okies" and black migrants from the South were regarded with barely-disguised hatred, and where trade unions preferred protecting their turf to defending workers' rights, threw much of her liberal faith into doubt.  

Archibald's 1947 book about her experiences, Wartime Shipyard: A Study in Social Disunity, remains a classic account of life and labor on the home front. This new edition includes an introduction written by historians Eric Arnesen and Alex Lichtenstein, who explore Archibald's work in light of recent scholarship on women and African Americans in the wartime workplace. 

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cover of Wartime in Burma: A Diary, January to June 1942

Wartime in Burma

A Diary, January to June 1942

Theippan Maung Wa

Ohio University Press, 2009

This diary, begun after the Japanese attack on Pearl Harbor and covering the invasion of Burma up to June 1942, is a moving account of the dilemmas faced by the well-loved and prolific Burmese author Theippan Maung Wa (a pseudonym of U Sein Tin) and his family. At the time of the Japanese invasion, U Sein Tin was deputy secretary in the Ministry of Home and Defense Affairs. An Oxford-trained member of the Indian Civil Service, working for the British administration on the eve of the invasion, he lived with his wife and three small children in Rangoon.

Wartime in Burma is a stirring memoir that presents a personal account of U Sein Tin’s feelings about the war, his anxiety for the safety of his family, the bombing of Rangoon, and what happened to them during the next six chaotic months of the British retreat. The author and his family leave Rangoon to live in a remote forest in Upper Burma with several other Burmese civil servants, their staff, and valuable possessions—rich pickings for robbers. His diary ends abruptly on June 5, his forty-second birthday; U Sein Tin was murdered on June 6 by a gang of Burmese bandits. The diary pages, scattered on the floor of the house, were rescued by his wife and eventually published in Burma in 1966. What survives is a unique account that shines new light on the military retreat from Burma.

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cover of Washington's China: The National Security World, the Cold War, and the Origins of Globalism

Washington's China

The National Security World, the Cold War, and the Origins of Globalism

James L. Peck

University of Massachusetts Press, 2006

This book addresses a central question about the Cold War that has never been adequately resolved. Why did the United States go to such lengths not merely to “contain” the People's Republic of China but to isolate it from all diplomatic, cultural, and economic ties to other nations? Why, in other words, was American policy more hostile to China than to the Soviet Union, at least until President Nixon visited China in 1972?

The answer, as set out here, lies in the fear of China's emergence as a power capable of challenging the new Asian order the United States sought to shape in the wake of World War II. To meet this threat, American policymakers fashioned an ideology that was not simply or exclusively anticommunist, but one that aimed at creating an integrated, cooperative world capitalism under U.S. leadership—an ideology, in short, designed to outlive the Cold War.

In building his argument, James Peck draws on a wide variety of little-known documents from the archives of the National Security Council and the CIA. He shows how American officials initially viewed China as a “puppet” of the Soviet Union, then as “independent junior partner” in a Sino-Soviet bloc, and finally as “revolutionary model” and sponsor of social upheaval in the Third World. Each of these constructs revealed more about U.S. perceptions and strategic priorities than about actual shifts in Chinese thought and conduct. All were based on the assumption that China posed a direct threat not just to specific U.S. interests and objectives abroad but to the larger vision of a new global order dominated by American economic and military power. Although the nature of “Washington's China” may have changed over the years, Peck contends that the ideology behind it remains unchanged, even today.

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cover of Wasted Morning: A Novel

Wasted Morning

A Novel

Gabriela Adamesteanu

Northwestern University Press, 2011

Upon its original publication in 1983, Wasted Morning catapulted Gabriela Adamesteanu to the first rank of Romanian novelists. She has since been translated into many languages, and now her most famous novel is available in English for the first time. At the center of Wasted Morning is Vica Delca, a simple, poor woman in her seventies who has endured the endless series of trials and tribulations that was Romanian history from WWI to the end of the twentieth century. 

She's a born storyteller, chatting and gossiping tirelessly. But she also listens, so it is through her that Adamesteanu is able to show us a panoramic portrait of Romanian society as the fortunes of its various strata shift violently. Rich or poor, honest (more or less) or deceitful, all of the characters in this polyphonic novel are brought vividly to life. From Bucharest's aspirations to be the Paris of Eastern Europe to the darkest days of dictatorship, the novel presents a sweeping vision of the personal and collective costs of a turbulent century.
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cover of Wastelanding: Legacies of Uranium Mining in Navajo Country

Wastelanding

Legacies of Uranium Mining in Navajo Country

Traci Brynne Voyles

University of Minnesota Press, 2015

Wastelanding tells the history of the uranium industry on Navajo land in the U.S. Southwest, asking why certain landscapes and the peoples who inhabit them come to be targeted for disproportionate exposure to environmental harm. Uranium mines and mills on the Navajo Nation land have long supplied U.S. nuclear weapons and energy programs. By 1942, mines on the reservation were the main source of uranium for the top-secret Manhattan Project. Today, the Navajo Nation is home to more than a thousand abandoned uranium sites. Radiation-related diseases are endemic, claiming the health and lives of former miners and nonminers alike.

Traci Brynne Voyles argues that the presence of uranium mining on Diné (Navajo) land constitutes a clear case of environmental racism. Looking at discursive constructions of landscapes, she explores how environmental racism develops over time. For Voyles, the “wasteland,” where toxic materials are excavated, exploited, and dumped, is both a racial and a spatial signifier that renders an environment and the bodies that inhabit it pollutable. Because environmental inequality is inherent in the way industrialism operates, the wasteland is the “other” through which modern industrialism is established.

In examining the history of wastelanding in Navajo country, Voyles provides “an environmental justice history” of uranium mining, revealing how just as “civilization” has been defined on and through “savagery,” environmental privilege is produced by portraying other landscapes as marginal, worthless, and pollutable.

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cover of Wasting a Crisis: Why Securities Regulation Fails

Wasting a Crisis

Why Securities Regulation Fails

Paul G. Mahoney

University of Chicago Press, 2015

The recent financial crisis led to sweeping reforms that inspired countless references to the financial reforms of the New Deal. Comparable to the reforms of the New Deal in both scope and scale, the 2,300-page Dodd-Frank Act of 2010—the main regulatory reform package introduced in the United States—also shared with New Deal reforms the assumption that the underlying cause of the crisis was misbehavior by securities market participants, exacerbated by lax regulatory oversight.

With Wasting a Crisis, Paul G. Mahoney offers persuasive research to show that this now almost universally accepted narrative of market failure—broadly similar across financial crises—is formulated by political actors hoping to deflect blame from prior policy errors. Drawing on a cache of data, from congressional investigations, litigation, regulatory reports, and filings to stock quotes from the 1920s and ’30s, Mahoney moves beyond the received wisdom about the financial reforms of the New Deal, showing that lax regulation was not a substantial cause of the financial problems of the Great Depression. As new regulations were formed around this narrative of market failure, not only were the majority largely ineffective, they were also often counterproductive, consolidating market share in the hands of leading financial firms. An overview of twenty-first-century securities reforms from the same analytic perspective, including Dodd-Frank and the Sarbanes-Oxley Act of 2002, shows a similar pattern and suggests that they too may offer little benefit to investors and some measurable harm.
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cover of Watchfiends and Rack Screams: Artaud’s Last Unpublished Work

Watchfiends and Rack Screams

Artaud’s Last Unpublished Work

Antonin Artaud

Diaphanes, 2024

Antonin Artaud’s last large-scale work, published in its complete form in English for the first time.

Drawings on texts and letters dating from 1946, some of them written while he was still confined at the Rodez psychiatric hospital, Artaud devoted the months of November 1946 to February 1947 to completing his book through a long series of vocal improvisations titled Interjections, dictated at his pavilion on the edge of Paris. He cursed the assassins he believed were on their way there to steal his semen, to make his brain go “up in smoke as under the action of one of those machines created to suck up filth from the floor,” and finally to erase him. The publisher who had commissioned the book, Louis Broder, was horrified at reading its incandescent, fiercely obscene, and anti-religious manuscript and refused to publish it. Ambitious and experimental in scale, fragmentary and ferocious in intent, it was not published until 1978, in an edition prepared by Artaud’s close friend Paule Thévenin. Artaud commented that it was an “impossible” book, and that “nobody has ever read it from end to end, not even its own author.”

Clayton Eshleman, together with his translation collaborators such as David Rattray, began to work soon after 1978 on an English-language edition, with extracts appearing especially in Eshleman’s poetry magazine, Sulfur. This volume presents his translations with additional ones by Paul Buck, and Catherine Petit it in its complete form in English for the first time.
 

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cover of Watching Jim Crow: The Struggles over Mississippi TV, 1955–1969

Watching Jim Crow

The Struggles over Mississippi TV, 1955–1969

Steven D. Classen

Duke University Press, 2004

In the early 1960s, whenever the Today Show discussed integration,WLBT-TV, the NBC affiliate in Jackson, Mississippi, cut away to local news after announcing that the Today Show content was “network news . . . represent[ing] the views of the northern press.” This was only one part of a larger effort by WLBT and other local stations to keep African Americans and integrationists off Jackson’s television screens. Watching Jim Crow presents the vivid story of the successful struggles of African Americans to achieve representation in the tv programming of Jackson, a city many considered one of the strongest bastions of Jim Crow segregation. Steven D. Classen provides a detailed social history of media activism and communications policy during the civil rights era. He focuses on the years between 1955—when Medgar Evers and the NAACP began urging the two local stations, WLBT and WJTV, to stop censoring African Americans and discussions of integration—and 1969, when the U.S. Court of Appeals issued a landmark decision denying WLBT renewal of its operating license.

During the 1990s, Classen conducted extensive interviews with more than two dozen African Americans living in Jackson, several of whom, decades earlier, had fought to integrate television programming. He draws on these interviews not only to illuminate their perceptions—of the civil rights movement, what they accomplished, and the present as compared with the past—but also to reveal the inadequate representation of their viewpoints in the legal proceedings surrounding WLBT’s licensing. The story told in Watching Jim Crow has significant implications today, not least because the Telecommunications Act of 1996 effectively undid many of the hard-won reforms achieved by activists—including those whose stories Classen relates here.

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cover of Watching Women's Liberation, 1970: Feminism's Pivotal Year on the Network News

Watching Women's Liberation, 1970

Feminism's Pivotal Year on the Network News

Bonnie J. Dow

University of Illinois Press, 2014

In 1970, ABC, CBS, and NBC--the “Big Three” of the pre-cable television era--discovered the feminist movement. From the famed sit-in at Ladies’ Home Journal to multi-part feature stories on the movement's ideas and leaders, nightly news broadcasts covered feminism more than in any year before or since, bringing women's liberation into American homes.
 
In Watching Women's Liberation, 1970: Feminism's Pivotal Year on the Network News, Bonnie J. Dow uses case studies of key media events to delve into the ways national TV news mediated the emergence of feminism's second wave. First legitimized as a big story by print media, the feminist movement gained broadcast attention as the networks’ eagerness to get in on the action was accompanied by feminists’ efforts to use national media for their own purposes. Dow chronicles the conditions that precipitated feminism's new visibility and analyzes the verbal and visual strategies of broadcast news discourses that tried to make sense of the movement.
 
Groundbreaking and packed with detail, Watching Women's Liberation, 1970 shows how feminism went mainstream--and what it gained and lost on the way.
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cover of Watergate's Legacy and the Press: The Investigative Impulse

Watergate's Legacy and the Press

The Investigative Impulse

Jon Marshall

Northwestern University Press, 2011

Did two reporters really change the course of history? And what impact did they actually have on American journalism and government? Jon Marshall explores different answers to those questions by charting the past and the possible future of the critical public service provided by investigative reporters.

Bob Woodward and Carl Bernstein symbolize an era when investigative reporters were seen as courageous fighters of corruption and injustice. Although many mainstream news outlets no longer have the resources to support expensive investigative reporters on staff, journalists have found other ways to support themselves Marshall’s discussion of the opportunities they have found in blogs, crowd-sourcing, and nonprofit institutions offers hope for the future of investigative journalism.

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cover of Watering the Revolution: An Environmental and Technological History of Agrarian Reform in Mexico

Watering the Revolution

An Environmental and Technological History of Agrarian Reform in Mexico

Mikael D. Wolfe

Duke University Press, 2017

In Watering the Revolution Mikael D. Wolfe transforms our understanding of Mexican agrarian reform through an environmental and technological history of water management in the emblematic Laguna region. Drawing on extensive archival research in Mexico and the United States, Wolfe shows how during the long Mexican Revolution (1910-1940) engineers’ distribution of water paradoxically undermined land distribution. In so doing, he highlights the intrinsic tension engineers faced between the urgent need for water conservation and the imperative for development during the contentious modernization of the Laguna's existing flood irrigation method into one regulated by high dams, concrete-lined canals, and motorized groundwater pumps. This tension generally resolved in favor of development, which unintentionally diminished and contaminated the water supply while deepening existing rural social inequalities by dividing people into water haves and have-nots, regardless of their access to land. By uncovering the varied motivations behind the Mexican government’s decision to use invasive and damaging technologies despite knowing they were ecologically unsustainable, Wolfe tells a cautionary tale of the long-term consequences of short-sighted development policies.
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cover of Waters of the World: The Story of the Scientists Who Unraveled the Mysteries of Our Oceans, Atmosphere, and Ice Sheets and Made the Planet Whole

Waters of the World

The Story of the Scientists Who Unraveled the Mysteries of Our Oceans, Atmosphere, and Ice Sheets and Made the Planet Whole

Sarah Dry

University of Chicago Press, 2019

The compelling and adventurous stories of seven pioneering scientists who were at the forefront of what we now call climate science.

From the glaciers of the Alps to the towering cumulonimbus clouds of the Caribbean and the unexpectedly chaotic flows of the North Atlantic, Waters of the World is a tour through 150 years of the history of a significant but underappreciated idea: that the Earth has a global climate system made up of interconnected parts, constantly changing on all scales of both time and space. A prerequisite for the discovery of global warming and climate change, this idea was forged by scientists studying water in its myriad forms. This is their story.

Linking the history of the planet with the lives of those who studied it, Sarah Dry follows the remarkable scientists who summited volcanic peaks to peer through an atmosphere’s worth of water vapor, cored mile-thick ice sheets to uncover the Earth’s ancient climate history, and flew inside storm clouds to understand how small changes in energy can produce both massive storms and the general circulation of the Earth’s atmosphere. Each toiled on his or her own corner of the planetary puzzle. Gradually, their cumulative discoveries coalesced into a unified working theory of our planet’s climate.

We now call this field climate science, and in recent years it has provoked great passions, anxieties, and warnings. But no less than the object of its study, the science of water and climate is—and always has been—evolving. By revealing the complexity of this history, Waters of the World delivers a better understanding of our planet’s climate at a time when we need it the most.
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cover of Waterscapes: Reservoirs, Environment and Identity in Modern England and Wales

Waterscapes

Reservoirs, Environment and Identity in Modern England and Wales

Andrew McTominey

University of London Press, 2025

How did reservoirs alter the countryside and city life? The answer is a riveting story of water and identity in modern Britain.

Carving vast lakes into the countryside, reservoirs have long reshaped the landscapes and communities of England and Wales. Waterscapes evaluates how these feats of engineering transformed rural and urban environments between the late nineteenth and early twentieth centuries, altering local ecologies and economies. Through studies of Leeds’s Washburn Valley, Liverpool’s Vyrnwy Reservoir, and Birmingham’s Elan Reservoir, Andrew McTominey addresses the environmental consequences of dam construction and the surprising ways in which reservoirs became sites of leisure and tourism.

McTominey explains that water management has never been a simple question of supply and demand, but a story of contested landscapes and the complex interplay between nature and human ambition. Drawing on environmental history and urban studies, Waterscapes demystifies the reservoirs that continue to shape Britain’s countryside and city life.
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cover of Waves of Decolonization: Discourses of Race and Hemispheric Citizenship in Cuba, Mexico, and the United States

Waves of Decolonization

Discourses of Race and Hemispheric Citizenship in Cuba, Mexico, and the United States

David Luis-Brown

Duke University Press, 2008

In Waves of Decolonization, David Luis-Brown reveals how between the 1880s and the 1930s, writer-activists in Cuba, Mexico, and the United States developed narratives and theories of decolonization, of full freedom and equality in the shadow of empire. They did so decades before the decolonization of Africa and Asia in the mid-twentieth century. Analyzing the work of nationalist leaders, novelists, and social scientists, including W. E. B. Du Bois, José Martí, Claude McKay, Luis-Brown brings together an array of thinkers who linked local struggles against racial oppression and imperialism to similar struggles in other nations. With discourses and practices of hemispheric citizenship, writers in the Americas broadened conventional conceptions of rights to redress their loss under the expanding United States empire. In focusing on the transnational production of the national in the wake of U.S. imperialism, Luis-Brown emphasizes the need for expanding the linguistic and national boundaries of U.S. American culture and history.

Luis-Brown traces unfolding narratives of decolonization across a broad range of texts. He explores how Martí and Du Bois, known as the founders of Cuban and black nationalisms, came to develop anticolonial discourses that cut across racial and national divides. He illuminates how cross-fertilizations among the Harlem Renaissance, Mexican indigenismo, and Cuban negrismo in the 1920s contributed to broader efforts to keep pace with transformations unleashed by ongoing conflicts over imperialism, and he considers how those transformations were explored in novels by McKay of Jamaica, Jesús Masdeu of Cuba, and Miguel Ángel Menéndez of Mexico. Focusing on ethnography’s uneven contributions to decolonization, he investigates how Manuel Gamio, a Mexican anthropologist, and Zora Neale Hurston each adapted metropolitan social science for use by writers from the racialized periphery.

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cover of Waves of Opposition: Labor and the Struggle for Democratic Radio

Waves of Opposition

Labor and the Struggle for Democratic Radio

Elizabeth Fones-Wolf

University of Illinois Press, 2006

Radio sparked the massive upsurge of organized labor during the Great Depression. The powerful new medium became an important weapon in the ideological war between labor and business. Corporations used radio to sing the praises of individualism and consumerism, while unions emphasized equal rights, industrial democracy, and social justice. 

Elizabeth Fones-Wolf analyzes the battle to utilize, and control, the airwaves in radio's early era. Working chronologically, she explores the advent of local labor radio stations such as WCFL and WEVD, labor's campaigns against corporate censorship, and union experiments with early FM broadcasting. Using union archives and broadcast industry records, Fones-Wolf demonstrates radio's key role in organized labor's efforts to fight business's domination of political discourse throughout the 1930s, 1940s, and 1950s. She concludes with a look at how labor's virtual disappearance from today's media helps explain why unions have become so marginalized, and offers important historical lessons for revitalizing organized labor.

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cover of Wayne Aspinall and the Shaping of the American West

Wayne Aspinall and the Shaping of the American West

Steven C. Schulte

University Press of Colorado, 2002

Colorado Congressman Wayne N. Aspinall was variously dubbed the "Ruler of the Land," a "bridge between the old and new Wests," and the environmental movement's "most durable foe." The late David Brower, the notable Sierra Club leader, remarked that the environmental movement had seen "dream after dream dashed on the stony continents of Wayne Aspinall."

In Wayne Aspinall and the Shaping of the American West, Steven C. Schulte details a political career that encompassed some of the most crucial years in the development of the twentieth-century West. As chairman of the House Interior and Insular Affairs Committee from 1959 to 1973, Aspinall shaped the nation's reclamation, land, wilderness, and natural resource policies. His crusty and dtermined personality was at the enter of some of the key environmental battles of the twentieth century, including the Echo Park Dam fight, the struggle for the Wilderness Act, and the long controversy over the Central Arizona Project.

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cover of Wayward Threads

Wayward Threads

Robert Goldmann

Northwestern University Press, 1998

Wayward Threads is the story of Robert Goldmann's youth in Reinheim, a small German village; his experience in the early Nazi years in Frankfurt; his forced emigration in 1939; and his subsequent career in the United States, including service with the Voice of America, brushes with McCarthyism, and a brief tenure as head of the European bureau of the Anti-Defamation League. Goldmann also discusses his later experiences and encounters with his native Germany. Full of arresting vignettes, Wayward Threads stands out among other Holocaust memoirs for its strong American dimension.
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cover of We Always Had a Union: The New York Hotel Workers' Union, 1912-1953

We Always Had a Union

The New York Hotel Workers' Union, 1912-1953

Shaun Richman

University of Illinois Press, 2025

One of New York City’s most powerful unions, the Hotel and Gaming Trades Council, AFL-CIO, represents almost 40,000 workers. Shaun Richman’s history places the labor organization within the context of American industrial and craft unionism and reveals how it came to influence politics and economic development in the city and beyond.

From the start, New York’s organized hotel workers experimented with and adapted how they organized and governed members and related to other labor unions. Richman follows union fortunes from early IWW activity through the Communist-led affiliates of the American Federation of Labor in the 1920s and 1930s, the shaping of breakthrough negotiating strategies, and the postwar era. As Richman shows, workers adopted a radicalism and militancy seldom associated with an AFL organization while openly negotiating the Communist Party’s power and influence within the union, until the Party’s eclipse in the 1950s.

An inspiring story of action and perseverance, We Always Had a Union profiles a foundational American labor union and offers lessons for today’s workers and organizers.

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cover of We Are All Americans, Pure and Simple: Theodore Roosevelt and the Myth of Americanism

We Are All Americans, Pure and Simple

Theodore Roosevelt and the Myth of Americanism

Leroy G. Dorsey

University of Alabama Press, 2008

Redefining American identity through Roosevelt’s words.

The turn of the 20th century represented one of the most chaotic periods in the nation's history, as immigrants, Native Americans, and African Americans struggled with their roles as Americans while white America feared their encroachments on national identity. This book examines Theodore Roosevelt’s public rhetoric—speeches, essays, and narrative histories—as he attempted to craft one people out of many. Leroy G. Dorsey observes that Roosevelt's solution to the problem appeared straightforward: everyone could become "Americans, pure and simple" if they embraced his notion of "Americanism." Roosevelt grounded his idea of Americanism in myth, particularly the frontier myth—a heroic combination of individual strength and character. When nonwhites and immigrants demonstrated these traits, they would become true Americans, earning an exalted status that they had heretofore been denied.

Dorsey’s analysis illuminates how Roosevelt's rhetoric achieved a number of delicate, if problematic, balancing acts. Roosevelt gave his audiences the opportunity to accept a national identity that allowed "some" room for immigrants and nonwhites, while reinforcing their status as others, thereby reassuring white Americans of their superior place in the nation. Roosevelt’s belief in an ordered and unified nation did not overwhelm his private racist attitudes, Dorsey argues, but certainly competed with them. Despite his private sentiments, he recognized that racist beliefs and rhetoric were divisive and bad for the nation’s progress. The resulting message he chose to propagate was thus one of a rhetorical, if not literal, melting pot.

By focusing on Roosevelt’s rhetorical constructions of national identity, as opposed to his personal exploits or his role as a policy maker, We Are All Americans offers new insights into Roosevelt’s use of public discourse to bind the nation together during one of the most polarized  periods in its history.

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cover of We Are Fighting the World: A History of the Marashea Gangs in South Africa, 1947–1999

We Are Fighting the World

A History of the Marashea Gangs in South Africa, 1947–1999

Gary Kynoch

Ohio University Press, 2005

Since the late 1940s, a violent African criminal society known as the Marashea has operated in and around South Africa’s gold mining areas. With thousands of members involved in drug smuggling, extortion, and kidnapping, the Marashea was more influential in the day-to-day lives of many black South Africans under apartheid than were agents of the state. These gangs remain active in South Africa.

In We Are Fighting the World: A History of the Marashea Gangs in South Africa, 1947–1999, Gary Kynoch points to the combination of coercive force and administrative weakness that characterized the apartheid state. As long as crime and violence were contained within black townships and did not threaten adjacent white areas, township residents were largely left to fend for themselves. The Marashea’s ability to prosper during the apartheid era and its involvement in political conflict led directly to the violent crime epidemic that today plagues South Africa.

Highly readable and solidly researched, We Are Fighting the World is critical to an understanding of South African society, past and present. This pioneering study challenges previous social history research on resistance, ethnicity, urban spaces, and gender in South Africa. Kynoch’s interviews with many current and former gang members give We Are Fighting the World an energy and a realism that are unparalleled in any other published work on gang violence in southern Africa.

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cover of We Are Left without a Father Here: Masculinity, Domesticity, and Migration in Postwar Puerto Rico

We Are Left without a Father Here

Masculinity, Domesticity, and Migration in Postwar Puerto Rico

Eileen J. Suárez Findlay

Duke University Press, 2015

We Are Left without a Father Here is a transnational history of working people's struggles and a gendered analysis of populism and colonialism in mid-twentieth-century Puerto Rico. At its core are the thousands of agricultural workers who, at the behest of the Puerto Rican government, migrated to Michigan in 1950 to work in the state's sugar beet fields. The men expected to earn enough income to finally become successful breadwinners and fathers. To their dismay, the men encountered abysmal working conditions and pay. The migrant workers in Michigan and their wives in Puerto Rico soon exploded in protest. Chronicling the protests, the surprising alliances that they created, and the Puerto Rican government's response, Eileen J. Suárez Findlay explains that notions of fatherhood and domesticity were central to Puerto Rican populist politics. Patriarchal ideals shaped citizens' understandings of themselves, their relationship to Puerto Rican leaders and the state, as well as the meanings they ascribed to U.S. colonialism. Findlay argues that the motivations and strategies for transnational labor migrations, colonial policies, and worker solidarities are all deeply gendered.
 
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cover of We Are Not a Vanishing People: The Society of American Indians, 1911–1923

We Are Not a Vanishing People

The Society of American Indians, 1911–1923

Thomas Constantine Maroukis

University of Arizona Press, 2021

In 1911, a group of Native American intellectuals and activists joined together to establish the Society of American Indians (SAI), an organization by Indians for Indians. It was the first such nationwide organization dedicated to reform. They used a strategy of protest and activism that carried into the rest of the twentieth century. Some of the most prominent members included Charles A. Eastman (Dakota), Arthur Parker (Seneca), Carlos Montezuma (Yavapai), Zitkala-Ša (Yankton Sioux), and Sherman Coolidge (Peoria). They fought for U.S. citizenship and quality education. They believed these tools would allow Indigenous people to function in the modern world without surrendering one’s identity. They believed this could be accomplished by removing government controls over Indian life.

Historian Thomas Constantine Maroukis discusses the goals, strategies, successes, and failures of the Indigenous intellectuals who came together to form the SAI. They engaged in lobbying, producing publications, informing the media, hundreds of speaking engagements, and annual conferences to argue for reform. Unfortunately, the forces of this era were against reforming federal policies: The group faced racism, a steady stream of negative stereotyping as a so-called vanishing race, and an indifferent federal bureaucracy. They were also beset by internal struggles, which weakened the organization.

This work sheds new light on the origins of modern protest in the twentieth century, and it shows how the intellectuals and activists associated with the SAI were able to bring Indian issues before the American public, challenging stereotypes and the “vanishing people” trope. Maroukis argues that that the SAI was not an assimilationist organization; they were political activists trying to free Indians from government wardship while maintaining their cultural heritage.
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cover of We Are What We Drink: The Temperance Battle in Minnesota

We Are What We Drink

The Temperance Battle in Minnesota

Sabine N. Meyer

University of Illinois Press, 2015

Sabine N. Meyer eschews the generalities of other temperance histories to provide a close-grained story about the connections between alcohol consumption and identity in the upper Midwest.
 
Meyer examines the ever-shifting ways that ethnicity, gender, class, religion, and place interacted with each other during the long temperance battle in Minnesota. Her deconstruction of Irish and German ethnic positioning with respect to temperance activism provides a rare interethnic history of the movement. At the same time, she shows how women engaged in temperance work as a way to form public identities and reforges the largely neglected, yet vital link between female temperance and suffrage activism. Relatedly, Meyer reflects on the continuities and changes between how the movement functioned to construct identity in the heartland versus the movement's more often studied roles in the East. She also gives a nuanced portrait of the culture clash between a comparatively reform-minded Minneapolis and dynamic anti-temperance forces in whiskey-soaked St. Paul--forces supported by government, community, and business institutions heavily invested in keeping the city wet.
[more]
cover of We Are a College at War: Women Working for Victory in World War II

We Are a College at War

Women Working for Victory in World War II

Mary Weaks-Baxter, Christine Bruun, and Catherine Forslund

Southern Illinois University Press, 2010

We Are a College at War weaves together the individual World War II experiences of students and faculty at the all-female Rockford College (now Rockford University) in Rockford, Illinois, to draw a broader picture of the role American women and college students played during this defining period in U.S. history.  It uses the Rockford community’s letters, speeches, newspaper stories, and personal recollections to demonstrate how American women during the Second World War claimed the right to be everywhere—in factories and other traditionally male workplaces, and even on the front lines—and links their efforts to the rise of feminism and the fight for women’s rights in the 1960s and 1970s. 


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cover of We Aspired: The Last Innocent Americans

We Aspired

The Last Innocent Americans

Pete Sinclair

University of Utah Press, 2017

Imbued with a sense of place, Pete Sinclair climbed mountains and rescued others trying the same. He thrived on the risky business of ascending sheer rock, of moving from one adrenaline-boosting moment to another. In this book he recounts his mountain-climbing and park ranger days from 1959 to 1970, a time some people call a golden era of climbing in America, a time when climbers knew one another and frequently gathered in Grand Teton National Park. There, Sinclair was the ranger in charge of mountain rescue, a job that, especially when it involved the North Face of Grand Teton, drew on all his young team’s climbing skills. Mixing adventure with personal reflection, Sinclair recounts expeditions taken with friends to scale mountains in Alaska, Mexico, and other parts of North America, as well as his work rescuing injured climbers in the Tetons. The book serves as a history of a past era in mountaineering as well as a meditation on what it all meant. Throughout the book, he challenges readers to consider their relationship with the western landscape. Originally published in 1993, We Aspired was a finalist for the Boardman-Tasker Award for Mountain Literature. The account of one famous rescue on the North Face of the Grand Teton is retold in The Grand Rescue, a film by independent Utah producer Jenny Wilson. 

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cover of We Begin Bombing in Five Minutes: Late Cold War Culture in the Age of Reagan

We Begin Bombing in Five Minutes

Late Cold War Culture in the Age of Reagan

Andrew Hunt

University of Massachusetts Press, 2021

In the moments before his weekly radio address hit the airwaves in 1984, Ronald Reagan made an off-the-record joke: "I've signed legislation that will outlaw Russia forever. We begin bombing in five minutes." As reports of the stunt leaked to the press, many Americans did not find themselves laughing along with the president. Long a fervent warrior against what he termed the "Evil Empire," by the mid-1980s, Reagan confronted growing domestic opposition to his revival of the Cold War. While numerous histories of the era have glorified the "Decade of Greed," historian Andrew Hunt instead explores the period's robust political and cultural dissent.

We Begin Bombing in Five Minutes focuses on a striking array of protest movements that took up issues such as the nuclear arms race, U.S. intervention in Central America, and American investments in South Africa. Hunt's new history of the eighties investigates how film, television, and other facets of popular culture critiqued Washington's Cold War policies and reveals that activists and cultural rebels alike posed a more meaningful challenge to the Cold War's excesses than their predecessors in the McCarthy era.
[more]
cover of We Boys Together: Teenagers in Love Before Girl-Craziness

We Boys Together

Teenagers in Love Before Girl-Craziness

Jeffery P. Dennis

Vanderbilt University Press, 2007

Teenage boys are wild about girls.When their hormones kick in at puberty, they can think of nothing else, and that"s the way it has always been-- right? Wrong. Before World War II, only sissies liked girls. Masculine, red-blooded, all-American boys were supposed to ignore girls until they were 18 or 19. Instead, parents, teachers, psychiatrists, and especially the mass media encouraged them to form passionate, intense, romantic bonds with each other.

This book explores romantic relationships between teenage boys as they were portrayed before, during, and immediately after World War II. The author takes the reader through a rich landscape of media -- sci fi pulps, comics, adventure stories, tales of teen sleuths, boys' serial novels, wartime bestsellers, and movies populated by many types of male adolescents: Boys Next Door, Adventure Boys, Jungle Boys, and Lost Boys. In Hollywood movies, Boys Next Door like Jackie Cooper, Ronald Sinclair, and Jimmy Lydon were constantly falling in love, but not with girls. In serial novels, Jungle Boys like Bomba, Sorak, and Og Son of Fire swung through the trees to rescue teenage boys, not teenage girls. In comic strips and on the radio, Adventure Boys like Don Study, Jack Armstrong, and Tim Tyler formed lasting romantic partnerships with other boys or men. Lost Boys like Frankie Darro, Leo Gorcey, and Billy Halop starred in dozens of movies about pairs of poor urban teenagers sticking together, with never a girl in sight.

[more]
cover of We Called Him Rabbi Abraham: Lincoln and American Jewry, a Documentary History

We Called Him Rabbi Abraham

Lincoln and American Jewry, a Documentary History

Gary Phillip Zola

Southern Illinois University Press, 2014

Over the course of American history, Jews have held many American leaders in high esteem, but they maintain a unique emotional bond with Abraham Lincoln. From the time of his presidency to the present day, American Jews have persistently viewed Lincoln as one of their own, casting him as a Jewish sojourner and, in certain respects, a Jewish role model. This pioneering compendium— The first volume of annotated documents to focus on the history of Lincoln’s image, influence, and reputation among American Jews— considers how Lincoln acquired his exceptional status and how, over the past century and a half, this fascinating relationship has evolved.

Organized into twelve chronological and thematic chapters, these little-known primary source documents—many never before published and some translated into English for the first time—consist of newspaper clippings, journal articles, letters, poems, and sermons, and provide insight into a wide variety of issues relating to Lincoln’s Jewish connection. Topics include Lincoln’s early encounters with Central European Jewish immigrants living in the Old Northwest; Lincoln’s Jewish political allies; his encounters with Jews and the Jewish community as President; Lincoln’s response to the Jewish chaplain controversy; General U. S. Grant’s General Orders No. 11 expelling “Jews, as a class” from the Military Department of Tennessee; the question of amending the U.S. Constitution to legislate the country’s so-called Christian national character; and Jewish eulogies after Lincoln’s assassination. Other chapters consider the crisis of conscience that arose when President Andrew Johnson proclaimed a national day of mourning for Lincoln on the festival of Shavuot (the Feast of Weeks), a day when Jewish law enjoins Jews to rejoice and not to mourn; Lincoln’s Jewish detractors contrasted to his boosters; how American Jews have intentionally “Judaized” Lincoln ever since his death; the leading role that American Jews have played in in crafting Lincoln’s image and in preserving his memory for the American nation; American Jewish reflections on the question “What Would Lincoln Do?”; and how Lincoln, for America’s Jewish citizenry, became the avatar of America’s highest moral aspirations.

With thoughtful chapter introductions that provide readers with a context for the annotated documents that follow, this volume provides a fascinating chronicle of American Jewry’s unfolding historical encounter with the life and symbolic image of Abraham Lincoln, shedding light on how the cultural interchange between American ideals and Jewish traditions influences the dynamics of the American Jewish experience.

Finalist, 2014 National Jewish Book Award
Finalist, 2015 Ohioana Book Award


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cover of We Cannot Forget: Interviews with Survivors of the 1994 Genocide in Rwanda

We Cannot Forget

Interviews with Survivors of the 1994 Genocide in Rwanda

Totten, Samuel

Rutgers University Press, 2011

During a one-hundred-day period in 1994, Hutus murdered between half a million and a million Tutsi in Rwanda. The numbers are staggering; the methods of killing were unspeakable. Utilizing personal interviews with trauma survivors living in Rwandan cities, towns, and dusty villages, We Cannot Forget relates what happened during this period and what their lives were like both prior to and following the genocide.

Through powerful stories that are at once memorable, disturbing, and informative, readers gain a critical sense of the tensions and violence that preceded the genocide, how it erupted and was carried out, and what these people faced in the first sixteen years following the genocide.

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cover of We Cannot Remain Silent: Opposition to the Brazilian Military Dictatorship in the United States

We Cannot Remain Silent

Opposition to the Brazilian Military Dictatorship in the United States

James N. Green

Duke University Press, 2010

In 1964, Brazil’s democratically elected, left-wing government was ousted in a coup and replaced by a military junta. The Johnson administration quickly recognized the new government. The U.S. press and members of Congress were nearly unanimous in their support of the “revolution” and the coup leaders’ anticommunist agenda. Few Americans were aware of the human rights abuses perpetrated by Brazil’s new regime. By 1969, a small group of academics, clergy, Brazilian exiles, and political activists had begun to educate the American public about the violent repression in Brazil and mobilize opposition to the dictatorship. By 1974, most informed political activists in the United States associated the Brazilian government with its torture chambers. In We Cannot Remain Silent, James N. Green analyzes the U.S. grassroots activities against torture in Brazil, and the ways those efforts helped to create a new discourse about human-rights violations in Latin America. He explains how the campaign against Brazil’s dictatorship laid the groundwork for subsequent U.S. movements against human rights abuses in Chile, Uruguay, Argentina, and Central America.

Green interviewed many of the activists who educated journalists, government officials, and the public about the abuses taking place under the Brazilian dictatorship. Drawing on those interviews and archival research from Brazil and the United States, he describes the creation of a network of activists with international connections, the documentation of systematic torture and repression, and the cultivation of Congressional allies and the press. Those efforts helped to expose the terror of the dictatorship and undermine U.S. support for the regime. Against the background of the political and social changes of the 1960s and 1970s, Green tells the story of a decentralized, international grassroots movement that effectively challenged U.S. foreign policy.

[more]
cover of We Catholics Don't Die Like Them: Living with Death Before Vatican II

We Catholics Don't Die Like Them

Living with Death Before Vatican II

Sarah Nytroe

Catholic University of America Press, 2026

We Catholics Don’t Die Like Them is the study of a minimally explored topic in American religious history, that of the Catholic approach to death and dying in the first half of the 20th century. Moreover, it advances scholarly understanding of three interrelated themes: cultural and social views of death and practices of dying; the Catholic religious culture and experience before the Second Vatican Council; and the relationship between Catholicism and modernity. While historians and scholars have explored these themes independently, this study seeks to draw them together in a manner that has yet to be fully considered. Finally, the study is grounded in a rich body of primary sources, the everyday religious literature produced to sustain the good death among Catholics. First, scholars from various disciplinary backgrounds, including history, have studied sociocultural attitudes about death and experiences of dying, those of both the past and the present. Those historical studies that examine death and dying do so through the lens of the Protestant religious culture and experience, giving limited to no attention to American Catholicism. Studies that have examined the Catholic approach to death and dying primarily focus on beliefs and practices in the medieval to early modern Church. Rarely have scholars extended the narrative into the modern period, especially the 20th century United States. This scholarly silence is surprising considering that historians have increasingly examined multiple dimensions of American Catholicism and the dynamic relationship between the institution and the "people in the pews." This study seeks to draw attention to this feature of the American Catholic religious culture and how it paralleled other aspects of the pre-Vatican II Catholic culture. Lastly, historians have long studied the relationship between Catholicism and modernity. Numerous studies have examined the ambivalence that existed in the Church towards the ideas, values, and structures of modernity in the pre-conciliar American context. Institutional anxiousness about the influence of modernity permeated the religious culture and the everyday lives of practicing Catholics. Church authorities remained apprehensive about how modern ideas influenced the faithful’s thoughts about death, how they died, how the living supported the dying in their last hour, and how they remembered the dead. This sense of anxiousness emerges in the content and tone of the religious literature produced for Catholics, and yet, historians have yet to fully explore this feature of the relationship.
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cover of We Could Not Fail: The First African Americans in the Space Program

We Could Not Fail

The First African Americans in the Space Program

By Richard Paul and Steven Moss

University of Texas Press, 2015

The Space Age began just as the struggle for civil rights forced Americans to confront the long and bitter legacy of slavery, discrimination, and violence against African Americans. Presidents John F. Kennedy and Lyndon Johnson utilized the space program as an agent for social change, using federal equal employment opportunity laws to open workplaces at NASA and NASA contractors to African Americans while creating thousands of research and technology jobs in the Deep South to ameliorate poverty. We Could Not Fail tells the inspiring, largely unknown story of how shooting for the stars helped to overcome segregation on earth.

Richard Paul and Steven Moss profile ten pioneer African American space workers whose stories illustrate the role NASA and the space program played in promoting civil rights. They recount how these technicians, mathematicians, engineers, and an astronaut candidate surmounted barriers to move, in some cases literally, from the cotton fields to the launching pad. The authors vividly describe what it was like to be the sole African American in a NASA work group and how these brave and determined men also helped to transform Southern society by integrating colleges, patenting new inventions, holding elective office, and reviving and governing defunct towns. Adding new names to the roster of civil rights heroes and a new chapter to the story of space exploration, We Could Not Fail demonstrates how African Americans broke the color barrier by competing successfully at the highest level of American intellectual and technological achievement.

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cover of We Got By: A Black Family’s Journey in the Heartland

We Got By

A Black Family’s Journey in the Heartland

Ric S. Sheffield

The Ohio State University Press, 2022

Life along the color line in rural Ohio was hard. Being Black often meant feeling frightened and alone. For a family like Ric S. Sheffield’s, examining this reality closely meant confronting challenges and tragedies that often felt overwhelming, even as their odyssey also included the joyful and inspiring. Navigating day-to-day existence in a world where trusting white neighbors required a careful mixture of caution and faith, Sheffield and his kin existed in a space where they were both seen and unseen. 
 
Spanning four generations and assessing the legacies of traumatic events (arrests, murders, suicide) that are inextricable from the racial dynamics of the small community his family called home, this gripping memoir is a heartfelt, clear-eyed, and rare chronicle of Black life in the rural Midwest. Experiencing the burden of racism among people who refused to accept that such a thing existed only made the isolation feel that much worse to Sheffield and his relatives. And yet, they overcame the obstacles and managed to persist: they got by.
 
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cover of We Gotta Get Out of This Place: The Soundtrack of the Vietnam War

We Gotta Get Out of This Place

The Soundtrack of the Vietnam War

Doug Bradley

University of Massachusetts Press, 2015

Rolling Stone's #1 Music Book of 2015

For a Kentucky rifleman who spent his tour trudging through Vietnam's Central Highlands, it was Nancy Sinatra's “These Boots Are Made for Walkin'.” For a “tunnel rat” who blew smoke into the Viet Cong's underground tunnels, it was Jimi Hendrix's “Purple Haze.” For a Black Marine distraught over the assassination of Martin Luther King Jr., it was Aretha Franklin's “Chain of Fools.” And for countless other Vietnam vets, it was “I Feel Like I'm Fixin' to Die,” “Who'll Stop the Rain,” or the song that gives this book its title.

In We Gotta Get Out of This Place, Doug Bradley and Craig Werner place popular music at the heart of the American experience in Vietnam. They explore how and why U.S. troops turned to music as a way of connecting to each other and the World back home and of coping with the complexities of the war they had been sent to fight. They also demonstrate that music was important for every group of Vietnam veterans—black and white, Latino and Native American, men and women, officers and “grunts”—whose personal reflections drive the book's narrative. Many of the voices are those of ordinary soldiers, airmen, seamen, and marines. But there are also “solo” pieces by veterans whose writings have shaped our understanding of the war—Karl Marlantes, Alfredo Vea, Yusef Komunyakaa, Bill Ehrhart, Arthur Flowers—as well as songwriters and performers whose music influenced soldiers' lives, including Eric Burdon, James Brown, Bruce Springsteen, Country Joe McDonald, and John Fogerty. Together their testimony taps into memories—individual and cultural—that capture a central if often overlooked component of the American war in Vietnam.

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cover of We Have All Gone Away

We Have All Gone Away

Curtis Harnack

University of Iowa Press, 1973

In We Have All Gone Away, his emotionally moving memoir, Curtis Harnack tells of growing up during the Great Depression on an Iowa farm among six siblings and an extended family of relatives. With a directness and a beauty that recall Thoreau, Harnack balances a child’s impressions with the knowledge of an adult looking back to produce what Publishers Weekly called “a country plum of a book, written with genuine affection and vivid recall.”
 
In a community related by blood and harvest, rural life could be bountiful even when hard economic times threatened. The adults urged children to become educated and to keep an eye on tomorrow. “We were all taught to lean enthusiastically into the future,” Harnack recalls, which would likely be elsewhere, in distant cities. At the same time, the children were cultivating a resiliency that would serve them well in the unknown world of the second half of the twentieth century.
 
Inevitably, the Midwest’s small, diversified family farm gave way to large-scale agriculture, which soon changed the former intimate way of life. “Our generation, using the mulched dead matter of agrarian life like projectile fuel for our thrust into the future, became part of that enormous vitality springing out of rural America,” notes Harnack. Both funny and elegiac, We Have All Gone Away is a masterful memoir of the joys and sorrows of Iowa farm life at mid-century, a world now gone “by way of learning, wars, and marriage” but still a lasting part of America’s heritage.

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cover of We Kept Our Towns Going: The Gossard Girls of Michigan's Upper Peninsula

We Kept Our Towns Going

The Gossard Girls of Michigan's Upper Peninsula

Phyllis Michael Wong

Michigan State University Press, 2022

WITH A FOREWORD BY LISA M. FINE, MICHIGAN STATE UNIVERSITY—Michigan’s Upper Peninsula is known for its natural beauty and severe winters, as well as the mines and forests where men labored to feed industrial factories elsewhere in the nineteenth and twentieth centuries. But there were factories in the Upper Peninsula, too, and women who worked in them. Phyllis Michael Wong tells the stories of the Gossard Girls, women who sewed corsets and bras at factories in Ishpeming and Gwinn from the early twentieth century to the 1970s. As the Upper Peninsula’s mines became increasingly exhausted and its stands of timber further depleted, the Gossard Girls’ income sustained both their families and the local economy. During this time the workers showed their political and economic strength, including a successful four-month strike in the 1940s that capped an eight-year struggle to unionize. Drawing on dozens of interviews with the surviving workers and their families, this book highlights the daily challenges and joys of these mostly first- and second-generation immigrant women. It also illuminates the way the Gossard Girls navigated shifting ideas of what single and married women could and should do as workers and citizens. From cutting cloth and distributing materials to getting paid and having fun, Wong gives us a rare ground-level view of piecework in a clothing factory from the women on the sewing room floor.
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cover of We Only Know Men: The Rescue of Jews in France during the Holocaust

We Only Know Men

The Rescue of Jews in France during the Holocaust

Patrick Henry

Catholic University of America Press, 2007

Patrick Henry, working with more than one thousand unpublished autobiographical pages written by key rescuers and with documents, letters, and interviews never before available, reconsiders the Holocaust rescue of Jews on the plateau of Vivarais-Lignon between the years 1939 and 1944
[more]
cover of We Rode the Rhythms as One: On the Poetry of Etheridge Knight

We Rode the Rhythms as One

On the Poetry of Etheridge Knight

Edited by Norman Minnick

University of Michigan Press, 2026

We Rode the Rhythms as One offers readers an immersive journey into the life and legacy of one of America’s most unorthodox and inspiring poets. More than just a literary analysis, this book captures the pulse of Etheridge Knight’s life, weaving together interviews, personal essays, letters, and critical pieces to form a vivid and multifaceted portrait. Through the voices of poets, scholars, students, and Knight himself, the book underscores the profound intersections of race, art, politics, and personal survival, revealing how Knight forged poetry from his struggles and shaped a community of voices from diverse backgrounds.

Knight’s story is one of transformation—an odyssey from hardship and incarceration to artistic prominence—anchored by his unwavering belief in the power of poetry to unite and heal. This comprehensive volume is also a historical and cultural exploration, situating Knight’s work amid the Black Arts Movement, the Civil Rights Movement, and the ongoing fight for social justice. Readers will find themselves drawn to Knight’s unfiltered voice, his reflections on Black identity, and his insistence on making poetry accessible to all—whether through intimate letters or reflections on the sociopolitical climate that shaped his art. Suitable for poetry enthusiasts, scholars, and general readers alike, We Rode the Rhythms as One invites us to reconsider Knight’s enduring impact and the vital role of poetry in reflecting and reshaping human experience.
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cover of We Saw the Light: Conversations between New American Cinema and Poetry

We Saw the Light

Conversations between New American Cinema and Poetry

Daniel Kane

University of Iowa Press, 2009

By the mid-1960s, New American poets and Underground filmmakers had established a vibrant community. Allen Ginsberg, John Ashbery, Robert Duncan, Robert Creeley, and Frank O’Hara joined Kenneth Anger, Stan Brakhage, Robert Frank, Alfred Leslie, and Andy Warhol to hang out, make films, read poems, fight censorship, end racism, and shut down the Vietnam War. Their personal, political, and artistic collaborations led them to rethink the moving picture and the lyric, resulting in an extraordinary profusion of poetry/film hybrids.

Drawing on unpublished correspondences and personal interviews with key figures in the innovative poetry and film communities, Daniel Kane’s stunningly erudite and accessible work not only provides a fresh look at avant-garde poetry and film but also encourages readers to rethink the artistic scenes of the 1960s and today. We Saw the Light will reframe the very way we talk about how film influences poetry and force us to think anew about the radical ways in which art is created and in turn influences subsequent work.
[more]
cover of We Shall Be Free!: Black Communist Protests in Seven Voices

We Shall Be Free!

Black Communist Protests in Seven Voices

Walter T. Howard

Temple University Press, 2013

A groundbreaking contribution to scholarship of the African American Left, We Shall Be Free! gives voice to black Communists and recognizes the intellectual contributions found in their protest writings. Walter Howard provides a fascinating documentary history of seven diverse and historically significant black Communists--B.D. Amis, Harry Haywood, James W. Ford, Benjamin J. Davis, Jr., Louise Thompson Patterson, William Patterson, and Claudia Jones--who attempted to foster a black culture of resistance to white racism within the workings of the Communist Party. 

Howard draws on FBI files, Moscow documents, and the records of the U.S. Communist Party. He surveys these black Communists addressing a wide range of vital issues such as the Great Depression, World War II, genocide and the Cold War. 

We Shall Be Free! presents an important section of the African American community whose thought has been minimized, discounted, or overlooked altogether by the historical profession in general.
 
[more]
cover of We Shall Overcome: Press Photographs of Nashville during the Civil Rights Era

We Shall Overcome

Press Photographs of Nashville during the Civil Rights Era

Kathryn E. Delmez

Vanderbilt University Press, 2023

Named One of the "Best Art Books of 2018" by the New York Times

Fifty years after Martin Luther King Jr.'s death—and at a time when race relations and social justice are again at the forefront of our country's consciousness—this book expands on a Frist Art Museum exhibition to present a selection of approximately one hundred photographs that document an important period in Nashville's struggle for racial equality. The images were taken between 1957, the year that desegregation in public schools began, and 1968, when the National Guard was called in to surround the state capitol in the wake of the civil rights leader's assassination in Memphis.

Of central significance are photographs of lunch counter sit-ins in early 1960, led by a group of students, including John Lewis (who contributed the book's foreword) and Diane Nash, from local historically black colleges and universities. The demonstrations were so successful that King stated just a few weeks later at Fisk University: "I did not come to Nashville to bring inspiration but to gain inspiration from the great movement that has taken place in this community." The role that Nashville played in the national civil rights movement as a hub for training students in nonviolent protest and as the first Southern city to integrate places of business is a story that warrants reexamination.

The book also provides an opportunity to consider the role of images and the media in shaping public opinion, a relevant subject in today's news-saturated climate. Photographs from the archives of both daily newspapers are included: the Tennessean, which was the more liberal publication, and the Nashville Banner, a conservative paper whose leadership seemed less interested in covering events related to racial issues. Some of the photographs in the exhibition had been selected to be published in the papers, but many were not, and their disclosure reveals insight into the editorial process. In several images, other photojournalists and news crews are visible, serving as a reminder of the almost constant presence of the camera during these historic times.

Essays by Linda Wynn of Fisk University and the Tennessee Historical Commission and Susan H. Edwards, executive director of the Frist Art Museum, offer historical context on Nashville during the civil rights era and on photojournalism, respectively. Congressman John Lewis's foreword recounts memories of his time in Nashville and reminds us that there is still work to be done to build King's Beloved Community.
[more]
cover of We Took the Streets: Fighting for Latino Rights with the Young Lords

We Took the Streets

Fighting for Latino Rights with the Young Lords

Miguel "Mickey" Melendez

Rutgers University Press, 0

In this memoir, Melendez describes with the unsparing eye of an insider the idealism, anger, and vitality of the Lords as they rose to become the most respected and powerful voice of Puerto Rican empowerment in the country. He also traces the internal ideological disputes that led the group, but not the mission, to fracture in 1972. Written with passion and compelling detail, We Took the Streets tells the story of how one group took on the establishment—and won.

In 1968 Miguel “Mickey” Melendez was a college student, developing pride in his Cuban and Puerto Rican cultural identity and becoming increasingly aware of the effects of social inequality on Latino Americans. Joining with other like-minded student activists, Melendez helped form the central committee of the New York branch of the Young Lords, one of the most provocative and misunderstood radical groups to emerge during the 1960s. Incorporating techniques of direct action and community empowerment, the Young Lords became a prominent force in the urban northeast. From their storefront offices in East Harlem, they defiantly took back the streets of El Barrio. In addition to running clothing drives, day-care centers, and food and health programs, they became known for their media-savvy tactics and bold actions, like the takeovers of the First People’s Church and Lincoln Hospital.

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cover of We Were Innocents: AN INFANTRYMAN IN KOREA

We Were Innocents

AN INFANTRYMAN IN KOREA

William D. Dannenmaier

University of Illinois Press, 1999

Known as the Forgotten War, the "police action" in Korea resulted in almost as many American combat deaths in three years as the Vietnam War did in ten. Yet for many Americans today, the Korean War brings to mind nothing more than the television series "M*A*S*H."
 
William Dannenmaier served in Korea with the U.S. Army from December 1952 to January 1954, first as a radioman and then as a radio scout with the Fifteenth Infantry Regiment. Eager to serve a cause in which he fervently believed—the safeguarding of South Korea from advancing Chinese Communists—he enlisted in the army with an innocence that soon evaporated. His letters from the front, most of them to his sister, Ethel, provide a springboard for his candid and wry observations of the privations, the boredom, and the devastation of infantry life. At the same time these letters, designed to disguise the true danger of his tasks and his dehumanizing circumstances, reflect a growing failure to communicate with those outside the combat situation.
Woven through the letters is Dannenmaier's narrative account of his combat experiences, including a vivid re-creation of the bloody battle for Outpost Harry, which he describes as "trivial and insignificant—except to the men who fought it."A high-intensity, eight-day battle for a hill American forces would abandon three months later with the signing of the truce, Outpost Harry was largely ignored by the press despite heavy casualties and many official citations for heroism.
 
From his vantage point as an Everyman, Dannenmaier describes the frustration of men on the front lines who never saw their commanding superiors, the exhaustion of soldiers whose long-promised leaves never materialized, the transitory friendships and shared horrors that left indelible memories. Endangered by minefields and artillery fire, ground down by rumors and constant tension, these men returned—if they returned at all—profoundly and irrevocably changed.
 
This intimate, revealing memoir, a rare account by a common soldier, is a tribute to the Americans who served in a conflict that has only recently begun to gain a place in official public memory.
 
[more]
cover of We Were Still Ladies: Gender and Industrial Unionism in the Midwest after World War II

We Were Still Ladies

Gender and Industrial Unionism in the Midwest after World War II

Coreen Derifield

University of Iowa Press, 2025

Following World War II, women living in small towns and on farms across the Midwest woke every morning, packed their lunches, and headed out for a long day of work in a nearby factory. Many of these women never envisioned themselves as industrial workers, but the political and economic changes after World War II offered new opportunities and experiences for hundreds of women.
        How did this transition into industrial work affect a woman’s sense of self? How did this new workforce change the dynamic of families and communities? While women choosing to work outside of the home may seem to have been a mundane decision, it caused tremendous change within families and with household roles. These alterations in daily life rippled throughout midwestern culture and society, even changing the landscape of small towns into decentralized industrial centers.
 
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