1832 books match the query 'Essays' and 100 start with w

cover of Wild Delicate Seconds: 29 Wildlife Encounters

Wild Delicate Seconds

29 Wildlife Encounters

Charles Finn

Oregon State University Press, 2012

In Wild Delicate Seconds, Charles Finn captures twenty-nine chance encounters with the everyday—and not so everyday—animals, birds, and insects of North America.

There are no maulings or fantastic escapes in Finn's narratives—only stillness and attentiveness to beauty. With profundity, humor,  and compassion, Finn pays homage to the creatures we share our  world with —from black bears to bumble bees, mountain lions to muskrats—and, in doing so, touches on what it means to be human.
 

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cover of Wild Fictions: Essays on Literature, Empire, and the Environment

Wild Fictions

Essays on Literature, Empire, and the Environment

Amitav Ghosh

University of Chicago Press, 2025

From the 2025 recipient of the Pak Kyongni Prize, often referred to as Korea’s Nobel Prize in Literature.

A collection of essays on themes central to Ghosh’s work: imperialism and decolonization, climate change, and the stories of ordinary people making lives amid these historical forces.
 
Wild Fictions brings together Amitav Ghosh’s extraordinary writings on subjects that have obsessed him over the last twenty-five years: literature and language; climate change and the environment; and human lives, travel, and discoveries. Threaded throughout the collection are his reflections on the spaces that we inhabit and how we occupy them. From the significance of the commodification of the clove to the diversity of the mangrove forests in Bengal and the radical fluidity of multilingualism, Wild Fictions is a powerful refutation of imperial violence, a fascinating exploration of the fictions we weave to absorb history, and a reminder of the importance of sensitivity and empathy.

With the combination of moral passion, intellectual curiosity, and literary elegance that defines his writing, Ghosh makes readers understand the world in new and urgent ways. Together, the pieces in Wild Fictions chart a course that allows us to heal our relationships and restore the delicate balance with the volatile landscapes to which we all belong.
 
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cover of Wild Moments: Adventures with Animals of the North

Wild Moments

Adventures with Animals of the North

Edited by Michael Engelhard

University of Alaska Press, 2009

It is nearly impossible to live in Alaska without being influenced by its natural environment. Residents have no choice but to coexist with the Alaska wilderness and its animal inhabitants, and this extraordinary experience—along with the stunning landscape—is what often draws people to Alaska. Wild Moments offers a fascinating range of creative nonfiction essays that describe the chance meetings that bring Alaska residents face to face with their animal neighbors. These imaginative accounts speak to the ability of nature to transform the human experience, and the authors urge us through their works to protect these often threatened creatures who share our planet.

 The contributors to this collection include some of Alaska’s most prestigious nature writers, such as Peggy Shumaker, Ned Rozell, Nick Jans, Debbie S. Miller, Craig Childs, Richard Nelson, and Drew Pogge. Wild Moments presents some of the best and most innovative nonfiction writing in an environmental context, and it will be of interest to all readers with a passion and concern for the natural world.

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cover of Wild Nevada: Testimonies on Behalf of the Desert

Wild Nevada

Testimonies on Behalf of the Desert

Roberta Moore

University of Nevada Press, 2005

For many people beyond Nevada’s borders, the state is no more than the nation’s desert dumping ground for dangerous waste. Others know it only for its hedonistic centers of gambling and entertainment. This scandal belies the extraordinary beauty and wonder of the state’s wilderness areas and the precious natural, aesthetic, and cultural resources to be found there.
In Wild Nevada, editors Roberta Moore and Scott Slovic have assembled twenty-nine writers who know and love the Nevada wilderness to testify on its behalf. Contributors include literary artists and scholars, environmental and community activists, leading politicians, ranchers, scientists, and park rangers. Some essays offer observations on the political and philosophical discussions of wilderness that heat up the halls of academia and Congress; others recount moving personal encounters with wild places within Nevada; and still others comment on the ambiguities of preserving wild places through wilderness designation. But despite the eclectic backgrounds of the writers and their varied perspectives on public policy, they are all united in their devotion to the ecological and aesthetic values of Nevada’s threatened wilderness areas. Foreword by Michael Frome.
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cover of Wildbranch: An Anthology of Nature, Environmental, and Place-based Writing

Wildbranch

An Anthology of Nature, Environmental, and Place-based Writing

Edited by Florence Caplow and Susan A. Cohen. Foreword by H. Emerson Blake

University of Utah Press, 2010

Wildbranch: An Anthology of Nature, Environmental, and Place-based Writing is a powerful collection of mostly unpublished essays and poetry by both prominent American environmental writers and exciting new voices. The poetry and essays by more than fifty contributors offer the reader glimpses into places as diverse as a forest in West Africa, the moors of Ireland, the canyons of the Sonoran desert mountains, and the fields of New England, and they reflect the varied perspectives of field biologists, hunters, farmers, environmental educators, wilderness guides, academics, writers, and artists.

The collection is an intimate portrait of the natural world drawn through the wisdom, ecological consciousness, and open hearts of these exceptional contributors. The Wildbranch Writing Workshop, cosponsored by Orion magazine and Sterling College, has encouraged thoughtful natural history, outdoor, and environmental writing for more than twenty years. The Wildbranch faculty has included its founder E. Anne Proulx, the essayists Edward Hoagland, Janisse Ray, and Scott Russell Sanders, the poet Alison Hawthorne Deming, and many other notable authors. Many have work included in the anthology.

Winner of the New Mexico Book Association's Southwest Book Design & Production Awards for Excellence in the category Trade Books: Non-illustrated. 

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cover of Wilderness Days

Wilderness Days

Sigurd F. Olson

University of Minnesota Press, 2012

In the evocative words of one of America’s best-loved nature writers, Wilderness Days brings together the essence of the magnificent wilderness with which he so deeply identifies. Sigurd F. Olson collects from his writings those moments that most vividly depict the turn of the seasons in the great woodlands and waters of the legendary Quetico–Superior region overlapping the Ontario–Minnesota border.

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cover of Wilderness Tapestry: An Eclectic Approach To Preservation

Wilderness Tapestry

An Eclectic Approach To Preservation

Vause Zeveloff

University of Nevada Press, 1992

To further understanding of the meanings and values of wilderness, this volume explores wilderness and its significance to humans from myriad viewpoints, based on a meeting of the North American Interdisciplinary Wilderness Conference.

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cover of William S. Burroughs  At the Front: Critical Reception, 1959 - 1989

William S. Burroughs At the Front

Critical Reception, 1959 - 1989

Jennie Skerl

Southern Illinois University Press, 1991

Jennie Skerl and Robin Lydenberg have selected twenty-five critical essays on Burroughs that reflect the historical reception of his work, both positive and negative, decade by decade, and that represent the best essays written about him.

The essays cover Burroughs’ major novels—including the cut-up and new trilogies—the censorship issue, and his work in film and painting. The chronological organization brings into critical focus the shift from moral questions raised by the novels’ content, through examinations of Burroughs’ relationship to humanism and modernism, and finally to more focused literary and linguistic issues. In their introduction, the editors survey the progress of Burroughs’ critical reception and examine the reasons for the varied and intense responses to the work and the theoretical assumptions behind those responses.

The reviewers include prominent figures such as Mary McCarthy and Marshall McLuhan as well as major academic critics such as Cary Nelson, Tony Tanner, and Ihab Hassan.

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cover of Wind in the Rock: The Canyonlands of Southeastern Utah

Wind in the Rock

The Canyonlands of Southeastern Utah

Ann Zwinger

University of Arizona Press, 1978

Lively, readable nature writing. As she details several treks through the beautiful, rocky canyons, [Zwinger's] feel for the animals and plants native to this arid region enhances the precise sketches which punctuate the text. Readers interested in ancient Indian cultures of the Southwest will also find fascinating reading, as Zwinger describes their campsites and lifestyles. —Library Journal
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cover of Wingbeats and Heartbeats: Essays on Game Birds, Gun Dogs, and Days Afield

Wingbeats and Heartbeats

Essays on Game Birds, Gun Dogs, and Days Afield

Dave Books; Illustrations by Christopher Smith

University of Wisconsin Press, 2013

Wingbeats and Heartbeats is a wingshooter's odyssey to the wild places where, at the end of the day, the companionship of faithful gun dogs and good friends matters more than a bulging game bag.
            In this sometimes humorous and sometimes poignant collection of essays, Dave Books celebrates a time-honored connection to the land and the hard-earned hunting rewards of an outdoor life. Through these essays, readers tag along on adventures in the forests of Wisconsin and Minnesota, the fields of Iowa and North Dakota, the prairies of eastern Montana and Nebraska, the mountains of western Montana and Idaho, and the deserts of Arizona. Books also writes of the game birds that hunters pursue and admire: grouse, quail, woodcock, doves, chukars, Hungarian partridge, and waterfowl.
            A heartfelt tribute to the freedom and magic of the hunt, Wingbeats and Heartbeats is a book that has much to say about work and fun, success and failure, and the sights, sounds, and smells of a day afield.
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cover of Winning the Dust Bowl

Winning the Dust Bowl

Carter Revard

University of Arizona Press, 2001

Bootleggers and bankrobbers in the Oklahoma Dust Bowl. Proctors and punters at Oxford. Activists and agitators of the American Indian Movement. Carter Revard has known them all, and in this book— a memoir in prose and poetry— he interweaves the many threads of his life as only a gifted writer can. Winning the Dust Bowl traces Revard's development from a poor Oklahoma farm boy during the depths of the Depression to a respected medieval scholar and outstanding Native American poet. It recounts his search for a personal and poetic voice, his struggle to keep and expand it, and his attempt to find ways of reconciling the disparate influences of his life. In these pages, readers will find poems both new and familiar: poems of family and home, of loss and survival. In linking— what he calls "cocooning"— essays, Revard shares what he has noticed about how poems come into being, how changes in style arise from changes in life, and how language can be used to deal with one's relationship to the world. He also includes stories of Poncas and Osages, powwow stories and Oxford fables, and a gallery of photographs that capture images of his past. Revard has crafted a book about poetry and authorship, about American history and culture. Lyrical in one breath and stingingly political in the next, he calls on his mastery of language to show us the undying connection between literature and life.
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cover of Winnowing

Winnowing

Suzanne Matson

Duke University Press, 2026

In Winnowing, Suzanne Matson examines our personal, cultural, and environmental relationship with material objects. Matson alternates between reflective essays on the nature of ownership and her own “Winnowing Log,” a day-by-day account of her attempts to reduce the items in her home. Sorting through the emotional value of mementos, the gendered dimensions of housekeeping, and the environmental cost of both mass production and disposal, she physically, mentally, and spiritually lightens her life while reflecting on the tethers that make winnowing so hard. She compares ideas of material impermanence in Stoicism, Buddhism, and Christianity, acknowledging that total renunciation of things is beyond most people’s goals or abilities, but also that reducing what we own, carry, and tend can clear space for spiritual lightness, aesthetic pleasure, and freedom. Rather than a celebration or condemnation of material goods, Winnowing is a meditation on the personal and universal struggles and rewards of separating the chaff from the grain.
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cover of Winter Sign

Winter Sign

Jim Dale Huot-Vickery

University of Minnesota Press, 1998

A journey into the soul of the coldest season.

The locus of Jim dale Huot-Vickery’s life is a remote cabin in the northern wilderness of Minnesota’s Boundary Waters region. More often than not, it is winter here, a fierce, beautiful season that dominates all living things with its relentless cold grip. This is the inspiration for Winter Sign, the profound story of fifteen years of surviving the seven-month-long odyssey of winter in the far north.

“We know parkas, mukluks, mittens, snowshoes, skis, and sled dogs,” Huot-Vickery writes. “Snow sparkles gold on cloudless winter mornings. There are shell-pink sunsets. Stars glimmer among northern lights. . . . For those of us who know this land, however, beauty is only part of the winter story. There are those long nights, those we rarely speak about, that surely and irrevocably shift the soul.”Against this backdrop, Huot-Vickery writes authoritatively on the ecology of the area and philosophically about winter’s probing of the human spirit. He explores the world of nature and the constant struggle for survival, including his own interactions with white-tailed deer and wolves.Huot-Vickery circles around paradoxes and themes that invade the land and his life: nature’s beauty and bounty pitted against danger and death; the challenge of self-reliance and the depths of isolation; loss and restoration. And always there is the unrelenting winter, filled with wonder and terror. At turns poignant and harrowing, Winter Sign explores the solitude of the dark night of the soul, and the sustenance and inspiration winter’s wild beauty provides. ISBN 0-8166-2969-2 Paper $15.95192 pages 5 x 8 NovemberTranslation inquiries: University of Minnesota Press
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cover of Wisconsin Idols: 100 Heroes Who Changed the State, the World, and Me

Wisconsin Idols

100 Heroes Who Changed the State, the World, and Me

Dean Robbins

Wisconsin Historical Society Press, 2025

Inspiring stories of celebrities and locals who made their presence known in Wisconsin 

Discover intriguing true tales of legends and trailblazers with Wisconsin connections who left their mark on the world, including the Beatles, Georgia O’Keeffe, Kareem Abdul-Jabbar, Harrison Ford, Joni Mitchell, Abraham Lincoln, Oprah Winfrey, Bob Dylan, Jackie Robinson, Orson Welles, and many more. Marvel at Elvis Presley’s miracle on the streets of Madison, applaud the award-winning acting of Reedsburg’s Agnes Moorehead, follow fearless quarterback Bart Starr to the gates of hell in Green Bay, and join Joshua Glover in Racine on his daring escape from enslavers. These brief narratives—whether poignant or humorous—also offer personal reflections on the impact of each featured idol. 

Author Dean Robbins has spent a lifetime researching and revering these prominent figures and visiting exhibits, shrines, historic homes, and other sites dedicated to their achievements. Wisconsin Idols gathers all of Robbins’s obsessions into one collection, enhanced by dozens of photographs. Taken together, these stories of musicians, activists, artists, athletes, actors, and great thinkers irrefutably establish Wisconsin as a crossroads for extraordinary people who changed the world.
 
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cover of With the Loyal You Show Yourself Loyal: Essays on Relationships in the Hebrew Bible in Honor of Saul M. Olyan

With the Loyal You Show Yourself Loyal

Essays on Relationships in the Hebrew Bible in Honor of Saul M. Olyan

T. M. Lemos

SBL Press, 2021

Contributors to this volume come together to honor the lifetime of work of Saul M. Olyan, Samuel Ungerleider Jr. Professor of Judaic Studies and Professor of Religious Studies at Brown University. Essays by his students, colleagues, and friends focus on and engage with his work on relationships in the Hebrew Bible, from the marking of status in relationships of inequality, to human family, friend, and sexual relationships, to relationships between divine beings. Contributors include Susan Ackerman, Klaus-Peter Adam, Rainer Albertz, Andrea Allgood, Debra Scoggins Ballentine, Bob Becking, John J. Collins, Stephen L. Cook, Ronald Hendel, T. M. Lemos, Nathaniel B. Levtow, Carol Meyers, Susan Niditch, Brian Rainey, Thomas Römer, Jordan D. Rosenblum, Rüdiger Schmitt, Jennifer Elizabeth Singletary, Kerry M. Sonia, Karen B. Stern, Stanley Stowers, Andrew Tobolowsky, Karel van der Toorn, Emma Wasserman, and Steven Weitzman.

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cover of Within, Without: On Two Cities

Within, Without

On Two Cities

Ilya Kaminsky and Piotr Florczyk

Seagull Books, 2026

Brings together two intimate, reflective essays by two acclaimed poets, Ilya Kaminsky and Piotr Florczyck, as they revisit their hometowns of Odesa and Kraków, exploring the complexities of return, memory, and identity.

Within, Without: On Two Cities presents two essays by Eastern European–born poets and translators, Ilya Kaminsky and Piotr Florczyk, now based in the United States. Revisiting their respective hometowns—Odesa and Kraków—they grapple with questions of history, identity, and belonging. What does it mean for an immigrant or refugee to return? Can one ever truly go back to a homeland that has since been transformed? Kaminsky and Florczyk chart a path forward by embracing the complexities of their transnational and translingual identities, as artists and as human beings.
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cover of Witness and Existence: Essays in Honor of Schubert M. Ogden

Witness and Existence

Essays in Honor of Schubert M. Ogden

Edited by Philip E. Devenish and George L. Goodwin

University of Chicago Press, 1989

For over thirty years Schubert Ogden has championed and exemplified a particular understanding of the task and content of Christian theology. The task of theology is to examine the meaning and truth of Christian faith in terms of human experience. All theological claims, therefore, are assessable by two criteria: their appropriateness to the normative Christian witness and their credibility in terms of human existence. The content of Christian theology may be accurately and succinctly stated in two words: radical monotheism. The point of all theological doctrines, from christology to ethics, is to reflect on the gift and demand of God's love. It may be said, then, that Ogden's entire theological project consists in the attempt to show that radical monotheism, which is the essential point of the Christian witness, is also the inclusive end of human existence.

Witness and Existence pays tribute to Ogden by bringing together essays by eminent scholars in New Testament studies and philosophical theology, two fields which directly reflect his methodological concerns and his substantive contributions. The book honors Ogden precisely by engaging the fundamental issues which Ogden himself has taken so seriously.

The first group of essays presents careful analyses of issues basic to the early Christian witness; the second group examines the credibility of the Christian claim about God in terms of human experience. The editors' introductory essay provides the first comprehensive analysis yet to appear of Ogden's theology. A complete bibliography of his published writings is included as an appendix.
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cover of Witnessing the Disaster: Essays on Representation and the Holocaust

Witnessing the Disaster

Essays on Representation and the Holocaust

Edited by Michael Bernard-Donals and Richard Glejzer

University of Wisconsin Press, 2003

    Witnessing the Disaster examines how histories, films, stories and novels, memorials and museums, and survivor testimonies involve problems of witnessing: how do those who survived, and those who lived long after the Holocaust, make clear to us what happened? How can we distinguish between more and less authentic accounts? Are histories more adequate descriptors of the horror than narrative? Does the susceptibility of survivor accounts to faulty memory and the vestiges of trauma make them any more or less useful as instruments of witness? And how do we authenticate their accuracy without giving those who deny the Holocaust a small but dangerous foothold?
    These essayists aim to move past the notion that the Holocaust as an event defies representation. They look at specific cases of Holocaust representation and consider their effect, their structure, their authenticity, and the kind of knowledge they produce. Taken together they consider the tension between history and memory, the vexed problem of eyewitness testimony and its status as evidence, and the ethical imperatives of Holocaust representation.
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cover of Wolf Act

Wolf Act

AJ Romriell

University of Wisconsin Press, 2025

As a child, AJ Romriell strove to obey his Mormon leaders’ every rule. If he was faithful enough, he was taught, God would remove temptations. But at nineteen, returning home early from his mission after admitting his attraction to men, he was forced to make a decision: either stay the course or work to accept himself fully and risk losing family, community, and the Church he’d devoted his life to. His decision to pursue radical acceptance would turn out to be just one step toward reclaiming his life. 

Through linked personal essays crafted in lyric, fabulist, and fragmented forms, Wolf Act charts a young man’s transformation. Weaving together wolfish fairy tales and mythology, Mormon theology and practice, piercings and tattoos, cave explorations, ghost stories, and more, Romriell explores a childhood of hiding, a familial reckoning, a religious exodus, and an effort to understand one’s life as worth saving—even when the meaning of the word “saving” must be reimagined.
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cover of Woman House: Essays and Assemblages

Woman House

Essays and Assemblages

Lauren W. Westerfield

University of Massachusetts Press, 2026

Winner of the National Indie Excellence Award in Memoir and the National Indie Excellence Awards Juror's Choice Prize

A compelling and inventive memoir exploring how pain and pleasure are passed down through generations of women

For years, Lauren W. Westerfield looked back at her childhood as an imaginative playscape lovingly crafted by her artist mother. But in truth, theirs was always a fraught relationship, close yet turbulent. It wouldn’t be until her mid-twenties that Westerfield would learn that her mother was assaulted while living as a single woman in 1970s Los Angeles, or until her mid-thirties when caretaking for her now chronically ill mother during pandemic lockdown would reveal how that earlier incident and its ripple effects had shaped both their lives.

The essays and assemblages in this book plumb the depths of two women’s experiences, exploring the pain and pleasure they find in their bodies, in culture, and in their own art. Violence, beauty, and love reverberate and dissipate and shape the forms and psyches of these two profoundly connected family members. At once raw and refined, narrative and lyrical, nostalgic and blunt, the stories and images presented here explore Westerfield’s life—from childhood to adulthood—passing through innocence, self-discovery and familial tethers. In unpacking her mother’s history and the complexities of their relationship, Westerfield finds herself confronted with her own story: one grounded in a yearning for agency and individuation, of a body and mind groomed to be at odds with one another, of a feminist politics examining deeply rooted patriarchal understandings of beauty, control, and power.

Part memoir, part critical sense-making, part reckoning with family, identity, illness, addiction, art, and inheritance, Woman House draws on diverse inspirations in an attempt to recontextualize the female body—in danger, in pleasure, in portraiture, in proximity, in resistance—and challenge the structures that silence and restrict female expression. 

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cover of Woman's Legacy: Essays on Race, Sex, and Class in American History

Woman's Legacy

Essays on Race, Sex, and Class in American History

Bettina Aptheker

University of Massachusetts Press, 1982

Woman's Legacy: Essays on Race, Sex, and Class in American History is a groundbreaking collection of essays by prominent feminist scholar and historian Bettina Aptheker. Emerging from her dissertation research, this work examines the interconnected systems of racial, sexual, and class oppression that have shaped the experiences of women in American history. Through careful historical analysis and feminist scholarship, Aptheker explores how race, sex, and class work together to form complex systems of domination and resistance in the American historical context. The essays investigate women's community roles, activism, and agency while centering the lived experiences of women, particularly Black women, across different historical periods. This seminal work contributes to African American women's history and feminist historiography, bridging women's studies with critical analysis of historical structures and social movements. An essential text for those interested in intersectional approaches to American history and women's studies.

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cover of Women Shaping the South: Creating and Confronting Change

Women Shaping the South

Creating and Confronting Change

Edited by Angela Boswell & Judith N. McArthur

University of Missouri Press, 2006

Events in southern history have often been recounted from the top down, relying on political and economic models to explain historical changes. Thus, the key players have usually been men who dominated politics, shaped economic development, and led armies. However, history is also made from the bottom up by those who confront change and shape it through their actions. In this collection of essays, the contributors reexamine major transformative events of southern history from the late eighteenth century through the civil rights era.

Shifting the focus to the local level, the authors demonstrate how women participated in creating change, even as they confronted conditions over which they had little power. In addition to exploring southern women’s lives, this collection shows how women shaped southern history. Using new and extensive primary research, each of these authors presents a new perspective on the important roles that women of different races and classes have played in transforming the South at some of its most crucial turning points, including post-Revolution, Civil War, Jim Crow era, World War I, and the civil rights movement.

Expanded from papers presented at the Sixth Southern Conference on Women’s History in Athens, Georgia, these essays reflect the depth and breadth of current vibrant research in southern women’s history and contribute exciting and important new scholarship to the field. Just as significant, the volume highlights the trends in southern women’s historical scholarship and points toward new directions for future scholars.
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cover of Women and Slavery, Volume One: Africa, the Indian Ocean World, and the Medieval North Atlantic

Women and Slavery, Volume One

Africa, the Indian Ocean World, and the Medieval North Atlantic

Gwyn Campbell

Ohio University Press, 2007

The literature on women enslaved around the world has grown rapidly in the last ten years, evidencing strong interest in the subject across a range of academic disciplines. Until Women and Slavery, no single collection has focused on female slaves who—as these two volumes reveal—probably constituted the considerable majority of those enslaved in Africa, Asia, and Europe over several millennia and who accounted for a greater proportion of the enslaved in the Americas than is customarily acknowledged.

Women enslaved in the Americas came to bear highly gendered reputations among whites—as “scheming Jezebels,” ample and devoted “mammies,” or suffering victims of white male brutality and sexual abuse—that revealed more about the psychology of enslaving than about the courage and creativity of the women enslaved. These strong images of modern New World slavery contrast with the equally expressive virtual invisibility of the women enslaved in the Old—concealed in harems, represented to meddling colonial rulers as “wives” and “nieces,” taken into African families and kin-groups in subtlely nuanced fashion.

Women and Slavery presents papers developed from an international conference organized by Gwyn Campbell.

Volume 1 Contributors: Sharifa Ahjum, Richard B. Allen, Katrin Bromber, Gwyn Campbell, Catherine Coquery-Vidrovitch, Jan-Georg Deutsch, Timothy Fernyhough, Philip J. Havik, Elizabeth Grzymala Jordan, Martin A. Klein, George Michael La Rue, Paul E. Lovejoy, Fred Morton, Richard Roberts, Kirsten A. Seaver
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cover of Women in Print: Essays on the Print Culture of American Women from the Nineteenth and Twentieth Centuries

Women in Print

Essays on the Print Culture of American Women from the Nineteenth and Twentieth Centuries

Edited by James P. Danky and Wayne A. Wiegand

University of Wisconsin Press, 2006

Women readers, editors, librarians, authors, journalists, booksellers, and others are the subjects in this stimulating new collection on modern print culture. The essays feature women like Marie Mason Potts, editor of Smoke Signals, a mid-twentieth century periodical of the Federated Indians of California; Lois Waisbrooker, publisher of books and journals on female sexuality and women's rights in the decades after the Civil War; and Elizabeth Jordan, author of two novels and editor of Harper's Bazaar from 1900 to 1913.  The volume presents a complex and engaging picture of print culture and of the forces that affected women's lives in the nineteenth and twentieth centuries.

Published in collaboration among the University of Wisconsin Press, the Center for the History of Print Culture in Modern America (a joint program of the University of Wisconsin–Madison and the Wisconsin Historical Society), and the University of Wisconsin–Madison General Library System Office of Scholarly Communication.

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cover of Women in a Man's World, Crying: Essays

Women in a Man's World, Crying

Essays

Vicki Covington

University of Alabama Press, 2002

This thoughtful, engaging collection examines resilience, identity, and inequality in the modern workplace produced by one of the nation's most observant and incisive writers. 

This collection of warm, heartfelt essays from award-winning novelist Vicki Covington chronicles the multitude of "in between" moments in the writer's life. These are her stolen moments in between the writing of four novels-Gathering Home, Bird of Paradise, Night Ride Home, and The Last Hotel for Women; in between coauthoring the edgy memoir Cleaving: The Story of a Marriage with her husband Dennis Covington; in between raising two daughters; in between her husband's struggle with cancer and the author's own heart attack; in between a life full of trials and triumphs, disappointments and celebrations - moments that, as Covington demonstrates here, are always rich and revealing. 

In the title essay, the author questions why all seven middle-class women who live on her street confess at a neighborhood cookout that in the past 48 hours each of them has cried. In "A Southern Thanksgiving," Covington reflects on the "family dance" that is Thanksgiving in the South: "In the North they put their crazy family members in institutions, but in the South we put them in the living room for everyone to enjoy." In "My Mother's Brain," the author recounts the onset of Alzheimer's in her mother and how, with the spread of the disease, an untapped vein of love is revealed. 

Some of these essays were written as weekly newspaper columns for the Birmingham News. Others were written for specific literary occasions, such as the First Annual Eudora Welty Symposium. They are divided into six thematic sections: "Girls and Women," "Neighborhood," "Death," "The South," "Spiritual Matters," and “Writing.”

Throughout, as Covington casts her candid, attentive eye on a situation, confusion yields to comprehension, fear flourishes into faith, and anger flows into understanding. In memorializing the small moments of her life, she finds that they are far from peripheral; indeed, they are central to a life full of value and meaning.

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cover of Women with Disabilities: Essays in Psychology, Culture, and Politics

Women with Disabilities

Essays in Psychology, Culture, and Politics

edited by Michelle Fine and Adrienne Asch

Temple University Press, 1989

Women with disabilities are women first, sharing the dreams and disappointments common to women in a male-dominated society. But because society persists in viewing disability as an emblem of passivity and incompetence, disabled women occupy a devalued status in the social hierarchy. This book represents the intersection of the feminist and disability rights perspectives; it analyzes the forces that push disabled women towards the margins of social life, and it considers the resources that enable these women to resist the stereotype.

Drawing on law, social science, folklore, literature, psychoanalytic theory, and political activism, this book describes the experience of women with disabilities. The essays consider the impact of social class, race, the age at which disability occurs, and sexual orientation on the disabled woman's self esteem as well as on her life options. The contributors focus their inquiry on the self perceptions of disabled women and ask: From what sources do these women draw positive self images? How do they resist the culture's power to label them as deviant? The essays describe the ways in which disabled women face discrimination in the workplace and the failure of the mainstream women's movement to address their concerns.


In the series Health, Society, and Policy, edited by Sheryl Ruzek and Irving Kenneth Zola.
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cover of Women, History, and Theory: The Essays of Joan Kelly

Women, History, and Theory

The Essays of Joan Kelly

Joan Kelly

University of Chicago Press, 1986

These posthumous essays by Joan Kelly, a founder of women's studies, represent a profound synthesis of feminist theory and historical analysis and require a realignment of perspectives on women in society from the Middle Ages to the present.
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cover of Wonderful Words, Silent Truth: Essays on Poetry and a Memoir

Wonderful Words, Silent Truth

Essays on Poetry and a Memoir

Charles Simic

University of Michigan Press, 1990

Included in this collection of essays is an autobiographical sketch of the poet's early years in Yugoslavia during World War II
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cover of Words Marked by a Place: Local Histories in Central Oregon

Words Marked by a Place

Local Histories in Central Oregon

Jarold Ramsey

Oregon State University Press, 2018

Words Marked by a Place is a book of interconnected writings reflecting on the human and natural history of central Oregon. This chronological collection presents the reader with key episodes of central Oregon history, from nineteenth-century exploration to the railroading and homesteading era to the era of community-building and development that followed.

While telling these local stories, Jarold Ramsey explores alternative ways of engaging history in the act of writing, breaking new ground by discovering and exploring primary sources that bear on the region’s colorful but little-known past. Throughout the collection, he interrogates “local history” as a subject. What is local history? How is it related to mainstream academic history? What are legitimate ways of doing it? How do the details of what we call local history inform “history-at-large,” and vice-versa?

From the opening narrative concerning Lieutenant Henry Larcom Abbot’s “Railroad Survey” of the region in 1855 to the concluding account of Lieutenant Robert Cranston’s last months and dramatic death, when his “Airacobra” fighter plane crashed near Madras in 1944, Words Marked by a Place sheds new light on the ongoing story of central Oregon by illuminating forgotten corners of its past. Through both theory and example, it represents an important contribution to the history of the region and the endeavors of local historians, wherever they happen to work.
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cover of Words Matter: Writing to Make a Difference

Words Matter

Writing to Make a Difference

Edited by Amanda Dahling and Mary Kay Blakely

University of Missouri Press, 2016

Newspapers and magazines have been steadily shrinking, and more and more former subscribers have gone to digital and internet sources for the news. Yet it has become increasingly clear that “short takes” don’t satisfy many readers, who still long for nuanced, long form journalism. By providing examples of classic magazine articles by professional writers, all of whom are graduates of the Missouri School of Journalism, this book fulfills the need for more sophisticated, thought-provoking essays that will resonate with both the general reader and students.

The book is divided into three broad categories: profiles, first person journalism, and personal memoirs, and includes the original articles as well as a “postscript” by the writers in which they discuss what they’ve learned about writing, journalism, and the business of getting published. Useful for students and instructors in writing programs, the book also appeals to writers interested in both the art and the craft of successful writing.

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cover of Working Knowledge: A Simon Schaffer Reader

Working Knowledge

A Simon Schaffer Reader

Simon Schaffer

University of Chicago Press, 2026

Collects key articles by Simon Schaffer, one of the most important historians of science working today.
 
Working Knowledge is the first English-language collection of essays by Simon Schaffer, coauthor of Leviathan and the Air-Pump, a landmark text in the history of science. Though the latter may be his most famous book, Schaffer is also renowned for seminal articles on Isaac Newton and the cultures of popular spectacle, nineteenth-century physics and its practices of labor discipline and standardization, the history of anthropology and collecting, and the globe-spanning cultural interactions that have shaped modern science. Working Knowledge compiles these well-known pieces alongside newer selections, making them accessible in a single place and representing the huge scope and impact of Schaffer’s oeuvre.

The Reader divides sixteen of Schaffer’s articles across five thematic sections, which take up timely issues like the turn toward global histories of science; the intersection of science and capitalism; the interaction between bodies and machines; and the connection between science, politics, and the environment. Eight new essays by notable historians such as Adrian Johns, Lissa Roberts, and Steven Shapin bring Schaffer’s pieces into discussion with current scholarship. Illustrations and brief commentaries by Schaffer and the artist Adam Lowe, a longtime collaborator, are included throughout the volume.
 
Bringing together essential articles that were previously scattered across several publications, Working Knowledge is an insightful introduction to Schaffer and his ever-relevant writing.
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cover of Working Time: Essays on Poetry, Culture, and Travel

Working Time

Essays on Poetry, Culture, and Travel

Jane Miller

University of Michigan Press, 1992

Working Time collects essays by prize-winning poet Jane Miller on the subjects of poetry, travel, and culture. The discussions of contemporary poetry begin with excursions into geography, where language literally “takes shape.” Each essay is set in a landscape, where the notion of travel as a poetic experience, from the American Southwest to places in Italy, France, and Spain, is explored.
 
The essays consider notions of time, duration, narrative, documentary, and history in American poetry, and view poetry in the light of developments in feminism, postmodern theory, and contemporary poetic practice. In addition to poetry, Miller investigates a range of cultural products and art forms, including film, video, photography, painting, sculpture, music, and the Madonna phenomenon.
 
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cover of Working on Earth: Class and Environmental Justice

Working on Earth

Class and Environmental Justice

Christina Robertson

University of Nevada Press, 2015

This collection of essays examines the relationship between environmental injustice and the exploitation of working-class people. Twelve scholars from the fields of environmental humanities and the humanistic social sciences explore connections between the current and unprecedented rise of environmental degradation, economic inequality, and widespread social injustice in the United States and Canada.

The authors challenge prevailing cultural narratives that separate ecological and human health from the impacts of modern industrial capitalism. Essay themes range from how human survival is linked to nature to how the use and abuse of nature benefit the wealthy elite at the expense of working-class people and the working poor as well as how climate change will affect cultures deeply rooted in the land.

Ultimately, Working on Earth calls for a working-class ecology as an integral part of achieving just and sustainable human development.
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cover of Working-Class America: Essays on Labor, Community, and American Society

Working-Class America

Essays on Labor, Community, and American Society

Edited by Michael H. Frisch and Daniel J. Walkowitz

University of Illinois Press, 1983

At the time of its original publication, Working-Class America represented the new labor history par excellence. A roster of noteworthy scholars in the field contribute original essays written during a pivotal time in the nation's history and within the discipline. Moving beyond historical-sociological analyses, the authors take readers inside the lives of the real men and women behind the statistics. The result is a classic collection focused on the human dimensions of the field, one valuable not only as a resource for historiography but as a snapshot of workers and their concerns in the 1980s.
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cover of Worship, Women and War: Essays in Honor of Susan Niditch

Worship, Women and War

Essays in Honor of Susan Niditch

John J. Collins

SBL Press, 2015

Celebrate the career of an inspirational scholar and teacher concerned with revealing voices from the margins

This volume of essays honors Susan Niditch, author of War in the Hebrew Bible: A Study in the Ethics of Violence (1993), “My Brother Esau Is a Hairy Man”: Hair and Identity in Ancient Israel (2008), and most recently, The Responsive Self: Personal Religion in Biblical Literature of the Neo-Babylonian and Persian Periods (forthcoming), among other influential publications. Essays touch on topics such as folklore, mythology, and oral history, Israelite religion, ancient Judaism, warfare, violence, and gender.

Features:

  • Essays from nineteen scholars, all experts in their fields
  • Exploration of texts from Mesopotamia, the Hebrew Bible, and the New Testament
  • Bibliography of Niditch's scholarly contributions
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cover of Woven Shades of Green: An Anthology of Irish Nature Literature

Woven Shades of Green

An Anthology of Irish Nature Literature

Tim Wenzell

Bucknell University Press, 2019

Woven Shades of Green is an annotated selection of literature by authors who focus on the natural world and the beauty of Ireland. It begins with the Irish monks and their largely anonymous nature poetry, written at a time when Ireland was heavily forested. A section follows devoted to the changing Irish landscape, through both deforestation and famine, including the nature poetry of William Allingham, and James Clarence Mangan, essays from Thomas Gainford and William Thackerary, and novel excerpts from William Carleton and Emily Lawless. The anthology then turns to the nature literature of the Irish Literary Revival, including Yeats and Synge, and an excerpt from George Moore’s novel The Lake. Part four shifts to modern Irish nature poetry, beginning with Patrick Kavanaugh, and continuing with the poetry of Seamus Heaney, Eavan Boland, and others. Finally, the anthology concludes with a section on various Irish naturalist writers, and the unique prose and philosophical nature writing of John Moriarty, followed by a comprehensive list of environmental organizations in Ireland, which seek to preserve the natural beauty of this unique country.    

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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cover of Writing Anthropology: Essays on Craft and Commitment

Writing Anthropology

Essays on Craft and Commitment

Carole McGranahan, editor

Duke University Press, 2020

In Writing Anthropology, fifty-two anthropologists reflect on scholarly writing as both craft and commitment. These short essays cover a wide range of territory, from ethnography, genre, and the politics of writing to affect, storytelling, authorship, and scholarly responsibility. Anthropological writing is more than just communicating findings: anthropologists write to tell stories that matter, to be accountable to the communities in which they do their research, and to share new insights about the world in ways that might change it for the better. The contributors offer insights into the beauty and the function of language and the joys and pains of writing while giving encouragement to stay at it—to keep writing as the most important way to not only improve one’s writing but to also honor the stories and lessons learned through research. Throughout, they share new thoughts, prompts, and agitations for writing that will stimulate conversations that cut across the humanities.

Contributors. Whitney Battle-Baptiste, Jane Eva Baxter, Ruth Behar, Adia Benton, Lauren Berlant, Robin M. Bernstein, Sarah Besky, Catherine Besteman, Yarimar Bonilla, Kevin Carrico, C. Anne Claus, Sienna R. Craig, Zoë Crossland, Lara Deeb, K. Drybread, Jessica Marie Falcone, Kim Fortun, Kristen R. Ghodsee, Daniel M. Goldstein, Donna M. Goldstein, Sara L. Gonzalez, Ghassan Hage, Carla Jones, Ieva Jusionyte, Alan Kaiser, Barak Kalir, Michael Lambek, Carole McGranahan, Stuart McLean, Lisa Sang Mi Min, Mary Murrell, Kirin Narayan, Chelsi West Ohueri, Anand Pandian, Uzma Z. Rizvi, Noel B. Salazar, Bhrigupati Singh, Matt Sponheimer, Kathleen Stewart, Ann Laura Stoler, Paul Stoller, Nomi Stone, Paul Tapsell, Katerina Teaiwa, Marnie Jane Thomson, Gina Athena Ulysse, Roxanne Varzi, Sita Venkateswar, Maria D. Vesperi, Sasha Su-Ling Welland, Bianca C. Williams, Jessica Winegar
 
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cover of Writing Europe: What is European about the Literatures of Europe? Essays from 33 European Countries

Writing Europe

What is European about the Literatures of Europe? Essays from 33 European Countries

Ursula Keller

Central European University Press, 2004

What do we mean by Europe? Thirty-three renowned authors from 33 European countries attempt an answer-in serious, ironic, skeptical, or optimistic tones. Their essays, written for the symposium held at the Literaturhaus Hamburg in 2003, reflect the astonishing diversity of European cultures. Not only are the style and experience of the individual authors remarkable for their distinctiveness, but their perspectives and views also appear to have little in common-at first glance.

The editors have created a unique literary project, a milestone in the vitally necessary cultural discourse about Europe.

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cover of Writing From The Heart: Young People Share Their Wisdom

Writing From The Heart

Young People Share Their Wisdom

Peggy Veljkovic

Templeton Press, 2000

Writing from the Heart offers us a unique window into what young people have learned about life. This collection of essays captures the values that matter most to teens—values such as love, perseverance, family, and helping others—in their own words. As the young writers reflect on their own experience, readers of all ages will be inspired by their wisdom and hope.

From Chattanooga to China, these essays are all extraordinary. They not only celebrate the accomplishments of the young writers, but also offer an opportunity to peer into the hearts and minds of young people around the world. Readers may be amazed at some of the hardships that these teens have faced, but will have a deep sense of optimism for our future. In addition, they inspire us to make the most of our lives as well.

 

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cover of Writing Ground Zero: Japanese Literature and the Atomic Bomb

Writing Ground Zero

Japanese Literature and the Atomic Bomb

John Whittier Treat

University of Chicago Press, 1994

From Einstein and Truman to Sartre and Derrida, many have declared the atomic bombing of Hiroshima and Nagasaki to be decisive events in human history. None, however, have more acutely understood or perceptively critiqued the consequences of nuclear war than Japanese writers. In this first complete study of the nuclear theme in Japanese intellectual and artistic life, John Whittier Treat shows how much we have to learn from Japanese writers and artists about the substance and meaning of the nuclear age.

Treat recounts the controversial history of Japanese public discourse around Hiroshima and Nagasaki—a discourse alternatively celebrated and censored—from August 6, 1945, to the present day. He includes works from the earliest survivor writers, including Hara Tamiki and Ota Yoko, to such important Japanese intellectuals today as Oe Kenzaburo and Oda Makoto. Treat argues that the insights of Japanese writers into the lessons of modern atrocity share much in common with those of Holocaust writers in Europe and the practitioners of recent poststructuralist nuclear criticism in America. In chapters that take up writers as diverse as Hiroshima poets, Tokyo critics, and Nagasaki women novelists, he explores the implications of these works for critical, literary, and cultural theory.

Treat summarizes the Japanese contribution to such ongoing international debates as the crisis of modern ethics, the relationship of experience to memory, and the possibility of writing history. This Japanese perspective, Treat shows, both confirms and amends many of the assertions made in the West on the shift that the death camps and nuclear weapons have jointly signaled for the modern world and for the future.

Writing Ground Zero will be read not only by students of Japan, but by all readers concerned with the fate of culture after the fact of nuclear war in our time.
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cover of Writing Nature: Henry Thoreau's Journal

Writing Nature

Henry Thoreau's Journal

Sharon Cameron

University of Chicago Press, 1989

At his death, Henry Thoreau left the majority of his writing unpublished. The bulk of this material is a journal that he kept for twenty-four years. Sharon Cameron's major claim is that this private work (the Journal) was Thoreau's primary work, taking precedence over the books that he published in his lifetime. Her controversial thesis views Thoreau's Journal as a composition that confounds the distinction between public and private—the basis on which our conventional treatment of discourse depends.
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cover of Writing Western History: Essays on Major Western Historians

Writing Western History

Essays on Major Western Historians

Richard W. Etulain

University of Nevada Press, 2002

Historians of the American West are indebted to the pioneering scholars of the late nineteenth and early twentieth centuries such as Frederick Jackson Turner, Walter Prescott Webb, and Herbert Eugene Bolton. Etulain gathers essays by contemporary historians on ten of these early writers to survey of the evolution of a scholarly field.
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cover of Writing in America

Writing in America

Fischer, John

Rutgers University Press, 2018

In the fall of 1959, Harper’s Magazine published a special supplement on the state of writing and the American literary scene. The supplement was greeted with a broadside of commendation and a fusillade of cavil, and has since become recognized as the most useful brief survey of the contemporary state of the American writing arts and of their fellow travelers, the spoken word, the typescript word, the filmed and televised word, and the publishing memorandum. 

In this newly reissued volume in the Rutgers University Press Classics Imprint, Writing in America proves to be as stimulating as it was in 1960. Here, writers including Robert Brustein, Stanley Kunitz, and C.P. Snow examine the state of writing in American novels, films, and television candidly and critically. The result is a collection of essays that showcase a first-rate and highly entertaining piece of reporting on the American literary scene that resonate in 2017.   
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cover of Writing in Disguise: Academic Life in Subordination

Writing in Disguise

Academic Life in Subordination

Terry Caesar

Ohio University Press, 1998

Writing in Disguise is a series of increasingly personal essays that both discuss and dramatize through firsthand experience the significance of subordination in academic life, in terms of issues and structures but above all in terms of texts. Some are written: memos, rejection letters, even resignation letters. Some are not: anecdotes, protests, jokes, parodies.

All of these texts have in common the imperative of disguise, represented as the most crucial consequence of dominant discourse, within which subordination might speak only by knowing its place, and write only by producing hidden transcripts.

Caustic, pointed, satiric, Writing in Disguise is an engaging critique of aspects of academia involving the misuse, misappropriation, and misappreciation of verbal communication in its many guises.
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cover of Writing in Space, 1973–2019

Writing in Space, 1973–2019

Lorraine O'Grady

Duke University Press, 2020

Writing in Space, 1973-2019 gathers the writings of conceptual artist Lorraine O'Grady, who for over forty years has investigated the complicated relationship between text and image. A firsthand account of O'Grady's wide-ranging practice, this volume contains statements, scripts, and previously unpublished notes charting the development of her performance work and conceptual photography; her art and music criticism that appeared in the Village Voice and Artforum; critical and theoretical essays on art and culture, including her classic "Olympia's Maid"; and interviews in which O'Grady maps, expands, and complicates the intellectual terrain of her work. She examines issues ranging from black female subjectivity to diaspora and race and representation in contemporary art, exploring both their personal and their institutional implications. O'Grady's writings—introduced in this collection by critic and curator Aruna D'Souza—offer a unique window into her artistic and intellectual evolution while consistently plumbing the political possibilities of art.
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cover of Writing in the Workplace: New Research Perspectives

Writing in the Workplace

New Research Perspectives

Edited by Rachel Spilka

Southern Illinois University Press, 1998

Rachel Spilka brings together nineteen previously unpublished essays concerned with ways in which recent research on workplace writing can contribute to the future direction of the discipline of technical and professional writing. Hers is the first anthology on the social perspective in professional writing to feature focused discussions of research advances and future research directions.

The workplace as defined by this volume is a widely diverse area that encompasses small companies and large corporations, public agencies and private firms, and a varied population of writers—engineers, managers, nurses, social workers, government employees, and others. Because much research has been conducted on the relationship between workplace writing and social contexts since the ground~breaking 1985 publication of Odell and Goswami’s Writing in Nonacademic Settings, Spilka contends that this is an appropriate time for the professional writing community to consider what it has learned to date and where it should be heading next in light of these recent discoveries. She argues that now professional writers should try to ask better questions and to define new directions.

Spilka breaks the anthology into two parts. Part 1 is a collection of ten essays presenting textual and qualitative studies conducted by the authors in the late l980s on workplace writing. Spilka has chosen these studies as representative of the finest research being conducted in professional writing that can serve as models for current and future researchers in the field. Barbara Couture, Jone Rymer, and Barbara Mirel report on surveys they conducted relying on the social perspective both to design survey instruments and to analyze survey data. Jamie MacKinnon assesses a qualitative study describing what workplace professionals might need to learn about social contexts and workplace writing. Susan Kleimann and editor Rachel Spilka discuss multiple case studies they conducted that help explain the value during the composing process of social interaction among the participants of a rhetorical situation. Judy Z. Segal explores the negotiation between the character of Western medicine and the nature of its professional discourse. Jennie Dautermann describes a qualitative study in which a group of nurses "claimed the authority to restructure their own procedural information system." Anthony Paré finds in a case study of social workers that writing can be constrained heavily by socially imposed limitations and restrictions. Graham Smart describes a study of discourse conventions in a financial institution. Geoffrey A. Cross reports on a case study of the interrelation of genre, context, and process in the group production of an executive letter and report.

Part 2 includes nine essays that assess the implications of recent research on workplace writing on theory, pedagogy and practice, and future research directions. Mary Beth Debs considers research implications for the notion of authorship. Jack Selzer explores the idea of intertextuality. Leslie A. Olson reviews the literature central to the concept of a discourse community. James A. Reither suggests that writing-as-collaboration in the classroom focuses "more on the production of texts to be evaluated than on ways in which texts arise out of other texts." Rachel Spilka continues Reither’s discussion of how writing pedagogy in academia might be revised with regard to the social perspective. Patricia Sullivan and James E. Porter respond to the debate about the authority of theory versus that of practice on researchers’ notions of methodology. Mary Beth Debs considers which methods used in fields related to writing hold promise for research in workplace writing. Stephen Doheny-Farina discusses how some writing researchers are questioning the underlying assumptions of traditional ethnography. Finally, Tyler Bouldin and Lee Odell suggest future directions for the research of workplace writing.
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cover of Writing the Poetic Soul of Philosophy: Essays in Honor of Michael Davis

Writing the Poetic Soul of Philosophy

Essays in Honor of Michael Davis

Denise Schaeffer

St. Augustine's Press, 2017

What is it about the nature of “soul” that makes it so difficult to adequately capture its complexity in a strictly discursive account? Why do some of the most profound human experiences elude our attempts to theorize them? How can a written document do justice to the dynamic activity of thinking, as opposed to merely presenting a collection of thoughts-as-artifacts? Finally, what can we learn about the activity of philosophizing, and about the human soul, by reflecting on the possibilities and limitations of writing?

These concerns, in various forms and in different registers, have preoccupied Michael Davis throughout his distinguished career. This volume is in honor of, and in dialogue with, Davis’s work, which spans ancient philosophy and literature, continental philosophy and political philosophy. It includes original essays by numerous distinguished scholars in the fields of philosophy and political science. The remarkable range and caliber of the contributions attest to the breadth and depth of Davis’s influence.

The essays in Part I of the volume explore the nature of soul through the lens of tragedy. Part II consists of three essays that explore the human longing for perfect knowledge and completion—and the obstacles to the fulfilment of that longing—in relation to the divine. In Part III, the essays address the distinctive challenges of the political sphere and philosophy’s relation to it. And while the relationship between philosophy and poetry is an implicit theme throughout the volume, the essays in Part IV focus directly on philosophy’s aestheticizing tendencies. Many different philosophical and literary works are discussed throughout these chapters, including ancient works such as Plato’s Republic, Euthydemus and Laws, Homer’s Iliad, and Euripides’ Trojan Women, as well as works by modern philosophers such as Rousseau, Kant, Hegel, Kierkegaard and Nietzsche. In addition, three essays analyze some of Shakespeare’s plays in relation to the thought of Plato and Machiavelli. All of the essays are thematically linked by a common thread as they attend to the poetic dimension of philosophical thinking.

Michael Davis is Professor of Philosophy at Sarah Lawrence College, where he has taught since 1977 and has been the Sarah Yates Exley Chair in Teaching Excellence (2003-2005). He has also taught on the graduate faculty at Fordham University and the New School for Social Research. He is the author of numerous articles and books, which include: Ancient Tragedy and the Origins of Modern Science; The Poetry of Philosophy: On Aristotle’s Poetics; The Politics of Philosophy: A Commentary on Aristotle’s Politics; The Autobiography of Philosophy; Rousseau’s The Reveries of the Solitary Walker; Wonderlust: Ruminations on Liberal Education; and The Soul of the Greeks: An Inquiry. He is also co-translator (with Seth Benardete) of Aristotle’s On Poetics.

Contributors include: Abraham Anderson, Jonathan Badger, Robert Berman, Ronna Burger, Kenneth DeLuca, Gwenda-lin Grewal, Scott Hemmenway, Paul Kirkland, Mary Nichols, Denise Schaeffer, Paul Stern, Richard Velkley, Lisa Pace Vetter, Ann Ward, Lee Ward, Catherine Zuckert and Michael Zuckert.

About the Editor: Denise Schaeffer is Professor of Political Science at the College of the Holy Cross. She is the author of Rousseau on Education, Freedom and Judgment and contributing co-editor (with Christopher Dustin) of Socratic Philosophy and Its Others. She is co-editor (with Gregory McBrayer and Mary P. Nichols) of the Focus Philosophical Library edition of Plato’s Euthydemus, for which she authored the Introduction and co-authored the Interpretive Essay.

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cover of Writings of Warner Mifflin: Forgotten Quaker Abolitionist of the Revolutionary Era

Writings of Warner Mifflin

Forgotten Quaker Abolitionist of the Revolutionary Era

Gary B. Nash

University of Delaware Press, 2021

In The Writings of Warner Mifflin, Gary Nash and Michael McDowell present the correspondence, petitions, and memorials to state and federal legislative bodies, semi-autobiographical essays, and other materials of the key figure in the U.S. abolitionist movement between the end of the American Revolution and the Jefferson presidency. Virtually unknown to Americans, Mifflin has been brought to life in Nash’s recent biography, Warner Mifflin: Unflinching Quaker Abolitionist (2017). This volume provides an array of insights into the mind of this conscience-bound pacifist Quaker who became instrumental in making Kent County, Delaware, a bastion of free blacks liberated from slavery and a seedbed of a reparationist doctrine that insisted that enslavers owed “restitution” to manumitted Africans and their descendants. Mifflin's writings also show how he became the most skilled lobbyist of the antislavery campaigners who haunted the legislative chambers of North Carolina, Virginia, Maryland, Delaware, and Pennsylvania as well as the halls of the Continental Congress and the First and Second Federal Congresses. An opening introduction and introductions to each of the five chronologically arranged parts of the book provide context for the documents and a narrative of the life of this remarkable American.
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cover of Written in the Sky: Lessons of a Southern Daughter

Written in the Sky

Lessons of a Southern Daughter

Patricia Foster

University of Alabama Press, 2023

"A powerful, often heart-wrenching collection of essays tackling the history of the American South."  —Kirkus Reviews
 
In Written in the Sky: Lessons of a Southern Daughter, Patricia Foster presents a double portrait of place and family, a book of deeply personal essays that interrogate the legacy of racial tensions in the South, the constriction of caste and gender, and the ways race, class, and white privilege are entwined in her family story. After interviewing girls at Booker T. Washington High School in Tuskegee, Alabama, visiting the National Memorial for Peace and Justice in Montgomery, Alabama, and exploring Africatown in Plateau, Alabama, Patricia Foster was moved to reflect on the racial scars and crossroads in her southern past as well as to reckon with the intimate places of her own wounding and grief.

The story of place, she discovers, emerges not only from family histories and cultural traditions but also from wrestling with a culture’s irreconcilable ideas: the hard push to determine what matters. What matters to her are the shadow stories beneath our mythologies, the complicated and radiant narratives that must be excavated and reckoned with, stories that have no neat or binary resolution, stories full of luminous moments and riveting facts, and stories where the secrets hide. Written in the Sky presents the best of nonfiction storytelling: searingly honest portraits, dramatic encounters, and lyrical narratives that will interest teachers and students as well as social justice advocates, policymakers, and readers compelled by stories of awakening and the white-hot beauty of language.
 
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cover of Wyeth People

Wyeth People

Gene Logsdon

Ohio University Press, 2003

In the 1960s, just beginning his career as a writer, Gene Logsdon read a magazine article about Andrew Wyeth in which the artist commented at length on his own creative impulse. What he said seemed so true and right and so directly applicable to writing as well as to painting that the young writer was transfixed. He was resolved to talk to Andrew Wyeth, even though warned that the artist could be as elusive as a wild rabbit. Not quite by accident, the writer and the painter met in a roadside diner, and what happened from then on is what Wyeth People is about—an effort to explain a famous artist, his work, and the people who love it, by an intrigued outsider. Wyeth People is the result of Gene Logsdon’s search to find the colorful people Wyeth painted and to interview them. Originally published in 1969, Wyeth People describes how the author solved the mystery of the creative impulse, at least to his own satisfaction. As Logsdon writes: “The story of my search for why I (and millions of other people) find Wyeth’s art among the greatest that human culture has produced, is ongoing. I may never fully end my quest. But this I know. I was lucky enough to have participated in some small way in the cultural process by which an artist and his work became a classic part of American tradition. "That I was able to talk to people like Karl Kuerner and Forrest Wall produced in me the same kind of knowledge and exhilaration that I would gain if I were viewing Michelangelo’s David and David came alive and spoke to me.”
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