862 books match the query 'Social History' and 59 start with w

cover of Women’s Labour Activism in Eastern Europe and Beyond: A New Transnational history

Women’s Labour Activism in Eastern Europe and Beyond

A New Transnational history

Selin Çagatay, et al.

University College London, 2025

An inclusive history of women’s activism to improve working conditions in Eastern Europe, Turkey, and beyond. 

So often, theories of activism and social change neglect acts of resistance in informal, community, and domestic contexts. This collaborative investigation from a transnational team of scholars addresses two related shortcomings: the lack of class analysis in gender history and the neglect of gender dynamics in labor history. Women’s Labour Activism in Eastern Europe and Beyond highlights understudied topics in both of these fields, such as radical, grassroots, and interclass women’s labor activism on behalf of lower-income and working-class women and communities; women’s participation in trade unions on both sides of the Iron Curtain; and the heretofore neglected presence of Eastern European women in international organizations, including the cooperative movement. 
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cover of Work Sights: The Visual Culture of Industry in Nineteenth-Century America

Work Sights

The Visual Culture of Industry in Nineteenth-Century America

Vanessa Meikle Schulman

University of Massachusetts Press, 2015

In this extensively illustrated work, Vanessa Meikle Schulman reveals how visual representations of labor, technology, and industry were crucial in shaping the way nineteenth-century Americans understood their nation and its place in the world. Her focus is the period between 1857 and 1887, an era marked by the rapid expansion of rail and telegraph networks, the rise of powerful, centralized corporations, and the creation of specialized facilities for the mechanized production and distribution of products. Through the examination of popular as well as fine art—news illustrations and paintings of American machines, workers, factories, and technical innovations—she illuminates an evolving tension between the perception of technology and industry as rational, logical, and systemic on the one hand and as essentially unknowable, strange, or irrational on the other.

Ranging across the fields of art history, visual studies, the history of technology, and American studies, Work Sights captures both the richness of nineteenth-century American visual culture and the extent to which Americans had begun to perceive their country as a modern nation connected by a web of interlocking technological systems.
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cover of Work, Sex, and Power: The Forces that Shaped Our History

Work, Sex, and Power

The Forces that Shaped Our History

Willie Thompson

Pluto Press, 2015

This is the history of the world, from the origins of the Cosmos to the present day, seen through three major narratives: work, sex and power - the forces that have done more than any other to shape the world as we see it now.

It expertly explores the foundations of our developing society by showing how these grand themes have recurred throughout the various phases of global history. From communities of Palaeolithic hunter-gatherers, through feudalism and onto the capitalistic machine-civilisation of recent centuries, Willie Thompson takes us on a journey that is fundamentally opposed to mainstream histories which concentrate on monarchs, politicians and military commanders.

At the centre of this book lies the interaction between humans and their environment. By exploring history in this way, it reveals a simple yet powerful materialist understanding of how we got to where we are today, and opens a door to a different reading of our world.
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cover of Workers of the World, Enjoy!: Aesthetic Politics from Revolutionary Syndicalism to the Global Justice Movement

Workers of the World, Enjoy!

Aesthetic Politics from Revolutionary Syndicalism to the Global Justice Movement

Kenneth H. Tucker, Jr.

Temple University Press, 2012

The aesthetic politics of social movements turn public life into a public stage, where mutual displays of performance often trump rational debate, and urban streets become sites of festivals and carnival. In his penetrating new book, Workers of the World, Enjoy!, Kenneth Tucker provides a new model for understanding social change in our image-saturated and aesthetically charged world. As emotional and artistic images inform our perceptions and evaluation of politics, art and performance often provide new and creative ways of understanding self and society.

Spanning the nineteenth, twentieth, and twenty-first centuries, Workers of the World, Enjoy! uses examples from major social movements that have dramatically changed the dominant capitalist society—often in the name of labor. Tucker investigates how class and culture develop as he raises questions about what it means for public life and social movements when politics and drama come together.

Tucker catalogues how aesthetic politics influences social movements—from French Revolutionary syndicalism and fascism to the selling of the President and the street theater of the contemporary global justice movement. He also discusses the work of political theorists including Jurgen Habermas, Jeffrey Alexander, and Nancy Fraser to critique the ways public sphere has been studied.

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cover of Working the Mississippi: Two Centuries of Life on the River

Working the Mississippi

Two Centuries of Life on the River

Bonnie Stepenoff

University of Missouri Press, 2015

The Mississippi River occupies a sacred place in American culture and mythology. Often called The Father of Rivers, it winds through American life in equal measure as a symbol and as a topographic feature. To the people who know it best, the river is life and a livelihood. River boatmen working the wide Mississippi are never far from land. Even in the dark, they can smell plants and animals and hear people on the banks and wharves.

Bonnie Stepenoff takes readers on a cruise through history, showing how workers from St. Louis to Memphis changed the river and were in turn changed by it. Each chapter of this fast-moving narrative focuses on representative workers: captains and pilots, gamblers and musicians, cooks and craftsmen. Readers will find workers who are themselves part of the country’s mythology from Mark Twain and anti-slavery crusader William Wells Brown to musicians Fate Marable and Louis Armstrong.

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cover of World War Zoos: Humans and Other Animals in the Deadliest Conflict of the Modern Age

World War Zoos

Humans and Other Animals in the Deadliest Conflict of the Modern Age

John M. Kinder

University of Chicago Press, 2025

A new and heartbreaking history of World War II as told through the shocking experiences of zoos across the globe.
 
As Europe lurched into war in 1939, zookeepers started killing their animals. On September 1, as German forces invaded Poland, Warsaw began with its reptiles. Two days later, workers at the London Zoo launched a similar spree, dispatching six alligators, seven iguanas, sixteen southern anacondas, six Indian fruit bats, a fishing cat, a binturong, a Siberian tiger, five magpies, an Alexandrine parakeet, two bullfrogs, three lion cubs, a cheetah, four wolves, and a manatee over the next few months. Zoos worldwide did the same. The reasons were many, but the pattern was clear: The war that was about to kill so many people started by killing so many animals. Why? And how did zoos, nevertheless, not just survive the war but play a key role in how people did, too?

A harrowing yet surprisingly uplifting chronicle, Kinder’s World War Zoos traces how zoos survived the deadliest decades of global history, from the Great Depression, through the terrors of World War II, to the dawn of the Cold War. More than anything before or since, World War II represented an existential threat to the world’s zoological institutions. Some zoos were bombed; others bore the indignities of foreign occupation. Even zoos that were spared had to wrestle with questions rarely asked in public: What should they do when supplies ran low? Which animals should be killed to protect the lives of others? And how could zoos justify keeping dangerous animals that might escape and run wild during an aerial attack?

Zoos in wartime reveal the shared vulnerabilities of humans and animals during periods of social unrest and environmental peril. World War II–era zoos offered people ways to think about and grapple with imprisonment, powerlessness, and degradation. Viewed today, the story of zoos during World War II can be read as an allegory of twenty-first-century crises, as the effects of climate change threaten all life across the planet.

A one-of-a-kind history, World War Zoos is the story of how the world’s zoos survived the deadliest conflict of the twentieth century—and what was lost along the way.
 
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cover of World-Systems Analysis: An Introduction

World-Systems Analysis

An Introduction

Immanuel Wallerstein

Duke University Press, 2004

In World-Systems Analysis, Immanuel Wallerstein provides a concise and accessible introduction to the comprehensive approach that he pioneered thirty years ago to understanding the history and development of the modern world. Since Wallerstein first developed world-systems analysis, it has become a widely utilized methodology within the historical social sciences and a common point of reference in discussions of globalization. Now, for the first time in one volume, Wallerstein offers a succinct summary of world-systems analysis and a clear outline of the modern world-system, describing the structures of knowledge upon which it is based, its mechanisms, and its future.

Wallerstein explains the defining characteristics of world-systems analysis: its emphasis on world-systems rather than nation-states, on the need to consider historical processes as they unfold over long periods of time, and on combining within a single analytical framework bodies of knowledge usually viewed as distinct from one another—such as history, political science, economics, and sociology. He describes the world-system as a social reality comprised of interconnected nations, firms, households, classes, and identity groups of all kinds. He identifies and highlights the significance of the key moments in the evolution of the modern world-system: the development of a capitalist world-economy in the sixteenth-century, the beginning of two centuries of liberal centrism in the French Revolution of 1789, and the undermining of that centrism in the global revolts of 1968. Intended for general readers, students, and experienced practitioners alike, this book presents a complete overview of world-systems analysis by its original architect.

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cover of Writing with Fire: The Cowboy Suit Tragedy and the Course of a Life

Writing with Fire

The Cowboy Suit Tragedy and the Course of a Life

Barbara Young Welke

University of Chicago Press, 2026

A cultural and legal history intertwined with a deeply emotional meditation on the course of life, memory, and the documents that define us.

During the 1940s and 1950s, an untold number of American children suffered devastating injuries when the fur-like fabric on the chaps of their Gene Autry–branded cowboy playsuits exploded into flame. Barbara Young Welke was researching this history when her teenage daughter unexpectedly died.

The shock of Welke’s loss transformed her understanding of the children and their families. Her experience also led her to question the norms of scholarship and of writing. Historians are trained to separate the personal from the intellectual, to be suspicious of emotion. These and other norms are embedded in and reinforced by the calling card of academics, the curriculum vitae. Welke wondered how that cold document—with its literal meaning, “the course of life”—had become a form that excludes so much of what gives life meaning. What impact did that have on what we know, how we know it, and how we understand ourselves? Similarly, Welke wondered, what might we see if we looked at the history of the cowboy suit tragedy as more than a matter of lawsuits brought by grieving families? Here, Welke traces the making, marketing, and selling of the cowboy suits; the lengths the defendants went to avoid and limit liability; and the meaning of the injuries, deaths, and legal settlements in the course of these children’s and families’ lives.

Writing with Fire interweaves the histories of the cowboy suit tragedy and the curriculum vitae. Grounded in archival and legal research, oral histories, and letters Welke wrote her daughter following her death, Welke offers an inimitable examination of trauma, law, autobiography, and identity. The result is revelatory and unforgettable: a provocative historical reflection on life and death, depression and war, markets and families, law, power, and precarity in modern America.

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cover of Written in Stone: Public Monuments in Changing Societies

Written in Stone

Public Monuments in Changing Societies

Sanford Levinson

Duke University Press, 1998

Twentieth Anniversary Edition with a new preface and afterword

From the removal of Confederate monuments in New Orleans in the spring of 2017 to the violent aftermath of the white nationalist march on the Robert E. Lee monument in Charlottesville later that summer, debates and conflicts over the memorialization of Confederate “heroes” have stormed to the forefront of popular American political and cultural discourse. In Written in Stone Sanford Levinson considers the tangled responses to controversial monuments and commemorations while examining how those with political power configure public spaces in ways that shape public memory and politics. Paying particular attention to the American South, though drawing examples as well from elsewhere in the United States and throughout the world, Levinson shows how the social and legal arguments regarding the display, construction, modification, and destruction of public monuments mark the seemingly endless confrontation over the symbolism attached to public space.

This twentieth anniversary edition of Written in Stone includes a new preface and an extensive afterword that takes account of recent events in cities, schools and universities, and public spaces throughout the United States and elsewhere. Twenty years on, Levinson's work is more timely and relevant than ever.
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