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Examines how religious belief reshaped concepts of gender during the New South period that took place from 1877 to 1915 in ways that continue to manifest today

Modernity remade much of the world in the late nineteenth and early twentieth centuries and was nowhere more transformational than in the American South. In the wake of the Civil War, the region not only formed new legal, financial, and social structures, but citizens of the South also faced disorienting uncertainty about personal identity and even gender itself. Ye That Are Men Now Serve Him traces the changes in southern gender roles during the New South period of 1877–1915 and demonstrates that religion is the key to perceiving how constructions of gender changed.

The Civil War cleaved southerners from the culture they had developed organically during antebellum decades, raising questions that went to the very heart of selfhood: What does it mean to be a man? How does a good woman behave? Unmoored from traditional anchors of gender, family, and race, southerners sought guidance from familiar sources: scripture and their churches. In Ye That Are Men Now Serve Him, Colin Chapell traces how concepts of gender evolved within the majority Baptist and Methodist denominations as compared to the more fluid and innovative Holiness movement.

Grounded in expansive research into the archives of the Southern Baptist Convention; Methodist Episcopal Church, South; and the Holiness movement, Chapell’s writing is also enlivened by a rich trove of primary sources: diaries, sermons, personal correspondence, published works, and unpublished memoirs. Chapell artfully contrasts the majority Baptist and Methodist view of gender with the relatively radical approaches of the emerging Holiness movement, thereby bringing into focus how subtle differences in belief gave rise to significantly different ideas of gender roles.

Scholars have explored class, race, and politics as factors that contributed to contemporary southern identity, and Chapell restores theology to its intuitive place at the center of southern identity. Probing and illuminating, Ye That Are Men Now Serve Him offers much of interest to scholars and readers of the South, southern history, and religion.

Retrospectives of the 1960s routinely include the face of youth rebellion: long-haired students occupying campus buildings, young men burning draft cards, hippies dancing at Woodstock. In Younger Than That Now, Holly V. Scott explores how the idea of “youth” served as a tactic in the political and social activism of these years. In the early part of that decade, young white activists began to learn from the civil rights movement's defiance of racism. They examined their own lives and concluded that campus rules and the draft were repression as well. As a group, they were ripe for revolution, and their age gave them a unique perspective for understanding and protesting against injustice. In short, young people began to use their youth as a political strategy.

Some in the New Left were dubious of this strategy and asked how it might damage long-term progress. Young feminists and people of color were particularly quick to question the idea that age alone was enough to sustain a movement. And the media often presented young people as impulsive and naive, undermining their political legitimacy. In tracing how “youth” took on multiple meanings as the 1960s progressed, Scott demonstrates the power of this idea to both promote and hinder social change.

“Memory’s barriers are without barriers,” writes Manash Firaq Bhattacharjee in the opening of his touching and thoughtful memoir, Your Own Will Leave You. Bhattacharjee eloquently reflects on family, care, and memory as he chronicles his experiences with his elderly mother who suffers from dementia. Working from his journal, Bhattacharjee ruminates on the ways we understand dementia and memory as well as end-of-life issues. He is not only a loving son, but also an Indian with a universal sensibility who turns to ancient and contemporary thinkers that inform his perspective.

Bhattacharjee focuses on the last months of his mother’s life and her changing demeanor—her stubbornness, humor, and vulnerability. He traces her interactions with family members, neighbors, and caregivers, while also addressing burden-of-care issues. Recounting his moments of grief and guilt with candor, Bhattacharjee also re-evaluates how Western culture prejudices popular perceptions of mental illness.

Lyrical, penetrating, occasionally aphoristic, and full of insights, Your Own Will Leave You is a heartfelt, and at times heartbreaking, memoir and a warm elegy for the author’s late mother. 

Youth in the Movements documents the history of the rise of American high school and youth activism in the United States since the Second World War. Spaces within high schools and the adults at them provided support or inspiration – both negative and positive – for youth engaged in protest, organizing, and activism. Through rich research of archival sources and oral histories, contributors reveal new perspectives on American high school and youth activism. Viewed through the eyes of high school-aged youth around the United States – in familiar locations such as Boston, New York City, and Detroit, as well as less familiar locales in the historiography, such as Salt Lake City and the Navajo Reservation – we extend our understanding of high school and how it has been experienced by youth activists in the post-World War II period. 

Historian and novelist Song WooHye chronicles the life of Yun Dong-ju (1917-1945), one of the most beloved and important poets in the modern Korean literary canon, widely considered Korea's "National Poet". Beginning with the history of the North Gando region (now Yanbian, China), where Yun was born, and ending with facts behind the publication of his only and posthumous poetry collection, Sky, Wind, Star, and Poem, this critical biography elucidates who Yun Dong-ju really was, with factual descriptions of the bleak and turbulent period of Japan’s colonization of Korea.
 
While first working on the book in the 1980s, Song had interviewed the poet’s surviving relatives and friends, most of whom have since passed away. Without her interviews, these important first-hand accounts would have been lost. Song had an added advantage of an “insider,” as she is a niece of Song Mong-gyu, who was the poet’s first cousin and inseparable friend for life. Incorporating newly discovered materials and using interviews with the beloved poet's family and friends, this biography is the most comprehensive, definitive biography of Yun Dong-ju to date, now available in English for the first time.
 

This book is published with the support of the Literature Translation Institute of Korea (LTI Korea).