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The famous "Stage Yankees," with their eccentric New England dialect comedy, entertained audiences from Boston to New Orleans, from New York to London in the years between 1825 and 1850. They provided the creative energy for the development of an American-type character in early plays of native authorship. This book examines the full range of their theatre activity, not only as actors, but also as playmakers, and re-evaluates their contribution to the growth of the American stage.

Yankee theatre was not an oddity, a passing fad, or an accident of entertainment; it was an honest exploitation of the materials of American life for an audience in search of its own identification. The delineation of the American character—a full-length realistic portrait in the context of stage comedy—was its projected goal; and though not the only method for such delineation, the theatre form was the most popular and extensive way of disseminating the American image.

The Yankee actors openly borrowed from what literary sources were available to them, but because of their special position as actors, who were required to give flesh-and-blood imitations of people for the believable acceptance of others viewing the same people about them, they were forced to draw extensively on their actors' imaginations and to present the American as they saw him. If the image was too often an external one, it still revealed the Yankee as a hardy individual whose independence was a primary assumption; as a bargainer, whose techniques were more clever than England's sharpest penny-pincher; as a country person, more intelligent, sharper and keener in dealings than the city-bred type; as an American freewheeler who always landed on top, not out of naive honesty but out of a simple perception of other human beings and their gullibility.

Much new evidence in this study is based on London productions, where the view of English audiences and critics was sharply focused on what Americans thought about themselves and the new culture of democracy emerging around them. The shift from America, the borrower, to America, the original doer, can be clearly seen in this stager activity.

Yankee theatre, then, is an epitome of the emerging American after the Second War for Independence. Emerging nationalism meant emerging national definition. Yankee theatre thus led to the first cohesive body of American plays, the first American actors seen in London, and to a new realistic interpretation of the American in the "character" plays of the 1870s and 1880s.

Honorable Mention, Robert K. Merton Book Award, American Sociological Association’s Science, Knowledge, and Technology (SKAT) Section, 2026

Why is there no metric system in the United States? Why is it that a country known for its openness to the future, its scientific innovations, and its preference for practicality has not adopted the most practical, scientific, and innovative system of measurement? Yardstick Nation answers these questions by analyzing the political, economic, and international factors that determined the trajectory of the United States as a nation self-excluded from one of the most successful global technical languages.

Using a historical-comparative approach and qualitative analysis of archival material, the book examines the trajectories of American scientists, engineers, politicians, and industrialists from 1787 to 1982, to detail what they wanted to attain and to explain what was actually possible to achieve given the political and economic conditions in which they lived. Yardstick Nation argues that in order to understand the unbreached distance between the United States and the metric system, we must consider the interaction between three structural elements: historical timing, state infrastructural power, and international economic integration.

Author Hector Vera’s systematic look at when and why countries have adopted the metric system shows that its introduction is never casual. In the countries that voluntarily embraced the metric system, this was the result of either deep internal political transformations or momentous changes in the international economy. When the adoption of the metric system is politically driven, it comes as the result of a social revolution, independence war, national unification, or the draft of a new constitution. When it is propelled by economic factors, metrication is part of the efforts of economically stagnant countries to integrate into international markets.