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Exploring the ecology, culture, and challenge of America’s most controversial wild hogs.

What happens when a conservation-minded forester decides to spend an entire year hunting feral hogs across ten states? You get a book that’s equal parts adventure, ecology, and laugh-out-loud grit. In Year of the Pig, Mark J. Hainds straps on rifles, bows, and even a knife (yes, really) to tackle one of North America’s most destructive invasive species. Along the way, he delivers unforgettable stories from Alabama swamps to Hawaiian volcanoes, mixing adrenaline with insight into why pigs are an ecological nightmare and a hunter’s dream.

In it real-world and armchair hunters will find: 
• Authentic Adventures: Belly-crawling through privet thickets, stalking pigs in palmetto jungles, and chasing razorbacks in the Ozarks. 
• Ecological Wisdom: Learn how hogs impact forests, farms, and fragile ecosystems—and why hunting them matters. 
• Humor & Humanity: From near-misses to triumphs, Hainds’ candid storytelling will keep you grinning (and maybe craving barbecue).

Hunters seeking real-world thrills, conservationists fighting invasive species, outdoor enthusiasts who savor gritty tales, and anyone who enjoys a good laugh with their environmental education. Perfect for reading—or gifting to that friend who thinks “hog hunting” is just a Southern stereotype. Spoiler: It’s not.

When Clinton Giddings Brown (1882–1964) retired from a long and successful career as a trial lawyer in San Antonio, Texas, fishing on the Gulf Coast was out—by doctor’s orders. So he sat on the front gallery of his house in San Antonio and fished with a lead pencil in the richly stocked memories of his professional life. “Some days I didn’t get a nibble, but some mornings they were biting fine.”

The resultant and delightful catch is the story of a full, merry, and successful life. From the day in 1906 when “Mr. Clint” hung out his shingle in a little office over his father’s bank, through the long succession of “fine scraps, rough and tumble, no holds barred,” which were the jury cases he tried for defendant corporations in personal-injury damage suits, there was not much about the law and about human nature that he did not have the opportunity to learn.

The first client in the little office was Charlie Ross, a Pullman porter who wanted to make sure that the title on his new house was clear. The fee was $15, and Charlie was his friend for life. In the pages that follow the reader will meet many other unforgettable characters, including Dr. John Brinkley, the man who made a million dollars a year from his goat-gland operation until Dr. Morris Fishbein called him a “quack”; old Jim Wheat, who killed a white man, and Jim’s little grandson Lige, who knew what God would do to him if he told lies in court; Bosco, who forgot his complete paralysis when the lady lure came into the picture; and pretty little Mary, whom the jury loved.

Brown was elected district attorney for Bexar County, Texas, in 1913 and became mayor of San Antonio the following year; in the latter office he served two terms, resigning to join the Army in the First World War. On his return from France he was invited to work with a law firm that represented many large corporations, among them the Public Service Company, which ran San Antonio’s streetcar and bus lines, and the Southern Pacific Railroad. Soon made a partner, he remained with the firm until his retirement, and through a quarter of a century tried about as many jury cases as any other attorney in the city.

You May Take the Witness is a book for anyone who has ever felt the fascination of courtrooms and trials, and who has not? It is also a book in which lawyers will find an excellent refresher course for both mind and spirit. Here are invaluable tips on all the ins-and-outs of jury trial, not from the flat dimensions of a law-school text but from the full, real world of actual trials and the men and women involved. Brown tells how to handle witnesses and to pick juries, when to object and when not to object. The most important lesson of all, he says, is to value the jury and be an honest person before them. “The jury is decent, so you be decent, and ‘be yourself.’”

It is clear that Clinton Giddings Brown succeeded as a lawyer because he succeeded as a human being, just as it is clear that he knows how to tell story after fine story because he enjoyed living each episode of his life to its fullest.

An insider’s account of gay high society in pre-Stonewall New York City—now back in print!

Young, intelligent, and handsome, Alan Helms left a brutal midwestern childhood for New York City in 1955. Denied a Rhodes scholarship because of his sexual orientation, he soon became an object of desire in a gay underground scene frequented by, among many others, Noel Coward, Leonard Bernstein, and Marlene Dietrich. In this unusually vivid and sensitive account, Helms describes the business of being a sex object and its psychological and physical toll.

“Memory’s barriers are without barriers,” writes Manash Firaq Bhattacharjee in the opening of his touching and thoughtful memoir, Your Own Will Leave You. Bhattacharjee eloquently reflects on family, care, and memory as he chronicles his experiences with his elderly mother who suffers from dementia. Working from his journal, Bhattacharjee ruminates on the ways we understand dementia and memory as well as end-of-life issues. He is not only a loving son, but also an Indian with a universal sensibility who turns to ancient and contemporary thinkers that inform his perspective.

Bhattacharjee focuses on the last months of his mother’s life and her changing demeanor—her stubbornness, humor, and vulnerability. He traces her interactions with family members, neighbors, and caregivers, while also addressing burden-of-care issues. Recounting his moments of grief and guilt with candor, Bhattacharjee also re-evaluates how Western culture prejudices popular perceptions of mental illness.

Lyrical, penetrating, occasionally aphoristic, and full of insights, Your Own Will Leave You is a heartfelt, and at times heartbreaking, memoir and a warm elegy for the author’s late mother. 

Letters from a Confederate soldier to his wife during the Civil War.

Yours Till Death: Civil War Letters of John W. Cotton offers a rare and deeply personal window into the lived experience of the American Civil War through the words of an ordinary Confederate soldier. Composed of letters written by John W. Cotton to his wife in Coosa County, Alabama, this collection preserves an unfiltered, intimate record of wartime life from 1862 to 1865, revealing both the hardships of military service and the enduring ties of family and home.

Cotton, a yeoman farmer who enlisted in the Confederate Army in the spring of 1862, writes with directness and honesty about his daily experiences as he moves through the major campaigns of the war, including service in Tennessee, Kentucky, Georgia, and South Carolina. His correspondence captures not only the movements and conditions of military life—guard duty, illness, shortages, and shifting morale—but also the emotional landscape of a soldier separated from his family. His letters are filled with concern for his wife, children, and farm, illustrating the constant tension between duty to country and responsibility to home. 

More than a military chronicle, Yours Till Death is also a valuable portrait of rural Southern life during wartime. Cotton’s references to crops, weather, labor, and household concerns provide insight into how families on the home front coped with absence, uncertainty, and economic strain. These details illuminate the broader social and agricultural context of the Confederacy, offering readers a richer understanding of how war reshaped everyday life for civilians as well as soldiers. 

The letters, preserved and edited by historian Lucille Griffith, retain the immediacy and authenticity of Cotton’s voice. Written without the benefit of hindsight, they convey the evolving attitudes, anxieties, and hopes of a man living through one of the most turbulent periods in American history. As such, they serve as an important primary source for scholars and students, complementing official histories with the perspective of an individual whose experiences reflect those of countless others who lived and fought during the Civil War.

Yours Till Death will appeal to readers interested in Civil War studies, Southern history, and personal narratives of wartime experience. By bringing together themes of conflict, family, survival, and resilience, this collection transforms historical events into a deeply human story—one that reminds us that the past is best understood not only through battles and politics, but through the voices of those who lived it.
 

Historian and novelist Song WooHye chronicles the life of Yun Dong-ju (1917-1945), one of the most beloved and important poets in the modern Korean literary canon, widely considered Korea's "National Poet". Beginning with the history of the North Gando region (now Yanbian, China), where Yun was born, and ending with facts behind the publication of his only and posthumous poetry collection, Sky, Wind, Star, and Poem, this critical biography elucidates who Yun Dong-ju really was, with factual descriptions of the bleak and turbulent period of Japan’s colonization of Korea.
 
While first working on the book in the 1980s, Song had interviewed the poet’s surviving relatives and friends, most of whom have since passed away. Without her interviews, these important first-hand accounts would have been lost. Song had an added advantage of an “insider,” as she is a niece of Song Mong-gyu, who was the poet’s first cousin and inseparable friend for life. Incorporating newly discovered materials and using interviews with the beloved poet's family and friends, this biography is the most comprehensive, definitive biography of Yun Dong-ju to date, now available in English for the first time.
 

This book is published with the support of the Literature Translation Institute of Korea (LTI Korea).