4030 books match the query 'Language Arts & Disciplines' and 17 start with y

cover of Yale Papyri in the Beinecke Rare Book and Manuscript Library IV

Yale Papyri in the Beinecke Rare Book and Manuscript Library IV

Hélène Cuvigny, Ruth Duttenhöfer, Ann Ellis Hanson, editors

University of Michigan Press, 2021

Yale Papyri in the Beinecke Rare Book and Manuscript Library IV springs from work undertaken at Yale University’s Beinecke Rare Book and Manuscript Library, at its Papyrological Summer Institute in 2003. This fourth volume of Yale papyri presents three groups of texts dating from the second century BCE to the seventh century CE. Editions are presented in chronological order, and include items such as samples of scribal training, mathematical tables and exercises, schoolroom work, letters, tax- receipts, contracts, and petitions. Contributors in addition to the volume editors include Daniel Markovich, Charles W. Hedrick, Jr., Jitse H. F. Dijkstra, Kevin Wilkinson, AnneMarie Luijendijk, Richard L. Phillips, Gary Reger, Shane Berg, Elizabeth Penland, George Bevan, Josiah E. Davis, Mariam Dandamayeva, Andrew T. Crislip, and Jean Gascou.
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cover of Yiddish & English: The Story of Yiddish in America

Yiddish & English

The Story of Yiddish in America

Sol Steinmetz

University of Alabama Press, 2001

This is the only book to seriously treat the intriguing linguistic and cultural phenomenon of the intimate contact between Yiddish and English over the past 120 years.

Yiddish arrived in America as the mother tongue of millions of Jewish immigrants from eastern Europe. Not only did this language without a homeland survive in the great American melting pot, it infiltrated the majority language, English, with a wide variety of new words and expressions and helped to establish a new ethnic language called "Jewish English." New Yorkers, in particular, have adopted a long list of Yiddish words, including the well-known "kosher," "chutzpah," "klutz," "yenta," "nosh," "mavin," "schlep," and "shmo."

Yiddish had first developed from language sharing as Jews of northern France and northern Italy migrated into the German-speaking region of the Rhine Valley in the Middle Ages. Sol Steinmetz traces the development of such words as bonhomme from the Old French meaning "good man" to the Yiddish of bonim, or shul for synagogue derived from the German schuol, meaning "school," which had come originally from the Latin schola, for example. With a rich collection of quotations from literature and the press, Steinmetz documents the unusually high lexical, semantic, and intonational exchanges between Yiddish and English in America. He offers more than 1,200 Yiddish words, expressions, idioms, and phrases that have melted into the English vernacular.

Yiddish and English is important for Judaica collections with its two appendixes-one on the romanization of Yiddish and another of Yiddish-origin words, a Jewish-English glossary, a selected bibliography, and an index. But this slim volume is so entertaining and informative for the general reader that it is recommended for anyone who delights in word derivations and language.

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cover of Yooper Talk: Dialect as Identity in Michigan's Upper Peninsula

Yooper Talk

Dialect as Identity in Michigan's Upper Peninsula

Kathryn A. Remlinger

University of Wisconsin Press, 2019

Yooper Talk is a fresh and significant contribution to understanding regional language and culture in North America. The Upper Peninsula of Michigan—known as "the UP"—is historically, geographically, and culturally distinct. Struggles over land, labor, and language during the last 150 years have shaped the variety of English spoken by resident Yoopers, as well as how they are viewed by outsiders.

Drawing on sixteen years of fieldwork, including interviews with seventy-five lifelong residents of the UP, Kathryn Remlinger examines how the idea of a unique Yooper dialect emerged. Considering UP English in relation to other regional dialects and their speakers, she looks at local identity, literacy practices, media representations, language attitudes, notions of authenticity, economic factors, tourism, and contact with immigrant and Native American languages. The book also explores how a dialect becomes a recognizable and valuable commodity: Yooper talk (or "Yoopanese") is emblazoned on t-shirts, flags, postcards, coffee mugs, and bumper stickers.

Yooper Talk explains linguistic concepts with entertaining examples for general readers and also contributes to interdisciplinary discussions of dialect and identity in sociolinguistics, anthropology, dialectology, and folklore.
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cover of Yosano Akiko and The Tale of Genji

Yosano Akiko and The Tale of Genji

G. G. Rowley

University of Michigan Press, 2000

Yosano Akiko (1878–1942) has long been recognized as one of the most important literary figures of prewar Japan. Her renown derives principally from the passion of her early poetry and from her contributions to 20th-century debates about women. This emphasis obscures a major part of her career, which was devoted to work on the Japanese classics and, in particular, the great Heian period text The Tale of Genji. Akiko herself felt that Genji was the bedrock upon which her entire literary career was built, and her bibliography shows a steadily increasing amount of time devoted to projects related to the tale. This study traces for the first time the full range of Akiko’s involvement with The Tale of Genji.
The Tale of Genji provided Akiko with her conception of herself as a writer and inspired many of her most significant literary projects. She, in turn, refurbished the tale as a modern novel, pioneered some of the most promising avenues of modern academic research on Genji, and, to a great extent, gave the text the prominence it now enjoys as a translated classic. Through Akiko’s work Genji became, in fact as well as in name, an exemplum of that most modern of literary genres, the novel. In delineating this important aspect of Akiko’s life and her bibliography, this study aims to show that facile descriptions of Akiko as a “poetess of passion” or “new woman” will no longer suffice.
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cover of Yosano Akiko and The Tale of Genji

Yosano Akiko and The Tale of Genji

G. G. Rowley

University of Michigan Press, 2000

Yosano Akiko (1878–1942) has long been recognized as one of the most important literary figures of prewar Japan. Her renown derives principally from the passion of her early poetry and from her contributions to 20th-century debates about women. This emphasis obscures a major part of her career, which was devoted to work on the Japanese classics and, in particular, the great Heian period text The Tale of Genji. Akiko herself felt that Genji was the bedrock upon which her entire literary career was built, and her bibliography shows a steadily increasing amount of time devoted to projects related to the tale. This study traces for the first time the full range of Akiko’s involvement with The Tale of Genji.

The Tale of Genji provided Akiko with her conception of herself as a writer and inspired many of her most significant literary projects. She, in turn, refurbished the tale as a modern novel, pioneered some of the most promising avenues of modern academic research on Genji, and, to a great extent, gave the text the prominence it now enjoys as a translated classic. Through Akiko’s work Genji became, in fact as well as in name, an exemplum of that most modern of literary genres, the novel. In delineating this important aspect of Akiko’s life and her bibliography, this study aims to show that facile descriptions of Akiko as a “poetess of passion” or “new woman” will no longer suffice.
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cover of You Must Revise Your Life

You Must Revise Your Life

William Stafford

University of Michigan Press, 1987

Stafford reflects on the writing process and on the influences on his art
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cover of You Were Never in Chicago

You Were Never in Chicago

Neil Steinberg

University of Chicago Press, 2012

In 1952 the New Yorker published a three-part essay by A. J. Liebling in which he dubbed Chicago the "Second City." From garbage collection to the skyline, nothing escaped Liebling's withering gaze. Among the outraged responses from Chicago residents was one that Liebling described as the apotheosis of such criticism: a postcard that read, simply, "You were never in Chicago."

Neil Steinberg has lived in and around Chicago for more than three decades—ever since he left his hometown of Berea, Ohio, to attend Northwestern—yet he remains fascinated by the dynamics captured in Liebling's anecdote. In You Were Never in Chicago Steinberg weaves the story of his own coming-of-age as a young outsider who made his way into the inner circles and upper levels of Chicago journalism with a nuanced portrait of the city that would surprise even lifelong residents.

Steinberg takes readers through Chicago's vanishing industrial past and explores the city from the quaint skybridge between the towers of the Wrigley Building, to the depths of the vast Deep Tunnel system below the streets. He deftly explains the city's complex web of political favoritism and carefully profiles the characters he meets along the way, from greats of jazz and journalism to small-business owners just getting by. Throughout, Steinberg never loses the curiosity and close observation of an outsider, while thoughtfully considering how this perspective has shaped the city, and what it really means to belong. Intimate and layered, You Were Never in Chicago will be a welcome addition to the bookshelves of all Chicagoans, be they born in the city or forever transplanted.

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cover of You're On!: 101 Tips to improve your public speaking skills

You're On!

101 Tips to improve your public speaking skills

Ruth Stotter

Parkhurst Brothers, Inc., 2016

A useful guide for pastors, group leaders, coaches, & storytellers, Ruth Stotter’s little guide will boost your confidence if you are new to public speaking, and it will remind experienced speakers of the basics that insure success in front of large audiences and small.  The author’s experience as a college instructor and as a professional storyteller gives her the unique perspective to coach beginning and seasoned speakers.   Arranged in an “info-bit” format, this is the kind of guide that can be read and re-read during short breaks from other work. This book is a useful guide for pastors, group leaders, coaches, and storytellers.
 
 
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cover of You've Got to Be Carefully Taught: Learning and Relearning Literature

You've Got to Be Carefully Taught

Learning and Relearning Literature

Jerome Klinkowitz. Foreword by Kurt Vonnegut

Southern Illinois University Press, 2001

Drawing on his own experience in the profession, veteran English professor and internationally renowned scholar Jerome Klinkowitz sorts out the wrong ways of teaching literature before devising a new, successful method. Specifically, he concludes that a historically based “story of English” is precisely the wrong narrative approach to making sense of what literature does. Instead, Klinkowitz proposes a new method focused not on the product of literary writing but on the process of writing. Long involved with the making of contemporary literature, Klinkowitz shows how his classroom approach draws on the same strengths and inspirations writers use in the creation of literature. He involves students in the literary work as production.

            

Despite almost universal agreement that literary studies fail both writers and students, solutions have been limited to suggestions by superstar theorists teaching cream-of-the-crop students at elite universities. Klinkowitz aims not at the elite but at the ordinary student in an introduction to literature class. His goal is to introduce teachers to a new philosophy of teaching literature and to further deepen students’ natural love for the subject. He also seeks to revive the love of fine writing in those whose joy in the subject fell victim to obtuse teaching methods. Uniquely, his is not an esoteric theory developed by the best academics for elite students but a commonsense approach that works well in the kind of schools most students attend.
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cover of Young Activists and the Public Library: Facilitating Democracy

Young Activists and the Public Library

Facilitating Democracy

Virginia A. Walter

American Library Association, 2020

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cover of Young Adult Literature, Fourth Edition: From Romance to Realism

Young Adult Literature, Fourth Edition

From Romance to Realism

Michael Cart

American Library Association, 2022

Editorial Advisory Board: Sarah Park Dahlen, Associate Professor, School of Information Sciences, University of Illinois Urbana-Champaign; Marianne Martens, Associate Professor, School of Information, Kent State University; Amy Pattee, Associate Professor and Co-coordinator of Dual-Degree MS LIS/MA Children’s Literature, School of Library and Information Science, Children’s Literature, Simmons University
 

“Comprehensive and substantial … a highly recommended resource," raved VOYA about the third edition. Now, to keep pace with changes in the field of publishing and realign itself to the newest generation of young adults, Cart returns with a sweeping update of his classic text.  Relied upon by educators, LIS instructors and students, and practitioners for its insight and thoroughness, his book

  • surveys the landscape of YA lit both past and present, sketching out its origins and showing how it has evolved to deal with subjects every bit as complex as its audience;
  • closely examines teen demographics, literacy, audiobooks, the future of print, the role of literary criticism, and other key topics;
  • provides updated coverage of perennially popular genre fiction, including horror, sci fi, and dystopian fiction;
  • delves deeply into multicultural and LGBTQIA+ literature, substantially updated in this edition;
  • features expansive interviews with best-selling authors like Eric Shanower, Jackie Woodson, and Bill Konigsberg as well as several publishers and leaders in the field;
  • discusses the impact of the Printz Award, ALAN’s Walden Award, the National Book Award, The Los Angeles Times Book Award, and other honors; and
  • features abundant bibliographic material to aid in readers' advisory and collection development.
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cover of Young Adult Literature: From Romance to Realism

Young Adult Literature

From Romance to Realism

Michael Cart

American Library Association, 2016

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cover of Young Adult Literature: From Romance to Realism

Young Adult Literature

From Romance to Realism

Michael Cart

American Library Association, 2010

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cover of Young Adults Deserve the Best: YALSA's Competencies in Action

Young Adults Deserve the Best

YALSA's Competencies in Action

Sarah Flowers

American Library Association, 2010

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cover of Your Craft as a Teaching Librarian: Using Acting Skills to Create a Dynamic Presence

Your Craft as a Teaching Librarian

Using Acting Skills to Create a Dynamic Presence

Jeff Sundquist

American Library Association, 2022

Library instruction is like acting: There’s a live audience, in person or online; you may be doing a one-shot, limited engagement, or play to the same crowd repeatedly over the course of a term; and you usually expect reviews. Most important, instruction is like acting in that you’re playing a role, and it’s crucial to prepare your performance before you go on in order to shine and connect authentically with students.

Your Craft as a Teaching Librarian: Using Acting Skills to Create a Dynamic Presence —a revised and expanded edition of The Craft of Librarian Instruction—captures how acting techniques can sharpen your instructional skills and establish your teaching identity, enliven your performance, and create an invigorating learning experience for your students. It’s divided into three entertaining sections:
  • Prepare and Rehearse: Centering yourself, physical and vocal preparation, mindfulness, and avoiding stage fright
  • Perform and Connect: Role playing, identity, action/reaction, and information literacy
  • Reflect and Sharpen: Assessment and adaptation 
Chapters feature exercises to explore on your own or with a colleague, question and answer sections to help you identify potential challenges and solutions, and tips on deepening your teaching skills. A glossary of acting terms and a “learn more about it” bibliography provide additional context for the methods and techniques presented. Your Craft as a Teaching Librarian can help you personalize and characterize your teaching presence and help those with little to no teaching experience, instructors dealing with shyness or stage fright, and more experienced librarians in need of a refreshed perspective, adding an undeniable star quality to your instructional performance.
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cover of Your Technology Outreach Adventure: Tools for Human-Centered Problem Solving

Your Technology Outreach Adventure

Tools for Human-Centered Problem Solving

Erin Jones

American Library Association, 2019

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cover of Yuarn Music Dramas: Studies in Prosody and Structure and a Complete Catalogue of Northern Arias in the Dramatic Style

Yuarn Music Dramas

Studies in Prosody and Structure and a Complete Catalogue of Northern Arias in the Dramatic Style

Dale R. Johnson

University of Michigan Press, 1981

Part One of Yuarn Music Dramas presents a detailed analysis of form and structure in Yuarn music drama, with sections on the act, the suite, the aria, the verse, metrics of repeated graph patterns, parallelism, and the matching of suite and mode. [vii]
Part Two presents the first catalogue of arias of its kind to be published in a language other than Chinese. It is a compilation of all of the arias in the northern dramatic style that are found in the 162 titles contained in the Yuarn-chyuu shyuann and the Yuarn-chyuu shyuaan waih-bian. It is modeled on several such catalogues compiled over the past six hundred years. [99]
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