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2026 NECLAS D. Scott Palmer Best Edited Book Prize Honorable Mention

Knowing an Empire: Early Modern Chinese and Spanish Worlds in Dialogue unveils how these two vast empires, separated by thousands of miles, developed comparable systems to gather, order, and wield knowledge about their local worlds in the process of empire-building. From the sixteenth to the eighteenth centuries, officials in both empires compiled large quantities of structured data on the climate, topography, natural products, languages, religions, and more of their locales, creating a vision of their empires as diverse yet unified. Through a new methodology of “juxtapositional comparison,” the book reads the difangzhi 地方志 (local gazetteers) of China and the relaciones geográficas of the Spanish world in parallel. 

Knowing an Empire does not see the conveyance of information across an empire as a top-down process with an active center as a knowledge-maker. Instead, it amplifies a blend of voices that speak as much to imperial bureaucracy as to the rich local and Indigenous cultures, revealing these two early modern empires as diverse polities whose equilibria were constantly rebalanced among local powers. Comprised of 18 chapters, this edited collection reflects on the historical evolution and inner structures of the imperial epistemologies, as well as the many ways historians today read difangzhi and relaciones geográficas to understand the spatial, natural, and social order in both the Chinese and the Spanish empires. At once a comparative and a connected history, it places Chinese and Spanish imperial knowledge in the globalizing early modern world, highlighting the migration of people, goods, and ideas and revealing how these wide-ranging influences are reflected—or not—in the difangzhi and the relaciones. The book concludes by broadening our scope beyond China and Spain to reflect how other early modern empires, such as the Portuguese, failed to develop such systematized imperial genres. 

With contributions from leading scholars across Latin American and Asian Studies, this book synthesizes political, environmental, and socio-economic history with historical anthropology to highlight parallel governance and knowledge structures. The contributors challenge conventional binaries of Western versus Eastern, and colonial versus non-colonial, presenting a nuanced perspective of early modern empires as dynamic, interconnected entities through the shared challenges of scale, diversity, and increasing globalization. Through these dialogues, Knowing an Empire illuminates the complex entanglement of ruling and understanding. This groundbreaking collection offers a highly innovative and dialogic approach to comparative studies of empires, with major implications for Asian, European, Latin American, transnational, and global history.
 

Over the course of some two centuries following the conquests and consolidations of Spanish rule in the Americas during the late fifteenth and early sixteenth centuries—the period designated as the Baroque—new cultural forms sprang from the cross-fertilization of Spanish, Amerindian, and African traditions. This dynamism of motion, relocation, and mutation changed things not only in Spanish America, but also in Spain, creating a transatlantic Hispanic world with new understandings of personhood, place, foodstuffs, music, animals, ownership, money and objects of value, beauty, human nature, divinity and the sacred, cultural proclivities—a whole lexikon of things in motion, variation, and relation to one another.

Featuring the most creative thinking by the foremost scholars across a number of disciplines, the Lexikon of the Hispanic Baroque is a uniquely wide-ranging and sustained exploration of the profound cultural transfers and transformations that define the transatlantic Spanish world in the Baroque era. Pairs of authors—one treating the peninsular Spanish kingdoms, the other those of the Americas—provocatively investigate over forty key concepts, ranging from material objects to metaphysical notions. Illuminating difference as much as complementarity, departure as much as continuity, the book captures a dynamic universe of meanings in the various midst of its own re-creations. The Lexikon of the Hispanic Baroque joins leading work in a number of intersecting fields and will fire new research—it is the indispensible starting point for all serious scholars of the early modern Spanish world.

In 1690, a dramatic account of piracy was published in Mexico City. The Misfortunes of Alonso Ramírez described the incredible adventures of a poor Spanish American carpenter who was taken captive by British pirates near the Philippines and forced to work for them for two years. After circumnavigating the world, he was freed and managed to return to Mexico, where the Spanish viceroy commissioned the well-known Mexican scholar Carlos de Sigüenza y Góngora to write down Ramírez's account as part of an imperial propaganda campaign against pirates.

The Misfortunes of Alonso Ramírez has long been regarded as a work of fiction—in fact, as Latin America's first novel—but Fabio López Lázaro makes a convincing case that the book is a historical account of real events, albeit full of distortions and lies. Using contemporary published accounts, as well as newly discovered documents from Spanish, English, French, Portuguese, and Dutch archives, he proves that Ramírez voyaged with one of the most famous pirates of all time, William Dampier. López Lázaro's critical translation of The Misfortunes provides the only extensive Spanish eyewitness account of pirates during the period in world history (1650–1750) when they became key agents of the European powers jockeying for international political and economic dominance. An extensive introduction places The Misfortunes within the worldwide struggle that Spain, England, and Holland waged against the ambitious Louis XIV of France, which some historians consider to be the first world war.