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4 books match the query '1859-1934'

cover of Cass Gilbert's West Virginia State Capitol

Cass Gilbert's West Virginia State Capitol

Ann Wilkins

West Virginia University Press, 2014

At the turn of the twentieth century, West Virginia was in the throes of its formative years as a state. After more than two decades of alternating its government seat between Wheeling and Charleston and the destruction of the Gothic Revival Capitol in Charleston by fire in 1921, a building commission was formed to create a permanent Capitol that would display the young state’s pride, wealth, and sophistication to the entire nation. To achieve these goals, the legislature approved a budget of more than $6.5 million for the design and construction of this statehouse and the Commission appointed by the Governor hired internationally renowned Cass Gilbert as its architect. After much debate, an impressive site along the shore of the Kanawha River in Charleston was selected as its location.

As one of the most influential architects of the early twentieth century, Cass Gilbert is known for structures such as the Woolworth Building, the United States Supreme Court building, and the Minnesota State Capitol. He believed architecture should reflect historic tradition and established social order, and this conservative philosophy is evinced within the classic form and proportions of the West Virginia State Capitol. As one of his final commissions, the West Virginia Capitol, with its golden “dome of majestic proportion,” marble interiors, ornamental reliefs, and rich woodwork, remains a distinguished example of noble simplicity in American architecture.

Cass Gilbert’s West Virginia State Capitol narrates the intricate story behind this architectural feat. Its close examination of the design, construction, and execution of this commission not only reveals the social, political, and financial climate of West Virginia during this period but also provides insight into the cultural importance of this public building. As Cass Gilbert’s design process is traced through unpublished documentation, drawings, and letters from several archives, the over one hundred accompanying photographs—many historical and others newly commissioned for this book—divulge the subtle beauty of the Capitol complex. At the same time, an extensive analysis of historical and contemporary illustrations and primary sources further elucidates the architectural value of this structure.

With welcomes by West Virginia Governor Earl Ray Tomblin and State Senator Brooks F. McCabe, Jr., a prologue by art historians Bernard Schultz and Mary L. Soldo Schultz, and an epilogue by Chad Proudfoot, this revealing and comprehensive study examines the importance of this often overlooked architectural accomplishment, solidifying its significance as a socio-political symbol as well as its place within the history of American public architecture.

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cover of George Hunt: Arizona's Crusading Seven-Term Governor

George Hunt

Arizona's Crusading Seven-Term Governor

David R. Berman

University of Arizona Press, 2015

George W. P. Hunt was a highly colorful Arizona politician. A territorial representative and seven-time Arizona state governor, Hunt joined Woodrow Wilson in making the Democratic Party the party of Progressive reform. This political biography follows Hunt through his years in the territorial legislature, and then as governor. Author David R. Berman’s well-researched and detailed work features Hunt’s battles to stem the powers of large corporations, democratize the political system, defend labor rights, reform the prison system, abolish the death penalty, and protect Arizona’s interests in the Colorado River. He had a special concern for the down and out. He found the "forgotten man" long before Franklin Roosevelt.

Hunt was proof that style and physical appearance neither guarantee nor preclude political success, for the three-hundred-pound man of odd dress and bumbling speech had a political career that spanned the state’s Populism of the 1890s to the 1930s New Deal. Driven by causes, he was very active in public office but took little pleasure in doing the job. Called names by opponents and embarrassed by his lack of formal education, Hunt sometimes showed rage, self-pity, and bitterness at what he saw as betrayals and conspiracies against him.

The author assesses Hunt’s successes and failings as a political leader and take-charge governor struggling to produce results in a political system hostile to executive authority. Berman offers a nuanced look at Arizona’s first governor, providing an important new understanding of Arizona’s complex political history.
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cover of Listening to the Languages of the People: Lazare Sainéan on Romanian, Yiddish, and French

Listening to the Languages of the People

Lazare Sainéan on Romanian, Yiddish, and French

Natalie Zemon Davis

Central European University Press, 2022

This tale of great achievements and great disappointments offers a fresh perspective on the interplay between scholarship and political sentiment in the late nineteenth and early twentieth centuries.

Lazăr Șăineanu (1859-1934), linguist and folklorist, was a pioneer in his native Romania, seeking out the popular elements in culture along with high literary ones. He was among the first to publish a study of Yiddish as a genuine language, and he uncovered Turkish features in Romanian language and customs. He also made an index of hundreds of Romanian folktales. Yet when he sought Romanian citizenship and a professorship, he was blocked by powerful figures who thought Jews could not be Romanians and who fancied the origins of Romanian culture to be wholly Latin. Faced with anti-Semitism, some of his friends turned to Zionism. Instead he tried baptism, which brought him only mockery and shame.

Hoping to find a polity to which he could belong, Șăineanu moved with his family to Paris in 1900 and became Lazare Sainéan. There he made innovative studies of French popular speech and slang, culminating in his great work on the language of Rabelais. Once again, he was contributing to the development of a national tongue. Even then, while welcomed by literary scholars, Sainéan was unable to get a permanent university post. Though a naturalized citizen of France, he felt himself a foreigner, an “intruder,” into his old age.

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cover of The Skyscraper and the City: The Woolworth Building and the Making of Modern New York

The Skyscraper and the City

The Woolworth Building and the Making of Modern New York

Gail Fenske

University of Chicago Press, 2008

Once the world’s tallest skyscraper, the Woolworth Building is noted for its striking but incongruous synthesis of Beaux-Arts architecture, fanciful Gothic ornamentation, and audacious steel-framed engineering. Here, in the first history of this great urban landmark, Gail Fenske argues that its design serves as a compelling lens through which to view the distinctive urban culture of Progressive-era New York.
             Fenske shows here that the building’s multiplicity of meanings reflected the cultural contradictions that defined New York City’s modernity. For Frank Woolworth—founder of the famous five-and-dime store chain—the building served as a towering trademark, for advocates of the City Beautiful movement it suggested a majestic hotel de ville, for technological enthusiasts it represented the boldest of experiments in vertical construction, and for tenants it provided an evocative setting for high-style consumption. Tourists, meanwhile, experienced a spectacular sightseeing destination and avant-garde artists discovered a twentieth-century future. In emphasizing this faceted significance, Fenske illuminates the process of conceiving, financing, and constructing skyscrapers as well as the mass phenomena of consumerism, marketing, news media, and urban spectatorship that surround them.
            As the representative example of the skyscraper as a “cathedral of commerce,” the Woolworth Building remains a commanding presence in the skyline of lower Manhattan, and the generously illustrated Skyscraper and the City is a worthy testament to its importance in American culture.
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