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Upon its publication, The Origin of Species was critically embraced in Europe and North America. But how did Darwin’s theories fare in other regions of the world? Adriana Novoa and Alex Levine offer here a history and interpretation of the reception of Darwinism in Argentina, illuminating the ways culture shapes scientific enterprise.

In order to explore how Argentina’s particular interests, ambitions, political anxieties, and prejudices shaped scientific research, From Man to Ape focuses on Darwin’s use of analogies. Both analogy and metaphor are culturally situated, and by studying scientific activity at Europe’s geographical and cultural periphery, Novoa and Levine show that familiar analogies assume unfamiliar and sometimes startling guises in Argentina. The transformation of these analogies in the Argentine context led science—as well as the interaction between science, popular culture, and public policy—in surprising directions. In diverging from European models, Argentine Darwinism reveals a great deal about both Darwinism and science in general.

Novel in its approach and its subject, From Man to Ape reveals a new way of understanding Latin American science and its impact on the scientific communities of Europe and North America.

Although the topic of habitual narcotic use first surfaced in the United States during the 1820s, it was not until after the Civil War that it became a subject of widespread public attention. Beginning in the 1870s, an increasingly urgent discussion of what some described as a national epidemic of “drug addiction” could be found in both medical journals and the popular press. Today, nearly a century and a half later, the term is so commonplace we speak of people being “addicted” to just about anything. Yet as Timothy A. Hickman argues in this revealing interdisciplinary study, the meaning of addiction has always been as much cultural as scientific and never fixed. 

In The Secret Leprosy of Modern Days, Hickman resituates the idea of addiction within its original late nineteenth- and early twentieth-century context. Through close readings of a broad range of literary, medical, and legal texts, he shows how Americans of that era conceptualized the dangers of drug addiction in terms of other preoccupations and fears. Anxieties about the accelerating pace of technological change, the loss of personal autonomy, and the degeneration of society attributed to both foreign influences and a decline of manliness all fed into a widespread sense of cultural crisis—a crisis of which the spiraling “drug problem” was seen as both contributing cause and consequence. Not surprisingly, Hickman points out, deeply held assumptions of class, race, and gender also figured into the popular understanding of addiction. While white middle-class addicts were often depicted as helpless victims of the social and economic pressures of modern life, their less privileged and nonwhite counterparts were regarded as morally weak. Over time the distinction between “addict as patient” and “addict as criminal” came to be accepted by the emerging medical establishment and codified into law, eventually finding expression in the Harrison Narcotics Act of 1914, the first national anti-narcotic legislation in the history of the United States—and the basis for much thinking about addiction and drug policy ever since.