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4 books match the query '1898-1963'

cover of Bareface: A Guide to C.S. Lewis's Last Novel

Bareface

A Guide to C.S. Lewis's Last Novel

Doris T. Myers

University of Missouri Press, 2004

C. S. Lewis wanted to name his last novel “Bareface.” Now Doris T. Myers’s Bareface provides a welcome study of Lewis’s last, most profound, and most skillfully written novel, Till We Have Faces. Although many claim it is his best novel, Till We Have Faces is a radical departure from the fantasy genre of Lewis’s Chronicles of Narnia and The Screwtape Letters and has been less popular than Lewis’s earlier works. In Bareface, Myers supplies background information on this difficult work and suggests reading techniques designed to make it more accessible to general readers. She also presents a fresh approach to Lewis criticism for the enjoyment of specialists.
 
Previous studies have often treated the novel as mere myth, ignoring Lewis’s effort to present the story of Cupid and Psyche as something that could have happened. Myers emphasizes the historical background, the grounding of the characterizations in modern psychology, and the thoroughly realistic narrative presentation. She identifies key books in ancient and medieval literature, history, and philosophy that influenced Lewis’s thinking as well as pointing out a previously unnoticed affinity with William James. From this context, a clearer understanding of Till We Have Faces can emerge.
 
Approached in this way, the work can be seen as a realistic twentieth-century novel using modernist techniques such as the unreliable narrator and the manipulation of time. The major characters fit neatly into William James’s typology of religious experience, and Orual, the narrator-heroine, also develops the kind of personal maturity described by Carl Jung. At the same time, both setting and plot provide insights into the ancient world and pre-Christian modes of thought.
 
Organized to facilitate browsing according to the reader’s personal interests and needs, this study helps readers explore this complex and subtle novel in their own way. Containing fresh insights that even the most experienced Lewis scholar will appreciate, Bareface is an accomplishment worthy of Lewis’s lifelong contemplation.
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cover of Imagination and the Arts in C.S. Lewis: Journeying to Narnia and Other Worlds

Imagination and the Arts in C.S. Lewis

Journeying to Narnia and Other Worlds

Peter J. Schakel

University of Missouri Press, 2002

Imagination has long been regarded as central to C. S. Lewis's life and to his creative and critical works, but this is the first study to provide a thorough analysis of his theory of imagination, including the different ways he used the word and how those uses relate to each other. Peter Schakel begins by concentrating on the way reading or engaging with the other arts is an imaginative activity. He focuses on three books in which imagination is the central theme—Surprised by Joy, An Experiment in Criticism, and The Discarded Image—and shows the important role of imagination in Lewis's theory of education.

He then examines imagination and reading in Lewis's fiction, concentrating specifically on the Chronicles of Narnia, the most imaginative of his works. He looks at how the imaginative experience of reading the Chronicles is affected by the physical texture of the books, the illustrations, revisions of the texts, the order in which the books are read, and their narrative "voice," the "storyteller" who becomes almost a character in the stories.

Imagination and the Arts in C. S. Lewis also explores Lewis's ideas about imagination in the nonliterary arts. Although Lewis regarded engagement with the arts as essential to a well- rounded and satisfying life, critics of his work and even biographers have given little attention to this aspect of his life. Schakel reviews the place of music, dance, art, and architecture in Lewis's life, the ways in which he uses them as content in his poems and stories, and how he develops some of the deepest, most significant themes of his stories through them.

Schakel concludes by analyzing the uses and abuses of imagination. He looks first at "moral imagination." Although Lewis did not use this term, Schakel shows how Lewis developed the concept in That Hideous Strength and The Abolition of Man long before it became popularized in the 1980s and 1990s. While readers often concentrate on the Christian dimension of Lewis's works, equally or more important to him was their moral dimension.

Imagination and the Arts in C. S. Lewis will appeal to students and teachers of both children's literature and twentieth-century British writers. It will also be of value to readers who wish to compare Lewis's creations with more recent imaginative works such as the Harry Potter series.

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cover of Latin Letters of C.S. Lewis

Latin Letters of C.S. Lewis

C.S. Lewis and Don Giovanni Calabria

St. Augustine's Press, 1999

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cover of Through the Open Door: A New Look at C.S. Lewis

Through the Open Door

A New Look at C.S. Lewis

Dabney Adams Hart

University of Alabama Press, 1984

Unlocking the imagination, language, and vision that shaped C. S. Lewis's enduring legacy.

Through the Open Door: A New Look at C. S. Lewis offers a fresh and illuminating examination of one of the twentieth century's most beloved writers, scholars, and Christian thinkers. In this insightful study, Dabney Adams Hart moves beyond familiar assessments of C. S. Lewis as the creator of The Chronicles of Narnia to explore the intellectual foundations that shaped his work as a literary critic, educator, and defender of the Christian faith. Drawing on Lewis's essays, criticism, fiction, and apologetic writings, Hart reveals the central importance of imagination, language, myth, and meaning in Lewis's understanding of literature and human experience.

Rather than treating Lewis's diverse writings as separate endeavors, Hart demonstrates how they reflect a coherent and unified vision of truth, beauty, and morality. The book shows how Lewis used story and symbolism to address enduring questions about faith, reason, and the search for purpose in a modern world. Accessible to general readers while engaging for scholars, this volume provides valuable insight into the ideas that continue to make Lewis a significant figure in literary and religious studies. An important contribution to Lewis scholarship, Through the Open Door invites readers to discover anew the imagination and intellect behind one of the most influential Christian authors of the modern era.

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