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Recounts Kojève’s key role in the pivotal exchange of ideas between Eastern and Western European intellectuals in the early twentieth century

This book shines critical new light on the story of Alexandre Kojève’s intellectual origins and his role in the emigration of Russian philosophy into the West in the early twentieth century. Trevor Wilson illustrates how Kojève, at once adversarial to the insular communities of émigré philosophy and yet dependent on their networks and ideas for professional success, navigated the specters of the Russian tradition in pursuit of an autonomous self-definition as a philosopher and intellectual.

Alexandre Kojève and the Specters of Russian Philosophy analyzes the philosopher’s complicated relationship to the interwar diaspora and the complex role played by the Russian tradition in his intellectual formation. Wilson examines Kojève’s early writings in the émigré press on Russian religious philosophy, Soviet politics, and Eurasianism and argues for their enduring relevance for understanding Kojève in his mature period. Crucially, he contextualizes Kojève’s famed seminars on Hegel and examines how Kojève’s thought became embedded in the politics of the Cold War. Based on newly transcribed and translated archival material, he highlights a previously unacknowledged, transnational exchange of ideas between Eastern and Western European intellectuals and shows how it played a pivotal role in twentieth-century intellectual history—and its legacy in the twenty-first.

WINNER OF THE GULF SOUTH HISTORICAL ASSOCIATION'S MICHAEL V. R. THOMASON BOOK AWARD

Family, influence, and the making of Southern power.

From Reconstruction through the end of World War II, the Bankheads served as the principal architects of the political, economic, and cultural framework of Alabama and the greater South. As a family, they were instrumental in fashioning the New South and the twentieth century American political economy, but now the Bankhead name is largely associated only with place names.

Deep South Dynasty: The Bankheads of Alabama is a deeply researched epic family biography that reflects the complicated and evolving world inhabited by three generations of the extremely accomplished—if problematic—Bankhead family of northwest Alabama. Kari Frederickson’s expertly crafted account traces the careers of five members of the family—John Hollis Bankhead; his sons, John Hollis Bankhead Jr. and William Brockman Bankhead; his daughter, Marie Bankhead Owen; and his granddaughter, Tallulah Brockman Bankhead.

A Confederate veteran and son of a slaveholder, John Hollis Bankhead held political office almost continuously from 1865 until his death in 1920, first in state-level positions and ultimately in Congress–in the House then in the Senate–for thirty-three years. Two of his three sons, John Jr. and William, followed in their father’s political footsteps. John Jr., a successful corporate attorney, was elected to the state legislature and then to the US Senate in 1930; William was elected to the House of Representatives in 1916 and chosen Speaker of the House in 1936. Together, father and sons played key roles in crafting and maintaining a conservative political culture, legal code, and economic system that facilitated economic opportunities for cotton farmers, coal barons, and emerging industries in Alabama and across the South while perpetuating White supremacy. 

Daughter Marie Bankhead Owen extended the family’s cultural power during her thirty-five-year tenure as director of the Alabama Department of Archives and History. From this position and through her work with groups like the United Daughters of the Confederacy, she embraced and disseminated a historical narrative steeped in Lost Cause mythology that validated the power and privilege of White elites and naturalized the second-class status of African Americans. William’s daughter, actress Tallulah Bankhead, benefited from her family’s rich political bloodlines and in turn lent them a touch of glamour and made the Bankheads modern. Frederickson’s meticulously researched examination of this once-powerful but now largely forgotten southern family is a sweeping and complex story of the region and its relationship with the wider world over the course of eight decades, from the wreckage of the Civil War to the dawn of the nuclear age.
 

WINNER OF THE ELIZABETH AGEE PRIZE IN AMERICAN LITERATURE

When words became weapons—Steinbeck’s novel and the underground war for freedom.

In March 1942, a desperate period for the allies in World War II, John Steinbeck published his propaganda novel The Moon is Down­—the story of ruthless invaders who overrun a militarily helpless country.  Throughout the novel, Steinbeck underscored both the fatal weakness of the “invincible” unnamed aggressors and the inherent power of the human values shard by the “conquered” people.

The Moon is Down created an immediate sensation among American literary critics; fierce debate erupted over Steinbeck’s uncommonly sympathetic portrayal of the enemy and the novel’s power as a vehicle for propaganda.  Fifty years later, Coers continues the debate, relying heavily on unpublished letters and personal interviews with the lawyers, book dealers, actors, publishers, and housewives associated with the resistance movements in Western Europe. Clandestine translations of The Moon Is Down quickly appeared and were widely circulated under the noses of the Gestapo. Coers documents the fate of Steinbeck’s novel in the hands of World War II resistance fighters and deepens our appreciation of Steinbeck’s unique ability to express the feelings of oppressed peoples.

Revisiting the remarkable years that produced Steinbeck's greatest literary achievements.

John Steinbeck: The Years of Greatness, 1936–1939, edited by Tetsumaro Hayashi, offers a compelling scholarly exploration of the brief but extraordinary period during which John Steinbeck produced some of the most influential works in American literary history. Drawn from papers presented at the Third International Steinbeck Congress, this collection of essays examines the creative, intellectual, and social forces that shaped Steinbeck's remarkable achievements during the late 1930s.

The contributors investigate Steinbeck's major works of the period, including In Dubious Battle, Of Mice and Men, and The Grapes of Wrath, situating them within the social and economic realities of the Great Depression and the evolving landscape of twentieth-century American literature. Particular attention is given to Steinbeck's portrayal of labor, migration, community, social justice, and the experiences of working-class Americans. The volume also presents innovative studies of female characters and relationships in Steinbeck's fiction, drawing on newly available research materials and correspondence to illuminate previously overlooked dimensions of his work.

By combining historical context, literary analysis, and fresh critical perspectives, this collection deepens appreciation for Steinbeck's artistry and enduring cultural significance. An essential resource for scholars and students alike, it offers valuable insights into the years that established Steinbeck as one of America's most important and widely studied authors.

A road trip through Steinbeck’s America—revisited, reimagined, and reinterpreted.

Steinbeck’s Uneasy America is the first collection of critical scholarship devoted to Travels with Charley in Search of America, John Steinbeck’s best-selling, late-career travel memoir. In 1960, Steinbeck was a renowned man of American letters. Many considered him America’s troubadour of ordinary people, the conscience of the country. But weakened by two small strokes and anxious that he had lost touch with America, he embarked on a cross-country road trip accompanied by his wife’s standard poodle, Charley. Two years later, he published Travels with Charley to popular acclaim and robust sales.

Throughout this narrative, Steinbeck insists that all of our perceptions are “warped” by personality, history, and society. And while this hybrid and experimental book has long been accepted as an accurate account of his journey, journalists and scholars agree that the narrative is part factual, part fiction—America as seen through Steinbeck’s particular “warp.” The work is long overdue for scholarly assessment.

Steinbeck’s Uneasy America explores three main topics. Part 1 explores genre and form to consider the degree to which the work is fiction or nonfiction. Part 2 assesses Steinbeck’s increasingly bleak assessment of America—almost a jeremiad that warns citizens of ecological excess and political apathy. Part 3 focuses on Travels with Charley as a road text, travel adventure, and literary influence.

This volume’s authors offer rich scholarly insights and a wealth of stories, facts, and anecdotes about Steinbeck and the adventures and misadventures he and Charley met on the road. Lively and groundbreaking, the collection both enlightens and enlivens discussions of Steinbeck and of the twentieth-century American book world.
 

A fresh and vivid reappraisal of one of the most influential intellects of the modern era
 
Alexandre Kojève is one of the twentieth century’s most seductive and intriguing figures. A product of the Russian merchant bourgeoisie, he became, depending on one’s point of view, either an overzealous bureaucrat or a secret agent who infiltrated the upper echelons of French state bureaucracy, spending the last twenty years of his life working in international diplomacy and high finance. Marco Filoni describes each facet of Kojève’s different lives in crystalline detail: the cultural circles of his youth, his studies, his philosophical passions, his fundamental theoretical choices, and his intellectual network, as well as the students who would become part of the intellectual elite, including Lacan, Bataille, and Merleau-Ponty. Drawing on rich archival material, unpublished texts, correspondence, and written and oral testimonies, The Life and Thought of Alexandre Kojève is a major benchmark for scholars of Kojève and of twentieth-century intellectual and political history. Filoni paints a vibrant portrait of one of the most influential intellectuals of the modern era, deftly composing Kojève’s personal, political, and philosophical lives.