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Everyone has a memorable story about attending a performance at the Mann Center for the Performing Arts or the Robin Hood Dell—“the Mann” and “the Dell” to their many patrons. Lavishly illustrated with more than 200 images, meticulously researched, and engagingly written by historian Jack McCarthy, A Century of Music Under the Stars reveals the fascinating inside story of Philadelphia’s premier outdoor concert venues on the eve of the Mann’s 50th Anniversary.

The Dell, which opened in 1930, and the Mann, which opened in 1976, were initially built as summer homes for The Philadelphia Orchestra. As McCarthy fondly recounts, the Mann Center evolved to host the world’s top artists across many musical genres. Contemporary audiences have gathered on the Great Lawn for concerts by performers including James Taylor, The Roots, Phish, Diana Ross, John Legend, and others. 

The venues, however, are more than just the music; they are about the beautiful natural setting, communal atmosphere, and spectacular view of the Philadelphia skyline. A Century of Music Under the Stars is a revealing and celebratory look back at beloved Philadelphia cultural icons. This informative and illuminating history will provide happy memories for generations of music lovers.

Examines how Southern literary depictions of the natural world were influenced by the historical, social, and ecological changes of the 1930s and 1940s

Rieger studies the ways that nature is conceived of and portrayed by four prominent Southern writers of the era: Erskine Caldwell, Marjorie Kinnan Rawlings, Zora Neale Hurston, and William Faulkner. Specifically, he argues that these writers created new versions of an old literary mode—the pastoral—in response to the destabilizing effects of the Great Depression, the rise of Southern modernism, and the mechanization of agricultural jobs.

Mass deforestation, soil erosion, urban development, and depleted soil fertility are issues that come to the fore in the works of these writers. In response, each author depicts a network model of nature, where humans are part of the natural world, rather than separate, over, or above it, as in the garden pastorals of the Old South, thus significantly revising the pastoral mode proffered by antebellum and Reconstruction-era writers.

Each writer, Rieger finds, infuses the pastoral mode with continuing relevance, creating new versions that fit his or her ideological positions on issues of race, class, and gender. Despite the ways these authors represent nature and humankind’s place in it, they all illustrate the idea that the natural environment is more than just a passive background against which the substance of life, or fiction, is played out.