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4 books match the query '1904-1980'

cover of A Third Window: Natural Life beyond Newton and Darwin

A Third Window

Natural Life beyond Newton and Darwin

Robert W. Ulanowicz

Templeton Press, 2009

Thus far, the dominant paradigms through which modern scientists have viewed nature have been structured primarily around Newtonian and Darwinian approaches. As theoretical ecologist Robert E. Ulanowicz observes in his new work, A Third Window, neither of these models is sufficient for explaining how real change—in the form of creative advance or emergence—takes place in nature.

The metaphysical foundations laid by these great thinkers centuries ago are ill suited to sustain today's search for a comprehensive description of complex living systems. Ecosystem dynamics, for example, violate each and every one of the Newtonian presuppositions. Hence, Ulanowicz offers his titular "third window"—a new way of understanding evolution and other natural processes beyond the common mechanistic or materialistic philosophies of nature.

Drawing on the writings of Walter Elsasser, Karl Popper, Gregory Bateson, Robert Rosen, and Alfred North Whitehead, as well as his own experience as a theoretical ecologist, Ulanowicz offers a new set of axioms for how nature behaves. Chance and disarray in natural processes are shown to be necessary conditions for real change. Randomness is shown to contribute richness and autonomy to the natural world.
The metaphysical implications of these new axioms will lend A Third Window a wide appeal not only among scientists, but also among philosophers, theologians, and general readers who follow the science and religion dialogue. Ulanowicz's fresh perspective adds a new voice to the discussion.
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cover of Clyfford Still: The Artist’s Materials

Clyfford Still

The Artist’s Materials

Susan F. Lake

J. Paul Getty Trust, The, 2022

This groundbreaking book provides the first detailed account of the materials and techniques of perhaps the most radical—and until now, least studied—major American Abstract Expressionist.
 
Among the most radical of the great American Abstract Expressionist painters, Clyfford Still has also long been among the least studied. Still severed ties with the commercial art world in the early 1950s, and his estate at the time of his death in 1980 comprised some 3,125 artworks—including more than 800 paintings—that were all but unknown to the art world. Susan F. Lake and Barbara A. Ramsay were granted access to this collection by the estate and by the Clyfford Still Museum in Denver, which houses this immense corpus today.
 
This volume, based on the authors’ materials research and enriched by their unprecedented access to Still’s artworks, paints, correspondence, studio records, and personal library, provides the first detailed account of his materials, working methods, and techniques. Initial chapters provide an engaging and erudite overview of the artist's life. Subsequent chapters trace the development of his visionary style, offer in-depth materials analysis of selected works from each decade of his career, and suggest new approaches to the care and conservation of his paintings. There is also a series of technical appendices as well as a full bibliography.
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cover of Here I Stand: The Life and Legacy of John Beecher

Here I Stand

The Life and Legacy of John Beecher

Angela J. Smith

University of Alabama Press, 2017

Biography of a forgotten poet who used his name and influence to speak up for those on the margins of society.

Few surnames resonate in American history more than Beecher. The family’s abolitionist ministers, educators, and writers are central figures in the historical narrative of the United States. The Beechers’ influence was greatest in the nineteenth century, but the family story continued—albeit with less public attention—with a descendant who grew up in Birmingham, Alabama, during the early twentieth century.

John Beecher (1904–1980) never had the public prominence of his famous ancestors, but as a poet, professor, sociologist, New Deal administrator, journalist, and civil rights activist, he spent his life fighting for the voiceless and oppressed with a distinct moral sensibility that reflected his self-identification as the twentieth-century torchbearer for his famous family. While John Beecher had many vocations in his lifetime, he always considered himself a poet and a teacher. Some critics have compared the populist elements of Beecher’s poetry to the work of Walt Whitman and Carl Sandburg, but his writing never gained a broad audience or critical acclaim during his lifetime.

In Here I Stand: The Life and Legacy of John Beecher, Angela J. Smith examines Beecher’s writing and activism and places them in the broader context of American culture at pivotal points in the twentieth century. Employing his extensive letters, articles, unpublished poetry and prose, and audio interviews in addition to his numerous published books, Smith uncovers a record of public concerns in American history ranging from the plight of workers in 1920s steel mills to sharecroppers’ struggles during the Depression to the civil rights movement of the 1960s.

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cover of Margaret Mead, Gregory Bateson, and Highland Bali: Fieldwork Photographs of Bayung Gede, 1936-1939

Margaret Mead, Gregory Bateson, and Highland Bali

Fieldwork Photographs of Bayung Gede, 1936-1939

Gerald Sullivan

University of Chicago Press, 1999

In 1936 anthropologist Margaret Mead and her husband, Gregory Bateson, retreated from lowland Bali, which was the focal point of much scholarly and tourist activity, to the remote village of Bayung Gedé in the island's central highlands. Although they wrote relatively little about their work in this place, which Mead called "our village, way up in the mountains, a lovely self-contained village," they did leave behind a remarkably rich and extensive photographic record of their time there.

Margaret Mead, Gregory Bateson, and Highland Bali includes 200 photographs that the couple took between 1936 and 1939, the vast majority of which have never before been published. They vividly capture the everyday lives of the men, women, and children of Bayung Gedé, their homes and their temples, and many other fascinating details of village life not featured in Mead and Bateson's publications.

In a substantial introductory essay, Gerald Sullivan, who selected the photographs, uses excerpts from fieldnotes and correspondence to illuminate Mead and Bateson's ethnographic work. Tracing the project from its inception in their proposals to the publication of their work, Sullivan shows how they used the photographs both as fieldnotes and as elements in their theoretical argument. Finally, he explores what the photographs reveal—independently of Mead and Bateson's project—about the Balinese character to the contemporary viewer.

The result is a both a substantial contribution to visual anthropology and an invaluable supplement to the published works of Margaret Mead and Gregory Bateson.
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