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2 books match the query '1906-1982'

cover of If You Were Only White: The Life of Leroy "Satchel" Paige

If You Were Only White

The Life of Leroy "Satchel" Paige

Donald Spivey

University of Missouri Press, 2012

If You Were Only White explores the legacy of one of the most exceptional athletes ever—an entertainer extraordinaire, a daring showman and crowd-pleaser, a wizard with a baseball whose artistry and antics on the mound brought fans out in the thousands to ballparks across the country. Leroy “Satchel” Paige was arguably one of the world’s greatest pitchers and a premier star of Negro Leagues Baseball. But in this biography Donald Spivey reveals Paige to have been much more than just a blazing fastball pitcher.

Spivey follows Paige from his birth in Alabama in 1906 to his death in Kansas City in 1982, detailing the challenges Paige faced battling the color line in America and recounting his tests and triumphs in baseball. He also opens up Paige’s private life during and after his playing days, introducing readers to the man who extended his social, cultural, and political reach beyond the limitations associated with his humble background and upbringing. This other Paige was a gifted public speaker, a talented musician and singer, an excellent cook, and a passionate outdoorsman, among other things.

Paige’s life intertwined with many of the most important issues of the times in U.S. and African American history, including the continuation of the New Negro Movement and the struggle for civil rights. Spivey incorporates interviews with former teammates conducted over twelve years, as well as exclusive interviews with Paige’s son Robert, daughter Pamela, Ted “Double Duty” Radcliffe, and John “Buck” O’Neil to tell the story of a pioneer who helped transform America through the nation’s favorite pastime.

Maintaining an image somewhere between Joe Louis’s public humility and the flamboyant aggression of Jack Johnson, Paige pushed the boundaries of segregation and bridged the racial divide with stellar pitching packaged with slapstick humor. He entertained as he played to win and saw no contradiction in doing so. Game after game, his performance refuted the lie that black baseball was inferior to white baseball. His was a contribution to civil rights of a different kind—his speeches and demonstrations expressed through his performance on the mound.
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cover of Satchel Paige's America

Satchel Paige's America

William Price Fox

University of Alabama Press, 2005

Captures the sometimes outrageous, often humorous, and always bigger-than-life spirit of the World's Greatest Pitcher, Leroy Satchel Paige

This book began when the author met "the Satch" for the first time at the Twilight Zone Lounge of the Rhythm Lanes Bowling Alley in Kansas City. What started as a simple interview for Holiday magazine quickly grew into an animated conversation that lasted nearly a week as Paige and Fox moved from bar to club to restaurant to auto repair shop and from one topic to the next. Fox describes, with amazement, the reception the legendary baseball player received at Gates' Place, a famous barbecue restaurant, and The Flamingo, a big dance club. Over the course of the week, Paige shared stories about his start in the Negro leagues, his time with the Kansas City Monarchs, and barnstorming around the country, sleeping on the ground because there were no hotels for blacks. He also tells of his breakthrough to the big leagues when he signed with the Cleveland Indians and later pitched two shutouts against the Chicago White Sox.

In addition to his baseball career, Paige tells Fox about his childhood in Mobile, Alabama, catching fish during the Jubilee, throwing rocks at white boys, hustling bags at the train station, and working in the Depression era medicine shows. In contrast to these humble beginnings, Satchel recounts his later connections with film and music celebrities like Orson Welles, Jelly Roll Morton, Billie Holliday, and Cab Calloway. He also expounds on his friendships with other sports greats, including Goose Tatum, Meadowlark Lemon, and Sugar Ray Robinson.

The ironic intersections between oppression and fame, and between poverty and wealth, that emerge from Paige's narrative memoir exemplify the affliction of talent and genius in an era of racial discrimination and segregation.

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