Results by title

During the 1920s, sound revolutionized the motion picture industry and cinema continued as one of the most significant and popular forms of mass entertainment in the world. Film studios were transformed into major corporations, hiring a host of craftsmen and technicians including cinematographers, editors, screenwriters, and set designers. The birth of the star system supported the meteoric rise and celebrity status of actors including Charlie Chaplin, Mary Pickford, Joan Crawford, Greta Garbo, and Rudolph Valentino while black performers (relegated to "race films") appeared infrequently in mainstream movies. The classic Hollywood film style was perfected and significant film genres were established: the melodrama, western, historical epic, and romantic comedy, along with slapstick, science fiction, and fantasy.

In ten original essays, American Cinema of the 1920s examines the film industry's continued growth and prosperity while focusing on important themes of the era.

Battling Siki (1887–1925) was once one of the four or five most recognizable black men in the world, and was written about in detail by such figures as Ring Lardner and his son John, Damon Runyon, and Westbrook Pegler. One can find his legacy in the name of a popular rock group, one of Che Guevara’s lieutenants, a character on Xena, Warrior Princess, and the Battling Siki Hotel in the fighter’s homeland, Senegal. Peter Benson’s biography of the first African to win a world championshipin boxing delves into the complex world of sports, race, colonialism, and the cult of personality in the early twentieth century. Born Amadu Fall, Siki was taken from Senegal to France by an actress and assumed the name Louis M’barick Fall. After an inauspicious beginning as a boxer, he served in World War I with distinction then returned to boxing and compiled a most impressive record (forty-three wins in forty-six bouts). Then, on September 24, 1922, at Paris’s Buffalo Velodrome, before forty thousand stunned spectators (including a young Ernest Hemingway, who wrote about the fight), Battling Siki, employing his trademark “windmill” punch, fought and defeated the reigning world and European light heavyweight champion, Georges Carpentier. The colorful Siki spent a fortune partying and carousing, was arrested for firing a pistol in the air, and was frequently seen on the streets of Paris, dressed in flashy clothes, walking his pet lion cubs on a leash. But he also provoked a scandal by exposing the corruption of the fight game in France, spoke out boldly against racisim, and was arrected for deliberately defying the code of racial segregation in the American South. Siki’s flamboyant image was largely created by newsmen. In fact, the real Siki, while he did certainly like to party, was also an intelligent and socially conscious person, who detested the media’s image of him as a simple-minded drunken savage. Offers rushed in for him to fight in the United States, maybe even against Jack Dempsey. But in a move many have called one of the strangest a fighter ever made, he fought Irishman Mike McTigue in Dublin on St. Patrick’s Day—and lost. After losing his European title he came to the United States and fought without much success. He continued to drink and get into street brawls. On the evening of December 15, 1925, at the age of twenty-eight, he was shot and killed in Hell’s Kitchen in what some claimed was a gangland execution. Peter Benson’s biography beautifully captures Battling Siki’s amazing boxing career and sheds new light on the scandal surrounding his marriages and public behavior, his alleged participation in ring fixes, and the mystery surrounding his death.

With its sharp focus on stardom during the 1920s, Idols of Modernity reveals strong connections and dissonances in matters of storytelling and performance that can be traced both backward and forward, across Europe, Asia, and the United States, from the silent era into the emergence of sound.

Bringing together the best new work oncinemaand stardom in the 1920s, this illustrated collection showcases the range of complex social, institutional, and aesthetic issues at work in American cinema of this time. Attentive to stardom as an ensemble of texts, contexts, and social phenomena stretching beyond the cinema, major scholars provide careful analysis of the careers of both well-known and now forgotten stars of the silent and early sound era—Douglas Fairbanks, Buster Keaton, the Talmadge sisters, Rudolph Valentino, Gloria Swanson, Clara Bow, Colleen Moore, Greta Garbo, Anna May Wong, Emil Jannings, Al Jolson, Ernest Morrison, Noble Johnson, Evelyn Preer, Lincoln Perry, and Marie Dressler.

In popular understanding, the Ku Klux Klan is a hateful white supremacist organization. In Ku Klux Kulture, Felix Harcourt argues that in the 1920s the self-proclaimed Invisible Empire had an even wider significance as a cultural movement.

Ku Klux Kulture reveals the extent to which the KKK participated in and penetrated popular American culture, reaching far beyond its paying membership to become part of modern American society. The Klan owned radio stations, newspapers, and sports teams, and its members created popular films, pulp novels, music, and more. Harcourt shows how the Klan’s racist and nativist ideology became subsumed in sunnier popular portrayals of heroic vigilantism. In the process he challenges prevailing depictions of the 1920s, which may be best understood not as the Jazz Age or the Age of Prohibition, but as the Age of the Klan. Ku Klux Kulture gives us an unsettling glimpse into the past, arguing that the Klan did not die so much as melt into America’s prevailing culture.

In Living Up to the Ads Simone Weil Davis examines commodity culture’s impact on popular notions of gender and identity during the 1920s. Arguing that the newly ascendant advertising industry introduced three new metaphors for personhood—the ad man, the female consumer, and the often female advertising model or spokesperson—Davis traces the emergence of the pervasive gendering of American consumerism.
Materials from advertising firms—including memos, manuals, meeting minutes, and newsletters—are considered alongside the fiction of Sinclair Lewis, Nella Larsen, Bruce Barton, F. Scott Fitzgerald, and Zelda Fitzgerald. Davis engages such books as Babbitt, Quicksand, and Save Me the Waltz in original and imaginative ways, asking each to participate in her discussion of commodity culture, gender, and identity. To illuminate the subjective, day-to-day experiences of 1920s consumerism in the United States, Davis juxtaposes print ads and industry manuals with works of fiction. Capturing the maverick voices of some of the decade’s most influential advertisers and writers, Davis reveals the lines that were drawn between truths and lies, seduction and selling, white and black, and men and women.
Davis’s methodology challenges disciplinary borders by employing historical, sociological, and literary practices to discuss the enduring links between commodity culture, gender, and identity construction. Living Up to the Ads will appeal to students and scholars of advertising, American studies, women’s studies, cultural studies, and early-twentieth-century American history.

Managing Their Own Affairs explores how Deaf organizations and institutions were forged in Australia during the early 20th century. During this period, deaf people challenged the authority of the dominant welfare organizations, or Deaf Societies, which were largely controlled by hearing people and run as charitable institutions. Breda Carty comprehensively documents the growth of the Australian Deaf community and Australian Deaf organizations for the first time. She focuses on both the political developments of the early 20th century and on the nature of the relationships between deaf and hearing people.
               During this time, deaf Australians aspired to manage their own affairs. They enjoyed some success by establishing “breakaways” from the Deaf Societies, and they also established an independent national organization, which was contested and ultimately suppressed by the Deaf Societies. These developments were influenced by wider social movements in Australian society, such as the mobilization of minority groups in their push for autonomy and equal rights. Although most of the breakaway Deaf organizations did not survive beyond the 1930s, they significantly affected the power structures and relationships between deaf and hearing people in Australia. The Australian Deaf community’s attempts to organize independently during these years have been largely erased from collective memory, making Carty’s examination a particularly important and necessary addition to the historical literature.

During the 1920s the Ku Klux Klan experienced a remarkable resurgence, drawing millions of American men and women into its ranks. In Not a Catholic Nation, Mark Paul Richard examines the KKK's largely ignored growth in the six states of New England—Connecticut, Maine, Massachusetts, New Hampshire, Rhode Island, and Vermont—and details the reactions of the region's Catholic population, the Klan's primary targets.

Drawing on a wide range of previously untapped sources—French-language newspapers in the New England–Canadian borderlands; KKK documents scattered in local, university, and Catholic repositories; and previously undiscovered copies of the Maine Klansmen—Richard demonstrates that the Klan was far more active in the Northeast than previously thought. He also challenges the increasingly prevalent view that the Ku Klux Klan became a mass movement during this period largely because it functioned as a social, fraternal, or civic organization for many Protestants. While Richard concedes that some Protestants in New England may have joined the KKK for those reasons, he shows that the politics of ethnicity and labor played a more significant role in the Klan's growth in the region.

The most comprehensive analysis of the Ku Klux Klan's antagonism toward Catholics in the 1920s, this book is also distinctive in its consideration of the history of the Canada–U.S. borderlands, particularly the role of Canadian immigrants as both proponents and victims of the Klan movement in the United States.

In 1922, the Chicago Tribune sponsored an international competition to design its new corporate headquarters. Both a serious design contest and a brilliant publicity stunt, the competition received worldwide attention for the hundreds of submissions—from the sublime to the ridiculous—it garnered.

In this lavishly illustrated book, Katherine Solomonson tells the fascinating story of the competition, the diverse architectural designs it attracted, and its lasting impact. She shows how the Tribune used the competition to position itself as a civic institution whose new headquarters would serve as a defining public monument for Chicago. For architects, planners, and others, the competition sparked influential debates over the design and social functions of skyscrapers. It also played a crucial role in the development of advertising, consumer culture, and a new national identity in the turbulent years after World War I.

During the 1920s, Mexico was caught in a diplomatic struggle between the ideologies of two strong states. In The Impossible Triangle Daniela Spenser explores the tangled relationship between Russia and Mexico in the years following their own dramatic revolutions, as well as the role played by the United States during this turbulent period. Bringing together Mexican, Soviet, and North American (as well as British) perspectives, Spenser shows how the convergence of each country’s domestic and foreign policies precluded them from a harmonious triangular relationship.
Based on documents from the archives of several nations—including reports by former Mexican diplomats in Moscow that have never before been studied—the book analyzes the Mexican government’s motivation for establishing relations with the Soviet Union in the face of continued imperialist pressure and harsh opposition from the United States. After explaining how Mexico established diplomatic ties with the Soviet Union in 1924 in an attempt to broaden the spectrum of its alliances after several years of uneven relations with the United States, Spenser reveals the troubled nature of the relationship that ensued. Soviet policy toward Mexico was characterized by a series of profound contradictions, varying from neglect to strong involvement in Mexican politics and the belief that Mexico could become a center of world revolution. Working to resolve and explain these contradictions, Spenser explores how, despite U.S. objections to Mexico’s relations with the Soviet Union, Mexico continued its association with the Soviets until the United States adopted the Good Neighbor Policy and softened its stance toward Mexico’s revolutionary program after 1927.
With a foreword by Friedrich Katz and illustrated by illuminating photographs, The Impossible Triangle contributes to an understanding of the international dimension of the Mexican revolution. It will interest students and scholars of history, revolutionary theory, political science, diplomacy, and international relations.