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Many children growing up in the Soviet Union before World War II knew the meaning of deprivation and dread. But for the son of an “enemy of the people,” those apprehensions were especially compounded.

When the secret police came for his father in 1938, ten-year-old Anatole Konstantin saw his family plunged into a morass of fear. His memoir of growing up in Stalinist Russia re-creates in vivid detail the daily trials of people trapped in this regime before and during the repressive years of World War II—and the equally horrific struggles of refugees after that conflict.

Evicted from their home, their property confiscated, and eventually forced to leave their town, Anatole’s family experienced the fate of millions of Soviet citizens whose loved ones fell victim to Stalin’s purges. His mother, Raya, resorted to digging peat, stacking bricks, and even bootlegging to support herself and her two children. How she managed to hold her family together in a rapidly deteriorating society—and how young Anatole survived the horrors of marginalization and war—form a story more compelling than any novel.

Looking back on those years from adulthood, Konstantin reflects on both his formal education under harsh conditions and his growing awareness of the contradictions between propaganda and reality. He tells of life in the small Ukrainian town of Khmelnik just before World War II and of how some of its citizens collaborated with the German occupation, lending new insight into the fate of Ukrainian Jews and Nazi corruption of local officials. And in recounting his experiences as a refugee, he offers a new look at everyday life in early postwar Poland and Germany, as well as one of the few firsthand accounts of life in postwar Displaced Persons camps.

A Red Boyhood takes readers inside Stalinist Russia to experience the grim realities of repression—both under a Soviet regime and German occupation. A moving story of desperate people in desperate times, it brings to life the harsh realities of the twentieth century for young and old readers alike.

Both a precursor to and a critical member of the French New Wave, Agnès Varda weaves documentary and fiction into tapestries that portray distinctive places and complex human beings. Critics and aficionados have celebrated Varda's independence and originality since the New Wave touchstone Cleo from 5 to 7 (1962) brought her a level of international acclaim she has yet to relinquish. Film historian Kelley Conway traces Varda's works from her 1954 debut La Pointe Courte through a varied career that includes nonfiction and fiction shorts and features, installation art, and the triumphant 2008 documentary The Beaches of Agnès . Drawing on Varda's archives and conversations with the filmmaker, Conway focuses on the concrete details of how Varda makes films: a project's emergence, its development and the shifting forms of its screenplay, the search for financing, and the execution from casting through editing and exhibition. In the process, she departs from film history's traditional view of the French New Wave and reveals one artist's nontraditional trajectory through independent filmmaking. The result is an intimate consideration that reveals the artistic consistencies and bold changes in the career of one of the world's most exuberant and intriguing directors.

In Syria, the image of President Hafiz al-Asad is everywhere. In newspapers, on television, and during orchestrated spectacles Asad is praised as the "father," the "gallant knight," even the country's "premier pharmacist." Yet most Syrians, including those who create the official rhetoric, do not believe its claims. Why would a regime spend scarce resources on a cult whose content is patently spurious?

Wedeen concludes that Asad's cult acts as a disciplinary device, generating a politics of public dissimulation in which citizens act as if they revered their leader. By inundating daily life with tired symbolism, the regime exercises a subtle, yet effective form of power. The cult works to enforce obedience, induce complicity, isolate Syrians from one another, and set guidelines for public speech and behavior. Wedeen's ethnographic research demonstrates how Syrians recognize the disciplinary aspects of the cult and seek to undermine them. Provocative and original, Ambiguities of Domination is a significant contribution to comparative politics, political theory, and cultural studies.

This collection of essays pays tribute to Philip Levine as teacher and mentor. Throughout his fifty-year teaching career, the Pulitzer Prize–winning Levine taught scores of younger poets, many of whom went on to become famous in their own right. These forty essays honor and celebrate one of our most vivid and gifted poets.
           

Whether in Fresno, New York, Boston, Detroit, or any of the other cities where Levine taught, his students benefited from his sharp, humorous honesty in the classroom. In these personal essays, poets spanning a number of generations reveal how their lives and work were forever altered by studying with Levine. The heartfelt tributes illuminate how one dedicated teacher’s intangible gifts can make a vast difference in the life of a developing poet, as well as providing insight into the changing tenor of the poetry workshop in the American university setting.

Contributors: Aaron Belz, Ciaran Berry, Paula Bohince, Shane Book, B. H. Boston, Xochiquetzal Candelaria, Colin Cheney, Michael Clifton, Michael Collier, Nicole Cooley, Kate Daniels, Blas Manuel De Luna, Kathy Fagan, Andrew Feld, Nick Flynn, Edward Hirsch, Sandra Hoben, Ishion Hutchinson, Lawson Fusao Inada, Dorianne Laux, Joseph O. Legaspi, Mark Levine, Larry Levis, Ada Limón, Elline Lipkin, Jane Mead, Dante Micheaux, Malena Mörling, John Murillo, Daniel Nester, Sharon Olds, January Gill O’Neil, Greg Pape, Kathleen Peirce, Sam Pereira, Jeffrey Skinner, Tom Sleigh, David St. John, Brian Turner, Robert Wrigley 

Explores Natalie Zemon Davis's concept of history as a dialogue, not only with the past, but with other historians.

Autobiography of jazz elder statesman Frank “Doc” Adams, highlighting his role in Birmingham, Alabama’s, historic jazz scene and tracing his personal adventure that parallels, in many ways, the story and spirit of jazz itself.

Doc tells the story of an accomplished jazz master, from his musical apprenticeship under John T. “Fess” Whatley and his time touring with Sun Ra and Duke Ellington to his own inspiring work as an educator and bandleader.

Central to this narrative is the often-overlooked story of Birmingham’s unique jazz tradition and community. From the very beginnings of jazz, Birmingham was home to an active network of jazz practitioners and a remarkable system of jazz apprenticeship rooted in the city’s segregated schools. Birmingham musicians spread across the country to populate the sidelines of the nation’s bestknown bands. Local musicians, like Erskine Hawkins and members of his celebrated orchestra, returned home heroes. Frank “Doc” Adams explores, through first-hand experience, the history of this community, introducing readers to a large and colorful cast of characters—including “Fess” Whatley, the legendary “maker of musicians” who trained legions of Birmingham players and made a significant mark on the larger history of jazz. Adams’s interactions with the young Sun Ra, meanwhile, reveal life-changing lessons from one of American music’s most innovative personalities.

Along the way, Adams reflects on his notable family, including his father, Oscar, editor of the Birmingham Reporter and an outspoken civic leader in the African American community, and Adams’s brother, Oscar Jr., who would become Alabama’s first black supreme court justice. Adams’s story offers a valuable window into the world of Birmingham’s black middle class in the days before the civil rights movement and integration. Throughout, Adams demonstrates the ways in which jazz professionalism became a source of pride within this community, and he offers his thoughts on the continued relevance of jazz education in the twenty-first century.

Interviews with the poet Philip Levine on the subject of his poetry

Edward Albee was a giant in American theater, in the same pantheon with Arthur Miller, Eugene O’Neill, and Tennessee Williams. His prolific career included three Pulitzer Prizes and the 2005 Lifetime Achievement Tony Award.

Albee continued producing major works for the theater into his eighties, including a prequel to The Zoo Story, which shocked the country when it first appeared in 1958—and his plays have seen major revivals on and off Broadway in recent years. Yet even with this resurgence of popularity, no up-to-date treatment of his plays is currently in print.

With engaging discussions of his most famous plays, such as Who’s Afraid of Virginia Woolf and Three Tall Women, as well as his lesser known works, this essential guide reveals the heart of Albee’s drama, highlighting the themes of sex, death, loneliness, and time that have occupied the playwright during his more than fifty years in the theater.

Toby Zinman is the theater critic for the Philadelphia Inquirer. She has written for numerous publications, including Variety,American Theater, and Theatre Journal. She is Professor of English at the University of the Arts, Philadelphia.

Holocaust survivor and Nobel Peace Laureate Elie Wiesel has long opposed the silence of bystanders that allows atrocities like the Holocaust to occur. Nevetheless, since the 1980's, Wiesel has come under criticism for his refusal to speak out about the State of Israel's treatment of Palestinian people.

Mark Chmiel's thoroughly researched and penetrating study is the first book to examine both Wiesel's practice of solidarity with suffering people and his silence before Israeli and American power. Drawing on Edward Herman and Noam Chomsky's studies on "worthy and unworthy victims," the author analyzes Wiesel's initiatives of Jewish and universal solidarity with groups ranging from Holocaust survivors and Russian Jews to Vietnamese boat people and Kosovar refugees.

Chmiel also critically engages Wiesel's long-standing defense of the State of Israel as well as his confrontations and collaborations with the U.S. government, including the birth of the U.S. Holocaust Memorial Museum, the 1985 Bitburg affair with President Reagan, and U.S. intervention in the Balkans.

Throughout, the author probes the nuances and ambiguities of Wiesel's human rights activism and shows the various uses to which his Holocaust discourse has been put, both in the Middle East conflict and in issues involving U.S. foreign policy.

Elie Wiesel and the Politics of Moral Leadership provides a provocative view of one of the most acclaimed moralists in recent American history and raises important questions about what it means to be a responsible intellectual in the United States.

Fredrik Barth, editor of the influential Ethnic Groups and Boundaries, is one of the towering figures of twentieth-century anthropology. In this accessible but penetrating intellectual biography, Thomas Hylland Eriksen explores Barth’s six-decade career, following Barth from his early ecological studies in Pakistan to political studies in Iran, to groundbreaking fieldwork in Norway, New Guinea, Bali, and Bhutan. Along the way, Eriksen raises many of the questions that emerge from Barth’s own work: questions of unity and diversity, of culture and relativism, and of art and science. This will surely be the definitive biography of Barth for many years to come.

George W. Stocking, Jr., has spent a professional lifetime exploring the history of anthropology, and his findings have shaped anthropologists’ understanding of their field for two generations. Through his meticulous research, Stocking has shown how such forces as politics, race, institutional affiliations, and personal relationships have influenced the discipline from its beginnings. In this autobiography, he turns his attention to a subject closer to home but no less challenging. Looking into his own “black box,” he dissects his upbringing, his politics, even his motivations in writing about himself. The result is a book systematically, at times brutally, self-questioning.
    An interesting question, Stocking says, is one that arouses just the right amount of anxiety. But that very anxiety may be the ultimate source of Stocking’s remarkable intellectual energy and output. In the first two sections of the book, he traces the intersecting vectors of his professional and personal lives. The book concludes with a coda, “Octogenarian Afterthoughts,” that offers glimpses of his life after retirement, when advancing age, cancer, and depression changed the tenor of his reflections about both his life and his work.
    This book is the twelfth and final volume of the influential History of Anthropology series.

These essays and interviews from 1970-76 are lively, pointed, often polemical. They derive from a unified point of view about creativity and about the function of poetry. For the interested reader they can provide a key to the universe of the contemporary poet. In this work, Donald Hall speaks in a conversational way about his poetry and about his poetic wishes, endeavors, failures, and successes.

Interventions into Modernist Cultures is a comparative analysis of the cultural politics of modernist writing in the United States and Taiwan. Amie Elizabeth Parry argues that the two sites of modernism are linked by their representation or suppression of histories of US imperialist expansion, Cold War neocolonial military presence, and economic influence in Asia. Focusing on poetry, a genre often overlooked in postcolonial theory, she contends that the radically fragmented form of modernist poetic texts is particularly well suited to representing U.S. imperialism and neocolonial modernities.

Reading various works by US expatriates Ezra Pound and Gertrude Stein, Parry compares the cultural politics of U.S. canonical modernism with alternative representations of temporality, hybridity, erasure, and sexuality in the work of the Taiwanese writers Yü Kwang-chung and Hsia Yü and the Asian American immigrant author Theresa Hak Kyung Cha. Juxtaposing poems by Pound and Yü Kwang-chung, Parry shows how Yü’s fragmented, ambivalent modernist form reveals the effects of neocolonialism while Pound denies and obscures U.S. imperialism in Asia, asserting a form of nondevelopmental universalism through both form and theme. Stein appropriates discourses of American modernity and identity to represent nonnormative desire and sexuality, and Parry contrasts this tendency with representations of sexuality in the contemporary experimental poetry of Hsia Yü. Finally, Parry highlights the different uses of modernist forms by Pound in his Cantos—which incorporate a multiplicity of decontextualized and ahistorical voices—and by Cha in her 1982 novel Dictee, a historicized, multilingual work. Parry’s sophisticated readings provide a useful critical framework for apprehending how “minor modernisms” illuminate the histories erased by certain canonical modernist texts.

When seven-year-old Dave Lowell was camped out at his father’s mine in the hills of southern Arizona in 1935, he knew he had found his calling. “Life couldn’t get any better than this,” he recalls. “I didn’t know what science was, but wisps of scientific thought were already working into my plan.” So began the legendary career of the engineer, geologist, explorer, and international businessman whose life is recounted in his own words in this captivating book.

An Arizona native with family roots in territorial times, Lowell grew from modest beginnings on a ranch near Nogales to become a major world figure in the fields of minerals, mining, and economic geology. He has personally discovered more copper than anyone in history and has developed multibillion-dollar gold and copper mines that have changed the economies of nations. And although he has consulted for corporations in the field of mining, he has largely operated as an independent agent and explorer, the architect of his own path and success.

His life’s story unfolds in four stages: his early education in his field, on-the-job learning at sites in the United States and Mexico, development of exploration strategies, and finally, the launch of his own enterprises and companies. Recurring themes in Lowell’s life include the strict personal, ethical, and tactical policies he requires of his colleagues; his devotion to his family; and his distaste for being away from the field in a corporate office, even to this day. The magnitude of Lowell’s overall success is evident in his list of mine discoveries, as well as in his scientific achievements and the enormous respect his friends and colleagues have had for him throughout his lengthy career, which he continues to zealously pursue.

To succeed as an actor is a rare feat. To succeed as a deaf actor is nothing short of amazing. Lessons in Laughter is the story of Bernard Bragg and his astonishing lifelong achievements in the performing arts.

Born deaf of deaf parents, Bernard Bragg has won international renown as an actor, director, playwright, and lecturer. Lessons in Laughter recounts in stories that are humorous, painful, touching, and outrageous, the growth of his dream of using the beauty of sign language to act. He starred in his own television show “The Quiet Man,” helped found The National Theatre of the Deaf, and traveled worldwide to teach his acting methods.

An engaging and intimate collection by an American original

Still on Call is the sixth and final collection of critically acclaimed novelist and educator Richard Stern. "Orderly miscellany" is the author's term for this aggregation of reflections, essays, reviews, reportage, commentary, and observations on writing and fellow writers, life, and contemporary culture.

The collection's three sections, Coasting, Posting, and Hosting, contain pieces that range from reflections on becoming a writer in the 1940s to assessments of such major writers and close colleagues as Saul Bellow, and Donald Justice to topical offerings from Stern's popular blog for the New Republic.

This wide-ranging collection is intended as the culmination of sixty years of the writing life but, first and foremost, as provocative entertainment. Stern is a prolific writer, and this selection of some of his highest-quality writing both educates and enthralls.

Richard Stern is the Helen A. Regenstein Emeritus Professor of English and of the Humanities at the University of Chicago and the author of nineteen works of fiction and nonfiction. His books include the novels A Father's Words and Golk, and, most recently, the collection What Is What Was. Stern has been the subject of two books: The Writings of Richard Stern: The Education of an Intellectual Everyman by David Garret Izzo and Richard Stern by James Schiffer.

In 1992, the voters of Colorado passed a ballot initiative amending the state constitution to prevent the state or any local government from adopting any law or policy that protected a person with a homosexual, lesbian, or bisexual orientation from discrimination. This amendment was immediately challenged in the courts as a denial of equal protection of the laws under the United States Constitution. This litigation ultimately led to a landmark decision by the United States Supreme Court invalidating the Colorado ballot initiative. Suzanne Goldberg, an attorney involved in the case from the beginning on behalf of the Lambda Legal Defense and Education Fund, and Lisa Keen, a journalist who covered the initiative campaign and litigation, tell the story of this case, providing an inside view of this complex and important litigation.
Starting with the background of the initiative, the authors tell us about the debates over strategy, the court proceedings, and the impact of each stage of the litigation on the parties involved. The authors explore the meaning of legal protection for gay people and the arguments for and against the Colorado initiative.
This book is essential reading for anyone interested in the development of civil rights protections for gay people and the evolution of what it means to be gay in contemporary American society and politics. In addition, it is a rich story well told, and will be of interest to the general reader and scholars working on issues of civil rights, majority-minority relations, and the meaning of equal rights in a democratic society.
Suzanne Goldberg is an attorney with the Lambda Legal Defense and Education Fund. Lisa Keen is Senior Editor at the Washington Blade newspaper.

As you wind your way up the Catalina Highway, it doesn’t matter whether you’re a first-time visitor or a native Tucsonan; you know you’re on the way to someplace special.

The Santa Catalina Mountains first captivated Tony Zimmerman on a 1937 hunting trip. Regard for the alpine beauty must have been in his genes—he was the son of Swiss German immigrants—and by 1940 the Tucson schoolteacher had begun taking his family to Mount Lemmon to spend the summer. Back then, the road up the mountain was a rough two-track dirt road from Oracle, and Summerhaven was nothing but a sleepy cluster of summer cabins. But Tony Zimmerman was to help change all of that.

The Road to Mount Lemmon is a beguiling memoir of the Catalina Mountains told by the daughter of one of the pioneers in the life and development of Mount Lemmon’s communities. Mary Ellen Barnes tells how her father Tony resigned from teaching in 1943 to devote his career to the development of this mountain oasis. He not only sold real estate for long time landowner Randolph Jenks, he even bought the village’s tiny two-room store, installing a sawmill to build a larger store, and built the Mount Lemmon Inn. And as she spins Tony’s personal saga, she also gives readers a glimpse of the Catalinas before Tucson became a boom town, recalling idyllic adventures in wild country and the cowboys, rangers, ranchers, and loggers who worked there.

Barnes tells Tony’s story as if sharing it with family, evoking her father’s personality on every page. The Road to Mount Lemmon is an intimate view of a mountain community over the course of nearly sixty years—a view that few people have shared but one all can appreciate.

Howard S. Becker is a name to conjure with on two continents —in the United States and in France. He has enjoyed renown in France for his work in sociology, which in the United States goes back more than fifty years to pathbreaking studies of deviance, professions, sociology of the arts, and a steady stream of books and articles on method. Becker, who lives part of the year in Paris, is by now part of the French intellectual scene, a street-smart jazz pianist and sociologist who offers an answer to the stifling structuralism of Pierre Bourdieu.

French fame has brought French analysis, including The Sociology of Howard S. Becker, written by Alain Pessin and translated into English by Steven Rendall. The book is an exploration of Becker’s major works as expressions of the freedom of possibility within a world of collaborators. Pessin reads Becker’s work as descriptions and ideas that show how society can embody the possibilities of change, of doing things differently, of taking advantage of opportunities for free action. The book is itself a kind of collaboration—Pessin and Becker in dialogue. The Sociology of Howard S. Becker is a meeting of two cultures via two great sociological minds in conversation.

Undercurrents recounts the life and career of John Byrne, who started as a geologist at an oil company and retired as president of a major land grant university. He came to Oregon State in 1960 as a faculty member, later becoming department chair, dean, director of the Hatfield Marine Science Center, and vice president for Research and Graduate Studies. Along the way, he took leave from the university to serve the US government, first as a program director for oceanography at the National Science Foundation, and later as the administrator of the National Oceanic and Atmospheric Administration, before returning to OSU in 1984 as its twelfth president.

As president of OSU, John Byrne used the lessons learned in industry and government to guide the university through a period of turbulence caused by severe state budget restrictions. During this period of economic contraction, OSU continued under Byrne’s leadership to grow in programs, facilities, and external funding. Byrne was one of the first to introduce Total Quality Management techniques to higher education. He emphasized the importance of international education and was a supporter of significant academic reform in higher education.

While focusing on his professional career, Byrne’s memoir also shares personal stories of a childhood and youth shaped by the Great Depression and World War II. Undercurrents demonstrates on every page the curiosity, intellect, and humanity that made John Byrne successful as a scientist, educator, and administrator. Anyone pursuing a career in science or academia, and anyone interested in the history and legacy of land grant universities will welcome this richly detailed and warmly written account of Byrne’s career.

At eighty-seven, Patricia Wilde remains a grande dame of the ballet world. As a young star she toured America in the company of the Ballet Russe. In her heyday in the 1950s and ’60s, she was a first-generation member and principal dancer of New York City Ballet during the uniquely dramatic Balanchine era—the golden age of the company and its hugely gifted, influential, exploitative, and dictatorial director. In Wilde Times, Joel Lobenthal brings the world of Wilde and Balanchine, of Tanaquil Le Clercq, Diana Adams, Suzanne Farrell, Maria Tallchief, and many others thrillingly to life. With unfettered access to Wilde and her family, friends, and colleagues, Lobenthal takes the reader backstage to some of the greatest ballet triumphs of the modern era—and some of the greatest tragedies. Through it all Patricia Wilde emerges as a figure of towering strength, grace, and grit. Wilde Times is the first biography of this seminal figure in American dance, written with the cooperation of the star, but wide-ranging in its use of sources to tell the full and intertwining stories of the development of Wilde, of Balanchine, and of American national ballet at its peak in the twentieth century.

For over thirty years Schubert Ogden has championed and exemplified a particular understanding of the task and content of Christian theology. The task of theology is to examine the meaning and truth of Christian faith in terms of human experience. All theological claims, therefore, are assessable by two criteria: their appropriateness to the normative Christian witness and their credibility in terms of human existence. The content of Christian theology may be accurately and succinctly stated in two words: radical monotheism. The point of all theological doctrines, from christology to ethics, is to reflect on the gift and demand of God's love. It may be said, then, that Ogden's entire theological project consists in the attempt to show that radical monotheism, which is the essential point of the Christian witness, is also the inclusive end of human existence.

Witness and Existence pays tribute to Ogden by bringing together essays by eminent scholars in New Testament studies and philosophical theology, two fields which directly reflect his methodological concerns and his substantive contributions. The book honors Ogden precisely by engaging the fundamental issues which Ogden himself has taken so seriously.

The first group of essays presents careful analyses of issues basic to the early Christian witness; the second group examines the credibility of the Christian claim about God in terms of human experience. The editors' introductory essay provides the first comprehensive analysis yet to appear of Ogden's theology. A complete bibliography of his published writings is included as an appendix.