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2 books match the query '1950 - 1970'
Advances in the Zoology of Tapeworms, 1950-1970
Robert A. Wardle
University of Minnesota Press, 0
This volume is a sequel to the comprehensive study by Professors Robert A. Wardle and James A. McLeod, The Zoology of Tapeworms, published by the University of Minnesota Press in 1952. The new book is based on research and publications which have become available since the earlier volume was published.
While much of the information in the earlier book was devoted to the identification, description, and classification of families, genera, and species, research efforts in the last two decades have been focused in new directions. Although some researchers have been engaged in revising the original classification in the light of new findings, others have been exploring specificity, serology, and genetics, and have undertaken studies of host-parasite relationships, pathogenesis, and therapeutics in the treatment of tapeworm infestation. These investigations have been facilitated by laboratory techniques which were not available for earlier studies.Following introductory chapters on the recent expansion of tapeworm research and the phylogeny of tapeworms, the authors devote a chapter each to 21 orders of tapeworms. The material is based on a survey of the literature including more than 2,000 papers on tapeworm zoology published since 1950. Chapters on laboratory propagation and on therapeutics complete the text, and there is an extensive list of references. Many drawings illustrate the text.
Figuration Never Died
New York Painterly Painting, 1950–1970Karen Wilkin
The Artist Book Foundation, 2020
By 1950, forward-looking New York painting was seen as synonymous with abstraction, especially charged, gestural Abstract Expressionism. But there was also a strong group of dissenters; artists, all born in the 1920s and many of them students of Hans Hofmann, who never lost their enthusiasm for recognizable imagery, without rejecting Abstract Expressionism's love of malleable oil paint. Although most of them began as abstract artists, they all evolved into painters working from observation, using a fluid, urgent touch to translate their perceptions into eloquent, highly individualized visual languages, almost always informed by the hand; that is, unlike the Color Field and Minimalist artists, these artists remained, for the most part, "painterly" painters. In light of their important contributions to twentieth-century American art, The Artist Book Foundation presents the cataloge for the Brattleboro Museum & Art Center's eponymous 2020 exhibition, Figuration Never Died: New York Painterly Painting, 1950–1970.
These rebellious artists include Lois Dodd, Jane Freilicher, Paul Georges, Grace Hartigan, Wolf Kahn, Alex Katz, Albert Kresch, Robert de Niro Sr., Paul Resika, and Anne Tabachnick. The compelling figurative work they made between about 1950 and 1970, in contrast to the prevailing Abstract Expressionism of the time, constitutes a significat chapter in the history of recent American Modernism. Their work not only greatly expands our conception of the story of New York painting, but it also presages and contextualizes today's multiplicity of artistic concepts and processes. Given both the aesthetic diversity of today's New York art world and the dependence of many younger artists on digital media or the appearance of digital media, it seems an appropriate moment to reconsider the work of these daring pioneers, as both precursor and opposition to current norms.