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In National Past-Times, Ann Anagnost explores the fashioning and refashioning of modern Chinese subjectivity as it relates to the literal and figurative body of the nation. In essays revealing the particular temporality of the modern Chinese nation-state, Anagnost examines the disparate eras of its recent past and its propensity for continually looking backward in order to face the future.
Using interviews and participant observation as well as close readings of official documents, propaganda materials, and popular media, Anagnost notes the discontinuities in the nation’s narrative—moments where this narrative has been radically reorganized at critical junctures in China’s modern history. Covering a broad range of issues relating to representation and power—issues that have presented themselves with particular clarity in the years since the violent crackdown on the student movement of 1989—National Past-Times critiques the ambiguous possibilities produced by the market, as well as new opportunities for "unfreedom" in the discipline of labor and the commodification of women. Anagnost begins with a retrospective reflection on the practice of "speaking bitterness" in socialist revolutionary practice. Subsequent essays discuss the culture debates of the 1980s, the discourse of social disorder, the issue of population control, the film The Story of Qiu Ju, and anomalies at the theme park "Splendid China."

Few countries have been so transformed in recent decades as China. With a dynamically growing economy and a rapidly changing social structure, China challenges the West to understand the nature of its modernization. Using postmodernism as both a global frame of periodization and a way to break free from the rigid ideology of westernization as modernity, this volume’s diverse group of contributors argues that the Chinese experience is crucial for understanding postmodernism.
Collectively, these essays question the implications of specific phenomena, like literature, architecture, rock music, and film, in a postsocialist society. Some essays address China’s complicity in—as well as its resistance to—the culture of global capitalism. Others evaluate the impact of efforts to redefine national culture in terms of enhanced freedoms and expressions of the imagination in everyday life. Still others discuss the general relaxation of political society in post-Mao China, the emergence of the market and its consumer mass culture, and the fashion and discourse of nostalgia. The contributors make a clear case for both the historical uniqueness of Chinese postmodernism and the need to understand its specificity in order to fully grasp the condition of postmodernity worldwide. Although the focus is on mainland China, the volume also includes important observations on social and cultural realities in Hong Kong and Taiwan, whose postmodernity has so far been confined—in both Chinese and English-speaking worlds—to their economic and consumer activities instead of their political and cultural dynamism.
First published as a special issue of boundary 2, Postmodernism and China includes seven new essays. By juxtaposing postmodernism with postsocialism and by analyzing China as a producer and not merely a consumer of the culture of the postmodern, it will contribute to critical discourses on globalism, modernity, and political economics, as well as to cultural and Asian studies.

Contributors. Evans Chan, Arif Dirlik, Dai Jinhua, Liu Kang, Anthony D. King, Jeroen de Kloet, Abidin Kusno, Wendy Larson, Chaoyang Liao, Ping-hui Liao, Sebastian Hsien-hao Liao, Sheldon Hsiao-peng Lu, Wang Ning, Xiaobing Tang, Xiaoying Wang, Chen Xiaoming, Xiaobin Yang, Zhang Yiwu, Xudong Zhang

In Postsocialism and Cultural Politics, Xudong Zhang offers a critical analysis of China’s “long 1990s,” the tumultuous years between the 1989 Tiananmen Square crackdown and China’s entry into the World Trade Organization in 2001. The 1990s were marked by Deng Xiaoping’s market-oriented reforms, the Taiwan missile crisis, the Asian financial crisis, and the end of British colonial rule of Hong Kong. Considering developments including the state’s cultivation of a market economy, the aggressive neoliberalism that accompanied that effort, the rise of a middle class and a consumer culture, and China’s entry into the world economy, Zhang argues that Chinese socialism is not over. Rather it survives as postsocialism, which is articulated through the discourses of postmodernism and nationalism and through the co-existence of multiple modes of production and socio-cultural norms. Highlighting China’s uniqueness, as well as the implications of its recent experiences for the wider world, Zhang suggests that Chinese postsocialism illuminates previously obscure aspects of the global shift from modernity to postmodernity.

Zhang examines the reactions of intellectuals, authors, and filmmakers to the cultural and political conflicts in China during the 1990s. He offers a nuanced assessment of the changing divisions and allegiances within the intellectual landscape, and he analyzes the postsocialist realism of the era through readings of Mo Yan’s fiction and the films of Zhang Yimou. With Postsocialism and Cultural Politics, Zhang applies the same keen insight to China’s long 1990s that he brought to bear on the 1980s in Chinese Modernism in the Era of Reforms.

This book addresses, as few books in English have, a broad range of topics pertaining to China's expanding media and telecommunications systems. American and Chinese experts in journalism, communication, government, and political science use fieldwork, including participant observations, surveys, and in-depth interviews conducted within media organizations, to provide richly detailed analyses of the issues and of the changing face of media in China.

How did a self-centered "me generation" engage in a student movement that developed into the largest urban protest in modern Chinese history? Searching for Life's Meaning explores the profound changes in the beliefs and values of Chinese youth that occurred during the 1980s and that ultimately led to the confrontation in Tiananmen Square in 1989.
Drawing on his own experience as a teacher at Capital Normal University in Beijing, China during the 1980s, as well as exhaustive research, Luo Xu investigates the social and political climate of 1980s China in order to help better define the culture that ultimately drove the events at Tiananmen. Supporting his arguments with solid primary source documents, Xu contends that the contemplation of the meaning of life, along with other philosophical questions, were integral components of the general social crisis leading up to the movement of 1989.
Elegantly written and accessible to a general readership, this study will also be useful to specialists. Searching for Life's Meaning is a concise but detailed introduction to the mentalities of the Chinese generation presently assuming leadership in China. It should be valuable reading in courses on Chinese history and politics, and will be of interest to scholars in the related fields of Asian studies, anthropology, cultural studies, and youth studies. The book will also appeal to business- people and other professionals concerned with managing relations with the world's fastest growing polity.
Luo Xu is Assistant Professor of History, State University of New York College at Cortland.

"Tsou, one of the country's senior and most widely respected China scholars, has for more than a generation been producing timely and deeply informed essays on Chinese politics as it develops. Eight of these (from a wide variety of sources) are gathered here with a substantial new introduction. Tsou considers events not simply from the point of view of a widely read political scientist (even political philosopher) and a concerned Chinese, but also in the light of history, the dynamics of Marxism-Leninism, individual personalities, and humane realism."—Charles W. Hayford, Library Journal

Competing in the 1986 National College Games of the People's Republic of China, Susan Brownell earned both a gold medal in the heptathlon and fame throughout China as "the American girl who won glory for Beijing University." Now an anthropologist, Brownell draws on her direct experience of Chinese athletics in this fascinating look at the culture of sports and the body in China.

Training the Body for China is the first book on Chinese sports based on extended fieldwork by a Westerner. Brownell introduces the notion of "body culture" to analyze Olympic sports as one element in a whole set of Chinese body practices: the "old people's disco dancing" craze, the new popularity of bodybuilding (following reluctant official acceptance of the bikini), mass calisthenics, martial arts, military discipline, and more.

Translating official and dissident materials into English for the first time and drawing on performance theory and histories of the body, Brownell uses the culture of the body as a focal point to explore the tensions between local and global organizations, the traditional and the modern, men and women. Her intimate knowledge of Chinese social and cultural life and her wide range of historic examples make Training the Body for China a unique illustration of how gender, the body, and the nation are interlinked in Chinese culture.

Whither China? presents an in-depth and wide-angled picture of Chinese intellectual life during the last decade of the millennium, as China struggled to move beyond the shadow of the Tiananmen tragedy. Because many cultural and intellectual paradigms of the previous decade were left in ruins by that event, Chinese intellectuals were forced in the early 1990s to search for new analytical and critical frameworks. Soon, however, they found themselves engulfed by tidal waves of globalization, surrounded by a new social landscape marked by unabashed commodification, and stunned by a drastically reconfigured socialist state infrastructure.
The contributors to Whither China? describe how, instead of spearheading the popular-mandated and state-sanctioned project of modernization, intellectuals now find themselves caught amid rapidly changing structures of economic, social, political, and cultural relations that are both global in nature and local in an irreducibly political sense. Individual essays interrogate the space of Chinese intellectual production today, lay out the issues at stake, and cover major debates and discursive interventions from the 1990s. Those who write within the Chinese context are joined by Western observers of contemporary Chinese cultural and intellectual life. Together, these two groups undertake a truly international intellectual struggle not only to interpret but to change the world.

Contributors. Rey Chow, Zhiyuan Cui, Michael Dutton, Gan Yang, Harry Harootunian, Peter Hitchcock, Rebecca Karl, Louisa Schein, Wang Hui, Wang Shaoguang, Xudong Zhang