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11 books match the query '1977-'

cover of Art, Theory, Revolution: The Turn to Generality in Contemporary Literature

Art, Theory, Revolution

The Turn to Generality in Contemporary Literature

Mitchum Huehls

The Ohio State University Press, 2022

Can form be political? Do specific aesthetic and literary forms necessarily point us toward a progressive or reactionary politics? Artists, authors, and critics like to imagine so, but what happens when they lose control of the politics of their forms? In Art, Theory, Revolution: The Turn to Generality in Contemporary Literature, Mitchum Huehls argues that art’s interest in revolution did not end with the twentieth century, as some critics would have it, but rather that the relationship between literary forms and politics has been severed, resulting in a twenty-first century investment in forms of generality such as genre, gesture, constructivism, and abstraction. Focusing on three particular domains (art, theory, and revolution) in which the relationship between form and politics has collapsed, Huehls shows how twenty-first-century US fiction writers such as Chris Kraus, Percival Everett, Jonathan Safran Foer, Rachel Kushner, Salvador Plascencia, and Sheila Heti are turning to forms of generality that lead us toward a more modest, ad hoc, context-dependent way to think about the politics of form. The result is the first major study of generality in literature.
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cover of Becoming Anna

Becoming Anna

Anna J. Michener

University of Chicago Press, 1998

Becoming Anna is the poignant memoir of the first sixteen years in the life of Anna Michener, a young woman who fought a painful battle against her abusive family. Labeled "crazy girl" for much of her childhood, Anna suffered physical and emotional damage at the hands of the adults who were supposed to love and protect her. Committed to various mental institutions by her family, at sixteen Anna was finally able to escape her chaotic home life and enter a foster home. As an effort toward recovery and self-affirmation as well as a powerful plea on behalf of other abused children, Anna wrote this memoir while the experience was fresh and the emotions were still raw and unhealed. Her story is a powerful tale of survival.

"A teen's raw, in-your-face chronicle of events almost as they were happening. As such, it's unforgettable. . . . Michener's story gives voice to the thousands of children and adolescents trapped in 'the system,' biding their time until their 18th birthdays. A candid and unstinting tell-all."—Kirkus Reviews

"Extraordinary. . . . Michener's expressive writing does justice to a topic that is clearly very disturbing to her personally and communicates a profoundly important message on behalf of all abused and neglected children."—Booklist

"An important book, painful to read, but essential if other children in similar situations are to be saved."—Library Journal

"An innocent child's account of 16 years in hell and of the terrible wrongs inflicted on children who are without rights or caring advocates."—Choice

"[Michener] emerges as a compelling and courageous advocate for children and their welfare—she's a young writer with an extraordinary voice."Feminist Bookstore News

"Quite simply one of the best, most compelling, well-written autobiographies published in years. . . . Remember the name. We have not heard the last of Anna Michener."—Myree Whitfield, Melbourne Herald-Sun, cover story

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cover of Democracy without Associations: Transformation of the Party System and Social Cleavages in India

Democracy without Associations

Transformation of the Party System and Social Cleavages in India

Pradeep K. Chhibber

University of Michigan Press, 2001

India's party system has undergone a profound transformation over the last decade. The Congress Party, a catch-all party that brought independence in 1947 and governed India for much of the period since then, no longer dominates the electoral scene. Political parties which draw support from particular caste and religious groups are now more powerful than ever before. Democracy Without Associations explains why religious and caste-based political parties come to dominate the electoral landscape in 1990s India and why catch-all parties have declined. Arguing that political parties and state policy can make some social divisions more salient than others and also determine how these divisions affect the political system, the author offers an explanation for the relationship between electoral competition and the politicization of social differences in India. He notes that the relationship between social cleavages and the party system is not axiomatic and that political parties can influence the links they have to social cleavages. The argument developed for India is also used to account for emergence of class-based parties in Spain and the electoral success of a religious party in Algeria.
Democracy Without Associations will interest scholars and students of Indian politics, and party politics, as well as those interested in the impact of social divisions on the political system.
Pradeep K. Chhibber is Assistant Professor of Political Science and Associate Director, Center for South and Southeast Asian Studies, University of Michigan.
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cover of Emo: How Fans Defined a Subculture

Emo

How Fans Defined a Subculture

Judith May Fathallah

University of Iowa Press, 2020

For many, the word “emo” calls to mind angsty teenagers, shaggy black haircuts, and skinny jeans. A popular music phenomenon in the early 2000s, emo is short for “emotional hardcore,” and refers to both a music genre and a youth scene notable for its androgynous style. Judith May Fathallah pushes beyond the stereotypes and social stigma to explore how online fandom has shaped the definition of emo, with significant implications both for millennial constructs of gender and for contemporary fan studies.

First laying out the debate over what emo is, Fathallah walks superfans and newcomers through the culture surrounding thegenre’s major bands, including the emo holy trinity: My Chemical Romance, Fall Out Boy, and Panic! At the Disco. Next she examines fans’ main mode of participation in the emo subculture—online communities such as LiveJournal, Tumblr, MySpace, and band websites. Taking a hard look at the gender politics that dominated those spaces, she unearths a subculture that simultaneously defines itself by its sensitivity and resistance to traditional forms of masculinity, yet ruthlessly enforces homophobic and sexist standards. Fathallah demonstrates fandom’s key role in defining emo as a concept and genre after 2001, with probing insight into its implications for gender constructions through popular music.

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cover of Ibsen Apocalypse: Vegard Vinge and Ida Müller’s Six-Hundred-Year Mission to Raise the Ghosts of Modernity

Ibsen Apocalypse

Vegard Vinge and Ida Müller’s Six-Hundred-Year Mission to Raise the Ghosts of Modernity

Andrew Friedman

Northwestern University Press, 2026

Presenting a groundbreaking account of an audacious theatrical undertaking

Created by the Norwegian/German duo of Vegard Vinge and Ida Müller, the Ibsen-Saga (2006–present) is a six-hundred-year project to restage Henrik Ibsen’s entire oeuvre. Andrew Friedman presents a groundbreaking historical narrative of this project’s development and dramaturgy, through the theories and practices of modernism’s most influential and controversial artists, including Henrik Ibsen, Richard Wagner, F. T. Marinetti, Erwin Piscator, and Jackson Pollock. Vinge and Müller treat Ibsen’s plays as the urtexts of a mythical struggle between artistic vision and material limits, which they explore through analogous narratives ranging from Hamlet to World Cup soccer matches, all unified by a singular aesthetic that juxtaposes totalizing fiction and extreme reality. As Friedman shows, they mythologize Ibsen’s themes of artistic ambition to resurrect and test modernism’s fantasies of artistic autonomy, totality, creative license, and provocation.

By reading Vinge and Müller’s project through its modernist inspirations, Friedman demonstrates the material and ethical limits of modernist ideals in current theatrical practice, providing new perspectives on the legacy of these pioneering figures. Ibsen Apocalypse is a bold, cross-disciplinary reappraisal of the persistent power of modernity in contemporary performance.
 

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cover of Identity, Development, and the Politics of the Past: An Ethnography of Continuity and Change in a Coastal Ecuadorian Community

Identity, Development, and the Politics of the Past

An Ethnography of Continuity and Change in a Coastal Ecuadorian Community

Bauer

University Press of Colorado, 2018

Combining personal narrative and ethnography, Identity, Development, and the Politics of the Past examines cultural change in a rural Ecuadorian fishing village where the community has worked to stake claim to an Indigenous identity in the face of economic, social, and political integration. By documenting how villagers have reconstructed their identity through the use of archaeology and political demarcation of territory, author Daniel Bauer shows that ethnicity is part of a complex social matrix that involves politics, economics, and history.
 
Residents in the coastal community of Salango pushed for formal recognition of Indigenous identity while highlighting their pre-Hispanic roots in order to make claims about cultural continuity and ancestrality. Bauer considers the extent to which the politics of identity is embedded in the process of community-based development, paying close attention to how local conceptions of identity and residents’ ideas about their own identity and the identities of others fit within the broader context of Ecuadorian and Latin American notions of mestizaje. He emphasizes ethnogenesis and the fluid nature of identity as residents reference prehistory and the archaeological record as anchor points for claims to an Indigenous ethnic identity.
 
Identity, Development, and the Politics of the Past moves beyond existing studies that center on questions of authenticity and instead focuses on the ways people make claims to identity. This book makes a significant contribution to the growing body of literature on the Ecuadorian coast and directs scholars who focus on Ecuador to expand their focus beyond the highland and Amazonian regions. It will be of interest to students and scholars of Latin American studies, anthropology, ethnology, economic development, and ethnic identity.
 
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cover of Meeting Tom Brady: One Man's Quest for Truth, Enlightenment, and a Simple Game of Catch with the Patriots Quarterback

Meeting Tom Brady

One Man's Quest for Truth, Enlightenment, and a Simple Game of Catch with the Patriots Quarterback

Richard J. King

University Press of New England, 2015

Imagine that you are an average American man. You work hard and love football. Your present is a highway of unbounded opportunity, your future a far horizon unclouded by doubt. Then comes middle age. Who can you look to when the highway begins to crack, when opportunity shrinks to the size of a cubicle, and the horizon looms close? For Richard J. King, the answer is clear: Tom Brady. The legendary quarterback of the New England Patriots is not just a four-time Super Bowl champion, three-time MVP, and certain Hall of Famer. He is a male epitome. Gifted but humble. Driven but balanced. Aging but youthful. Devoted to both career and family. At the pinnacle of success but somehow still one of us. If anyone can point the way to living a worthy life, Tom Brady can. And so, at the start of the 2013 football season, King sets off in an ’88 Volkswagen minibus in a time-honored quest to answer life’s pressing questions—and to meet his hero. From training camp to the playoffs, from Spy-gate to Deflate-gate, King takes us on a tour of stadiums and bars across the country. Along the way he talks with players, sportswriters, and Patriots management, and poses the existential question, “What would you ask Tom Brady?” Meeting Tom Brady is funny and wise, a memoir of an eventful season in both King’s life and Brady’s—a determined pursuit, with uncertain results.
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cover of Narratives, Nerdfighters, and New Media

Narratives, Nerdfighters, and New Media

Jennifer Burek Pierce

University of Iowa Press, 2020

For decades, we’ve been warned that video killed the radio star, and, more recently, that social media has replaced reading. Nerdfighteria, a first-of-its-kind online literary community with nearly three million members, challenges these assumptions. It is the brainchild of brothers Hank and John Green, who provide literary themed programming on their website and YouTube channel, including video clips from John, a best-selling author most famous for his young adult book, The Fault in Our Stars. These clips not only give fans personal insights into his works and the writing process writ large, they also provide unique access to the author, inspiring fans to create their own fan art and make connections with one another.

In the twenty-first century, reading and watching videos are related activities that allow people to engage with authors and other readers. Whether they turn to The Fault in Our Stars or titles by lesser-known authors, Nerdfighters are readers. Incorporating thousands of testimonials about what they read and why, Jennifer Burek Pierce not only sheds light on this particular online community, she also reveals what it tells us about the changing nature of reading in the digital age. In Nerdfighteria, we find a community who shows us that being online doesn’t mean disinterest in books.

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cover of The Molino: A Memoir

The Molino

A Memoir

Melani Martinez

University of Arizona Press, 2024

Southwest Books of the Year Top Pick

Set in one of Tucson’s first tamal and tortilla factories, The Molino is a hybrid memoir that reckons with one family’s loss of home, food, and faith.

Weaving together history, culture, and Mexican food traditions, Melani Martinez shares the story of her family’s life and work in the heart of their downtown eatery, El Rapido. Opened by Martinez’s great-grandfather, Aurelio Perez, in 1933, El Rapido served tamales and burritos to residents and visitors to Tucson’s historic Barrio Presidio for nearly seventy years. For the family, the factory that bound them together was known for the giant corn grinder churning behind the scenes—the molino. With clear eyes and warm humor, Martinez documents the work required to prepare food for others, and explores the heartbreaking aftermath of gentrification that forces the multigenerational family business to close its doors.

The Molino is also Martinez’s personal story—that of a young Tucsonense coming of age in the 1980s and ’90s. As a young woman she rejects the work in her father’s popular kitchen, but when the business closes, her world shifts and the family disbands. When she finds her way back home, the tortillería’s iconic mural provides a gateway into history and ruin, ancestry and sacrifice, industrial myth and artistic incarnation—revealing a sacred presence still alive in Tucson.

A must-read for foodies, history lovers, and anyone searching for spiritual truth in the desert, this is a story of belonging and transformation in the borderlands. 
 
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cover of The Powers of the False: Reading, Writing, Thinking beyond Truth and Fiction

The Powers of the False

Reading, Writing, Thinking beyond Truth and Fiction

Doro Wiese

Northwestern University Press, 2014

Can literature make it possible to represent histories that are otherwise ineffable? Making use of the Deleuzian concept of “the powers of the false,” Doro Wiese offers readings of three novels that deal with the Shoah, with colonialism, and with racialized identities. She argues that Jonathan Safran Foer’s Everything Is Illuminated, Richard Flanagan’s Gould’s Book of Fish, and Richard Powers’s The Time of Our Singing are novels in which a space for unvoiced, silent, or silenced difference is created. Seen through the lens of Deleuze and his collaborators’ philosophy, literature is a means for mediating knowledge and affects about historical events. Going beyond any simple dichotomy between true and untrue accounts of what “really” happened in the past, literature’s powers of the false incite readers to long for a narrative space in which painful or shameful stories can be included.
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cover of The World as Presence/El mundo como ser

The World as Presence/El mundo como ser

Marcelo Morales, Introduced and Translated by Kristin Dykstra

University of Alabama Press, 2016

Marcelo Morales’s The World as Presence/El mundo como ser showcases, for the first time in English, a challenging, bold, and vivid new voice in Cuban literature.
 
Marcelo Morales was born in Cuba in 1977. He is an established, prize-winning writer, yet he is younger in comparison to most of the Cuban poets known internationally, many of whom were born prior to the 1959 revolution. While older generations of Cuban poets have wrestled in their work with social and political critique, those critiques have often been articulated through formal experimentation and abstraction, unsurprising given the censorship and the real threats of punishment that dissident writers have faced. Morales, however, directly interrogates both the Cuban past and present. References to many significant moments, people, and issues in Cuban history and culture can be found throughout his work.
 
Along with references to the activist group “The White Ladies,” the 1976 bombing of Cuban Airlines Flight 455, and the military aid that Cubans provided to Angola during its fight for independence, Morales’s poetry follows a timeline ranging from Martí to Guevara to the day of the 2014 announcement by Obama and Castro that diplomatic relations between the two nations would finally be restored. As Cuba experiences a series of historically remarkable transitions, Morales emerges from this context to offer an incisive poetic account of this critical moment in Cuban, as well as world, history.
 
The World as Presence/El mundo como ser is both the debut of this work in any language and the first English translation of a complete Morales collection. Given the bilingual format, this book will be of interest both to English and Spanish readers.
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