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A new collection of essays from one of the most courageous and honest thinkers writing today

". . . proof that the spirit of the free-ranging public intellectual is still very much alive."
-Newsday

"Alan Wolfe is one of liberalism's last and most loyal sons. His mind is naturally decent and diversified; large enough and fair enough to contain both conviction and doubt. His profound respect for real people does not interfere with his profound respect for real thought. The criticism that he practices is, I fear, a dying art, but it is also one of the glories of American democracy."
-Leon Wieseltier, New Republic

"Alan Wolfe is one of America's indispensable essayists. On a broad range of topics-race, religion, politics, the marketplace, the university, and more-he combines a scholar's erudition with a historian's feel for the past and a journalist's keen attunement to the shifting patterns of the current scene. Above all he is a true writer, graceful but fearless, who ponders the deep questions so often ignored in the clamor of our ongoing civic conversation. Anyone who wonders what the term 'public intellectual' really means will find the answer-in fact many answers-in this scintillating collection."
-Sam Tanenhaus, Vanity Fair

Anatomy of a Civil War demonstrates the destructive nature of war, ranging from the physical to the psychosocial, as well as war’s detrimental effects on the environment. Despite such horrific aspects, evidence suggests that civil war is likely to generate multilayered outcomes. To examine the transformative aspects of civil war, Mehmet Gurses draws on an original survey conducted in Turkey, where a Kurdish armed group, the Kurdistan Workers’ Party (PKK), has been waging an intermittent insurgency for Kurdish self-rule since 1984. Findings from a probability sample of 2,100 individuals randomly selected from three major Kurdish-populated provinces in the eastern part of Turkey, coupled with insights from face-to-face in-depth interviews with dozens of individuals affected by violence, provide evidence for the multifaceted nature of exposure to violence during civil war. Just as the destructive nature of war manifests itself in various forms and shapes, wartime experiences can engender positive attitudes toward women, create a culture of political activism, and develop secular values at the individual level. In addition, wartime experiences seem to robustly predict greater support for political activism. Nonetheless, changes in gender relations and the rise of a secular political culture appear to be primarily shaped by wartime experiences interacting with insurgent ideology.

Peru's Truth and Reconciliation Commission not only documented the political violence of the 1980s and 1990s but also gave Peruvians a unique opportunity to examine the causes and nature of that violence. In Art from a Fractured Past, scholars and artists expand on the commission's work, arguing for broadening the definition of the testimonial to include various forms of artistic production as documentary evidence. Their innovative focus on representation offers new and compelling perspectives on how Peruvians experienced those years and how they have attempted to come to terms with the memories and legacies of violence. Their findings about Peru offer insight into questions of art, memory, and truth that resonate throughout Latin America in the wake of "dirty wars" of the last half century. Exploring diverse works of art, including memorials, drawings, theater, film, songs, painted wooden retablos (three-dimensional boxes), and fiction, including an acclaimed graphic novel, the contributors show that art, not constrained by literal truth, can generate new opportunities for empathetic understanding and solidarity.

Contributors. Ricardo Caro Cárdenas, Jesús Cossio, Ponciano del Pino, Cynthia M. Garza, Edilberto Jímenez Quispe, Cynthia E. Milton, Jonathan Ritter, Luis Rossell, Steve J. Stern, María Eugenia Ulfe, Víctor Vich, Alfredo Villar