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Named the 2009 AAUP Best of the Best - Outstanding Book Distinction

The history of Mexican Americans spans more than five centuries and varies from region to region across the United States. Yet most of our history books devote at most a chapter to Chicano history, with even less attention to the story of Chicanas.

500 Years of Chicana Women’s History offers a powerful antidote to this omission with a vivid, pictorial account of struggle and survival, resilience and achievement, discrimination and identity. The bilingual text, along with hundreds of photos and other images, ranges from female-centered stories of pre-Columbian Mexico to profiles of contemporary social justice activists, labor leaders, youth organizers, artists, and environmentalists, among others.  With a distinguished, seventeen-member advisory board, the book presents a remarkable combination of scholarship and youthful appeal.

In the section on jobs held by Mexicanas under U.S. rule in the 1800s, for example, readers learn about flamboyant Doña Tules, who owned a popular gambling saloon in Santa Fe, and Eulalia Arrilla de Pérez, a respected curandera (healer) in the San Diego area. Also covered are the “repatriation” campaigns” of the Midwest during the Depression that deported both adults and children, 75 percent of whom were U.S.–born and knew nothing of Mexico. Other stories include those of the garment, laundry, and cannery worker strikes, told from the perspective of Chicanas on the ground.

From the women who fought and died in the Mexican Revolution to those marching with their young children today for immigrant rights, every story draws inspiration. Like the editor’s previous book, 500 Years of Chicano History (still in print after 30 years), this thoroughly enriching view of Chicana women’s history promises to become a classic.

As children, our first encounters with the world’s animals do not arise during expeditions through faraway jungles or on perilous mountain treks. Instead, we meet these creatures between the pages of a book, on the floor of an obliging library. Down through the centuries, illustrated books have served as our paper zoos, both documenting the world’s extraordinary wildlife in exquisite detail and revealing, in hindsight, how our relationship to and understanding of these animals have evolved over time.

In this stunning book, historian of science Charlotte Sleigh draws on the ultimate bibliophile’s menagerie—the collections of the British Library—to present a lavishly illustrated homage to this historical collaboration between art and science. Gathering together a breathtaking range of nature illustrations from manuscripts, prints, drawings, and rare printed books from across the world, Sleigh brings us face to face (or face to tentacle) with images of butterflies, beetles, and spiders, of shells, fish, and coral polyps. Organized into four themed sections—exotic, native, domestic, and paradoxical—the images introduce us to some of the world’s most renowned natural history illustrators, from John James Audubon to Mark Catesby and Ernst Haeckel, as well as to lesser-known artists. In her accompanying text, Sleigh traces the story of the art of natural history from the Renaissance through the great age of exploration and into the nineteenth century, offering insight into the changing connections between the natural and human worlds.

But the story does not end there. From caterpillars to crabs, langurs to dugongs, stick insects to Old English pigs; from the sinuous tail feathers of birds of paradise to the lime-green wings of New Zealand’s enormous flightless parrot, the kakapo; from the crenellated plates of a tortoise’s shell to imagined likenesses of unicorns, mermaids, and dinosaurs, the story continues in this book. It is a Paper Zoo for all time.