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3 books match the query '500-1400'
Bulbs for Warm Climates
By Thad M. Howard
University of Texas Press, 2001
Bulb gardening in the southwestern and southern United States presents challenges unknown in cooler climates. Bulbs that turn Holland into a kaleidoscope of color droop and fade in our mild winters, hot summers, and uncertain rainfall. Yet hundreds of native and naturalized species of bulbs thrive in these same conditions and offer as many colors, shapes, and fragrances as even the most demanding gardener desires. These are the bulbs that Thad Howard describes in this comprehensive guide to bulbs that will grow in USDA gardening zones 8 and 9.
Writing from more than forty-five years' experience in collecting and cultivating bulbs, Howard offers expert advice about hundreds of little-known, hybrid, and common species and varieties that grow well in warm climates. His species accounts, which are grouped by family, describe each plant and its growing requirements and often include interesting stories from his collecting expeditions. Lovely color photos illustrate many of the species.
Howard also gives reliable information about refrigerating bulbs, using them in the landscape and in containers, choosing scented ones, making potpourri, buying, collecting, cultivating, and hybridizing bulbs, and dealing with pests and diseases. He concludes with lists of plant societies and suppliers and a helpful glossary and bibliography.
Music in the Castle
Troubadours, Books, and Orators in Italian Courts of the Thirteenth, Fourteenth, and Fifteenth CenturiesF. Alberto Gallo
University of Chicago Press, 1996
In the first of three elegant essays, Gallo examines the troubadours who traveled to northern Italian courts from Provence during the thirteenth century. He discusses their performance practices, the verbal and musical sophistication of their songs, and their role in the daily life of courtiers at Genoa, Ferrara, and Monferrato. The second essay concerns the now dispersed collection of the Visconti library at Pavia. Here, Gallo examines how this collection expressed the tastes of the fourteenth-century court of Giangaleazzo Visconti, how French arts were imported and imitated at Pavia, and the effects this had on music heard at the court. In the final essay, Gallo looks at the fifteenth-century tradition of improvised music, and especially the virtuoso lute player Pietrobono. Mythologized in literary circles of his day, Pietrobono becomes a point of departure for a discussion of the entire vision of music of Italian humanists, from Guarino Veronese to Aurelio Brandolini.
The Lucidarium of Marchetto of Padua
A Critical Edition, Translation, and CommentaryEdited by Jan W. Herlinger
University of Chicago Press, 1985
"An almost archetypal example of unpretentious and honest scholarship."—Alejandro Enrique Planchart, Journal of the American Musicological Society