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4 books match the query 'Abbey, Edward'

cover of Coyote In The Maze

Coyote In The Maze

Peter Quigley

University of Utah Press, 1999

The works of Edward Abbey have been well known to general readers since the 1960’s. This volume, the first comprehensive collection of literary criticism devoted to the entire challenging corpus of Abbey’s fiction and nonfiction, couldn’t be more timely or significant.

From the perspective of his scholarly critics in Western American literature and environmental studies Ed Abbey is, in a word, problematic. As Peter Quigley, volume editor, comments, "The title of this collection refers to a number of references within Abbey’s work. The maze is a place of myriad canyons, of wonder, and a place where the desperadoes in The Monkey Wrench Gang could lose the authorities. The coyote refers to the slippery figure in Native American myth, a figure, known to Abbey, that always eluded definition an could slip out of every trap set to catch him." In this long-awaited anthology, eighteen intrepid scholars have chosen to ignore the coyote’s reputation, tracking Abbey in one masterful and illuminating essay after another through the canyons of anarchist politics, philosophy, feminist literary criticism, post-structuralism, and rhetoric, as well as nature and environmental theory and activism.

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cover of Edward Abbey: A Life

Edward Abbey

A Life

James M. Cahalan

University of Arizona Press, 2001

Special anniversary edition to honor Abbey's centenary and the twenty-fifth anniversary of this book
 
An instant classic when it was first published twenty-five years ago, Edward Abbey: A Life sets the record straight on “Cactus Ed,” giving readers a fuller, more human Abbey than most have ever known. This special anniversary edition for Abbey’s centennial year includes a new foreword from environmental writer David Gessner and remains the definitive biography of a contemporary literary icon whose life was a web of contradictions.

It separates fact from fiction, showing that much of the myth surrounding Abbey—such as his birth in Home, Pennsylvania, and later residence in Oracle, Arizona—was self-created and self-perpetuated. It also shows that Abbey cultivated a persona both in his books and as a public speaker that contradicted his true nature: publicly racy and sardonic, he was privately reserved and somber. Author James Cahalan studied all of Abbey’s works and private papers and interviewed many people who knew him—including the models for characters in The Brave Cowboy and The Monkey Wrench Gang—to create a complete picture of the writer’s life. He examines Abbey’s childhood roots in the East and his love affair with the West, his personal relationships and tempestuous marriages, and his myriad jobs in continually shifting locations—including sixteen national parks and forests.

He also explores Abbey’s writing process, his broad intellectual interests, and the philosophical roots of his politics. For Abbey fans who assume that his “honest novel,” The Fool’s Progress, was factual or that his public statements were entirely off the cuff, Cahalan’s evenhanded treatment will be an eye-opener.

More than a biography, Edward Abbey: A Life is a corrective that stands the test of time, showing that Abbey was neither simply a countercultural cowboy hero nor an unprincipled troublemaker, but instead a complex and multifaceted person whose legacy continues to be appreciated. The book contains thirty photographs, capturing scenes ranging from Abbey’s childhood to his burial site.
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cover of Ghosts of Glen Canyon: History beneath Lake Powell

Ghosts of Glen Canyon

History beneath Lake Powell

C Gregory Crampton

University of Utah Press, 2009

Drift down the Colorado River through Glen Canyon and explore the people and places that encompass the history of this majestic canyon before it drowned in the rising waters of Lake Powell.
Author Gregory Crampton led the historical investigations of Glen and San Juan Canyons from 1957 to 1963 under contract with the National Park Service. The objective was to locate and record historical sites that would be lost to the rising waters of the reservoir. This book records that effort.

First published in 1986, this edition has been revised to include several new “ghosts” of Glen Canyon, including a never-before-published foreword by Edward Abbey. It also showcases stunning color photographs by Philip Hyde and includes hundreds of black-and-white photographs taken by the original salvage crews.

This informative guide to the historic treasures of Glen Canyon includes numbered maps keyed to each location. It is a book for both the armchair traveler and the lake enthusiast eager for a journey through the past to a place few had the privilege to know.
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cover of The Red Caddy: Into the Unknown with Edward Abbey

The Red Caddy

Into the Unknown with Edward Abbey

By Charles Bowden; foreword by Luis Alberto Urrea

University of Texas Press, 2018

A passionate advocate for preserving wilderness and fighting the bureaucratic and business forces that would destroy it, Edward Abbey (1927–1989) wrote fierce, polemical books such as Desert Solitaire and The Monkey Wrench Gang that continue to inspire environmental activists. In this eloquent memoir, his friend and fellow desert rat Charles Bowden reflects on Abbey the man and the writer, offering up thought-provoking, contrarian views of the writing life, literary reputations, and the perverse need of critics to sum up “what he really meant and whether any of it was truly up to snuff.”

The Red Caddy is the first literary biography of Abbey in a generation. Refusing to turn him into a desert guru, Bowden instead recalls the wild man in a red Cadillac convertible for whom liberty was life. He describes how Desert Solitaire paradoxically “launched thousands of maniacs into the empty ground” that Abbey wanted to protect, while sealing his literary reputation and overshadowing the novels that Abbey considered his best books. Bowden also skewers the cottage industry that has grown up around Abbey’s writing, smoothing off its rougher (racist, sexist) edges while seeking “anecdotes, little intimacies . . . pieces of the True Beer Can or True Old Pickup Truck.” Asserting that the real essence of Abbey will always remain unknown and unknowable, The Red Caddy still catches gleams of “the fire that from time to time causes a life to become a conflagration.”

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