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From ancient philosophy to Tristram Shandy and Buster Keaton movies, this book tells the engaging history of accident as an idea.

An accidental glance at a newspaper notice causes Rousseau to collapse under the force of a vision. A car accidentally hits Giacometti, and he experiences an epiphany. Darwin introduces accident to the basic process of life, and Freud looks to accident as the expression of unconscious desire. Accident, Ross Hamilton claims, is the force that makes us modern. Tracing the story of accident from Aristotle to Buster Keaton and beyond, Hamilton’s daring book revives the tradition of the grand history of ideas.

Accident tells an original history of Western thought from the perspective of Aristotle’s remarkably durable categories of accident and substance. Throughout antiquity and the Middle Ages, Aristotle’s distinction underwrote an insistence on order and subordination of the inessential. In a groundbreaking innovation, Hamilton argues that after the Reformation, the concept of accident began to change places with that of substance: accident became a life-transforming event and effectively a person’s essence.  For moderns, it is the accidental, seemingly trivial moments of consciousness that, like Wordsworth’s “spots of time,” create constellations of meaning in our lives. Touching on a broad array of images and texts—Augustine, Dante, the frescoes of Raphael, Descartes, Jane Austen, the work of the surrealists, and twentieth-century cinema—Hamilton provides a new way to map the mutations of personal identity and subjectivity.   

Set in Tokyo, in a not-too-distant future, this novel tells the story of Shunsuke, a salaryman, and his complicated relationship with his mad poet father, Mr. Okuda, whose hobby is spying on his son. When Shunsuke falls in love with Iulana, a maelstrom of jealousy is set in motion that culminates in abduction and death. In poetic and imaginative language, Cuenca subtly interweaves reality and fiction, creating a dreamlike world whose palpable characters, including a silicone doll, leave a lasting impression. Written like a crime novel, full of odd events and reminiscent of Haruki Murakami's work, this disturbing, kaleidoscopic story of voyeurism and perversion draws the reader in from the very first page.