Results by title

Behind the success of every great politician, inspiring activist, or business titan, there is a staffer; Jorge B. Haynes was that staffer for some of the most influential leaders in Texas, Florida, and California.

Jorge B. Haynes had a knack for finding his way into the rooms where history was being made. From his work boycotting farmworker conditions alongside Cesar Chavez and Dolores Huerta as a young man in California to his role in President Bill Clinton’s NAFTA war room in the 1990s, he was the man advising some of the country’s most influential leaders and he left an imprint on the monumental moments that defined their time. His career spanned almost five decades, beginning with his decision to leave home in Laredo to serve in the US Air Force. But his service to the country took many different forms. Haynes worked for the Bureau of the Census the first year Latinos were allowed to declare their Hispanic heritage. He wrote speeches and orchestrated pivotal meetings for top political leadership in Texas and later Florida. In the final years of his career, he fought to make college a more accessible path for under-represented students in California.

As his paternal grandmother used to say, “Cuando vas a un lugar donde nunca has estado, finge que has estado allí,” which means, “When you go somewhere that you've never been, pretend like you've been there before.” By the end of his career, there weren’t many places that Haynes hadn’t been.

Local democracy doesn’t work as it should, declares Brian Adams in Activism, Majority Rule, and Local Democracy. Local politics is where citizens have the most opportunity for direct participation, control, and influence, but that activism doesn’t necessarily translate into majority rule.

While greater local engagement can produce policy that better reflects activists’ strong preferences, Adams explains that activists are not representative of the public-at-large and states that a reconceptualization of how the public should be able to influence local officials is required. Based on interviews with activists in San Diego, California, Adams concludes that activism can be beneficial, but we need to view it as distinct from majority rule, with a focus on managing the tension between the two.

Improving local democracy is not just a matter of generating more activism. It requires articulating when we want policy to reflect majority preferences and when we want activists to hold sway.

Signaling such recent activist and aesthetic concepts in the work of Kara Walker, Childish Gambino, BLM, Janelle Monáe, and Kendrick Lamar, and marking the exit of the Obama Administration and the opening of the National Museum of African American History and Culture, this anthology explores the role of African American arts in shaping the future, and further informing new directions we might take in honoring and protecting the success of African Americans in the U.S. The essays in African American Arts: Activism, Aesthetics, and Futurity engage readers in critical conversations by activists, scholars, and artists reflecting on national and transnational legacies of African American activism as an element of artistic practice, particularly as they concern artistic expression and race relations, and the intersections of creative processes with economic, sociological, and psychological inequalities. Scholars from the fields of communication, theater, queer studies, media studies, performance studies, dance, visual arts, and fashion design, to name a few, collectively ask: What are the connections between African American arts, the work of social justice, and creative processes? If we conceive the arts as critical to the legacy of Black activism in the United States, how can we use that construct to inform our understanding of the complicated intersections of African American activism and aesthetics? How might we as scholars and creative thinkers further employ the arts to envision and shape a verdant society?

Contributors: Carrie Mae Weems, Carmen Gillespie, Rikki Byrd, Amber Lauren Johnson, Doria E. Charlson, Florencia V. Cornet, Daniel McNeil, Lucy Caplan, Genevieve Hyacinthe, Sammantha McCalla, Nettrice R. Gaskins, Abby Dobson, J. Michael Kinsey, Shondrika Moss-Bouldin, Julie B. Johnson, Sharrell D. Luckett, Jasmine Eileen Coles, Tawnya Pettiford-Wates, Rickerby Hinds.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press. 

Following the events of September 11, 2001, American Muslims found themselves under unprecedented scrutiny. Muslim communities in the United States suffered from negative representations of their religion, but they also experienced increased interest in aspects of their faith and cultures. They seized the opportunity to shape the intellectual contribution of American Muslims to contemporary Muslim thought as never before. Muslim women in particular—often assumed to be silenced, oppressed members of their own communities—challenged stereotypes through their writing, seeking to express what it means to be a Muslim woman in America and carrying out intra-Muslim debates about gender roles and women’s participation in society. Hammer looks at the work of significant female American Muslim writers, scholars, and activists, using their writings as a lens for a larger discussion of Muslim intellectual production in America and beyond.

Centered on the controversial women-led Friday prayer in March 2005, Hammer uses this event and its aftermath to address themes of faith, community, and public opinion. Tracing the writings of American Muslim women since 1990, the author covers an extensive list of authors, including Amina Wadud, Leila Ahmed, Asma Barlas, Riffat Hassan, Mohja Kahf, Azizah al-Hibri, Asra Normani, and Asma Gull Hasan. Hammer deftly examines each author’s writings, demonstrating that the debates that concern American Muslim women are at the heart of modern Muslim debates worldwide. While gender is the catalyst for Hammer’s study, her examination of these women’s intellectual output touches on themes central to contemporary Islam: authority, tradition, Islamic law, justice, and authenticity.

Does media representation advance racial justice?

While the past decade has witnessed a push for increased diversity in visual media, Asians on Demand grapples with the pressing question of whether representation is enough to advance racial justice. Surveying a contemporary, cutting-edge archive of video works from the Asian diaspora in North America, Europe, and East Asia, this book uncovers the ways that diasporic artists challenge the narrow—and damaging—conceptions of Asian identity pervading mainstream media.

 

Through an engagement with grassroots activist documentaries, experimental video diaries by undocumented and migrant workers, and works by high-profile media artists such as Hito Steyerl and Ming Wong, Feng-Mei Heberer showcases contemporary video productions that trouble the mainstream culture industry’s insistence on portraying ethnic Asians as congenial to dominant neoliberal values. Undermining the demands placed on Asian subjects to exemplify institutional diversity and individual exceptionalism, this book provides a critical and nuanced set of alternatives to the easily digestible forms generated by online streaming culture and multicultural lip service more broadly.

 

Employing feminist, racial, and queer critiques of the contemporary media landscape, Asians on Demand highlights how the dynamics of Asian representation play out differently in Germany, the United States, Taiwan, and Spain. Rather than accepting the notion that inclusion requires an uncomplicated set of appearances, the works explored in this volume spotlight a staunch resistance to formulating racial identity as an instantly accessible consumer product.