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Reimagining America Through the Blues, Jazz, and the Cultural Vision of Albert Murray.

This collection consists of essays written by prominent African American literature, jazz, and Albert Murray scholars, reminiscences from Murray protégés and associates, and interviews with Murray himself. It illustrates Murray’s place as a central figure in African American arts and letters and as an American cultural pioneer.

Born in Nokomis, Alabama, and raised in Mobile, Albert Murray graduated from Tuskegee University, where he later taught, but he has long resided in New York City. He is the author of many critically acclaimed novels, memoirs, and essay collections, among them The Omni-Americans, South to a Very Old Place, Train Whistle Guitar, The Spyglass Tree, and The Seven League Boots. He is also a critic and visual artist, as well as a lifelong friend of and collaborator with artistic luminaries such as Ralph Ellison, Duke Ellington, and Romare Bearden. As such, his life and work are testaments to the centrality of southern and African American aesthetics in American art. Murray is widely viewed as a figure who, through his art and criticism, transforms the “fakelore” of white culture into a new folklore that illustrates the centrality of the blues and jazz idioms and reveals the black vernacular as what is most distinct about American art.
 

Literature is defined in a challenging way as the "science" of imperfection and defeat, or else as a type of discourse that deals with defeat, loss, uncertainty in social life, by contrast with virtually all disciplines (hard sciences or social sciences) that affirm certainties and wish to convince us of truths. If in real history most constructive attempts end up in failure, it follows that we ought to have also a field of research that examines this diversity of failures and disappointments, as well as the alternative options to historical evolution and progress. Thus literature serves an indispensable role: that of gleaning the abundance of past existence, the gratuitous and the rejected being placed here on an equal level with the useful and the successful.This provocative and unusual approach is illustrated in chapters that deal with the dialectics between literary writing and such fields as historical writing, or religious discourses, and is also illustrated by the socio-historical development of East-Central Europe.

Igniting political power through the lens of art and the imagination

Postpolitics and the Aesthetic Imagination investigates the erosion of meaningful political action in today’s world. Gathering writings from an array of scholars, editor Juan Meneses asks: can an aesthetic theory of postpolitics help us understand and counteract the most insidious processes of depoliticization?

The contributors to this volume explore how the aesthetic imagination can play a crucial role in reenvisioning key political elements, including governance, agency, rights, and responsibility. With a survey of various artistic mediums—film, dance, music, literature, and digital media—the essays illustrate how the aesthetic can reveal ways to breathe new life into the work of emancipatory politics. Reclaiming the arts and humanities as vital to political life, the contributors revisit but also move beyond the social sciences’ central focus on neoliberalism and public administration to address other topics such as tech-capitalism, race, environmental violence, and patriarchy.

Postpolitics and the Aesthetic Imagination argues for a conscious deployment of aesthetics to resist political anesthesia and promote a more just society, underscoring the role of the imagination in political engagement and change.

Contributors: Jacquelyn Arcy, U of Wisconsin–Parkside; Christopher Breu, Illinois State U; Stephen Charbonneau, Florida Atlantic U; Eric Lemmon, Webster U; Robert P. Marzec, Purdue U; Allison Page, Rutgers U–Camden; Matthew Scully, U of Lausanne; Erik Swyngedouw, U of Manchester; Sherryl Vint, U of California, Riverside.