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From The Real Housewives of Atlanta to Flavor of Love, reality shows with predominantly black casts have often been criticized for their negative representation of African American women as loud, angry, and violent. Yet even as these programs appear to be rehashing old stereotypes of black women, the critiques of them are arguably problematic in their own way, as the notion of “respectability” has historically been used to police black women’s behaviors.
 
The first book of scholarship devoted to the issue of how black women are depicted on reality television, Real Sister offers an even-handed consideration of the genre. The book’s ten contributors—black female scholars from a variety of disciplines—provide a wide range of perspectives, while considering everything from Basketball Wives to Say Yes to the Dress. As regular viewers of reality television, these scholars are able to note ways in which the genre presents positive images of black womanhood, even as they catalog a litany of stereotypes about race, class, and gender that it tends to reinforce.
 
Rather than simply dismissing reality television as “trash,” this collection takes the genre seriously, as an important touchstone in ongoing cultural debates about what constitutes “trashiness” and “respectability.” Written in an accessible style that will appeal to reality TV fans both inside and outside of academia, Real Sister thus seeks to inspire a more nuanced, thoughtful conversation about the genre’s representations and their effects on the black community. 

The dramatic expansion of Black women into creative positions in television and film production since the 1990s has introduced a previously invisible range of themes in Black women’s lives to wide audiences. In Imani M. Cheers’s richly interdisciplinary Sacred Sisterhoods, contributors offer an overdue analysis and elevation of Black women’s creative authority in popular culture: its history, successes, influence, and future possibilities. Focusing on the theme of Black women’s friendship, star voices from across academia, journalism, the arts, and activism offer critical-cultural commentary and personal reflections on the evolution of Black women directors, writers, producers, and showrunners from the 1930s through 2023.

Creative visionaries from Debbie Allen to Quinta Brunson, along with shows and films from Living Single to Hidden Figures—and many others—receive their due in these rigorous, lively, and accessible essays. Spotlighting the nuances and normalcy of Black women’s sacred sisterhoods, contributors reveal the indelible mark modern Black consciousness and creative control leave on our popular culture every day in an anthology that will be essential to scholars and students of contemporary media, race, and gender, as well as to general readers.

Contributors:
Imani M. Cheers, Monique A. Gamble, Marquita Gammage, Kandace Harris, Crystal L. Holmes, Makeba Lavan, Rondrea Danielle Mathis, Miriam J. Petty-Adams, De Anna Reese, Randi Richardson, Beretta E. Smith-Shomade, Andrene M. Taylor, Kristen Warner, and Shauntae Brown White