336 books match the query 'Age' and 29 start with a

cover of A House on Stilts: Mothering in the Age of Opioid Addiction

A House on Stilts

Mothering in the Age of Opioid Addiction

Paula Becker

University of Iowa Press, 2019

A House on Stilts tells the story of one woman’s struggle to reclaim wholeness while mothering a son addicted to opioids. Paula Becker’s son Hunter was raised in a safe, nurturing home by his writer/historian mom and his physician father. He was a bright, curious child. And yet, addiction found him.

More than 2.5 million Americans are addicted to opioids, some half-million of these to heroin. For many of them, their drug addiction leads to lives of demoralization, homelessness, and constant peril. For parents, a child’s addiction upends family life, catapulting them onto a path no longer prescribed by Dr. Spock, but by Dante’s Inferno. Within this ten-year crucible, Paula is transformed by an excruciating, inescapable truth: the difference between what she can do and what she cannot do.
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cover of A Natural History of Time

A Natural History of Time

Pascal Richet

University of Chicago Press, 2007

The quest to pinpoint the age of the Earth is nearly as old as humanity itself. For most of history, people trusted mythology or religion to provide the answer, even though nature abounds with clues to the past of the Earth and the stars. In A Natural History of Time, geophysicist Pascal Richet tells the fascinating story of how scientists and philosophers examined those clues and from them built a chronological scale that has made it possible to reconstruct the history of nature itself.

Richet begins his story with mythological traditions, which were heavily influenced by the seasons and almost uniformly viewed time cyclically. The linear history promulgated by Judaism, with its story of creation, was an exception, and it was that tradition that drove early Christian attempts to date the Earth. For instance, in 169 CE, the bishop of Antioch, for instance declared that the world had been in existence for “5,698 years and the odd months and days.”

Until the mid-eighteenth century, such natural timescales derived from biblical chronologies prevailed, but, Richet demonstrates, with the Scientific Revolution geological and astronomical evidence for much longer timescales began to accumulate. Fossils and the developing science of geology provided compelling evidence for periods of millions and millions of years—a scale that even scientists had difficulty grasping. By the end of the twentieth century, new tools such as radiometric dating had demonstrated that the solar system is four and a half billion years old, and the universe itself about twice that, though controversial questions remain.

The quest for time is a story of ingenuity and determination, and like a geologist, Pascal Richet carefully peels back the strata of that history, giving us a chance to marvel at each layer and truly appreciate how far our knowledge—and our planet—have come.

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cover of A Pill for Promiscuity: Gay Sex in an Age of Pharmaceuticals

A Pill for Promiscuity

Gay Sex in an Age of Pharmaceuticals

Andrew R. Spieldenner

Rutgers University Press, 2023

2024 Best Book of the Year Award by the GLBTQ Division of the National Communication Association

Finalist for Lambda Literary Award for Best LGBTQ+ Anthology


For a generation of gay men who came of age in the 1980s and 1990s, becoming sexually active meant confronting the dangers of catching and transmitting HIV. In the 21st century, however, the development of viral suppression treatments and preventative pills such as PrEP and nPEP has massively reduced the risk of acquiring HIV. Yet some of the stigma around gay male promiscuity and bareback sex has remained, inhibiting open dialogues about sexual desire, risk, and pleasure. 
 
A Pill for Promiscuity brings together academics, artists, and activists—from different generations, countries, ethnic backgrounds, and HIV statuses—to reflect on how gay sex has changed in a post-PrEP era. Some offer personal perspectives on the value of promiscuity and the sexual communities it fosters, while others critique unequal access to PrEP and the increased role Big Pharma now plays in gay life. With a diverse group of contributors that includes novelist Andrew Holleran, trans scholar Lore/tta LeMaster, cartoonist Steve MacIsaac, and pornographic film director Mister Pam, this book asks provocative questions about how we might reimagine queer sex and sexuality in the 21st century. 
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cover of A User's Guide to the Age of Tech

A User's Guide to the Age of Tech

Grant Wythoff

University of Minnesota Press, 2025

How users experience and influence technological change—when so much of that change feels out of our control

Every day, we casually employ one of the most complex tools ever created, using it to read the news, plan our day, and connect with friends. In A User’s Guide to the Age of Tech, Grant Wythoff investigates the process by which now-ubiquitous technologies like our phones become integrated into our lives, showing how the “gadget” stage—before devices are widely adopted—opens the door for users to co-create these technologies and adapt them toward unexpected ends. 

In this elegant, approachable work, Wythoff offers a view of how users make new technology their own, subverting dominant power structures and imagining uses never intended by their creators. Rooted in a detailed look into the history of technique (focusing on how we do things with tools rather than the tools themselves), A User’s Guide to the Age of Tech proceeds to complicate, and influence, discussion of subjects like the digital divide and AI.

Drawing on a range of sources, including novels, patents, and newspapers, Wythoff explores the vernacular philosophies that have emerged from users and their diverse, everyday practices, bringing down to earth the conversation about digital titans, away from the abstracted domains of server farms and algorithms. Lodging a passionate argument that we know ourselves better than the data brokers who appear to wield influence over our psyches, Wythoff invites readers (and tech users) to imagine their own digital technique, acknowledge their vast expertise, and see its immense value.

Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

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cover of A Watershed Moment: The American West in the Age of Limits

A Watershed Moment

The American West in the Age of Limits

Edited by Robert Frodeman, Evelyn Brister, and Luther Propst

University of Utah Press, 2024

The American West is often portrayed as a place of rugged, unending landscapes presenting us with boundless opportunities. But the land is more fragile and resources more finite than popular perceptions acknowledge. This collection of essays, A Watershed Moment, reveals tensions between a culture of economic growth and personal freedom and the ecological, economic, and social constraints set by community values and the land itself. As Westerners and their communities come up against these limits, the volume editors highlight issues of sustainability endemic to the region and to the nation as a whole.

The volume presents practical approaches to land use, land management, and community planning that are motivated by philosophical views on justice, quality of life, and sustainability in the American West. The contributors are policymakers, government employees, land and water managers, urban planners, biologists, tribal members, writers, and academics from a variety of backgrounds and perspectives. The result is a compelling vision of place-based, policy-oriented sustainability across the West.
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cover of A Way With Words: Style in the Age of Artificial Intelligence

A Way With Words

Style in the Age of Artificial Intelligence

John Marsh

University of Michigan Press, 2026

A Way with Words helps readers learn the essentials of writing. Rather than lecturing about when to use who or whom, this book focuses on writing clear, concise, and lively prose: eliminating wordiness, using active verbs, avoiding run-on sentences. John Marsh applies his experience grading over 5,000 essays over a quarter century as a teacher to take readers through the issues he most commonly sees. While Marsh teaches in the humanities, the advice applies to writing regardless of discipline. 
 
Using examples from papers students might actually write, the book invites readers to apply what they have learned to quizzes that mix and match issues—vague pronouns, sentence fragments, punctuating quotations—from previous chapters. The book includes a thoughtful discussion about balancing the competing demands of writing well and fighting linguistic discrimination. Finally, A Way with Words prompts readers to consider what artificial intelligence programs like ChatGPT and Bard will mean for student writing. It offers advice about how writers can distinguish their writing from the assembly-line writing that artificial intelligence tends to generate, and how they can develop their style to stand out to their teachers, employers, and clients.
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cover of Absorption and Theatricality: Painting and Beholder in the Age of Diderot

Absorption and Theatricality

Painting and Beholder in the Age of Diderot

Michael Fried

University of Chicago Press, 1988

With this widely acclaimed work, Fried revised the way in which eighteenth-century French painting and criticism were viewed and understood.

"A reinterpretation supported by immense learning and by a series of brilliantly perceptive readings of paintings and criticism alike. . . . An exhilarating book."—John Barrell, London Review of Books
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cover of Academic and Professional Writing in an Age of Accountability

Academic and Professional Writing in an Age of Accountability

Edited by Shirley Wilson Logan and Wayne H. Slater, with an Afterword by Jessica Enoch and Scott Wible

Southern Illinois University Press, 2018

What current theoretical frameworks inform academic and professional writing? What does research tell us about the effectiveness of academic and professional writing programs? What do we know about existing best practices? What are the current guidelines and procedures in evaluating a program’s effectiveness? What are the possibilities in regard to future research and changes to best practices in these programs in an age of accountability? Editors Shirley Wilson Logan and Wayne H. Slater bring together leading scholars in rhetoric and composition to consider the history, trends, and future of academic and professional writing in higher education through the lens of these five central questions.
 
The first two essays in the book provide a history of the academic and professional writing program at the University of Maryland. Subsequent essays explore successes and challenges in the establishment and development of writing programs at four other major institutions, identify the features of language that facilitate academic and professional communication, look at the ways digital practices in academic and professional writing have shaped how writers compose and respond to texts, and examine the role of assessment in curriculum and pedagogy. An afterword by distinguished rhetoric and composition scholars Jessica Enoch and Scott Wible offers perspectives on the future of academic and professional writing.
 
This collection takes stock of the historical, rhetorical, linguistic, digital, and evaluative aspects of the teaching of writing in higher education. Among the critical issues addressed are how university writing programs were first established and what early challenges they faced, where writing programs were housed and who administered them, how the language backgrounds of composition students inform the way writing is taught, the ways in which current writing technologies create new digital environments, and how student learning and programmatic outcomes should be assessed. 
 
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cover of African American Travel Narratives from Abroad: Mobility and Cultural Work in the Age of Jim Crow

African American Travel Narratives from Abroad

Mobility and Cultural Work in the Age of Jim Crow

Gary Totten

University of Massachusetts Press, 2015

During the Jim Crow era, African American travelers faced the prospects of violence, harassment, and the denial of services, especially as they made their way throughout the American South. Those who journeyed outside the United States found not only a political and social context that was markedly different from America's, but in their international mobility, they also discovered new ways of identifying themselves in relation to others.

In this book, Gary Totten examines the global travel narratives of a diverse set of African American writers, including Ida B. Wells, Booker T. Washington, Matthew Henson, Jessie Redmon Fauset, and Zora Neale Hurston. While these writers deal with issues of identity in relation to a reimagined sense of self—in a way that we might expect to find in travel narratives—they also push against the constraints and conventions of the genre, reconsidering discourses of tourism, ethnography, and exploration. This book not only offers new insights about African American writers and mobility, it also charts the ideological distinctions and divergent agendas within this group of writers. Totten demonstrates how these travelers and their writings challenged dominant ideologies about African American experience, expression, and identity in a period of escalating racial violence. By setting these texts in their historical context and within the genre of travel writing, Totten presents a nuanced understanding of both popular and recovered work of the period.
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cover of After Preservation: Saving American Nature in the Age of Humans

After Preservation

Saving American Nature in the Age of Humans

Edited by Ben A. Minteer and Stephen J. Pyne

University of Chicago Press, 2015

From John Muir to David Brower, from the creation of Yellowstone National Park to the Endangered Species Act, environmentalism in America has always had close to its core a preservationist ideal. Generations have been inspired by its ethos—to encircle nature with our protection, to keep it apart, pristine, walled against the march of human development. But we have to face the facts. Accelerating climate change, rapid urbanization, agricultural and industrial devastation, metastasizing fire regimes, and other quickening anthropogenic forces all attest to the same truth: the earth is now spinning through the age of humans. After Preservation takes stock of the ways we have tried to both preserve and exploit nature to ask a direct but profound question: what is the role of preservationism in an era of seemingly unstoppable human development, in what some have called the Anthropocene?
           
Ben A. Minteer and Stephen J. Pyne bring together a stunning consortium of voices comprised of renowned scientists, historians, philosophers, environmental writers, activists, policy makers, and land managers to negotiate the incredible challenges that environmentalism faces. Some call for a new, post-preservationist model, one that is far more pragmatic, interventionist, and human-centered. Others push forcefully back, arguing for a more chastened and restrained vision of human action on the earth. Some try to establish a middle ground, while others ruminate more deeply on the meaning and value of wilderness. Some write on species lost, others on species saved, and yet others discuss the enduring practical challenges of managing our land, water, and air.

From spirited optimism to careful prudence to critical skepticism, the resulting range of approaches offers an inspiring contribution to the landscape of modern environmentalism, one driven by serious, sustained engagements with the critical problems we must solve if we—and the wild garden we may now keep—are going to survive the era we have ushered in.  

Contributors include: Chelsea K. Batavia, F. Stuart (Terry) Chapin III, Norman L. Christensen, Jamie Rappaport Clark, William Wallace Covington, Erle C. Ellis, Mark Fiege, Dave Foreman, Harry W. Greene, Emma Marris, Michelle Marvier, Bill McKibben, J. R. McNeill, Curt Meine, Ben A. Minteer, Michael Paul Nelson, Bryan Norton, Stephen J. Pyne, Andrew C. Revkin, Holmes Rolston III, Amy Seidl, Jack Ward Thomas, Diane J. Vosick, John A. Vucetich, Hazel Wong, and Donald Worster. 
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cover of Age of Concrete: Housing and the Shape of Aspiration in the Capital of Mozambique

Age of Concrete

Housing and the Shape of Aspiration in the Capital of Mozambique

David Morton

Ohio University Press, 2019

Age of Concrete is a history of the making of houses and homes in the subúrbios of Maputo (Lourenço Marques), Mozambique, from the late 1940s to the present. Often dismissed as undifferentiated, ahistorical “slums,” these neighborhoods are in fact an open-air archive that reveals some of people’s highest aspirations. At first people built in reeds. Then they built in wood and zinc panels. And finally, even when it was illegal, they risked building in concrete block, making permanent homes in a place where their presence was often excruciatingly precarious.

Unlike many histories of the built environment in African cities, Age of Concrete focuses on ordinary homebuilders and dwellers. David Morton thus models a different way of thinking about urban politics during the era of decolonization, when one of the central dramas was the construction of the urban stage itself. It shaped how people related not only to each other but also to the colonial state and later to the independent state as it stumbled into being.

Original, deeply researched, and beautifully composed, this book speaks in innovative ways to scholarship on urban history, colonialism and decolonization, and the postcolonial state. Replete with rare photographs and other materials from private collections, Age of Concrete establishes Morton as one of a handful of scholars breaking new ground on how we understand Africa’s cities.

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cover of Age of Globalization

Age of Globalization

John M. Hoberman, Instructor

University of Texas Press, 2014

Globalization is a fascinating spectacle that can be understood as global systems of competition and connectivity. These man-made systems provide transport, communication, governance, and entertainment on a global scale. International crime networks are also outgrowths of the same systems. In this course, you will learn how to identify and analyze global systems and better understand how they are changing societies around the world.
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cover of Age of Sex Crime

Age of Sex Crime

University of Wisconsin Press, 1987

The sexualized serial murder of women by men is the subject of this provocative book. Jane Caputi argues that the sensationalized murders by men such as Jack the Ripper, Son of Sam, Hillside Strangler, and the Yorkshire Ripper represent a contemporary genre of sexually political crimes. The awful deeds function as a form of patriarchal terrorism, "disappearing" women at a rate of some four thousand annually in the United States alone.
Caputi asks us not only to name the phenomenon of sexually political murder, but to recognize sex crime in all of its various interconnecting manifestations.
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cover of America at Risk: Threats to Liberal Self-Government in an Age of Uncertainty

America at Risk

Threats to Liberal Self-Government in an Age of Uncertainty

Robert Faulkner and Susan Shell, Editors

University of Michigan Press, 2009

America at Risk gathers original essays by a distinguished and bipartisan group of writers and intellectuals to address a question that matters to Americans of every political persuasion: what are some of the greatest dangers facing America today? The answers, which range from dwindling political participation to rising poverty, and religion to empire, add up to a valuable and timely portrait of a particular moment in the history of American ideas.

While the opinions are many, there is a central theme in the book: the corrosion of the liberal constitutional order that has long guided the country at home and abroad. The authors write about the demonstrably important dangers the United States faces while also breaking the usual academic boundaries: there are chapters on the family, religious polarization, immigration, and the economy, as well as on governmental and partisan issues.

America at Risk is required reading for all Americans alarmed about the future of their country.

Contributors

  • Traci Burch
  • James W. Ceaser
  • Robert Faulkner
  • Niall Ferguson
  • William A. Galston
  • Hugh Heclo
  • Pierre Manent
  • Harvey C. Mansfield
  • Peter Rodriguez
  • Kay Lehman Schlozman
  • Susan Shell
  • Peter Skerry
  • James Q. Wilson
  • Alan Wolfe

Robert Faulkner is Professor of Political Science at Boston College. Susan Shell is Professor of Political Science at Boston College.

"America at Risk goes well beyond the usual diagnoses of issues debated in public life like immigration, war, and debt, to consider the Republic’s founding principles, and the ways in which they have been displaced by newer thoughts and habits in contemporary America. A critical book for understanding our present condition."
—Francis Fukuyama, Bernard L. Schwartz Professor of International Political Economy, Johns Hopkins School of Advanced International Studies

"In this penetrating book, the nation’s finest social and political thinkers from across the spectrum take a careful and no-holds-barred look at the dangers facing the American political system. The conclusions are more unsettling than reassuring---but that is because they are honest and real."
—Norm Ornstein, Resident Scholar, American Enterprise Institute

"In the midst of overwrought pundits, irate soccer moms, and outraged bloggers, it is difficult to distinguish genuine dangers from false alarms and special pleading. This book enables us to do so, in a way that helps us to actually think about, not just feel anxious about, threats to those features of American society that are worth cherishing. The authors range in ideology and expertise, but they are uniformly judicious, incisive, and informative. This is a fascinating book about issues that the political system usually ignores or exaggerates."
—Jennifer L. Hochschild, Henry LaBarre Jayne Professor of Government and Professor of African and African American Studies, Harvard University

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cover of American Drama in the Age of Film

American Drama in the Age of Film

Zander Brietzke

University of Alabama Press, 2007

Examines the strengths and weaknesses of both the dramatic and cinematic arts

Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa?
 
American Drama in the Age of Film examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate. Using widely known adaptations of ten major plays, Brietzke seeks to highlight the inherent powers of each medium and draw conclusions not just about how they differ, but how they ought to differ as well. He contrasts both stage and film productions of, among other works, David Mamet’s Glengarry Glen Ross, Sam Shepard’s True West, Edward Albee’s Who’s Afraid of Virginia Woolf, Margaret Edson’s Wit, Tony Kushner’s Angels in America, Tennessee Williams’s Cat on a Hot Tin Roof, Arthur Miller’s Death of a Salesman, and August Wilson’s The Piano Lesson. In reading the dual productions of these works, Brietzke finds that cinema has indeed stolen much of theater’s former thunder, by making drama more intimate, and visceral than most live events.
 
But theater is still vital and matters greatly, Brietzke argues, though for reasons that run counter to many of the virtues traditionally attributed to it as an art form, such as intimacy and spontaneity. Brietzke seeks to revitalize perceptions of theater by challenging those common pieties and offering a new critical paradigm, one that champions spectacle and simultaneity as the most, not least, important elements of drama.
 
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cover of American Literature and Culture in an Age of Cold War: A Critical Reassessment

American Literature and Culture in an Age of Cold War

A Critical Reassessment

Steven Belletto

University of Iowa Press, 2012

The time is right for a critical reassessment of Cold War culture both because its full cultural impact remains unprocessed and because some of the chief paradigms for understanding that culture confuse rather than clarify.
 
A collection of the work of some of the best cultural critics writing about the period, American Literature and Culture in an Age of Cold War reveals a broad range of ways that American cultural production from the late 1940s to the present might be understood in relation to the Cold War. Critically engaging the reigning paradigms that equate postwar U.S. culture with containment culture, the authors present suggestive revisionist claims. Their essays draw on a literary archive—including the works of John Updike, Joan Didion, Richard E. Kim, Allen Ginsberg, Edwin Denby, Alice Childress, Frank Herbert, and others—strikingly different from the one typically presented in accounts of the period.
 

Likewise, the authors describe phenomena—such as the FBI’s surveillance of writers (especially African Americans), biopolitics, development theory, struggles over the centralization and decentralization of government, and the cultural work of Reaganism—that open up new contexts for discussing postwar culture. Extending the timeline and expanding the geographic scope of Cold War culture, this book reveals both the literature and the culture of the time to be more dynamic and complex than has been generally supposed. 

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cover of American Popular Music: Readings From the Popular Press Volume 2: The Age of Rock

American Popular Music

Readings From the Popular Press Volume 2: The Age of Rock

Timothy E. Scheurer

University of Wisconsin Press, 1989

Beginning with the emergence of commercial American music in the nineteenth century, Volume 1 includes essays on the major performers, composers, media, and movements that shaped our musical culture before rock and roll. Articles explore the theoretical dimensions of popular music studies; the music of the nineteenth century; and the role of black Americans in the evolution of popular music. Also included—the music of Tin Pan Alley, ragtime, swing, the blues, the influences of W. S. Gilbert and Rodgers and Hammerstein, and changes in lyric writing styles from the nineteenth century to the rock era.
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cover of American Science in the Age of Jackson

American Science in the Age of Jackson

George H. Daniels

University of Alabama Press, 1968

A foundational history of science, ideas, and professional identity in nineteenth-century America.

American Science in the Age of Jackson is a landmark study that traces the emergence of a distinctly American scientific community during one of the most transformative periods in the nation's history. Focusing on the years between 1815 and 1845, George H. Daniels examines how a loosely connected network of amateur naturalists, physicians, educators, and scientific enthusiasts evolved into a more organized and professional body of researchers united by shared goals, methods, institutions, and intellectual commitments. Through an innovative analysis of leading scientists and the scientific journals that connected them, Daniels reconstructs the foundations of American science at the moment it began to establish an independent identity.

Originally recognized as the first major effort to define an American scientific community, this influential work explores the individuals, publications, and philosophical traditions that shaped scientific inquiry in the early republic and Jacksonian era. Daniels examines the careers and writings of the most prominent American scientists of the period, demonstrating how they built professional networks, established standards of evidence and inquiry, and promoted science as an essential component of national progress. In doing so, he illuminates the institutional development of scientific societies, colleges, journals, and research programs that would lay the groundwork for the nation's later scientific achievements.

Featuring biographical sketches of leading scientists, analyses of early scientific journals, and a detailed examination of the ideas that united the nation's scientific elite, American Science in the Age of Jackson remains a foundational text for understanding the origins of scientific culture in the United States. More than a history of science, it is a history of intellectual ambition, institutional growth, and the pursuit of knowledge in a rapidly changing society. Scholars and students of American history, history of science, intellectual history, philosophy, and nineteenth-century studies will find this volume an indispensable resource for understanding how American science established the foundations of its modern identity.

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cover of An Age of Accountability: How Standardized Testing Came to Dominate American Schools and Compromise Education

An Age of Accountability

How Standardized Testing Came to Dominate American Schools and Compromise Education

John L. Rury

Rutgers University Press, 2024

An Age of Accountability highlights the role of test-based accountability as a policy framework in American education from 1970 to 2020. For more than half a century, the quest to hold schools and educators accountable for academic achievement has relied almost exclusively on standardized assessment. The theory of change embedded in almost all test-based accountability programs held that assessment with stipulated consequences could lead to major improvements in schools. This was accomplished politically by proclaiming lofty goals of attaining universal proficiency and closing achievement gaps, which repeatedly failed to materialize. But even after very clear disappointments, no other policy framework has emerged to challenge its hegemony. The American public today has little confidence in institutions to improve the quality of goods and services they provide, especially in the public sector. As a consequence, many Americans continue to believe that accountability remains a vital necessity, even if educators and policy scholars disagree.
 
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cover of Andre Malraux: An Age of Oppression

Andre Malraux

An Age of Oppression

Roberta Newnham

Intellect Books, 2013

Aimed to coincide with the centenary of Malraux’s birth, André Malraux: An Age of Oppression is the first translation/annotated edition of Le Temps de mépris in a comprehensive format. The story (with the emphasis upon the psychological trauma suffered by a German political prisoner of the Nazis in the early 1930s) marks a significant moment in Malraux’s literary oeuvre, and a prophetic insight into the historical implications of the situation prevailing in pre-World War II Nazi Germany. Features include the ‘Introduction’ (and accompanying ‘Translator’s Note’), designed to situate the nouvelle in its literary and historical context, and to expound upon the psychological import of its semantic content and linguistic technique. The addition of a ‘Notes to the Text’ reference section (also ‘Biographical Summary’ and ‘Select Bibliography’) is intended to enhance the book’s usefulness and interest for a wide readership including modern-languages undergraduates and non-francophone readers.
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cover of Antiphon the Athenian: Oratory, Law, and Justice in the Age of the Sophists

Antiphon the Athenian

Oratory, Law, and Justice in the Age of the Sophists

By Michael Gagarin

University of Texas Press, 2002

Winner, Friends of the Dallas Public Library Award from the Texas Institute of Letters, 2003

Antiphon was a fifth-century Athenian intellectual (ca. 480-411 BCE) who created the profession of speechwriting while serving as an influential and highly sought-out adviser to litigants in the Athenian courts. Three of his speeches are preserved, together with three sets of Tetralogies (four hypothetical paired speeches), whose authenticity is sometimes doubted. Fragments also survive of intellectual treatises on subjects including justice, law, and nature (physis), which are often attributed to a separate Antiphon the Sophist. Were these two Antiphons really one and the same individual, endowed with a wide-ranging mind ready to tackle most of the diverse intellectual interests of his day?

Through an analysis of all these writings, this book convincingly argues that they were composed by a single individual, Antiphon the Athenian. Michael Gagarin sets close readings of individual works within a wider discussion of the fifth-century Athenian intellectual climate and the philosophical ferment known as the sophistic movement. This enables him to demonstrate the overall coherence of Antiphon's interests and writings and to show how he was a pivotal figure between the sophists and the Attic orators of the fourth century. In addition, Gagarin's argument allows us to reassess the work of the sophists as a whole, so that they can now be seen as primarily interested in logos (speech, argument) and as precursors of fourth-century rhetoric, rather than in their usual role as foils for Plato.

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cover of Appified: Culture in the Age of Apps

Appified

Culture in the Age of Apps

Jeremy Wade Morris and Sarah Murray, Editors

University of Michigan Press, 2018

Snapchat. WhatsApp. Ashley Madison. Fitbit. Tinder. Periscope. How do we make sense of how apps like these-and thousands of others-have embedded themselves into our daily routines, permeating the background of ordinary life and standing at-the-ready to be used on our smartphones and tablets? When we look at any single app, it's hard to imagine how such a small piece of software could be particularly notable. But if we look at a collection of them, we see a bigger picture that reveals how the quotidian activities apps encompass are far from banal: connecting with friends (and strangers and enemies), sharing memories (and personally identifying information), making art (and trash), navigating spaces (and reshaping places in the process). While the sheer number of apps is overwhelming, as are the range of activities they address, each one offers an opportunity for us to seek out meaning in the mundane. Appified is the first scholarly volume to examine individual apps within the wider historical and cultural context of media and cultural studies scholarship, attuned to issues of politics and power, identity and the everyday.
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cover of Architecture and Geometry in the Age of the Baroque

Architecture and Geometry in the Age of the Baroque

George L. Hersey

University of Chicago Press, 2001

The age of the Baroque—a time when great strides were made in science and mathematics—witnessed the construction of some of the world's most magnificent buildings. What did the work of great architects such as Bernini, Blondel, Guarini, and Wren have to do with Descartes, Galileo, Kepler, Desargues, and Newton? Here, George Hersey explores the ways in which Baroque architecture, with its dramatic shapes and playful experimentation with classical forms, reflects the scientific thinking of the time. He introduces us to a concept of geometry that encompassed much more than the science we know today, one that included geometrics (number and shape games), as well as the art of geomancy, or magic and prophecy using shapes and numbers.

Hersey first concentrates on specific problems in geometry and architectural design. He then explores the affinities between musical chords and several types of architectural form. He turns to advances in optics, such as artificial lenses and magic lanterns, to show how architects incorporated light, a heavenly emanation, into their impressive domes. With ample illustrations and lucid, witty language, Hersey shows how abstract ideas were transformed into visual, tactile form—the epicycles of the cosmos, the sexual mystique surrounding the cube, and the imperfections of heavenly bodies. Some two centuries later, he finds that the geometric principles of the Baroque resonate, often unexpectedly, in the work of architects such as Frank Lloyd Wright and Le Corbusier. A discussion of these surprising links to the past rounds out this brilliant reexamination of some of the long-forgotten beliefs and practices that helped produce some of Europe's greatest masterpieces.
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cover of Armed Ambiguity: Women Warriors in German Literature and Culture in the Age of Goethe

Armed Ambiguity

Women Warriors in German Literature and Culture in the Age of Goethe

Julie Koser

Northwestern University Press, 2016

Armed Ambiguity is a fascinating examination of the tropes of the woman warrior constructed by print culture—including press reports, novels, dramatic works, and lyrical texts—during the decades-long conflict in Europe around 1800.

In it, Julie Koser sheds new light on how women’s bodies became a battleground for competing social, cultural, and political agendas in one of the most pivotal periods of modern history. She traces the women warriors in this work as reflections of the social and political climate in German-speaking lands, and she reveals how literary texts and cultural artifacts that highlight women’s armed insurrection perpetuated the false dichotomy of "public" versus "private" spheres along a gendered fault line. Koser illuminates how reactionary visions of "ideal femininity" competed with subversive fantasies of new femininities in the ideological battle being waged over the restructuring of German society.

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cover of Art in an Age of Civil Struggle, 1848-1871

Art in an Age of Civil Struggle, 1848-1871

Albert Boime

University of Chicago Press, 2008

From the European revolutions of 1848 through the Italian independence movement, the American Civil War, and the French Commune, the era Albert Boime explores in this fourth volume of his epic series was, in a word, transformative. The period, which gave rise to such luminaries as Karl Marx and Charles Darwin, was also characterized by civic upheaval, quantum leaps in science and technology, and the increasing secularization of intellectual pursuits and ordinary life. In a sweeping narrative that adds critical depth to a key epoch in modern art’s history, Art in an Age of Civil Struggle shows how this turbulent social environment served as an incubator for the mid-nineteenth century’s most important artists and writers.

Tracing the various movements of realism through the major metropolitan centers of Europe and America, Boime strikingly evokes the milieus that shaped the lives and works of Gustave Courbet, Edouard Manet, Émile Zola, Honoré Daumier, Walt Whitman, Abraham Lincoln, and the earliest photographers, among countless others. In doing so, he spearheads a powerful new way of reassessing how art emerges from the welter of cultural and political events and the artist’s struggle to interpret his surroundings. Boime supports this multifaceted approach with a wealth of illustrations and written sources that demonstrate the intimate links between visual culture and social change. Culminating at the transition to impressionism, Art in an Age of Civil Struggle makes historical sense of a movement that paved the way for avant-garde aesthetics and, more broadly, of how a particular style emerges at a particular moment.
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cover of Art in an Age of Counterrevolution, 1815-1848

Art in an Age of Counterrevolution, 1815-1848

Albert Boime

University of Chicago Press, 2004

Art for art's sake. Art created in pursuit of personal expression. In Art in an Age of Counterrevolution, Albert Boime rejects these popular modern notions and suggests that history—not internal drive or expressive urge—as the dynamic force that shapes art.

This volume focuses on the astonishing range of art forms currently understood to fall within the broad category of Romanticism. Drawing on visual media and popular imagery of the time, this generously illustrated work examines the art of Romanticism as a reaction to the social and political events surrounding it. Boime reinterprets canonical works by such politicized artists as Goya, Delacroix, Géricault, Friedrich, and Turner, framing their work not by personality but by its sociohistorical context. Boime's capacious approach and scope allows him to incorporate a wide range of perspectives into his analysis of Romantic art, including Marxism, social history, gender identity, ecology, structuralism, and psychoanalytic theory, a reach that parallels the work of contemporary cultural historians and theorists such as Edward Said, Pierre Bourdieu, Eric Hobsbawm, Frederic Jameson, and T. J. Clark.

Boime ultimately establishes that art serves the interests and aspirations of the cultural bourgeoisie. In grounding his arguments on their work and its scope and influence, he elucidates how all artists are inextricably linked to history. This book will be used widely in art history courses and exert enormous influence on cultural studies as well.
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cover of Asian American Connective Action in the Age of Social Media: Civic Engagement, Contested Issues, and Emerging Identities

Asian American Connective Action in the Age of Social Media

Civic Engagement, Contested Issues, and Emerging Identities

James S. Lai

Temple University Press, 2022

Social media provides ethno-racial immigrant groups—especially those who cannot vote due to factors such as lack of citizenship and limited English proficiency—the ability to mobilize and connect around collective issues. Online spaces and discussion forums have encouraged many Asian Americans to participate in public policy debates and take action on social justice issues. This form of digital group activism serves as an adaptive political empowerment strategy for the fastest-growing and largest foreign-born population in America. Asian American Connective Action in the Age of Social Media illuminates how associating online can facilitate and amplify traditional forms of political action.  

James Lai provides diverse case studies on contentious topics ranging from affirmative action debates to textbook controversies to emphasize the complexities, limitations, and challenges of connective action that is relevant to all racial groups. Using a detailed multi-methods approach that includes national survey data and Twitter hashtag analysis, he shows how traditional immigrants, older participants, and younger generations create online consensus and mobilize offline to foment political change. In doing so, Lai provides a nuanced glimpse into the multiple ways connective action takes shape within the Asian American community.

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cover of Atlantic Double-Cross: American Literature and British Influence in the Age of Emerson

Atlantic Double-Cross

American Literature and British Influence in the Age of Emerson

Robert Weisbuch

University of Chicago Press, 1987

In this ambitious study of the intense and often adversarial relationship between English and American literature in the nineteenth century, Robert Weisbuch portrays the rise of American literary nationalism as a self-conscious effort to resist and, finally, to transcend the contemporary British influence.

Describing the transatlantic "double-cross" of literary influence, Weisbuch documents both the American desire to create a literature distinctly different from English models and the English insistence that any such attempt could only fail. The American response, as he demonstrates, was to make strengths out of national disadvantages by rethinking history, time, and traditional concepts of the self, and by reinterpreting and ridiculing major British texts in mocking allusions and scornful parodies.

Weisbuch approaches a precise characterization of this "double-cross" by focusing on paired sets of English and American texts. Investigations of the causes, motives, and literary results of the struggle alternate with detailed analyses of several test cases. Weisbuch considers Melville's challenge to Dickens, Thoreau's response to Coleridge and Wordsworth, Hawthorne's adaptation of Keats and influence on Eliot, Whitman's competition with Arnold, and Poe's reshaping of Shelley. Adding a new dimension to the exploration of an emerging aesthetic consciousness, Atlantic Double-Cross provides important insights into the creation of the American literary canon.
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cover of Autoaffection: Unconscious Thought in the Age of Technology

Autoaffection

Unconscious Thought in the Age of Technology

Patricia Ticineto Clough

University of Minnesota Press, 2000

Explores the connection between new theories, new technologies, and new ways of thinking.

In this book, Patricia Ticineto Clough reenergizes critical theory by viewing poststructuralist thought through the lens of "teletechnology," using television as a recurring case study to illuminate the changing relationships between subjectivity, technology, and mass media.

Autoaffection links diverse forms of cultural criticism-feminist theory, queer theory, film theory, postcolonial theory, Marxist cultural studies and literary criticism, the cultural studies of science and the criticism of ethnographic writing—to the transformation and expansion of teletechnology in the late twentieth century. These theoretical approaches, Clough suggests, have become the vehicles of unconscious thought in our time.In individual chapters, Clough juxtaposes the likes of Derridean deconstruction, Deleuzian philosophy, and Lacanian psychoanalysis. She works through the writings of Fredric Jameson, Donna Haraway, Judith Butler, Bruno Latour, Nancy Fraser, Elizabeth Grosz—to name only a few—placing all in dialogue with a teletechnological framework. Clough shows how these cultural criticisms have raised questions about the foundation of thought, allowing us to reenvision the relationship of nature and technology, the human and the machine, the virtual and the real, the living and the inert.
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