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12 books match the query 'Alienation (Social psychology)'

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Erich Fromm and Critical Criminology

Edited by Kevin Anderson and Richard Quinney

University of Illinois Press, 2000

Linking the writings of the great humanist psychologist Erich Fromm to criminology, this collection shows how viewing crime patterns and the criminal justice system from Fromm's humanist perspective opens a path to more effective and more humane ways of understanding and dealing with crime and criminals.

Contributors to Erich Fromm and Critical Criminology draw on Fromm's writings on alienation, sadomasochism, and patriarchal/matriarchal values to assess the kinds of crimes being committed and the kinds of people committing them. They explore the spiritual and intellectual sources of Fromm's thought--including Jewish theology, Freudian psychoanalysis, Marxism, and Buddhism--and demonstrate how his socialist humanism points toward a society free of crime and violence. This volume also includes translations of two of Fromm's early articles on criminal justice, never before available in English, in which he develops a psychoanalytic Marxist critique of the role of criminal justice in a class society.

At a time when American society seems bent, to an unprecedented degree, on imprisonment, executions, and other violent responses to the problem of crime, Fromm's humanist critique offers a unique vantage point from which to renew and develop a critical criminology.

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On European Ground

Alan Cohen

University of Chicago Press, 2001

A profound visual meditation on the trauma that scars twentieth-century Europe, Alan Cohen's On European Ground considers the battlefields of World War I, the Nazi death camps, and the Berlin Wall, and records the distance between what we remember about these places and what we can still observe in them today. By walking these sites and photographing the very ground in which their history has dissolved, Cohen opens a space for reflection on their complex gravity and legacy.

Cohen's images achieve a solemn beauty even as they engage history at its most topical. Pictures of trenches and bunkers at the battlefields of Somme and Verdun explore the tension between the violence of the past and the inscrutability of its remnants. Photographs from the grounds of Dachau and Auschwitz solicit a provocative dialogue between the ordinariness of these sites today and their haunting memory. They teach us, as the New Art Examiner notes, "that the living perceptual connection to the Holocaust is vanishing." Images of the Berlin Wall show only the footprint of the barricade that once separated two hostile ideologies. They record the physical erosion and looming disappearance of the Wall while capturing its reappearance as a memorialized abstraction.

Accompanying the photographs in On European Ground are essays by Sander Gilman and Jonathan Bordo, as well as an interview with Cohen by critic Roberta Smith of the New York Times. The essays present both an introduction to and aesthetic analysis of Cohen's work, while the interview discusses the intractable problems of history and memory that his photographs so uniquely capture.

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Post-Soviet Chaos

Violence and Dispossession in Kazakhstan

Joma Nazpary

Pluto Press, 2001

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Rebels

Youth and the Cold War Origins of Identity

Leerom Medovoi

Duke University Press, 2005

Holden Caulfield, the beat writers, Elvis Presley, Chuck Berry, and James Dean—these and other avatars of youthful rebellion were much more than entertainment. As Leerom Medovoi shows, they were often embraced and hotly debated at the dawn of the Cold War era because they stood for dissent and defiance at a time when the ideological production of the United States as leader of the “free world” required emancipatory figures who could represent America’s geopolitical claims. Medovoi argues that the “bad boy” became a guarantor of the country’s anti-authoritarian, democratic self-image: a kindred spirit to the freedom-seeking nations of the rapidly decolonizing third world and a counterpoint to the repressive conformity attributed to both the Soviet Union abroad and America’s burgeoning suburbs at home.

Alongside the young rebel, the contemporary concept of identity emerged in the 1950s. It was in that decade that “identity” was first used to define collective selves in the politicized manner that is recognizable today: in terms such as “national identity” and “racial identity.” Medovoi traces the rapid absorption of identity themes across many facets of postwar American culture, including beat literature, the young adult novel, the Hollywood teen film, early rock ‘n’ roll, black drama, and “bad girl” narratives. He demonstrates that youth culture especially began to exhibit telltale motifs of teen, racial, sexual, gender, and generational revolt that would burst into political prominence during the ensuing decades, bequeathing to the progressive wing of contemporary American political culture a potent but ambiguous legacy of identity politics.

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Sex and Isolation

And Other Essays

Bruce Benderson; Foreword by Catherine Texier

University of Wisconsin Press, 2007

Winner of France’s 2004 Prix de Flore for his memoir The Romanian: Story of an Obsession, Bruce Benderson has gained international respect for his controversial opinions and original take on contemporary society. In this collection of essays, Benderson directs his exceptional powers of observation toward some of the most debated, as well as some of the most neglected, issues of our day.
In Sex and Isolation, readers will encounter eccentric street people, Latin American literary geniuses, a French cabaret owner, a transvestite performer, and many other unusual characters; they’ll visit subcultures rarely described in writing and be treated to Benderson’s iconoclastic opinions about culture in former and contemporary urban society. Whether proposing new theories about the relationship between art, entertainment, and sex, analyzing the rise of the Internet and the disappearance of public space, or considering how religion and sexual identity interact, each essay demonstrates sharp wit, surprising insight and some startling intellectual positions.
This is the first American volume of Benderson’s collected essays, featuring both new work and some of his best-known writings, including his famous essay “Toward the New Degeneracy.”

Outstanding University Press Book selection, Foreword Magazine

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Social Capital Online

Alienation and Accumulation

Kane X. Faucher

University of Westminster Press, 2018

What is ‘social capital’? The enormous positivity surrounding it conceals the instrumental economic rationality underpinning the notion as corporations silently sell consumer data for profit. Status chasing is just one aspect of a process of transforming qualitative aspects of social interactions into quantifiable metrics for easier processing, prediction, and behavioural shaping.

A work of critical media studies, Social Capital Online examines the idea within the new ‘network spectacle’ of digital capitalism via the ideas of Marx, Veblen, Debord, Baudrillard and Deleuze. Explaining how such phenomena as online narcissism and aggression arise, Faucher offers a new theoretical understanding of how the spectacularisation of online activity perfectly aligns with the value system of neoliberalism and its data worship. Even so, at the centre of all, lie familiar ideas – alienation and accumulation – new conceptions of which he argues are vital for understanding today’s digital society.

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Teenage Wasteland

Suburbia's Dead End Kids

Donna Gaines

University of Chicago Press, 1998

Teenage Wasteland provides memorable portraits of "rock and roll kids" and shrewd analyses of their interests in heavy metal music and Satanism. A powerful indictment of the often manipulative media coverage of youth crises and so-called alternative programs designed to help "troubled" teens, Teenage Wasteland draws new conclusions and presents solid reasons to admire the resilience of suburbia's dead end kids.

"A powerful book."—Samuel G. Freedman, New York Times Book Review

"[Gaines] sheds light on a poorly understood world and raises compelling questions about what society might do to help this alienated group of young people."—Ann Grimes, Washington Post Book World

"There is no comparable study of teenage suburban culture . . . and very few ethnographic inquiries written with anything like Gaines's native gusto or her luminous eye for detail."—Andrew Ross, Transition

"An outstanding case study. . . . Gaines shows how teens engage in cultural production and how such social agency is affected by economic transformations and institutional interventions."—Richard Lachman, Contemporary Sociology

"The best book on contemporary youth culture."—Rolling Stone

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The Alienated Subject

On the Capacity to Hurt

James A. Tyner

University of Minnesota Press, 2022

A timely and provocative discussion of alienation as an intersectional category of life under racial capitalism and white supremacy

From the divisiveness of the Trump era to the Covid-19 pandemic, alienation has become an all-too-familiar contemporary concept. In this groundbreaking book, James A. Tyner offers a novel framework for understanding the alienated subject, situating it within racial capitalism and white supremacy. Directly addressing current economic trends and their rhetoric of xenophobia, discrimination, and violence, The Alienated Subject exposes the universal whitewashing of alienation.

Drawing insight from a variety of sources, including Marxism, feminism, existentialism, and critical race theory, Tyner develops a critique of both the liberal subject and the alienated subject. Through an engagement with the recent pandemic and the Black Lives Matter movement, he demonstrates how the alienated subject is capable of both compassion and cruelty; it is a sadomasochist. Tyner goes on to emphasize the importance of the particular places we find the alienated subject and how the revolutionary transformation of alienation is inherently a spatial struggle. Returning to key interlocutors from Sartre to Fromm, he examines political notions of distance and the spatial practices of everyday life as well as the capitalist conditions that give rise to the alienated subject.

For Tyner, the alienated subject is not the iconic, romanticized image of Marx’s proletariat. Here he calls for an affirmation of love as a revolutionary concept, necessary for the transformation of a society marred by capitalism into an emancipated, caring society conditioned by socially just relations.

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