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Much has been written about the life of abolitionist William Lloyd Garrison (1805–1879), but relatively little attention has been paid to his wife, Helen Benson Garrison, and their seven children. In Growing Up Abolitionist, Garrison's public image recedes into the background and the family's private world takes center stage. 

The lives of the Garrison children were shaped within the context of the great nineteenth-century campaigns against slavery, racism, violence, war, imperialism, and the repression of women. As children, they became apprentices of these movements and grew up adoring their dissident parents. Collectively and individually, they carried on their parents' values in distinctive ways. 

Their path was not always easy. When the Civil War erupted, the entire family had to come to grips with a basic contradiction in their lives. While each member passionately yearned for the end of slavery, all but the eldest son, George, who served as an officer with the 55th Massachusetts Colored Regiment, opposed military participation. 

The Civil War years also brought four marriage partners into the Garrisons' lives-Ellen Wright, Lucy McKim, and Annie Anthony (all abolitionist daughters) and Henry Villard, a German-born journalist who later became a railroad magnate and publisher of the New York Evening Post and the Nation. 

Raised by loving parents to be political activists, the Garrison children, as adults, assumed positions as leaders or participants in those radical causes of their day that most closely reflected their upbringing: racial justice, women's rights, anti-imperialism, and peace.

One of the nation's first film critics, an acclaimed speechwriter on his own and for President Franklin D. Roosevelt, a propagandist during World War II, and a leading producer on Broadway, Robert E. Sherwood scripted some of the most popular plays and films of his day, including Waterloo Bridge, The Best Years of Our Lives, Idiot's Delight, Abe Lincoln in Illinois, and Rebecca. His work brought him four Pulitzer Prizes and an Oscar. In his personal life, however, he was driven by a deep conviction that war was a societal evil that must be eradicated and human rights a moral responsibility that all governments should protect. At times, his belief in pacifism and his commitment to defending freedom and justice came into conflict with each other, causing frustration and emotional trauma which found their way into his writings and actions. 

In this book, Harriet Hyman Alonso unravels Sherwood's inner struggle and portrays his political journey. Relying largely on his letters, diaries, plays, films, essays, and biography of Roosevelt and Harry Hopkins, she traces Sherwood's obsession with the world of politics and its effects on his life and art, from his experience as a soldier in World War I to the Cold War. She also describes his participation in the Algonquin Round Table, his friendships and working relationships with such notables as Alfred Lunt, Lynn Fontanne, Edna Ferber, Spencer Tracy, Harry Hopkins, and Franklin D. Roosevelt, his two marriages and uneasy relationship with his daughter, and his leadership role in the Broadway community. 

Alonso brings together history, theater and film studies, and peace studies in this interdisciplinary political biography. In the process, she illuminates major currents in U.S. foreign policy, society, and culture from 1896 to 1955—the years of the remarkable life of Robert E. Sherwood.