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An immersive adventure story set during the American Civil War follows four travelers as they escape toward the Western territories.

It is fall 1864, and Robert Riley has deserted his Army of the Potomac unit outside Petersburg, Virginia. Exhausted from years of war and worried about his motherless sons in Ohio, he returns to collect thirteen-year-old Michael and Sean, three years older, and flees to the Western territories. Along the way, he encounters Janey, an orphan at sixteen, who is also eager to go West. When Riley sees in her a quickness of mind, a brand of cunning that mirrors his own, he is persuaded to take her along.

Crossing the lower Midwest on horseback with little money and few possessions, the four are pursued by a wily private detective after the reward for turning in Riley. He manages to thwart the ragtag group, who abandon their plan of crossing the plains. They slip away by train to Chicago, and there, in that cold, stinking, dangerous metropolis, just before the 1864 election, they meet with problems beyond Riley’s ability to resolve. All four find themselves alone, at the mercy of fortune . . . and the fortune hunter, who finally gets the chance to face down his nemesis.

Deserters alternates between the perspectives of the four major characters as their relationships grow and shift, and as each of them strives to forge their way forward in the late war’s murky upheaval. A book whose antecedents include Charles Portis’s True Grit and Paulette Jiles’s News of the World, Gabriel’s immersive novel is an adventure story with psychological intricacy, emotional intensity, and historical heft.

Thurmond’s novel follows a girl becoming a woman in pre-Civil War Kentucky, through a romantic involvement in Detroit, and then into adulthood as she becomes the notorious gambler, Lottie Deno, in postwar New Orleans, San Antonio, and points Southwest. Her business acumen and fearlessness bring opportunities. Her love life takes several turns, and her character matures in often colorful, surprising ways.

It is 1883, and America is at a crossroads. At a tiny college in Upstate New York, an idealistic young professor has managed to convince Mark Twain, Frederick Douglass, Herman Melville, Walt Whitman, Harriet Beecher Stowe, Confederate memoirist Forrest Taylor, and romance novelist Lucy Comstock to participate in the first (and last) Auburn Writers’ Conference for a public discussion about the future of the nation. By turns brilliantly comic and startlingly prescient, The Auburn Conference vibrates with questions as alive and urgent today as they were in 1883—the chronic American conundrums of race, class, and gender, and the fate of the democratic ideal.