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A classic novel of war, suffering, and survival in Bosnia
Internationally acclaimed since its original publication just after World War II, The Bridge on the Drina is a vivid historical novel that uses the Mehmed Paša Sokolović Bridge as the centerpiece of the story of Bosnia and its people from the late sixteenth century to the beginning of World War I. As we seek to make sense of the current nightmare in this region, this remarkable, timely book serves as a reliable guide to its people and history. Through powerful stories of the people who make history—and the people suffer under those who do—Ivo Andric traces the story of the Bosnian people from the Ottoman Empire through the domination of Austria-Hungary and into the rising tide of competing nationalist ideologies that set the stage for the tragedy of World War I. 

Written while Andric was under house arrest during the Nazi occupation, The Bridge on the Drina is as gripping as a soap opera, bringing history down to the level of compelling individual lives and experiences. It is one of the landmark works of twentieth-century literature, as powerful today as it ever was.
 

Ivo Andric (1892-1975), Nobel Prize laureate for literature in 1961, is undoubtedly the most popular of all contemporary Yugoslav writers. Over the span of fifty-two years some 267 of his works have been published in thirty-three languages. Andric’s doctoral dissertation, The Development of Spiritual Life in Bosnia under the Influence of Turkish Rule (1924), never before translated into English, sheds important light on the author’s literary writings and must be taken into account in any current critical analysis of his work.
Over his long and distinguished career as a diplomat and man of letters Andric never again so directly or discursively addressed, as a social historian, the impact of Turkish hegemony on the Bosnian people (1463–1878), a theme he returns to again and again in his novels. Although Andric’s fiction was embedded in history, scholars know very little of his actual readings in history and have no other comparable treatment of it from his own pen. This dissertation abounds with topics that Andric incorporated into his early stories and later novels, including a focus on the moral stresses and compromises within Bosnia’s four religious confessions: Catholic, Orthodox, Jew, and Muslim.
Z. B. Juricic provides an extensive introduction describing the circumstances under which this work was written and situating it in Andric’s oeuvre. John F. Loud’s original bibliography drawn from this dissertation stands as the only comprehensive inventory of historical sources known to have been closely familiar to the author at this early stage in his development.