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Recovering a lost feminist story of scandal and strength for a new generation

Out of print in the United States since its original publication in 1915, Susan Glaspell’s largely forgotten novel Fidelity tells the story of Ruth Holland, a young woman who returns to her small Midwestern hometown after eleven years’ absence. Forced home by the death of her father, Ruth must face a family and community that have largely turned against her following her affair with a married man.

Glaspell, mostly known as a playwright and for her founding of the Provincetown Players, was also an accomplished novelist. Inspired by events in Glaspell’s own life, Fidelity portrays Ruth’s struggle to find fulfillment, love, and purpose in a society that imposes rigid expectations and limitations on how a woman should live. Ruth is a woman torn between love and commitment to her family—and between love and commitment to herself. Glaspell’s narrative shifts between characters, offering glimpses through the community’s eyes of the ways that Ruth’s return forces residents to confront their beliefs and the impact that they have. In the vein of Chopin’s The Awakening and Flaubert’s Madame Bovary, Glaspell’s Fidelity holds an important place in the history of early twentieth-century feminist literature and is long overdue to be back in print.

Students at the University of Nebraska–Lincoln, under the guidance of Kevin McMullen, project manager of the Walt Whitman Archive, have resurrected this neglected novel. The text includes contemporary photographs of Susan Glaspell, a new introduction, and annotations throughout, which provide useful commentary for students and general readers alike.

What lies beneath the surface of Masters' timeless classic

One of the most striking and original achievements in American poetry is now available in a remarkable edition that comprehends the poet and his book in an entirely new way.

This edition of Spoon River Anthology probes the social background of the small-town world that Edgar Lee Masters loved and hated--and finally transmuted into powerful literary art. Extensive annotations identify the people whose lives inspired the 243 poetic accounts of frustration, violence, struggle, and triumph that shocked American readers.

The most extraordinary feature of this edition is the extensive introduction that provides the key to this misunderstood American classic. The book's relationship to Whitman is clearly established, and the important influences of Browning, Goethe, Spinoza, and others are revealed for the first time. John Hallwas' approach combines cultural, biographical, philosophical, psychoanalytic, mythic, and symbolic insights--and concludes with a stunning reassessment of "Our New Poet."

The annotated Spoon River Anthology supersedes seventy-five years of largely misdirected critical commentary. It will send a new generation of readers back to this surprisingly complex book that probes so deeply into the American consciousness.

Tracing the troubled roots of American capitalism and imperialism
 
Coedited by noted Masters scholar, Jason Stacy, and his class, “Editing History,” this annotated edition of Edgar Lee Masters’s The New Star Chamber and Other Essays reappears at a perilous time in US history, when large corporations and overseas conflicts once again threaten the integrity of American rights and liberties, and the United States still finds itself beholden to corporate power and the legacy of imperial hubris. In speaking to his times, Masters also speaks to ours.
 
These thirteen essays lay bare the political ideology that informed Spoon River Anthology. Masters argues that the dangerous imperialism championed by then-President Theodore Roosevelt was rooted in the Constitution itself. By debating the ethics of the Philippine-American War, criticizing Hamiltonian centralization of government, and extolling the virtues of Jeffersonian individualism, Masters elucidates the ways in which America had strayed from its constitutional morals and from democracy itself. The result is a compelling critique of corporate capitalism and burgeoning American imperialism, as well as an exemplary source for understanding its complicated author in the midst of his transformation from urban lawyer to poet of rural America.
 
In print again for the first time since 1904, this edition includes an introduction and historical annotations throughout. Edited and annotated by students at Southern Illinois University Edwardsville, and designed and illustrated by students at Southern Illinois University Carbondale, this volume traces economic and political pathologies to the origins of the American republic. The New Star Chamber and Other Essays is as vital now as it was over 100 years ago.