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The 42nd Division, or “Rainbow Division” as it was known popularly, was composed entirely of unproven National Guard units hailing from twenty-six different states and the District of Columbia. For that reason, there were many who thought the division would never see combat when it deployed to France in October 1917. However, the division would spend 164 days in combat during World War I, a number exceeded by only two other American divisions. Despite the doubts of General John J. Pershing and many senior American officers regarding their ability to serve in combat, the division would come to be viewed by the Allies and their German opponents as one of the best combat divisions in the American Expeditionary Forces. As a result, the Rainbow Division was chosen to lead the American offensive in the Saint Mihiel salient, the first offensive planned and led by the American army in World War I. The division went on to play a critical role in the final offensive of the war in the Meuse-Argonne, where these battle-hardened National Guardsmen were the first Allied unit to finally break through the main German lines of resistance, the heavily fortified Kriemhilde Stellung, which had stopped assaults by three other American divisions.
Approach to Final Victory: America's Rainbow Division in the Saint Mihiel and Meuse-Argonne Offensives by historian Robert Thompson, chronicles the efforts of the Rainbow Division during these final two Allied offensives that were key to the ultimate Allied victory. Based on letters, journals, action reports, and unit histories, the challenges, set-backs, and accomplishments of the division stand as a fitting symbol of American valor and sacrifice during the “war to end all wars.”

Named an Outstanding Academic Title: Theater and Dance, 2023 Choice Reviews

A groundbreaking philosophy of design for the stage
 
Standby proposes a practical philosophy of contemporary theatrical design that addresses all design disciplines, all theatrical collaborators, and all forms of theatre, from the traditional to the avant-garde. In a field that is too often dismissed as purely technical, Joshua Langman celebrates design as a transformative force with the power to elevate a performance and enable it to resonate beyond the bounds of its physical production. Beginning with the proposition that design contributes essential layers of meaning to an experience, Standby argues for a unique approach centered on the creation of revelatory theatrical moments.
 
In a mission to illuminate the soul of the craft, Langman investigates the purposes of design, details the elements of a production concept, uncovers the mechanics of creating meaning, explores the relationship of theatrical design to fine art and art history, and offers practical guidance on designing productions. He also considers what has changed as designers have embraced digital technology and suggests fifteen concrete methods for preserving the magic of live theatre in a digital age. Blending scholarship and storytelling, personal experience and contrarian wisdom, Standby challenges theatre-makers to harness the rich dramatic potential of theatrical design.

For additional information and supplemental materials, please visit www.standbybook.com.