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4 books match the query 'Asian American Literature'

cover of Asian American Literature: An Introduction to the Writings and Their Social Context

Asian American Literature

An Introduction to the Writings and Their Social Context

Elaine Kim

Temple University Press, 1984

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cover of Classical Reception in Asian American Literature

Classical Reception in Asian American Literature

Christopher Waldo

University of Michigan Press, 2027

Troubled by the discipline’s historical relationship to white supremacy, classical scholars have begun to reexamine their fundamental assumptions about the relevance of ancient Greece and Rome to the modern world. After decades in which classical reception was relegated to the periphery of the discipline, a consensus has developed that the study of modern interactions with antiquity is inherently valuable. One of the newest branches of classical reception focuses on the cultural productions and political realities of Asian Americans. Contending that the Asian American authors discussed herein understand the ancient world as fundamentally unstable, Classical Reception in Asian American Literature interrogates this instability as manifested in fragmentation, violence, mythology, allusion, performance, and memory. 

The study explores the written works of Theresa Hak Kyung Cha, Ocean Vuong, Quan Barry, Chang-rae Lee, David Lau, Sally Wen Mao, Johanna Hedva, Hoa Nguyen, and Vi Khi Nao. Via their written works, Christopher Waldo explores the bond between Demeter and Persephone, Telemachus’ identity as a fatherless son, the relationship between diasporic authors and Sappho, reinventions of mythology surrounding the Trojan War, and more. In Classical Reception in Asian American Literature, the literary traditions of the East and West collide to illuminate the threads of connection between the ancient and modern worlds. 

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cover of Inhuman Citizenship: Traumatic Enjoyment and Asian American Literature

Inhuman Citizenship

Traumatic Enjoyment and Asian American Literature

Juliana Chang

University of Minnesota Press, 2012

In Inhuman Citizenship, Juliana Chang claims that literary representations of Asian American domesticity may be understood as symptoms of America’s relationship to its national fantasies and to the “jouissance”—a Lacanian term signifying a violent yet euphoric shattering of the self—that both overhangs and underlies those fantasies. In the national imaginary, according to Chang, racial subjects are often perceived as the source of jouissance, which they supposedly embody through their excesses of violence, sexuality, anger, and ecstasy—excesses that threaten to overwhelm the social order.

To examine her argument that racism ascribes too much, rather than a lack of, humanity, Chang analyzes domestic accounts by Asian American writers, including Fae Myenne Ng’s Bone, Brian Ascalon Roley’s American Son, Chang-rae Lee’s Native Speaker, and Suki Kim’s The Interpreter. Employing careful reading and Lacanian psychoanalysis, Chang finds sites of excess and shock: they are not just narratives of trauma; they produce trauma as well. They render Asian Americans as not only the objects but also the vehicles and agents of inhuman suffering. And, claims Chang, these novels disturb yet strangely exhilarate the reader through characters who are objects of racism and yet inhumanly enjoy their suffering and the suffering of others.

Through a detailed investigation of “family business” in works of Asian American life, Chang shows that by identifying with the nation’s psychic disturbance, Asian American characters ethically assume responsibility for a national unconscious that is all too often disclaimed.

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cover of Unquiet Tropes: Form, Race, and Asian American Literature

Unquiet Tropes

Form, Race, and Asian American Literature

Elda E Tsou

Temple University Press, 2015

Until quite recently, Asian American literary criticism had little to do with form. Instead, the tendency was to bind the literary tradition to identity formation. For Elda Tsou, however, the distinctions of ethnic writing extend beyond such facile referential practices to incorporate form and aesthetics. 
 
In Unquiet Tropes, Tsou reconceptualizes the literature as a set of highly particular classical rhetorical tropes including antanaclasis, rhetorical question, apophasis, catachresis, and allegory. Looking at five canonical works—Aiiieeeee!, No-No Boy, China Men, Blu’s Hanging, and Native Speaker—Tsou shows how these texts use figurative means to confront the problem of race. She also explores how traces of Asian American history live on through these figures.
 
Each case study in Unquiet Tropes considers a different scenario—defiance, coercion, necessity, error, and deceit—to show how literary representation from the 1950s through 1997 has responded to a specific political condition.
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