Results by title

4 books match the query 'B'

cover of General Relativity from A to B

General Relativity from A to B

Robert Geroch

University of Chicago Press, 1981

"This beautiful little book is certainly suitable for anyone who has had an introductory course in physics and even for some who have not."—Joshua N. Goldberg, Physics Today

"An imaginative and convincing new presentation of Einstein's theory of general relativity. . . . The treatment is masterful, continual emphasis being placed on careful discussion and motivation, with the aim of showing how physicists think and develop their ideas."—Choice
[more]
cover of I Hear a Symphony: Motown and Crossover R&B

I Hear a Symphony

Motown and Crossover R&B

Andrew Flory

University of Michigan Press, 2017

I Hear a Symphony opens new territory in the study of Motown’s legacy, arguing that the music of Motown was indelibly shaped by the ideals of Detroit’s postwar black middle class; that Motown’s creative personnel participated in an African-American tradition of dialogism in rhythm and blues while developing the famous “Motown Sound.” Throughout the book, Flory focuses on the central importance of “crossover” to the Motown story; first as a key concept in the company’s efforts to reach across American commercial markets, then as a means to extend influence internationally, and finally as a way to expand the brand beyond strictly musical products. Flory’s work reveals the richness of the Motown sound, and equally rich and complex cultural influence Motown still exerts.

[more]
cover of The Bachelors' Ball: The Crisis of Peasant Society in Béarn

The Bachelors' Ball

The Crisis of Peasant Society in Béarn

Pierre Bourdieu

University of Chicago Press, 2008

Over the past four decades, French sociologist Pierre Bourdieu produced one of the most imaginative and subtle bodies of social theory of the postwar era. When he died in 2002, he was considered to be the most influential sociologist in the world and a thinker on a par with Foucault and Lévi-Strauss—a public intellectual as important to his generation as Sartre was to his.
 
Bourdieu’s final book, The Bachelors’ Ball, sees him return to Béarn, the region where he grew up, to examine the gender dynamics of rural France. This personal connection adds poignancy to Bourdieu’s ethnographic account of the way the influence of urban values has precipitated a crisis for male peasants. Tied to the land through inheritance, these bachelors find themselves with little to offer the women of Béarn who, like the young Bourdieu himself, abandon the country for the city in droves.
[more]
cover of The Late Great Johnny Ace and the Transition from R&B to Rock 'n' Roll

The Late Great Johnny Ace and the Transition from R&B to Rock 'n' Roll

James M. Salem

University of Illinois Press, 1999

Johnny Ace's crooning style and stirring ballads made him the first postwar African American artist to cross over to a white audience. After a string of R&B hits, Ace released the million-selling "Pledging My Love," a song headed to the top of the charts when the singer accidentally shot himself in his dressing room between sets at a show. 

James M. Salem captures the enigmatic, captivating, and influential R&B legend. Venturing from raucous Beale Street to Houston's vibrant Fourth Ward, Salem places Johnny Ace within a multifaceted world of postwar rhythm and blues that included B. B. King, Johnny Otis, Big Mama Thornton, and Gatemouth Brown. Salem also examines how entrepreneur Don D. Robey and his wife Evelyn Johnson promoted Ace to the top of the charts. Yet fame, as always, had a price. Ace's tours on the Chitlin' Circuit meant endless one-night stands and a grueling schedule that kept him on the road 340 days per year. 

Comprehensive and filled with anecdotes, The Late Great Johnny Ace and the Transition from R&B to Rock 'n' Roll tells the story of the star who fused black and white styles and changed American popular music forever.

[more]