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3 books match the query 'Bailey, Marlon M.'

cover of Black Sexual Economies: Race and Sex in a Culture of Capital

Black Sexual Economies

Race and Sex in a Culture of Capital

Edited by Adrienne D. Davis and the BSE Collective

University of Illinois Press, 2019

A daring collaboration among scholars, Black Sexual Economies challenges thinking that sees black sexualities as a threat to normative ideas about sexuality, the family, and the nation. The essays highlight alternative and deviant gender and sexual identities, performances, and communities, and spotlights the sexual labor, sexual economy, and sexual agency to black social life. Throughout, the writers reveal the lives, everyday negotiations, and cultural or aesthetic interventions of black gender and sexual minorities while analyzing the systems and beliefs that structure the possibilities that exist for all black sexualities. They also confront the mechanisms of domination and subordination attached to the political and socioeconomic forces, cultural productions, and academic work that interact with the energies at the nexus of sexuality and race. Contributors: Marlon M. Bailey, Lia T. Bascomb, Felice Blake, Darius Bost, Ariane Cruz, Adrienne D. Davis, Pierre Dominguez, David B. Green Jr., Jillian Hernandez, Cheryl D. Hicks, Xavier Livermon, Jeffrey McCune, Mireille Miller-Young, Angelique Nixon, Shana L. Redmond, Matt Richardson, L. H. Stallings, Anya M. Wallace, and Erica Lorraine Williams
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cover of Butch Queens Up in Pumps: Gender, Performance, and Ballroom Culture in Detroit

Butch Queens Up in Pumps

Gender, Performance, and Ballroom Culture in Detroit

Marlon M. Bailey

University of Michigan Press, 2013

Butch Queens Up in Pumpsexamines Ballroom culture, in which inner-city LGBT individuals dress, dance, and vogue to compete for prizes and trophies. Participants are affiliated with a house, an alternative family structure typically named after haute couture designers and providing support to this diverse community. Marlon M. Bailey’s rich first-person performance ethnography of the Ballroom scene in Detroit examines Ballroom as a queer cultural formation that upsets dominant notions of gender, sexuality, kinship, and community.

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cover of Global Circuits of Blackness: Interrogating the African Diaspora

Global Circuits of Blackness

Interrogating the African Diaspora

Edited by Jean Muteba Rahier, Percy C. Hintzen, and Felipe Smith

University of Illinois Press, 2010

Global Circuits of Blackness is a sophisticated analysis of the interlocking diasporic connections between Africa, Europe, the Caribbean, and the Americas. A diverse and gifted group of scholars delve into the contradictions of diasporic identity by examining at close range the encounters of different forms of blackness converging on the global scene.
 
Contributors examine the many ways blacks have been misrecognized in a variety of contexts. They also explore how, as a direct result of transnational networking and processes of friction, blacks have deployed diasporic consciousness to interpellate forms of white supremacy that have naturalized black inferiority, inhumanity, and abjection. Various essays document the antagonism between African Americans and Africans regarding heritage tourism in West Africa, discuss the interaction between different forms of blackness in Toronto's Caribana Festival, probe the impact of the Civil Rights movement in America on diasporic communities elsewhere, and assess the anxiety about HIV and AIDS within black communities. The volume demonstrates that diaspora is a floating revelation of black consciousness that brings together, in a single space, dimensions of difference in forms and content of representations, practices, and meanings of blackness. Diaspora imposes considerable flexibility in what would otherwise be place-bound fixities.
 
Contributors are Marlon M. Bailey, Jung Ran Forte, Reena N. Goldthree, Percy C. Hintzen, Lyndon Phillip, Andrea Queeley, Jean Muteba Rahier, Stéphane Robolin, and Felipe Smith.
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