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6 books match the query 'Ballantyne, Tony'

cover of Archive Stories: Facts, Fictions, and the Writing of History

Archive Stories

Facts, Fictions, and the Writing of History

Antoinette Burton, ed.

Duke University Press, 2005

Despite the importance of archives to the profession of history, there is very little written about actual encounters with them—about the effect that the researcher’s race, gender, or class may have on her experience within them or about the impact that archival surveillance, architecture, or bureaucracy might have on the histories that are ultimately written. This provocative collection initiates a vital conversation about how archives around the world are constructed, policed, manipulated, and experienced. It challenges the claims to objectivity associated with the traditional archive by telling stories that illuminate its power to shape the narratives that are “found” there.

Archive Stories brings together ethnographies of the archival world, most of which are written by historians. Some contributors recount their own experiences. One offers a moving reflection on how the relative wealth and prestige of Western researchers can gain them entry to collections such as Uzbekistan’s newly formed Central State Archive, which severely limits the access of Uzbek researchers. Others explore the genealogies of specific archives, from one of the most influential archival institutions in the modern West, the Archives nationales in Paris, to the significant archives of the Bakunin family in Russia, which were saved largely through the efforts of one family member. Still others explore the impact of current events on the analysis of particular archives. A contributor tells of researching the 1976 Soweto riots in the politically charged atmosphere of the early 1990s, just as apartheid in South Africa was coming to an end. A number of the essays question what counts as an archive—and what counts as history—as they consider oral histories, cyberspace, fiction, and plans for streets and buildings that were never built, for histories that never materialized.

Contributors. Tony Ballantyne, Marilyn Booth, Antoinette Burton, Ann Curthoys, Peter Fritzsche, Durba Ghosh, Laura Mayhall, Jennifer S. Milligan, Kathryn J. Oberdeck, Adele Perry, Helena Pohlandt-McCormick, John Randolph, Craig Robertson, Horacio N. Roque Ramírez, Jeff Sahadeo, Reneé Sentilles

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cover of Between Colonialism and Diaspora: Sikh Cultural Formations in an Imperial World

Between Colonialism and Diaspora

Sikh Cultural Formations in an Imperial World

Tony Ballantyne

Duke University Press, 2006

Bringing South Asian and British imperial history together with recent scholarship on transnationalism and postcolonialism, Tony Ballantyne offers a bold reevaluation of constructions of Sikh identity from the late eighteenth century through the early twenty-first. Ballantyne considers Sikh communities and experiences in Punjab, the rest of South Asia, the United Kingdom, and other parts of the world. He charts the shifting, complex, and frequently competing visions of Sikh identity that have been produced in response to the momentous social changes wrought by colonialism and diaspora. In the process, he argues that Sikh studies must expand its scope to take into account not only how Sikhism is figured in religious and political texts but also on the battlefields of Asia and Europe, in the streets of Singapore and Southall, and in the nightclubs of New Delhi and Newcastle.

Constructing an expansive historical archive, Ballantyne draws on film, sculpture, fiction, and Web sites, as well as private papers, government records, journalism, and travel narratives. He proceeds from a critique of recent historiography on the development of Sikhism to an analysis of how Sikh identity changed over the course of the long nineteenth century. Ballantyne goes on to offer a reading of the contested interpretations of the life of Dalip Singh, the last Maharaja of Punjab. He concludes with an exploration of bhangra, a traditional form of Punjabi dance that diasporic artists have transformed into a globally popular music style. Much of bhangra’s recent evolution stems from encounters of the Sikh and Afro-Caribbean communities, particularly in the United Kingdom. Ballantyne contends that such cross-cultural encounters are central in defining Sikh identity both in Punjab and the diaspora.

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cover of Bodies in Contact: Rethinking Colonial Encounters in World History

Bodies in Contact

Rethinking Colonial Encounters in World History

Tony Ballantyne and Antoinette Burton, eds.

Duke University Press, 2005

From portrayals of African women’s bodies in early modern European travel accounts to the relation between celibacy and Indian nationalism to the fate of the Korean “comfort women” forced into prostitution by the occupying Japanese army during the Second World War, the essays collected in Bodies in Contact demonstrate how a focus on the body as a site of cultural encounter provides essential insights into world history. Together these essays reveal the “body as contact zone” as a powerful analytic rubric for interpreting the mechanisms and legacies of colonialism and illuminating how attention to gender alters understandings of world history. Rather than privileging the operations of the Foreign Office or gentlemanly capitalists, these historical studies render the home, the street, the school, the club, and the marketplace visible as sites of imperial ideologies.

Bodies in Contact brings together important scholarship on colonial gender studies gathered from journals around the world. Breaking with approaches to world history as the history of “the West and the rest,” the contributors offer a panoramic perspective. They examine aspects of imperial regimes including the Ottoman, Mughal, Soviet, British, Han, and Spanish, over a span of six hundred years—from the fifteenth century through the mid-twentieth. Discussing subjects as diverse as slavery and travel, ecclesiastical colonialism and military occupation, marriage and property, nationalism and football, immigration and temperance, Bodies in Contact puts women, gender, and sexuality at the center of the “master narratives” of imperialism and world history.

Contributors. Joseph S. Alter, Tony Ballantyne, Antoinette Burton, Elisa Camiscioli, Mary Ann Fay, Carter Vaughn Findley, Heidi Gengenbach, Shoshana Keller, Hyun Sook Kim, Mire Koikari, Siobhan Lambert-Hurley, Melani McAlister, Patrick McDevitt, Jennifer L. Morgan, Lucy Eldersveld Murphy, Rosalind O’Hanlon, Rebecca Overmyer-Velázquez, Fiona Paisley, Adele Perry, Sean Quinlan, Mrinalini Sinha, Emma Jinhua Teng, Julia C. Wells

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cover of Entanglements of Empire: Missionaries, Maori, and the Question of the Body

Entanglements of Empire

Missionaries, Maori, and the Question of the Body

Tony Ballantyne

Duke University Press, 2015

The first Protestant mission was established in New Zealand in 1814, initiating complex political, cultural, and economic entanglements with Māori. Tony Ballantyne shows how interest in missionary Christianity among influential Māori chiefs had far-reaching consequences for both groups. Deftly reconstructing cross-cultural translations and struggles over such concepts and practices as civilization, work, time and space, and gender, he identifies the physical body as the most contentious site of cultural engagement, with Māori and missionaries struggling over hygiene, tattooing, clothing, and sexual morality. Entanglements of Empire is particularly concerned with how, as a result of their encounters in the classroom, chapel, kitchen, and farmyard, Māori and the English mutually influenced each other’s worldviews. Concluding in 1840 with New Zealand’s formal colonization, this book offers an important contribution to debates over religion and empire.
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cover of Indigenous Textual Cultures: Reading and Writing in the Age of Global Empire

Indigenous Textual Cultures

Reading and Writing in the Age of Global Empire

Tony Ballantyne, Lachy Paterson, and Angela Wanhalla, editors

Duke University Press, 2020

As modern European empires expanded, written language was critical to articulations of imperial authority and justifications of conquest. For imperial administrators and thinkers, the non-literacy of “native” societies demonstrated their primitiveness and inability to change. Yet as the contributors to Indigenous Textual Cultures make clear through cases from the Pacific Islands, Australasia, North America, and Africa, indigenous communities were highly adaptive and created novel, dynamic literary practices that preserved indigenous knowledge traditions. The contributors illustrate how modern literacy operated alongside orality rather than replacing it. Reconstructing multiple traditions of indigenous literacy and textual production, the contributors focus attention on the often hidden, forgotten, neglected, and marginalized cultural innovators who read, wrote, and used texts in endlessly creative ways. This volume demonstrates how the work of these innovators played pivotal roles in reimagining indigenous epistemologies, challenging colonial domination, and envisioning radical new futures.

Contributors. Noelani Arista, Tony Ballantyne, Alban Bensa, Keith Thor Carlson, Evelyn Ellerman, Isabel Hofmeyr, Emma Hunter, Arini Loader, Adrian Muckle, Lachy Paterson, Laura Rademaker, Michael P. J. Reilly, Bruno Saura, Ivy T. Schweitzer, Angela Wanhalla
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cover of Moving Subjects: Gender, Mobility, and Intimacy in an Age of Global Empire

Moving Subjects

Gender, Mobility, and Intimacy in an Age of Global Empire

Edited by Tony Ballantyne and Antoinette Burton

University of Illinois Press, 2008

Moving Subjects is the first of its kind to make a case not simply for the necessity of a spatial analysis of imperial formations, but for the indispensability of an investigative approach that links space and movement with the domain of the intimate. Through careful archival research and a commitment to excavating the variety of "mobile intimacies" at the heart of imperial power, its agents, and its interlocutors, contributors offer new evidence and approaches for scholars engaged in capturing the historical nuances of imperial domination.

Contributors are Tony Ballantyne, Antoinette Burton, Adrian Carton, David Haines, Katherine Ellinghaus, Charlotte Macdonald, Michael A. McDonnell, Kirsten McKenzie, Michelle Moran, Fiona Paisley, Adele Perry, Dana Rabin, Christine M. Skwiot, Rachel Standfield, Frances Steel, Elizabeth Vibert, and Kerry Wynn.

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