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4 books match the query 'Bawdy songs'

cover of Blow the Candle Out: "Unprintable" Ozark Folksongs and Folklore, Volume II, Folk Rhymes and Other Lore

Blow the Candle Out

"Unprintable" Ozark Folksongs and Folklore, Volume II, Folk Rhymes and Other Lore

Vance Randolph

University of Arkansas Press, 1992

Collected in the field from 1915 through 1955, these tales and songs were considered by the publisher at the time to be too salacious for inclusion in Vance Randolph’s Ozark Folksongs. Randolph came to doubt that they would ever appear in print, and they did not in his lifetime.

<em>Roll Me in Your Arms</em>, Volume I of “Unprintable” Ozark Folksongs and Folklore, includes 180 unexpurgated songs collected by Randolph with tunes transcribed from the original singers. Volume II, <em><a href="https://wordpressua.uark.edu/uapress/product/blow-the-candle-out/">Blow the Candle Out</a></em>, contains rhymes and songs without music as well as other unexpurgated Ozark folk materials, including children’s lore, elements in speech, graffiti, riddles, dance calls, and beliefs. 

G. Legman’s painstaking and patient editing, annotating, and crossreferencing richly complement the Randolph collection. The result is a look into a previously neglected area in the study of folksong and folklore in the Ozarks and further evidence of Randolph’s preeminence in the field.

The late Vance Randolph lived in the Ozark Mountains from 1920 until his death in 1980. Although he taught folklore at the University of Arkansas in Fayetteville, he is best remembered for his many years of field research resulting in the national bestseller <em>Pissing in the Snow & Other Ozark Folktales</em> and more than a dozen other books on American folklore.
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cover of Dirty Jokes and Bawdy Songs: The Uncensored Life of Gershon Legman

Dirty Jokes and Bawdy Songs

The Uncensored Life of Gershon Legman

Susan G. Davis

University of Illinois Press, 2019

Collector of sexual folklore. Cataloger of erotica. Tireless social critic. Gershon Legman's singular, disreputable resume made him a counter-cultural touchstone during his forty-year exile in France. Despite his obscurity today, Legman’s prescient work and passion for the prurient laid the groundwork for our contemporary study of the forbidden.Susan G. Davis follows the life and times of the figure driven to share what he found in civilization's secret libraries. Self-taught and fiercely unaffiliated, Legman collected the risqué on street corners and in theaters and dug it out of little-known archives. If the sexual humor he uncovered often used laughter to disguise hostility and fear, he still believed it indispensable to the human experience. Davis reveals Legman in all his prickly, provocative complexity as an outrageous nonconformist thundering at a wrong-headed world while reveling in conflict, violating laws and boundaries with equal abandon, and pursuing love and improbable adventures. Through it all, he maintained a kaleidoscopic network of friends, fellow intellectuals, celebrity admirers, and like-minded obsessives.
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cover of Roll Me in Your Arms: "Unprintable" Ozark Folksongs and Folklore, Volume I, Folksongs and Music

Roll Me in Your Arms

"Unprintable" Ozark Folksongs and Folklore, Volume I, Folksongs and Music

Vance Randolph

University of Arkansas Press, 1992

Collected in the field from 1915 through 1955, these tales and songs were considered by the publisher at the time to be too salacious for inclusion in Vance Randolph’s Ozark Folksongs. Randolph came to doubt that they would ever appear in print, and they did not in his lifetime.

Roll Me in Your Arms, Volume I of “Unprintable” Ozark Folksongs and Folklore, includes 180 unexpurgated songs collected by Randolph with tunes transcribed from the original singers. Volume II, Blow the Candle Out, contains rhymes and songs without music as well as other unexpurgated Ozark folk materials, including children’s lore, elements in speech, graffiti, riddles, dance calls, and beliefs.

G. Legman’s painstaking and patient editing, annotating, and crossreferencing richly complement the Randolph collection. The result is a look into a previously neglected area in the study of folksong and folklore in the Ozarks and further evidence of Randolph’s preeminence in the field.

The late Vance Randolph lived in the Ozark Mountains from 1920 until his death in 1980. Although he taught folklore at the University of Arkansas in Fayetteville, he is best remembered for his many years of field research resulting in the national bestseller Pissing in the Snow & Other Ozark Folktales and more than a dozen other books on American folklore.

[more]
cover of The Erotic Muse: American Bawdy Songs

The Erotic Muse

American Bawdy Songs

Ed Cray

University of Illinois Press, 1992

Ever wanted to know the "correct" words to "Roll Me Over?" Wondered where the melody of "Sweet Betsy from Pike" came from? Ed Cray ranges from "The Cod Fish Song" to "Hallelujah I'm a Bum" in a tireless quest to answer such questions and restore bawdy to an esteemed place in our folk music canon. 

Extensively revised and including forty more songs than its predecessor, the second edition of The Erotic Muse is a unique collection of bawdy and even forbidden American folksongs. Cray presents the full texts of some 125 works with melodies for most and detailed annotations for all. In addition, he adds lively commentary that places the songs in historical, social, and, where appropriate, psychological context.

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